Karl Ferdinand Sohn
He was born in Berlin, started his studies at the age of eighteen under Wilhelm von Schadow, whom he followed to Düsseldorf. He treated principally mythical and poetic subjects of a highly romantic character, and painted in the mechanically idealistic manner of the Düsseldorf school.
He visited Italy (1830–1831) and adopted ideas from the works of the Venetians: Titian, Paolo Veronese, and Palma il Vecchio. In 1832, he was made professor in the Düsseldorf Academy, where he exercised an important influence.
Karl Ferdinand Sohn married on January 18, 1834 Emilie Auguste von Mülmann in Düsseldorf. They had five children. His two sons Paul Eduard Richard Sohn (1834–1912) and Karl Friedrich Rudolf Sohn (1845–1908) also grew up to be painters. The latter married Else Sohn-Rethel (1853–1933), daughter of the painter Alfred Rethel. Clara, his eldest daughter, was married to the German composer and conductor Albert Dietrich. His daughter Marie married the painter Karl Hoff (1838–1890). The painter Wilhelm Sohn (1830–1899), born in Berlin, was his nephew and student. He married his youngest daughter Emilie in 1861; by this his nephew have been as well his son-in-law. He painted at first biblical subjects, and then devoted himself to genre scenes, good in characterization and drawing and of great coloristic charm. Among these are: the Consultation at the Lawyer's (1866, Leipzig Museum) and the Warrior of the Seventeenth Century (1869, Dresden Gallery).
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This article incorporates text from a publication now in the public domain: Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "article name needed". New International Encyclopedia (1st ed.). New York: Dodd, Mead.