Karyn Hay

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Karyn Hay
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Karyn Hay, Wellington, April 2017
Born Auckland
Occupation Writer/Broadcaster
Nationality New Zealander

Karyn Hay (born 1959, Auckland) is a New Zealand author and broadcaster. She came to fame as the presenter of 1980s music TV show Radio with Pictures before going on to an extensive career in television and radio.[1]

Background[edit]

Hay grew up in the Thames Valley dairy factory town of Waitoa, near Te Aroha. She recalls it as “heartland New Zealand... There was this yearning all the time to break out of that." [2] She has only dim recollections of the 60s music TV shows.[3] She found her escape in the printed word, "... reading William Burroughs, Hermann Hesse, Jean-Paul Sartre… Coming from a town like Waitoa, that kind of literature was more expansive than any kind of drug.” [4]

Broadcasting[edit]

Inspired by "the thought of arguing for a living”,[5] Hay initially applied for law school but became a cadet with Radio New Zealand instead, beginning work at 1ZH in Hamilton as a copywriter. She worked as a copywriter at Radio Hauraki, and was the radio station's first female DJ.

Her television career began in 1981 when she wrote to Television New Zealand suggesting they might like a new presenter for alternative music show Radio with Pictures. Producer Peter Blake thought “she was right for the times...after the whole punk new wave thing, the music was changing, and the programme with it." [6]

It was too much change for some of the audience. She had a New Zealand accent in an era when BBC style received pronunciation was compulsory for New Zealand television presenters, and they were required to attend elocution lessons. She either refused to attend, or was let off. Hay was the first New Zealand television presenter to speak with a New Zealand accent.[7] Journalist Veronica Schmidt recalled that “although the BBC plum was no longer stuffed in every announcer’s mouth, appearing with an entirely raw Kiwi accent was still unheard of”.[8] Listener writer Diana Wichtel remembered her unreconstructed Kiwi vowels as "depending on your point of view, the end of civilization as we knew it or a breath of indigenous fresh air". For her part, Hay was unrepentant, telling the New Zealand Listener “I’m a New Zealander. I’m not ashamed of my New Zealand accent.”.[9]

Her stint with Radio with Pictures ran for five years.[10] She left in 1986, later recalling that, “Being a TV personality or whatever, celebrity just wasn’t me in a way…I didn’t want to be stuck.” [11]

Off-screen, she spearheaded a campaign to introduce a compulsory New Zealand music airplay quota for New Zealand radio. It resulted in a petition being presented to Parliament. New Zealand radio stations agreed to a voluntary quota of New Zealand music content.[12] She was the inaugural chair of the Auckland chapter of Women in Film and Television.

In 1987 Hay moved to London with partner Andrew Fagan, ex-lead singer of pop band The Mockers. The couple lived on a houseboat on the River Thames and had two children. It was here that she wrote her first novel Emerald Budgies.

She returned to television presenting in 2008 for Rocked the Nation and the 2015 documentary NZ Women in Rock.

Author[edit]

Emerald Budgies was described in the blurb as "a darkly comic tale of drug addiction and betrayal". It was first published in England, in 2000, under the nom de plume Lee Maxwell (her middle names). She had wanted to throw off her previous public image but, on the promotional tour that followed, she said she felt like an imposter in a spy movie. "I started thinking, maybe I don't want to be this new person, maybe it's not so bad being Karyn Hay." [13] Kate Camp described Emerald Budgies as ‘raw, thoughtful and very funny’.[14] Chris Knox said it 'was not for the queasy... Imagine 1980s Doris Lessing crossed with Bret Easton Ellis and you’re some way to imagining what this book reads like'.[15] For Denis Welch it was, “A relentlessly bleak — if extremely funny — vision of modern life with no redemption whatsoever for anyone anywhere . . . There are times when Emerald Budgies makes Trainspotting look like Rebecca of Sunnybrook Farm.’ [16] Emerald Budgies won the NZSA Hubert Church Best First Book Award for Fiction in the 2001 Montana Book Awards.[17] and Hay was awarded a Frank Sargeson Fellowship in 2004.[18]

Her second novel, The March of the Foxgloves, was published in New Zealand in 2016. Set in 1893, the book touches on the 19th century trade in erotic photography. A deluxe hardcover edition included photographs by fine-art photographer Vicky Papas Vergara, featuring Australian burlesque artist Miss Sina King. The March Of The Foxgloves reached No. 1 on the New Zealand fiction charts.

Dionne Christian, writing in the NZ Herald, called The March Of The Foxgloves “a funny, lively and energetic romp which delves into the underbelly of society" and that Hay “has paid close attention to the settings - London, Auckland and Tauranga - period details and historical events”.[19] Stephanie Jones found Hay “a sly and delightful wordsmith, a grand raconteur of the page, in whose hands historical fiction feels utterly current, even urgent” [20]

Novels[edit]

  • Emerald Budgies Auckland, New Zealand: Vintage, 2000. ISBN 1869414535.
  • The March of the Foxgloves Auckland, New Zealand: Esom House Press, 2016. ISBN 9780473365820.

Short Story Collections[edit]

  • The Picnic Virgin Edited by Emily Perkins. Wellington, New Zealand: Victoria University Press, 1999. ISBN 9780864733689
  • The Best of New Zealand Fiction Volume 2 Edited by Fiona Kidman. Auckland, New Zealand: Vintage, 2005. ISBN 1869417402
  • Home: New Short Stories by New Zealand writers Edited by Graeme Lay and Stephen Stratford. Auckland, New Zealand: Black Swan, 2005. ISBN 1869417410
  • Way Back Then, Before We Were Ten, New Zealand writers and childhood compiled and edited by Graeme Lay, Auckland, New Zealand: David Ling Publishing, 2009. ISBN 9781877378317

External links[edit]

See also[edit]

References[edit]

  1. ^ Hay, Karyn. "Biography". NZ On Screen. Available under a CC-BY-NC Licence. Retrieved 12 March 2017. 
  2. ^ Herkt, David (3 December 2016). "Karyn Hay: Still A Rebel". Your Weekend Magazine (Cover/Interview) Dominion Post, Christchurch Press, Waikato Times. Retrieved 12 March 2017. 
  3. ^ Stirling, Pamela (10 March 1984). "Who's That Girl". NZ Listener (Cover/Interview). p. 14. 
  4. ^ Schmidt, Veronica (11 July 2004). "Hayday". The Sunday Star-Times (Interview, Sunday pullout). p. 24. 
  5. ^ Schmidt, Veronica (11 July 2004). "Hayday". The Sunday Star-Times (Interview, Sunday pullout). p. 24. 
  6. ^ Stirling, Pamela (10 March 1984). "Who's That Girl". NZ Listener (Cover/Interview). p. 15. 
  7. ^ Harrop, Nicky (11 March 2017). "The Kiwi accent on screen". NZ Herald Weekend Rewind. Retrieved 5 April 2017. 
  8. ^ Schmidt, Veronica (11 July 2004). "Hayday". The Sunday Star-Times (Interview, Sunday pullout). p. 24. 
  9. ^ Stirling, Pamela (10 March 1984). "Who's That Girl". NZ Listener (Cover/Interview). p. 14. 
  10. ^ Smithies, Grant (27 March 2016). "Radio With Pictures: Forming the musical tastes of a generation". Retrieved 5 April 2017. 
  11. ^ Welch, Denis (28 October 2000). "Karyn Hay (Writer)". NZ Listener. p. 12. 
  12. ^ Cammick, Murray (4 May 2016). "John McCready part 3 - the CBS years". Audio Culture. Retrieved 5 April 2017. 
  13. ^ Schmidt, Veronica (11 July 2004). "Hayday". The Sunday Star-Times (Interview, Sunday pullout). p. 23. 
  14. ^ Camp, Kate (4 November 2000). "Emerald Budgies (review)". NZ Listener. p. 61. 
  15. ^ Knox, Chris (1 September 1999). "Not for the queasy". NZ Books. Retrieved 5 April 2017. 
  16. ^ Welch, Denis (28 October 2000). "Karyn Hay (Writer)". NZ Listener. p. 12. 
  17. ^ "Montana New Zealand Book Awards". Christchurch City Libraries. Retrieved 12 March 2017. 
  18. ^ "The Frank Sargeson Fellowship". Retrieved 13 March 2017. 
  19. ^ Christian, Dionne (21 January 2017). "An Energetic Romp (review)". NZ Herald Weekend Magazine. p. 14. 
  20. ^ Jones, Stephanie (5 December 2016). "Book Review". The Coast. Retrieved 28 March 2017.