Kate Borcherding

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Kate Borcherding
Born Mary Kate Borcherding
(1960-10-26) 26 October 1960 (age 54)
Palatine, Illinois, US
Nationality American
Education University of Wisconsin-Madison; Indiana University Bloomington, Master of Fine Arts
Known for Mixed media; Printmaking; Sculpture; Ceramics; Photography

Kate Borcherding (born October 26, 1960) is an American artist working in mixed media. Her artistic style is both neoclassical and postmodern. Her art mainly focuses on the human figure,[1] and is often psychological in nature with narratives expressed across multiple layers.

Two Heads Three Hands, 2009

Her print work is described as “direct, strongly graphic, sinewy and somewhat raw and rough images with a strong clear component of feeling in the content or depiction”.[2] Her ceramic work focuses on the creation of assemblages incorporating either the human form or a personification of an object. She makes use of visual symbols which she extracts and extends from the direct observation of an environment including important cultural, architectural or technological representations.[3] Projecting the object into the observers’ psychological space compels observers to “dive in” with their own humanity as an emotive participant in order to unfold the inner narrative of the art. Through this re-living of an inner world of an important period and place a universal moment from the past becomes alive.

Heaven's Emancipation from Baltimore's Half Moving Memories solo show Baltimore Clayworks, 2014

Themes among different media echo Borcherding's interest in understanding 'what it means to be human' whereby she often explores making invisible concepts visible: people in the act of thinking, narratives wherein something is hidden or revealed, and daily cycles of life against longer cycles of geologic or celestial time. By infusing the making of the art into the art,[2] she captures a specific ‘moment in time’ that contrasts deep rhythms and underlying forces. Her desire, conceptually parallel to different tempos of time outlined by historian Fernand Braudel, is to capture these human moments within the larger context of universal humanity.

Male Portrait with Sun

Borcherding’s site-specific environmental sculpture pushes the space relationship between object and observer even further so that the observer walks into and on the art.[4]

"Solstice Ellipse" from Memory Diaries Art Installation


Borcherding's long studio career is complemented with a commitment to art education which she fulfills through printmaking, ceramic and life drawing workshops. She is currently developing a drawing and anatomy curriculum for online education under the moniker “Art Team”.[3] She is also an art professor at Sam Houston State University,[5] where she has been employed since 1993. During the academic year she lives on a working horse and cattle ranch in Texas. Summers are enjoyed in and around Madison, Wisconsin.[3]

Awards and honors[edit]

  • 2015 John Michael Kohler Arts Center, Arts/Industry Residency - Foundry[6][7][8]
  • 2013 Third Place Award, Amarillo Museum of Art AMoA Biennial 600: Printmaking, Roundtable III[9]
  • 2013 Juror’s Award Winner, Artlink 33rd National Print Exhibition, Male Portrait with Red Background[10]
  • 2012 Visiting Artist Baltimore Clayworks, Half Moving Memories[11]
  • 2012 First Place Award, Valdosta National, Valdosta, Georgia Small Dream Small Truth[12][13]

Exhibitions and installations[edit]

  • 2015 "36th Annual Paper In Particular National Exhibition, a national juried exhibition, juror: Alida Fish, Sidney Larson Gallery, Columbia College, Coumbia, MO", Celebration II [14]
  • 2015 "30th Annual International Exhibition: an international juried exhibition", juror: James Pace, Department of Art and Art History, University of Texas at Tyler, Tyler, Texas", "The Ventriloquists Melancholia II" [15]
  • 2015 "Monumental Ideas/Intimate Scale: A National Juried Exhibition", Southeast Missouri State University, River Campus, Cape Girardeau, MO [16][17]
  • 2015 Americas 2015: Paperworks, international juried exhibition, juror: James Ehlers, Northwest Art Center, Harnett Hall Gallery, Minot State University, Minot, North Dakota Huntsville Evenings[18]
  • 2014 Baltimore Clayworks Solo Show, Baltimore Clayworks, Baltimore, Maryland Half Moving Memories [19]
  • 2014 Americas 2014: Paperworks, Minot State University, Minot, North Dakota Stay Team Stay[20]
  • 2014 Print Austin 2014, "The Contemporary Print", Huntsville Evenings[21][22]
  • 2013 Funding thru Kickstarter, Memory Diaries Environmental Sculpture[23]
  • 2013 Artlink 33rd National Print Exhibition, Female Portrait with Bottom Writing[10]
  • 2013 28th Annual International Exhibition, Department of Art and Art History, University of Texas at Tyler, Two Heads Pressing[24]
  • 2012 Americas 2012: Paperworks, Minot State University, Minot, North Dakota Female Portrait with Bottom Writing[25]
  • 2012 Americas 2012: Paperworks, Minot State University, Male Portrait with Red Background[25]
  • 2011 Americas 2011: Paperworks, Minot State University, What Does It Mean to Be Dead[26]
  • 2011 Americas 2011: Paperworks, Minot State University, Male Portrait with Sun [26]
  • 2011 Solo Exhibition: Brookhaven College Art Department,[27]


  1. ^ "Kate Borcherding: Developing Narrative Figurative Sculpture Wksp / November 15 & 16 / Baltimore Clayworks". Ceramic Arts Daily. 15 August 2014. Retrieved 6 March 2015. 
  2. ^ a b "Kate Borcherding (1993)". The Walter Darby Bannard Archive. Retrieved 6 March 2015. 
  3. ^ a b c "Kate Borcherding Workshop: WS05 –Developing Narrative Figurative Sculpture". Baltimore Clayworks. Retrieved 6 March 2015. 
  4. ^ Slattery, Sally (28 June 2013). "Kate Borcherding Stacks Stones for Memory Diaries Art Project". Peninsula Pulse. Retrieved 6 March 2015. 
  5. ^ "Kate Borcherding". Sam Houston State University. Retrieved 6 March 2015. 
  6. ^ https://www.facebook.com/ArtsIndustry
  7. ^ http://www.shsu.edu/academics/art/news/
  8. ^ http://www.jmkac.org/images/stories/ArtsIndustry/PDFDocuments/ai_bro_100b_forweb1.pdf
  9. ^ http://www.amarilloart.org/index.php?module=article&id=190
  10. ^ a b http://www.artlinkfw.com/wp-content/uploads/2012/10/print-catalog-33-website1.pdf page 5
  11. ^ http://www.baltimoreclayworks.org/artists/visiting_artists.html
  12. ^ http://ww2.valdosta.edu/art/documents/Val_Natl_Prosp_2013.pdf
  13. ^ http://ww2.valdosta.edu/art/galleryschedule12_13.shtml
  14. ^ https://web.ccis.edu/Departments/VisualArtsAndMusic/PaperInParticular.aspx
  15. ^ https://www.facebook.com/221130584608093/photos/ms.c.eJw1kMkNADEIAztacRgM~;Te2IiHP0diAIFqFHaHwLHwcLrMCs1uWycMel1sw~_eBjnH749rtKS0WjDquA4~_G2zB4vyeXu8V53n6rzeOnLZjre3jzznnuCftlFD6tehvrkJfMxtKT59iNj8o7dj568dW0~_~;DIeR08~;avNRc49V7z0p1~;v6BGa~_5nri~;FMoj~_d~;xv3n8PQh9pjX2w~_dUlRn.bps.a.749107941810352.1073741871.221130584608093/749107955143684/?type=1&theater
  16. ^ http://www.semissourian.com/story/2163803.html
  17. ^ http://news.semo.edu/monumental-ideasintimate-scale-a-national-juried-exhibition-opens-feb-2-in-art-gallery/
  18. ^ http://www.minotstateu.edu/nac/2xxx.shtml
  19. ^ http://baltimoreclayworks.org/exhibition/exhibition_gallery/14/Looking_at_Ourselves.html,
  20. ^ http://www.minotstateu.edu/nac/pw_2k_2014.shtml
  21. ^ http://issuu.com/aethermagazine/docs/specialedition2014/35
  22. ^ http://womenprintmakers.com/events.asp?v=participants&eventID=121
  23. ^ http://www.kickstarter.com/projects/1355374808/memory-diaries-art-installation-100-year-personal
  24. ^ https://www.facebook.com/photo.php?fbid=448485198539296&set=a.448484985205984.116561.221130584608093&type=3&theater
  25. ^ a b http://www.minotstateu.edu/nac/pw_2k_2012.shtml
  26. ^ a b http://www.minotstateu.edu/nac/pw_2k_2011.shtml
  27. ^ http://sgcinternational.org/wp-content/uploads/2011/11/SGCI-Fall-2011-Newsletter.pdf

External links[edit]