Kate Soper (composer)

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Kate Soper (born 1981) is a composer and vocalist, notable for her innovative treatment of the vocal mechanism. Her work as both a composer and performer explores the dramatic and affective qualities of the human voice, capitalizing on extended vocal and instrumental techniques. She was a recent Guggenheim Fellow as well as a 2012–13 fellow of the Radcliffe Institute for Advanced Study.[1] She was a finalist for the 2017 Pulitzer Prize in Music for her chamber opera, Ipsa Dixit.[2]


In addition to composing, Soper performs frequently as a new music soprano in her own works and the works of others, and many of her vocal works were developed with herself in mind as performer. Her compositional style has been deemed "exquisitely quirky" [3] with "seamless commingling of not only lines but of actual instrumentation and fingering with another player."[4]


Recent commissions for work as a performer/composer include a 2012 Guggenheim fellowship for a one-act opera with original libretto, Here Be Sirens; a Koussevitsky Commission for a music theatre work performed with Alarm Will Sound; and now is forever for soprano and orchestra from the American Composers Orchestra.[5][6][7]

Wet Ink[edit]

Since 2006, Soper has served as a co-director and vocalist for Wet Ink, a New York-based new music ensemble founded in 1998 and dedicated to the presentation of programs of new music, with a focus on creating, promoting, and organizing American music. In addition to a New York concert season featuring many of the city's freelancers, Wet Ink performs as a septet consisting of a core group of composer-performers that collaborate in a band-like fashion, writing, improvising, preparing, and touring pieces together over long stretches of time. Alongside fellow composer/directors Alex Mincek (saxophone/founding member), Sam Pluta (electronics), Eric Wubbels (piano), and performers Ian Antonio (percussion), Erin Lesser (founding member, flute), and Josh Modney (violin), Soper frequently tours, performs with, and writes for the Wet Ink Ensemble. Her large-scale monodrama for the group, Voices from the Killing Jar, was released on Carrier Records in 2014.[8][5]

Awards and fellowships[edit]

List of works[edit]


  • Now is forever (soprano and orchestra), 2012–2013
  • The Crito (soprano and percussion), 2012
  • Only the words themselves mean what they say (soprano and flute), 2010–2011
  • cipher (soprano and violin), 2011–12[13]
  • Nadja (soprano and string quartet), upcoming 2013
  • Voices from the Killing Jar (voice, flute, sax/clarinet, piano, violin/trumpet, piano, electronics), 2010–12
  • Helen Entfettered (soprano, mezzo-soprano, clarinet, trumpet, piano, violin, viola, cello, contrabass), 2009[14]
  • Door (voice, flute, saxophone, electric guitar, accordion), 2007
  • Songs for Nobody (two sopranos and alto), 2006
  • What you think of in the city (baritone, viola, cello), 2002
  • Ipsa Dixit (voice, violin, flute, percussion), 2016[15]


  • Entre les Calanques (orchestra; original chamber version with flute, cello, bassoon, two horns, three violins, three violas, two cellos, two contrabasses), 2010
  • Nine Rakes (wind orchestra), 2007
  • The door in the wall (flute, oboe, two clarinets, bassoon, horn, trumpet, tn, piano, two percussionist, two violins, viola, cello, contrabass), 2011, revised 2012
  • What makes it go (flute, oboe, two clarinets, bassoon, horn, trumpet, tn, piano, percussion, two violins, viola, cello, contrabass; original version with three violins, three violas, three cellos, three contrabasses) 2010, original version 2008
  • As the Crow Flies (flute, clarinet, two saxophones, horn, trumpet, trombone, electric guitar, accordion, piccolo, violin, viola, cello, contrabass), 2007
  • Didcas (brass septet), 2006
  • Crosshatch (flute, clarinet, horn, trumpet, trombone, piccolo, violin, viola, cello, contrabass), 2005
  • In the Reign of Harad IV (amplified percussion trio), upcoming, 2013
  • Wolf (piano four hands and two percussionists), 2010
  • The Sleep Side (clarinet, trumpet, piano, and percussion), 2010
  • I had a Slow Thought on a Hard Day (alto saxophone and accordion), 2008
  • Into that World Inverted (horn and piano), 2006, revised 2010
  • Purl (flute and percussion), 2006
  • Knock (solo percussion), 2006


  • I Was Here I Was I (singers and chamber orchestra), 2014
  • Here be Sirens (three voices, piano), 2014


  • Five One-liners (tape), 2003


  1. ^ "Kate Soper's Official Website".
  2. ^ .Pulitzer.org (2017). "Finalist: Ipsa Dixit, by Kate Soper". Retrieved 26 May 2017.
  3. ^ Kozinn, Allan (June 17, 2010). "Where Composers Lend Their Voices". The New York Times. Retrieved November 21, 2012.
  4. ^ Grella, George (June 12, 2012). "The Product of One's Own Hands". Classical TV Blog. Archived from the original on January 19, 2013. Retrieved November 22, 2012.
  5. ^ a b Yeh, Molly (20 January 2014). "Q2 Music Album of the Week : Kate Soper Probes Female Captivity in 'Voices from the Killing Jar'". WXQR. Retrieved 26 May 2017.
  6. ^ NewMusicBox (5 April 2013). "Koussevitzky Commission Winners Announced". Retrieved 26 May 2017.
  7. ^ Stearns, David Patrick (22 January 2013). "Composer Kate Soper: She is her own Eurydice (and Orpheus)". The Arts Journal.
  8. ^ Meyer, Bill (January 2017). "Wet Ink Ensemble". Chicago Reader. Retrieved 26 May 2017.
  9. ^ Radcliffe Institute for Advanced Study. Fellows: Kate Soper. Retrieved 3 December 2012.
  10. ^ John Simon Guggenheim Memorial Foundation. Fellows: Kate Soper. Retrieved 3 December 2012.
  11. ^ The Lili Boulanger Memorial Fund at the University of Massachusetts 2010. Current Winner: Kate Soper. Retrieved 3 December 2012.
  12. ^ Fromm Music Foundation. Past winners Archived 2014-08-27 at the Wayback Machine. Retrieved 3 December 2012.
  13. ^ Kozinn, Allan (29 January 2012). "New Music Opens a New Hall in a Venerable Building". The New York Times. Retrieved 3 December 2012.
  14. ^ Kozinn, Allan (12 May 2009). "Composers and Performers, Together as Creators". The New York Times. Retrieved 3 December 2012.
  15. ^ Ross, Alex (27 February 2017). "Kate Soper’s Philosophy-Opera". The New Yorker. Retrieved 26 May 2017