Signed portrait of Hasui Kawase, 1939
|Born||18 May 1883|
|Died||7 November 1957(aged 74)|
From youth Hasui wanted dreamed of an art career, but his parents had him take on the family rope and thread wholesaling business. Its bankruptcy when he was 26 freed him to pursue art. He approached Kiyokata Kaburagi to teach him, but Kaburagi instead encouraged him to study Western-style painting, which he did with Okada Saburōsuke for two years. Two years later he agained applied as a student to Kaburagi, who this time accepted him.
After seeing an exhibition of Shinsui Itō's Eight Views of Lake Biwa Hasui approached Shinsui's publisher Shōzaburō Watanabe, who had Hasui make three experimental prints that Watanabe published in August 1918. The series Twelve Views of Tokyo, Eight Views of the Southeast, and the first Souvenirs of Travel of 16 prints followed in 1919, each issued two prints at a time.
Hasui's twelve-print A Collection of Scenes of Japan begun in 1922 went unfinished when the 1923 Great Kantō earthquake destroyed Watanabe's workshop, including the finished woodblocks for the yet-undistributed prints and Hasui's sketchbooks. Hasui travelled the Hokuriku, San'in, and San'yō regions later in 1923 and upon his return in February 1924 developed his sketches into his third Souvenirs of Travel series.
Kawase studied ukiyo-e and Japanese style painting at the studio of Kiyokata Kaburagi. He mainly concentrated on making watercolors of actors, everyday life and landscapes, many of them published as illustrations in books and magazines in the last few years of the Meiji period and early Taishō period.
During the forty years of his artistic career, Hasui worked closely with Shōzaburō Watanabe, publisher and advocate of the shin-hanga movement. His works became widely known in the West through American connoisseur Robert O. Muller (1911–2003). In 1956, he was named a Living National Treasure in Japan.
Kawase worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during travels around Japan. However, his prints are not merely meishō (famous places) prints that are typical of earlier ukiyo-e masters such as Hiroshige and Katsushika Hokusai (1760-1849). Kawase's prints feature locales that are tranquil and obscure in urbanizing Japan.
Hasui considered himself a realist and employed his training in Western painting in his compositions. Like Hiroshige he made travel and landscape prints, though his subjects were less known locations rendered with naturalistic light, shade, and texture, without the captions and titles that were standard in prints of Hiroshige's age.
Kawase left a large body of woodblock prints and watercolors. Many of the watercolors are linked to the woodblock prints, he also produced oil paintings, traditional hanging scrolls and a few byōbu (folding screens).
In the West, Kawase is mainly known as a Japanese woodblock printmaker. He and Hiroshi Yoshida are widely regarded as two of the greatest artists of the shin-hanga style, and are known especially for their landscape prints.
- Twelve Scenes of Tokyo (1919–1921)
- Selections of Scenes of Japan (1922–1926)
- Snow at Zojo Temple (1953)
- Hall of the Golden Hue, Hiraizumi (1957; Kawase's final work)
About dating of the prints: Many of them are reprinted 1960 after Kawase's death. (In Japan, it is unusual to number the prints, e.g. "5th of 100".)
- Brown, Kendall and Newland, Amy Reigle. Kawase Hasui: the Complete Woodblock Prints. Amsterdam: Hotei Publishing, 2003.
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