Kay Gardner (composer)

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Kay Gardner
Kaygardner-composer.jpg
Born(1940-02-08)February 8, 1940
DiedAugust 28, 2002(2002-08-28) (aged 62)
Notable work
Sounding the Inner Landscape: Music as Medicine (1990, book); Ouroboros: Seasons of Life—Women's Passages (1994, oratorio)
Partner(s)Colleen Fitzgerald
Awards
Websitekaygardner.com

Kay Gardner (February 8, 1940 - August 28, 2002), also known as Cosmos Wonder-Child,[1] was an American musician, composer, author, and Dianic priestess known for using music for creative and healing purposes. She was very active in promoting the work of contemporary female musicians and was a pioneering figure in women's music.

Biography[edit]

Born in Freeport, New York,[2] Gardner wrote and performed her first piano composition at the age of four. When she was eight, she began learning how to play the flute.[3] She subsequently went on to gain performance experience in chamber, orchestral, and vocal music. Gardner composed works for flute, piano, chamber ensemble, orchestra, and choir. She is considered a founding foremother of women's music. She sued the Bangor Symphony Orchestra for sex discrimination because during their search for a new music director, they asked orchestra members if they could "tolerate a woman" as a conductor.[4]

She started her own independent record label, Even Keel Records, and produced 17 albums - both of her own music and the work of others. In 1974, Gardner and Alix Dobkin recorded and produced a nationally distributed album with explicitly lesbian-feminist lyrics (Lavender Jane Loves Women, Women’s Wax Works).[5] With her first recording, Mooncircles (featuring Meg Christian), released in 1975, she pioneered the field of sound healing;[1] her 1990 book Sounding the Inner Landscape: Music as Medicine was later used in medical schools.[6] She was initiated into Dianic Wicca by Z. Budapest in 1975.[7] In 1977, Kay Gardner wrote her first piece for orchestra ("Rain Forest"), and conducted the premiere (her conducting debut) the following year at the National Women’s Music Festival in Champaign-Urbana, Illinois, with Antonia Brico in attendance.

Between 1976 and 1984, Gardner worked on A Rainbow Path, a large musical composition designed for meditation on the eight energy centers, or chakras, of the human organism. She conducted a women's music orchestra production of it in 1988 at the National Women's Music Festival. Gardner also co-founded the New England Women’s Symphony.[8] In 1980 she helped produce a recording of a performance of the New England Women's Symphony performing music by women composers and conducted by several women. The album was produced and distributed by Galaxia Records. She wrote Ouroboros: Seasons of Life—Women's Passages, a Neopagan oratorio. Written between 1992 and 1994, it was produced by Ladyslipper Records and recorded by an all-female group for the 1994 National Women's Music Festival. Ouroboros: Seasons of Life musically portrays a woman's life cycle from birth to death using Neopagan symbols and imagery. The Triple Goddess aspects of Maiden, Mother, and Crone are prominently featured, as are the four seasons and Neopagan holidays.

Gardner was a choir director, radio personality, women's spirituality priestess, and a staff writer for HOT WIRE: The Journal of Women's Music and Culture. She is credited with envisioning the Acoustic Stage venue at the Michigan Womyn's Music Festival (with cellist Rachel Alexander), as well as founding and directing the Women With Wings sacred singing circle.[9] She received the Maryanne Hartmann Award in 1995 and an honorary Doctor in fine Arts from the University of Maine.[10][11]. She died of a heart attack on August, 28 2002[7].

Music[edit]

Chamber Works (published by Sea Gnomes Music)[edit]

  • Romance
  • Touching Souls
  • Crystal Bells (1976)
  • Lunamuse
  • Mooncircles (1975, Urana Records/Wise Women Enterprises, distributed by Olivia Records)
  • Prayer to Aphrodite
  • Atlantis Rising
  • The Rising Sun: Variations on an American Blues Theme
  • The Seasons
  • Winter Night, Gibbous Moon: Saga for Eleven Flutes
  • Vocalise (on Bach's Prelude in C-minor)
  • Earth Shadows for Bassoon & Chamber Ensemble
  • Viriditas
  • North Coast Nights
  • Rondo
  • Sailing Song
  • Women at the Lakeside
  • A Rainbow Path (Ladyslipper Records, 1984)

Orchestral Works[edit]

  • Lament for the Thousands (2001)
  • Century March
  • Rainforest (1978, for chamber orchestra; recorded by the Bournemouth Sinfonietta, Leonarda Records)
  • The Rising Sun: Variations on an American Blues Theme (1981)
  • Night Chant (1979)
  • Prayer to Aphrodite
  • The Greenwood
  • Quiet Harbor
  • Women's Orchestral Works performed by the New England Women's Symphony (produced and distributed by Galaxia Records)

Oratorio and Opera[edit]

Choral Works (Mixed Chorus)[edit]

  • Aquarian Anthem (text: Kay Gardner)
  • Time is But the Stream... (text: Henry David Thoreau)
  • Stopping By Woods (text: Robert Frost)
  • Beloved Presence (text: Mohammed Hafiz)
  • Three Sumerian Hymns (for chorus & large ensemble)
  • Affirmation: A Benediction (text: The Upanishads)
  • Mary Had a Baby (Traditional Spiritual)
  • The Banshee Song (text: Kay Gardner)
  • Lucina's Light: A Yuletide Pageant/Cantata (Women's Chorus)
  • When We Made the Music (text: Kay Gardner)
  • The Rootwomen (text: J. Goldspinner)
  • A Creed for Free Women (text: Elsa Gidlow)
  • Dancing (text: Susan Griffin)
  • Song of the Dying Amazon (text: Shirley Tannenbaum)
  • The Spider and the Fly (text: Mary Howitt)
  • Charge of the Star Goddess (text: Traditional)

Solo Instrumental Works[edit]

  • A River Sings (for solo cello)
  • The Elusive White Roebuck (for horn & piano)
  • Moonflow (on Beethoven's Moonlight Sonata; for flute & piano)
  • Innermoods (for flute & guitar)
  • Seven Modal Improvisations (piano with any instrument/s)
  • Mariachi (for marimba)
  • Travelin' (for guitar)
  • Thou Little Tiny Child (piano arrangement of The Coventry Carol)

Solo Vocal Works[edit]

With Lavender Jane[edit]

  • Lavender Jane Loves Women (1973, with Alix Dobkin and Patches Attom)

Written works[edit]

  • Music as Medicine: The Art & Science of Healing With Sound (9-hour lecture series on tape; Sounds True)
  • Sounding the Inner Landscape: Music as Medicine (1990, ISBN 9780962720031)

Further reading[edit]

  • LePage, Jane Weiner (1983). "Kay Gardner". Women composers, conductors, and musicians of the twentieth century : selected biographies. 2. Metuchen, N.J.: Scarecrow Press. pp. 92–117. ISBN 978-0810812987. OCLC 6087371.
  • Harvey, Gene. "Kay Gardner". Musical Soundscapes. Retrieved 2019-02-11.
  • Doyle, JD. "Kay Gardner". Queer Music Heritage. Retrieved 11 February 2019.

References[edit]

  1. ^ a b Fitzpatrick, Rob (2013-05-29). "The 101 strangest records on Spotify: Kay Gardner – Mooncircles". The Guardian. ISSN 0261-3077. Retrieved 2019-02-11.
  2. ^ Sadie, Julie Anne; Samuel, Rhian (1995). The Norton/Grove Dictionary of Women Composers. W. W. Norton & Company. p. 182. ISBN 9780393034875.
  3. ^ Marini, Stephen A. (2003). Sacred Song in America: Religion, Music, and Public Culture. University of Illinois Press. pp. 171–182. ISBN 9780252028007.
  4. ^ Hyde, Christopher (2012-06-17). "CLASSICAL BEAT: Festival includes tribute to great female composers". Press Herald. Retrieved 2019-02-11.
  5. ^ "Kay Gardner dies - Gay Lesbian Bi Trans News Archive". Windy City Times. Retrieved 2019-02-11.
  6. ^ Roma, Catherine (1997). "The healing muse: An interview with Kay Gardner". Contemporary Music Review. 16 (1–2): 99–104. doi:10.1080/07494469700640111. ISSN 0749-4467.
  7. ^ a b Barrett, Ruth (September 2002). "Kay Gardner". WitchVox. Retrieved 2019-02-11.
  8. ^ "KAY LOUISE GARDNER". Bangor Daily News. August 30, 2002. Retrieved 2019-02-11.
  9. ^ Saucier, Roxanne Moore (August 30, 2002). "Groundbreaking Bangor musician dies". Bangor Daily News. Retrieved 2019-02-11.
  10. ^ "Maryann Hartman Awards Recipients". University of Maine. Retrieved 2019-02-11.
  11. ^ "All-American program set for BSO season opener". Bangor Daily News. Retrieved 2019-02-11.

External links[edit]