Kevin Carter

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For other people named Kevin Carter, see Kevin Carter (disambiguation).
Kevin Carter
KevinCarter.jpg
Born (1960-09-13)13 September 1960
Johannesburg, South Africa
Died 27 July 1994(1994-07-27) (aged 33)
Johannesburg, South Africa
Occupation Photojournalist

Kevin Carter (13 September 1960 – 27 July 1994) was a South African photojournalist and member of the Bang-Bang Club. He was the recipient of a Pulitzer Prize for his photograph depicting the 1993 famine in Sudan. He committed suicide at the age of 33. His story is depicted in the 2010 feature film The Bang-Bang Club, in which he was played by Taylor Kitsch.

Early life[edit]

Kevin Carter was born in Johannesburg, South Africa. Carter grew up in a middle-class, whites-only neighborhood. As a child, he occasionally saw police raids to arrest blacks who were illegally living in the area. He said later that he questioned how his parents, a Catholic, "liberal" family, could be what he described as 'lackadaisical' about fighting against apartheid.[1]

After high school, Carter dropped out of his studies to become a pharmacist and was drafted into the army. To escape from the infantry, he enlisted in the Air Force in which he served four years. In 1980, he witnessed a black mess-hall waiter being insulted. Carter defended the man, resulting in him being badly beaten by the other servicemen. He then went AWOL, attempting to start a new life as a radio disk-jockey named "David". This, however, proved more difficult than he had anticipated. Soon after, he decided to serve out the rest of his required military service. After witnessing the Church Street bombing in Pretoria in 1983, he decided to become a news photographer and journalist.[1]

Early work[edit]

Carter had started to work as a weekend sports photographer in 1983. In 1984, he moved on to work for the Johannesburg Star, bent on exposing the brutality of apartheid.

Carter was the first to photograph a public execution "necklacing" by black Africans in South Africa in the mid-1980s. Carter later spoke of the images: "I was appalled at what they were doing. But then people started talking about those pictures... then I felt that maybe my actions hadn't been at all bad. Being a witness to something this horrible wasn't necessarily such a bad thing to do."[2]

Prize-winning photograph in Sudan[edit]

Carter's Pulitzer Prize-winning photograph, March 1993

In March 1993, while on a trip to Sudan, Carter was preparing to photograph a starving toddler trying to reach a feeding center when a hooded vulture landed nearby. Carter reported taking the picture, because it was his "job title", and leaving. He was told not to touch the children for fear of transmitting disease. After taking the picture, he got up and chased the vulture away.[3][clarification needed]

Sold to The New York Times, the photograph first appeared on 26 March 1993 and was carried in many other newspapers around the world. Hundreds of people contacted the newspaper to ask the fate of the girl. The paper reported that it was not known whether she had managed to reach the feeding centre. In April 1994, the photograph won the Pulitzer Prize for Feature Photography.[3]

Alternative account[edit]

João Silva, a Portuguese photojournalist based in South Africa who accompanied Carter to Sudan, gave a different version of events in an interview with Japanese journalist and writer Akio Fujiwara that was published in Fujiwara's book The Boy who Became a Postcard (絵葉書にされた少年 Ehagaki ni Sareta Shōnen?).[4]

According to Silva, he and Carter travelled to Sudan with the United Nations as part of Operation Lifeline Sudan and landed in Southern Sudan on 11 March 1993. The UN told them that they would take off again in 30 minutes (the time necessary to distribute food), so they ran around looking to take shots. The UN started to distribute corn and the women of the village came out of their wooden huts to meet the plane. Silva went looking for guerrilla fighters, while Carter strayed no more than a few metres from the plane.

Again according to Silva, Carter was quite shocked as it was the first time that he had seen a famine situation and so he took many shots of the suffering children. Silva also started to take photos of children on the ground as if crying, which were not published. The parents of the children were busy taking food from the plane, so they had left their children only briefly while they collected the food. This was the situation for the girl in the photo taken by Carter. A vulture landed nearby with its eyes on the little girl. To get the two in focus, Carter approached the scene very slowly so as not to scare the vulture away and took a photo from approximately 10 metres (33 ft). Carter took approximately twenty minutes to take the photo, wanting the best shot possible. He then took a few more photos before chasing the bird away.

Two Spanish photographers who were in the same area at that time, José María Luis Arenzana and Luis DaVilla, and without knowing the photograph of Kevin Carter, took a picture in a similar situation. As recounted on several occasions, it was a feeding center, and the vultures came from a manure waste pit.

However, Arenzana argued that although the photo was near a feeding center and the particular child in Carter's photo may not have been in mortal peril, that does not mean Carter's photo is a total lie.

“It is certain that this photography is of great impact and leaves no one indifferent, but it made many people raise stupid questions. If you cut away a piece of reality and you isolate it, you’re able to either be expressing reality or not expressing reality. And in this case, that which is expressed in the photo is a pretty good reflection of that which happened and is currently happening, there in Sudan. Photography has an enormous power over the viewers, and it has to be like that in order to reflect the horrible reality.”[5]

Other work[edit]

In March 1994 Carter took a photograph of the three Afrikaner Weerstandsbeweging members being shot during their abortive invasion of Bophuthatswana just before the South African election. Halfway through the incident, Carter ran out of film, but still got enough pictures to supply newspapers around the world. Eamonn McCabe of The Guardian said: "It was a picture that made nearly every front page in the world, the one real photograph of the whole campaign."[6]

Death[edit]

On 27 July 1994 Carter drove his way to Parkmore near the Field and Study Center, an area where he used to play as a child, and committed suicide by taping one end of a hose to his pickup truck’s exhaust pipe and running the other end to the driver's side window. He died of carbon monoxide poisoning at the age of 33. Portions of Carter's suicide note read:

"I'm really, really sorry. The pain of life overrides the joy to the point that joy does not exist... depressed ... without phone ... money for rent ... money for child support ... money for debts ... money!!! ... I am haunted by the vivid memories of killings and corpses and anger and pain ... of starving or wounded children, of trigger-happy madmen, often police, of killer executioners ... I have gone to join Ken if I am that lucky."[3]

Cultural depictions[edit]

  • A documentary titled The Death of Kevin Carter: Casualty of the Bang Bang Club was nominated for an Academy Award in 2006.
  • South Wales band Manic Street Preachers recorded the song "Kevin Carter" about him for their 1996 album Everything Must Go.
  • There is a song titled "Kevin Carter" on Band of Angels, the 1996 album of Martin Simpson and Jessica Ruby Simpson.
  • Poets and Madmen by heavy metal band Savatage is a loose concept-album based on a fictitious investigation of his legacy.
  • Mark Danielewski's novel House of Leaves attributes a prize-winning photograph, based on that of Carter, to the novel's protagonist, Will Navidson. Within the confines of the novel, the starving Sudanese child is named Delial by Navidson. The story describes a photo similar to Carter's Pulitzer Prize-winning image, with footnotes directly referring to Carter and his suicide.
  • Masha Hamilton's 2004 novel The Distance Between Us mentions Carter and is dedicated to "Kevin Carter and journalists everywhere who put their bodies and their souls on the line to cover war."
  • Chilean born visual artist Alfredo Jaar presented Carter's story and his Pulitzer Prize-winning photograph in the work The Sound of Silence, a cinematic video installation presented in his Politics of the Image exhibition at the South London Gallery in 2008. The narration goes on to tell about the life of the photograph after the death of its author.
  • In 2010, he was played by Taylor Kitsch in the film The Bang-Bang-Club.
  • The Canadian indie rock band Blinker the Star mentions Carter's death in their song "Still in Rome," from their 2003 album of the same name.

References[edit]

  1. ^ a b Marinovich, Greg; Joao, Silva (2000). The Bang-Bang Club: Snapshots from a Hidden War. William Heinemann. pp. 39–41. ISBN 0-434-00733-1. 
  2. ^ First draft by Tim Porter – "Covering war in a free society"
  3. ^ a b c MacLeod, Scott (12 September 1994). "The Life and Death of Kevin Carter". TIME Domestic (Johannesburg) 144 (11). Retrieved 27 October 2015. (subscription required (help)). 
  4. ^ Fujiwara, A. (2005) The boy who became a postcard, Ehagakini Sareta Shōnen, ISBN 4-08-781338-X
  5. ^ Rosado, José (21 March 2007). "La otra foto que no ganó el Pulitzer". Periodista Digital. Periodista Digital. Retrieved 18 May 2016. 
  6. ^ Eamonn McCabe (30 July 2014). "Photojournalist Kevin Carter dies - obituary: from the archive, 30 July 1994; Media". The Guardian. Retrieved 27 October 2015. 

Further reading[edit]

  • The Death of Kevin Carter: Casualty of the Bang Bang Club, HBO documentary. 17 August 2006,
  • Marinovich, Greg; Silva Joao (2000). The Bang-Bang Club Snapshots from a Hidden War. William Heinemann. ISBN 0-434-00733-1. 
  • Fujiwara, Akio, The Boy who became a postcard ("Ehagakini Sareta Shōnen"), 2005, ISBN 4-08-781338-X

External links[edit]