Khatam

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For the administrative subdivision of Iran, see Khatam County.
Detail of an Iranian jewel box decorated by khatam.

Khātam (Persian: خاتم‎‎) is an ancient Persian technique of inlaying. It is a version of marquetry where art forms are made by decorating the surface of wooden articles with delicate pieces of wood, bone and metal precisely-cut intricate geometric patterns. Khatam-kari (Persian: خاتم‌کاری‎‎) or khatam-bandi (Persian: خاتم‌بندی‎‎) refers to the art of crafting a khatam. Common materials used in the construction of inlaid articles are gold, silver, brass, aluminum and twisted wire.

Design and construction[edit]

Designing of inlaid articles is a highly elaborate process. There are sometimes more than 400 pieces per square inch in a work of average quality.[1] In each cubic centimeter of inlaid work, up to approximately 250 pieces of metal, bone, ivory and different kinds of wood are laid side by side, glued together in stages, smoothed, oiled and polished. Inlaid articles in the Safavid era took on a special significance as artists created their precious artworks. Woods used include betel, walnut, cypress and pine. These works include doors and windows, mirror frames, Quran boxes, inlaid boxes, pen and penholders, lanterns and shrines.[2][3]

Examples[edit]

A simple Khatam marquetry box decorated with geometric patterns of triangles and 6-point stars on its sides, and a floral design on its lid

The ornamentation of the doors of holy places predominantly consists of inlaid motifs. Samples of these can be observed in the cities of Mashhad, Qom, Shiraz and Rey. In the Safavid era, the art of marquetry flourished in the southern cities of Iran, especially in Isfahan, Shiraz and Kerman. The inlaid-ornamented rooms at the Saadabad Palace and the Marble Palace in Tehran are among masterpieces of this art.

Current status[edit]

Khatam is practiced in Isfahan, Shiraz and Tehran. The art of inlaid and sudorific woodwork is undertaken in the workshops of the Cultural Heritage Organization of Iran, as well as in private workshops.

Bagher Hakim-Elahi (ﺑﺍﻗﺮﺤﻛﻴﻢﺍﻠﻬﻰ) was a master of this art, and learned the techniques from Master Sanee Khatam in Shiraz. Later in life, he moved to Tehran, and continued making Khatam master pieces, currently in museums in Iran. He also taught the art to his younger brother Asadolah Hakim-Elahi (ﺍﺴﺪﷲ ﺤﻛﻴﻢﺍﻠﻬﻰ). Both are now deceased.

References[edit]

  1. ^ Smith, C. S. (1967). Materials. Scientific American, 69.
  2. ^ Burke, Andrew (15 September 2010). Iran. Lonely Planet. p. 70. ISBN 978-1-74220-349-2. 
  3. ^ Shojanoori, Nikoo (2014). "A Background of Khatam Art". European Online Journal of Natural and Social Sciences. 3 (4. Special I ssue on Architecture, Urbanism, and Civil Engineering).