Kill the Irishman
|Kill the Irishman|
Theatrical release poster
|Directed by||Jonathan Hensleigh|
|Based on||To Kill the Irishman: The War That Crippled the Mafia
by Rick Porrello
|Music by||Patrick Cassidy|
|Cinematography||Karl Walter Lindenlaub|
|Edited by||Douglas Crise|
|Distributed by||Anchor Bay Films|
|Box office||$1.19 million|
Kill the Irishman (alternatively known as Bulletproof Gangster) is a 2011 American biographical crime film directed by Jonathan Hensleigh, and starring Ray Stevenson, Vincent D'Onofrio, Christopher Walken, and Val Kilmer. Written by Hensleigh (along with Jeremy Walters), it is based on the life of Irish-American gangster Danny Greene, and was adapted from the book To Kill the Irishman: The War That Crippled the Mafia by Rick Porrello.
Before entering production, Kill the Irishman had a troubled development stage that lasted over a decade. Production commenced in 2009, with filming taking place in and around Detroit. The film chronicles the rise and fall of Danny Greene. He worked as a longshoreman in the Cleveland docks, until being chosen to serve as interim president in 1961. In 1964, he was convicted of embezzling $11,500 of the union's funds. After his conviction, Greene rose through the criminal underworld in Cleveland, and waged war on the mafia for control of the city. After many failed attempts, Greene was assassinated on October 6, 1977 by contract killer Ray Ferritto. His death ultimately led to the demise of the Cleveland mafia.
Released in the United States on March 11, 2011, Kill the Irishman premiered at the Landmark Sunshine Cinema in New York City. Most of the cast, including Stevenson and D’Onofrio, were in attendance. Shondor Birns' niece was also present. The film was met with mixed-positive reviews upon release, but some criticized the purported similarities to Martin Scorsese's Goodfellas. Kill the Irishman grossed $1,188,194 at the domestic box office, against a production budget of $12 million.
- 1 Plot
- 2 Cast
- 3 Development
- 4 Pre-production
- 5 Production
- 6 Post-production
- 7 Release
- 8 Soundtrack
- 9 Historical accuracy
- 10 References
- 11 Bibliography
- 12 External links
In 1960, Danny Greene is a union worker at the Cleveland docks. Despite union rules, the workers are exploited by their boss, Jerry. As a result of gambling, Art owes a large amount of money to John Nardi. He asks Greene for help, so Greene visits Nardi and makes him an offer to deal with the debt. Nardi accepts the deal. Jerry warns Greene not to oppose him in the union's upcoming election, and demands half of what Greene has earned from his deal with Nardi. After failing to kill Greene, Jerry loses the union's election. As the new president, Greene improves the working conditions at the docks. He also marries his girlfriend Joan.
After doing business with Nardi and other Mafioso figures, Greene is arrested by Joe Manditski, on charges of grand larceny and labor racketeering. After paying his lawyers, Greene is left bankrupt and facing ten years in prison. Federal police then offer him a deal: in exchange for becoming an informant, the charges against him will be dropped. Greene accepts the deal and gives monthly tip-offs. He then becomes an enforcer for loan shark Alex "Shondor" Birns. During a meeting with Jack Licavoli, Greene and Nardi agree to persuade the garbage men of Cleveland to join the union. To do this, Greene hires Keith Ritson for muscle. They visit Mike Frato’s house, but Frato refuses to join a union. Because of this, Greene considers killing him.
After accruing another large gambling debt, Art decides to become an informant. Greene then kills Art by blowing up Frato’s car. Frato mistakenly assumes that Greene tried to kill him, so he decides to retaliate. After failing to kill Greene, Frato is shot in the head. Greene is arrested for his murder, but is released on the grounds of self-defense. His wife then leaves him.
Four years later, debt collectors appear at the home of Mrs O’Keefe, Greene’s elderly neighbour. Greene decides to pay her debt, so he is given a gold crucifix in return. Shondor agrees to invest in a restaurant with Greene. After borrowing money from the Gambinos, Shondor's courier is arrested with the money. Shondor tells Greene to repay the $70,000, but because Shondor hired the courier, Greene refuses. Shondor retaliates by hiring a contract killer. After the attempt Greene's life fails, Shondor is killed with a car bomb.
After the death of mafia boss John Scalish, Nardi and Licavoli are considered for succession. When Nardi is overlooked, Licavoli is appointed boss of the Cleveland mafia. He decides to charge Danny 30% for doing business in Cleveland. Greene refuses, so a contract is placed on his life. Greene's house is then blown up, but he and his girlfriend survive. Nardi and Danny decide to take over Cleveland together. They start by organizing the demise of Licavoli’s associates. At a meeting in New York, Licavoli accepts Anthony Salerno's offer to have Greene killed.
Greene considers buying a ranch in Texas, but needs to raise $2 million. To do this, he and Nardi travel to New York and ask Salerno for a loan. After they leave, Salerno tells his associates to kill them both. Contract killer Ray Ferritto is then hired. Nardi is killed in a car explosion, whereas Billy is killed at the docks. Ritson is then killed after he mistakes Ferritto’s car for Greene’s. After a dentist's appointment on October 6, 1977, Greene notices Ferritto driving by slowly, and accepts he is about to die. Ferritto detonates a bomb on the car next to Greene's, killing Greene instantly.
- Ray Stevenson as Danny Greene, an Irish-American gangster.
- Vincent D'Onofrio as John Nardi, an Italian-American labor racketeer and Greene's ally.
- Val Kilmer as Joe Manditski, a Cleveland cop who investigates Greene. The character is partly based on former Cleveland Police Chief Edward Kovačić.
- Christopher Walken as Alex "Shondor" Birns, a Jewish-American loan shark.
- Linda Cardellini as Joan Madigan, Greene's girlfriend and future wife.
- Marcus Thomas as Billy McComber, Greene's best friend and enforcer.
- Vinnie Jones as Keith Ritson, an Irish-Lithuanian ex-boxer and Greene's chief enforcer.
- Tony Lo Bianco as Jack Licavoli, Capo and future Boss of the Cleveland mafia.
- Paul Sorvino as Anthony Salerno, Boss of the Genovese crime family.
- Fionnula Flanagan as Grace O'Keefe, Greene's elderly Irish neighbor.
- Mike Starr as Leo "Lips" Moceri, an associate of Jack Licavoli's.
- Steve Schirripa as Mike Frato, owner of a garbage disposal business.
- Bob Gunton as Jerry Merke, corrupt president of the local ILA labor union.
- Tony Darrow as Mikey Mendarolo, an associate of Mike Frato's.
- Jason Butler Harner as Art Sneperger, Greene's friend and a gambling addict.
- Robert Davi as Ray Ferritto, an Italian-American contract killer; hired to kill Greene and Nardi, respectively.
- Laura Ramsay as Ellie O'Hara, Greene's mistress.
- Cody Christian as Danny Greene, during adolescence.
- Dante Wildern as Billy McComber, during adolescence.
Kill the Irishman had been in development since 1997. Producer Tommy Reid heard that Rick Porrello, an Ohio policeman, was about to publish a book about Greene called To Kill the Irishman. Reid flew to Ohio and met with Porrello, who told Reid his grandfather was a high-ranking mafia figure in Cleveland during the prohibition era. The meeting went well, and on March 17, 1998, they signed a deal for the film rights to the book. Getting Kill the Irishman produced was difficult. Reid frequently left deals unconcluded, and discovered that the script he’d commissioned was attached to a cover with another screenwriter and producer’s name listed. According to Reid, this was a common occurrence in Hollywood, and he claims to have spent over $1 million to ensure the film was made.
Reid was fan of mafia movies (including The Godfather and Goodfellas) and aspired to become a film maker. Being of Irish and Italian ancestry, he wanted to make a film that would relate to both nationalities. Reid first heard about mobster Danny Greene from his roommates in Ohio, and believed that New York, Chicago and Boston were the "three meccas of mafia crime". According to Reid, there wasn't much documentation on Greene's life, but after hearing that Porrello was about to publish a book on Greene and the mafia in Cleveland, he was determined to make a movie about him.
Prior to making Kill the Irishman, Reid did research on Greene's life and organized crime in Cleveland. He spoke with Sister Barbara Eppich, a nun, who helped raise Greene during his childhood. Sister Eppich told Reid of how Greene was abandoned during childhood and was raised by his grandfather. Because his grandfather worked nights, Greene was left to walk the streets. He would go to school dirty on a regular basis, so Sister Eppich would have to wash him. She also stated that Greene would sleep all the time, but was a "phenomenal athlete".
Reid spoke to number of law enforcement agencies, including the FBI. The FBI wanted to make sure that Reid wasn't glorifying the mafia. Reid stated he had no intentions of glorifying crime, and that "the whole message at the end of the movie is that crime doesn’t pay". On a similar subject, Hensleigh also said the "film [doesn't suggest Greene] was a hero". However, he did note the film provides a balanced perspective.
While researching his role, Stevenson looked at TV footage of Greene, and read Porello's book; To Kill The Irishman. According to Stevenson, there was "quite a bit" of research material available. D'Onofrio, on the other hand, had the opposite experience. Information on Nardi was scarce, so Hensleigh allowed him to improvise on his character.
Although the screenplay was adapted from his book, Porrello had "minimum involvement" in its writing (most of which was done by Hensleigh). Hensleigh regularly contacted Porrello and they agreed not to use the real names of anyone who was still alive, "out of respect and sensitivity" towards them.
Due to the troubled development of Kill the Irishman, Reid decided to make a documentary about Greene's life; known as Danny Greene: the Rise and Fall of the Irishman. Due to the research he had done for the movie, Reid became specialized in the Northern Ohio crime scene and Greene’s life. Reid felt that by doing the documentary, at least he could go to his "grave 'saying I tried'". In 2009, with 17 hours of the documentary shot, Reid was told his film had been green-lit. He joined forces with production company Code Entertainment and engaged with a "reliable" director; Jonathan Hensleigh. They then signed actors Val Kilmer and Christopher Walken to the project. This was followed by the signing of actors Vincent D’Onofrio (Full Metal Jacket), Paul Sorvino (Goodfellas), and Irish actor Ray Stevenson, respectively. Stevenson was filming The Book of Eli when he got a telephone call from Hensleigh, so they arranged to meet in Los Angeles. According to Stevenson, he was drawn to the script and immediately made a deal.
On May 19, 2009, the film entered principal photography. It was shot within seven weeks, mostly in and around Detroit. This was partly because the city gave tax credits which Cleveland wouldn't match. According to the 2009 report by the Michigan Film Office, Kill the Irishman received roughly $3 million in subsidies. Michigan’s film rebate pays up to 42 percent of filmmakers’ expenses; for costs incurred while filming in the state. Ohio only offers 25 to 35 percent in subsidies, meaning that if the producers spent the same amount filming in Cleveland, they would have received $500,000 to $1.25 million less in subsidies. On the other hand, Stevenson said that they wanted to film in Cleveland, but the city had "prettied itself up" and changed, whereas Detroit was - in his opinion - still "on its knees".
Two incidents occurred during filming. On the first, seven bullet holes were shot into one of the trucks used during production. On the second, the cast and crew were driving from the set, and a pedestrian was shot in the neck outside a supermarket. The ambulance took 35–45 minutes to arrive, and waited a further 35–45 minutes for the police to arrive. The paramedics refused to take the victim to hospital without a police escort. According to Stevenson, there was a possibility that rival gangmembers would shot at the paramedics; for trying to resuscitate the victim.
Due to the limited budget, some of the effects seen in the film couldn't be replicated. Stevenson said everyone “had to be on point”, and that any mistakes couldn't be rectified by re-filming. For example, the producers couldn't afford to shoot the film's final scene (in which Greene is killed via a car explosion) twice. Before filming, the production crew and actors had to check everything on the set. Time was also lacking, with Stevenson saying everyone “had to be extremely focused”.
Porrello had second thoughts about one scene being included in the film. This particular scene included the murder of two police officers. Porrello felt uncomfortable approaching Hensleigh, but did so anyway. Porrello said to him: "if you are going to kill a cop", it is "going to change the tone of the story". The scene was nevertheless included in the final cut.
Kill the Irishman received mixed-to-positive reviews from film critics. Giving the film a positive review, Mike LaSalle, of the San Francisco Chronicle, said; "What makes this film special and memorable is the character of Danny Greene, who is not the usual neighborhood hoodlum you see in movies, the kind who gets in deep and gradually loses his soul". Marshall Fine, of the Huffington Post, gave the film a mixed review. He criticized it for jumping through different events in a "jerky fashion", but summed up the review by calling it a "movie with a lot of meat on the bone, even if some of it is tough or stringy. It's not fancy, but it's always tasty".
Rotten Tomatoes reported that 63% of critics gave the movie a positive review, with an average rating of 5.6 out of 10. Whereas on Metacritic, the film has a score of 50 out of 100, indicating "mixed or average reviews". But despite the mixed-positive reception, a number of critics have called the movie a ripoff of Goodfellas. Robert Abele, of the LA Times, said "the film plays like an explosion's aftermath; shards of mob movies that add up to the usual Goodfellas knockoff". Scott Tobias, of the A.V. Club, had similar views; saying "the biggest problem" with the film "isn’t that it rips off Goodfellas", but that plenty of "good films" have "ripped it off well". In regards to the controversy surrounding Kill the Irishman and its purported similarities to Goodfellas, critic Dave Van Houwelingen said:
"There are certain movies that serve as a standard bearer for a genre – a high water mark that filmmakers always try to hit, but seem to always come up short. To me, I think Martin Scorsese’s Goodfellas is that type of film for the gangster genre. In the 21 years since the film was released, so many filmmakers have tried so hard to copy Goodfellas' success, and so few have gotten even close to capturing the magic that Scorsese did in one of his very best films. The 21 years have been littered with a bunch of pale imitations. To that list, you can add Jonathan Hensleigh’s Kill the Irishman, which wants so desperately to be Goodfellas, and comes up so very, very short."
Hensleigh's directing was criticized. Scott Tobias said the directing "doesn’t do much beyond filling in the template". He noted that Hensleigh was telling the "true-life tale" of the mob's decline in Cleveland, but also said that "every character and setpiece felt like it fell off a truck". LA Weekly's Nick Pinkerton held similar views, saying that although "Hensleigh perks up when filming violence, the atmosphere throughout is past-prime, stymieing any strut". Lisa Schwarzbaum, of Entertainment Weekly, also concurred, calling the film's structure "pretty square".
Despite criticizing the film's structure, Schwarzbaum called the cast "tasty", and singled out D'Onofrio, Kilmer, and Walken for praise. Clint O'Connor, of The Plain Dealer, held similar views; saying the "film's greatest strength is its cast". On the contrary, David Rooney held the opposite opinion; saying the "low-wattage cast" is what turned the "potentially strong" film into a "routine crime thriller".
Box office performance
On its opening day, Kill the Irishman earned $42,925 from five theaters (with an average gross of $8,585 per theater). On its second day, the box office receipts increased by 46 percent; earning $62,446 from five theaters (with an average gross of $12,489 per theater). Then on the third day, the film's box office performance dropped by 36 percent; earning $40,059 from five theaters (with an average gross of $8,012 per theater). The gradual decline in box office receipts continued until the eighth day, where the film's gross sharply increased by 373 percent; earning $36,119 from 21 theaters (with an average gross of $1,720 per theater). The film continued to have periodic fluctuations at the box office. By the end of its box office run, Kill the Irishman grossed a total of $1,188,194 at the domestic box office, against a production budget of $12 million.
After a limited theatrical release, Kill the Irishman was released on DVD by Anchor Bay Entertainment on June 14, 2011. As of October 9, 2015, the movie has grossed $2,493,869 in domestic DVD sales.
- I'm Gonna Keep On Loving You - Kool Blues
- Crazy Little Notion - The Two Guys
- All I Want Is You - Leroy Osbourne
- I Like The Way You Look At Me - The Pentagons
- Wrong Or Right He's My Baby - Helene Smith
- How About You - Steven Lang
- Meet Me For A Martini - Daniel May
- Paddy On The Landfill - The Irish Experience
- Courting Clarinets - Stefan Maciejewsk
- Heart Of Gold - Norman Chandler
- This is It - Lewis Lamedica
- Get In A Hurry - Eugene Blacknell
- You're A Prisoner - Death
- Broadway Shing-A-Ling - Soul Blenders
- Daffy Dotty Day - Lake Smash
- I'm Running Out Of Time - Gary Michael Allen
- Cielo E Mar - Amilcare Ponchielli
- Sulla Riviera - Bruno Bertoli
- Eternal Father For - Michael Hankinson
- Your Smiling Face - Norman Chandler
- It's Not Too Late - Christopher Blue
- Drive Drive Drive - Pat Cusick
- Like A Moth Into A Flame - The Automatics
- Don't Worry Tracy - Christopher Blue
- Bonny Portmore - The Rogues
- Seaport Lane - Athena Tergis
Kill the Irishman contains four historical inaccuracies. This has been noted by critics, one of whom said the film's main problem is that it seemed "all too willing to sacrifice historical accuracy in the name of an easy-to-digest narrative". Shondor Birns was murdered on March 29, 1975, whereas in the film this occurs on March 8. The movie also misspells the name of a nearby parish known as 'St. Malachi's'; in the movie it is spelled 'St. Malichy's'.
The death of Alex "Shondor" Birns
In the movie, Greene kills Shondor Birns by detonating a bomb on his car. In reality, even though Birns was killed by a car bomb, there was no evidence to link Greene to his murder. Even though it is commonly speculated that Greene killed Birns, his murder remains officially unsolved.
The death of Art Sneperger
In the movie, Greene discovers his friend Art Sneperger is about to become an informant, so he decides to kill him in a car bombing. Greene has Sneperger place a bomb on Mike Frato’s car, and as he's doing it, Greene detonates the bomb early; killing Sneperger in the process. In reality, Greene was questioned by the police, but was never proved to have killed Sneperger.
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