King Lear (1971 UK film)

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King Lear
King Lear FilmPoster.jpeg
Film poster
Directed by Peter Brook
Produced by Michael Birkett
Mogens Skot-Hansen
Written by Peter Brook
William Shakespeare
Starring Paul Scofield
Cinematography Henning Kristiansen
Edited by Kasper Schyberg
Release date
  • 4 February 1971 (1971-02-04)
Running time
137 minutes
Country United Kingdom
Language English

King Lear is a 1971 British film adaptation of the Shakespeare play directed by Peter Brook and starring Paul Scofield.[1]



Brook's film starkly divided the critics: Pauline Kael said "I didn't just dislike this production, I hated it!" and suggested the alternative title "Night of the Living Dead".[2] Yet Robert Hatch in The Nation thought it as "excellent a filming of the play as one can expect" and Vincent Canby in The New York Times called it "an exalting Lear, full of exquisite terror".[3] The film drew heavily on the ideas of Jan Kott, in particular his observation that King Lear was the precursor of absurdist theatre: in particular, the film has parallels with Beckett's Endgame.[4] Critics who dislike the film particularly draw attention to its bleak nature from its opening: complaining that the world of the play does not deteriorate with Lear's suffering, but commences dark, colourless and wintry, leaving (in Douglas Brode's words) "Lear, the land, and us with nowhere to go".[5] Cruelty pervades the film, which does not distinguish between the violence of ostensibly good and evil characters, presenting both savagely.[6] Paul Scofield, as Lear, eschews sentimentality: this demanding old man with a coterie of unruly knights provokes audience sympathy for the daughters in the early scenes, and his presentation explicitly rejects the tradition (as Daniel Rosenthal describes it) of playing Lear as "poor old white-haired patriarch".[7]


  1. ^ Brantley, Ben. "New York Times: King Lear". NY Times. Retrieved 2008-08-17. 
  2. ^ Pauline Kael's New Yorker review cited by Brode pp.206&209.
  3. ^ Both cited by Brode p.206.
  4. ^ Brode pp.206–207.
  5. ^ Brode pp.206–210, quotation p.207.
  6. ^ Rosenthal p.82.
  7. ^ Rosenthal p.83.

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