Born in Mogneville, Oise, France, Claux became a furniture maker prior to World War I, to which he was a Conscientious objector. During the war, Claux escaped France and its conscription laws by moving to England on a false passport and living at Whiteway Colony, a Tolstoyan-communist anarchist project in the Cotswolds, Gloucestershire. At Whiteway Claux gained an interest in nudity, sensible clothes and vegetarianism and met Molly (nee Crick), who would become his life partner. They travelled to London in 1926 when she was heavily influenced by the gymnosophists. In 1929 they moved to Australia to help found an anarchist community near Cooktown in northern Queensland.
The family stayed at the commune until 1931 when they moved to Sydney, where Claux ran a fruit and vegetable stall in Liverpool Street. The Claux's soon became notorious in Sydney for their uninhibited ways, with Claux founding the first naturist community in Australia and his family all following the naturist lifestyle, calling on the Government to officially set aside areas for nudists.
Claux had a huge beard and wore shorts and sandals, even in winter, which made him a recognisable figure in Sydney, and led to him being cast in numerous films, including Eureka Stockade and Kangaroo, as well as on the stage, including the 1938 production of Transit (based on the book Season of Celebration by Albert Maltz) at the New South Wales Conservatorium of Music.
Claux's behaviour and attitudes to sex and nudity scandalised 1940s Australia. In 1947 Claux’s 16-year-old daughter Moira was caught appearing nude in short films confiscated by Sydney police. Moira stated that like her father she was a nudist and found nothing wrong with appearing naked in films or photographs, as long as it wasn’t in seductive poses.
In 1948, a female journalist visited the Claux's and was equally shocked to see naked family portraits around the house and by Claux's admission that he and his wife allowed Moira to bring boyfriends over for the night, a taboo issue in 1940s Australia. The journalist’s resulting article, in Woman magazine, was the first article in a mainstream Australian publication to seriously examine naturism.
Claux retired from his barrow in May 1956 and in 1958 travelled to England as Australian delegates to the World Naturist Congress.
Called a great and gusty lover of life, Claux claimed his life philosophy as "I don't believe in absolute good, or absolute evil ... A man can only try to go in the direction he believes is right."
- Cockington 2005, p. 74.
- James 1998.
- "Papers of Moira Claux". Trove. National Library of Australia. Retrieved 14 January 2020.
- Sayers 1985, p. 88.
- Cockington 2005, p. 75.
- "Urges areas for nudists". The Daily News. 5 January 1948. p. 7.
- Kleber Claux at IMDb
- "Transit". The Australian Live Performance Database. AusStage. Retrieved 14 January 2020.
- Cockington 2005, p. 78.
- Cockington 2005, p. 77.
- Ruhen 1945.
- "Claux, Eugene Crick (1929-1950)", Trove, 2012, retrieved 15 January 2020
- "The Cosmopolitan (Kleber Claux)". Art Gallery of New South Wales. Art Gallery of New South Wales. Retrieved 14 January 2020.
- Cockington, James (2005). Banned: Tales from the Bizarre History of Australian Obscenity. ABC Books. ISBN 978-0-7333-1502-2.
- James, Bob (2 February 1998). "A French Anarchist, Kleber Claux (1893-1971)". Anarchism in Australia. Retrieved 15 January 2020.
- Ruhen, O. (9 January 1945). "Sydney Sketchbook". The Sydney Morning Herald. p. 7.
- Sayers, Andrew (1985). 100 Years of Australian Drawing. Bay Books. ISBN 9780858358607.