Knights Templar Seal
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The Grand Masters of the Knights Templar during the later 12th and the 13th century used a double-sided seal which showed a representation of The Dome of the Rock (or a circular dome of the Church of the Holy Sepulchre) on one side, and the Order's symbol of two knights on one horse on the other side. This design is first attested as in use by Bertrand de Blanquefort, the order's sixth Grand Master, in 1158, forty years after its foundation, and it remained in use until the dissolution of the order in 1312.
There was also a smaller, single-sided seal, which showed the Dome of the Rock (or the Holy Sepulchre), only.
Different seals were used by provincial masters of the order. According to a papal bull issued by Innocent IV in 1251, it was customary for successive provincial masters to use the same seal. The master of Provence continued to use an Agnus Dei seal, while the seal of the Aragonese master William of Cardona and his successors depicted a knight on horseback, carrying a lance and shield, on which was a cross bearing the legend: S. MINISTRI TEMPLI 1 ARAGON 7 CATALON ("Seal of the minister of the Temple in Aragon and Catalonia").
Beneath the city of Jerusalem, 30 metres down, there are vast cave systems cut into the solid rock, and strengthened with massive stone columns, which rise to 60 to 80 feet high ceilings. These caves are said to have created by the knights Templar at least 900 years ago. Carved into one column, there is a fleur de lis. These grand caves were explored by the American programme, Cities of the Underworld, and the carved fleur de lis was caught in the footage of the documentary, as the crew explored these vast cave systems.
- 1 Templars Seal Themes
- 1.1 Dome of the Rock and Al Aksa
- 1.2 Agnus Dei
- 1.3 The Two Riders
- 1.4 The Eagle
- 1.5 Paris Temple
- 1.6 Cross
- 1.7 Knight on the Horse
- 1.8 Head
- 1.9 Tower or Castle
- 1.10 Chateau de Guilleragues
- 1.11 Abraxas
- 1.12 The Dove
- 1.13 Sun and Moon
- 1.14 Lion
- 1.15 Griffon
- 1.16 Unusual uncertified early Templar insignia
- 2 References
Templars Seal Themes
Dome of the Rock and Al Aksa
The reverse of Grand Master William de Chartres seal from 1214 also depicts the Dome of the Rock.
In heraldry, a Lamb of God (or paschal lamb, or agnus Dei) is a lamb passant proper, with a halo or charged with a cross gules, and the dexter forelimb reflexed over a cross staff from which a pennon of St. George (Argent a cross gules) is flotant. The seals of the Masters of the Temple in England: of Aimery de St Maur, 1200, Robert of Sandford, 1241, Richard of Hastings, 1160–85, and William de la More, 1304, showed the agnus Dei.
SIGILLVM TEMPLI The obverse of a seal used by William de la More, master, 1304, resembles the above text . The reverse, a small oval counter-seal, with beaded borders, shows on the right a couped bust of a bearded man wearing a cap. and have the legend:— TESTIS SUM AGNI ("I am a witness to the Lamb") William de la More, styled frater Willelmus de la More miliciae. The seal is called commune sigillum capituli. The seal symbolic of their vow of poverty, showing two knights riding on one horse appears only to have been used by the order in France; there is no example of its use in England.
Some of the seals of the English Templars were a semi-typical Pascal lamb bearing sometimes, not the flag of St George (or the cross), but the Beauseant, the battle banner of the order.
Other seals: Durham Cathedral Muniments, Medieval Seal G&B reference number: 3388 Knights of the Temple 1304 Description: Round. The Holy Lamb with banner.
The Two Riders
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- Contemporary legend held that the symbol represented the initial poverty of the order; that they could afford only a single horse for every two men. Still, the Rule of the Order from the outset permitted three horses and no more for each knight, as well as no Templars sharing the same horse.
- Several masters adopted this seal from the beginning of the order until at least 1298. It is known to have been in use since 1167. The Rule forbids two riders on the same beast.
- According to legend, Hugues de Payens (the first Grand-Master of the Templars) and Godfrey were so poor that between the two of them they had only one horse, and this gave rise to the famous image on the seal of the Templars, of two men riding a single horse.
The image of two knights on the horse was widely used:
- Matthew Paris in Chronica Majora ca 1250
- An English monk and chronicler from St. Albans in Historia Anglorum
- At least as early as 1158 as the seal of the Grand Master of the Temple, Bertrand de Blanchefort. This is the earliest known seal for the Grand Master of the Temple forty years after the Order was formed.
- Use of this symbol continued under subsequent Grand Masters for as long as the Order survived, however the seal went through more than one incarnation. The Reynaut de Vichiers, who was Master of the Temple from 1255-1259 depict same images, but it is obviously not the same seal.
The seals of the Grand Masters have textual differences:
- Blanchefort's seal: SIGILLUM MILITUM (Latin, Seal of the Soldiers) obverse; CHRISTI DE TEMPLO (Latin, Christ's Temple) reverse.
- Vichiers' seal: SIGILLUM MILITUM XPISTI (Latin, Seal of the Soldiers of Christ).
While Vichiers' motto is written in Latin, the word 'Christ' begins with Greek letters (Chi Rho) (Latin symbol, XP) rather than the Latin CHR. The XP symbol arose early in Christianity and entered popular usage after the legendary pre-battle vision of Chi Rho and Christian conversion of the 4th century Roman Emperor Constantine. From the time of Constantine, XP was a significant symbol of Christianity, surpassed only by the cross itself. Early military associations make Chi Rho an apt symbol for the Templars. On de Vichiers' seal, Chi Rho is visible on the shields of the knights.
The Double-Headed Eagle is more commonly associated with the highest rank earned by a Scottish Rite Mason... Bertram von Esbeck, Master of the Temple in Germany, 1296 depicts an eagle with two six-pointed stars.
Aragon;Tortosa; Late 13th century. Depicting a cross. Legend: SIGILLUM MILICIE TEMPLI IN DERTOSA Aragon; Alfambra; 1248. Brown wax, round, 30 mm. in diameter, depicting a cross. Legend:......LUM CASTRI....
A cross having arms narrow at the inner center, and very broad at the other end.
Fra Arnaude de Banyuls seal; Aragon; Gardeny; Yellow wax, round, 27 mm. in diameter, depicting a cross, with stars in two angles and shields with crosses in the other two. Legend: S. AR..........GARDENNI.
Fra Bernard de Montlor 1248 seal
The Masters of Poitou used this seal. It has been used from the middle of the 12th century to the end of the Order.
Cross pattée and fleur-de-lis
Brother Hugues de Rochefort (Hughs from "ROCAFORTI") 1204 seal. With a star and a "fleur-de-lis", this cross, hart bounded, was the Preceptor's Temple seal.
Knight on the Horse
Tower or Castle
The seal of Templar officials in Yorkshire c.1300 shows a tower with a pointed roof.
Brother Arnau Despug 1308 seal
Aragon; Monzón; Early 14th century. Round, depicting a castle with three towers, with a griffin on each side. Legend: S. CASTELL........ONI. Aragon; Huesca; Round, depicting a castle. Legend: S. DOM. TEMPLI DE OSCA Aragon; Barbará; Early 14th century. Yellow wax, round, 29 mm. in diameter, depicting a castle between two fishes. Legend: S. COMMAND.....BARBERA
Chateau de Guilleragues
Here is a Templar cross found in the oldest tower of Château de Guilleragues in the Aquitaine region of France.
Templar Cross in oldest tower of Guilleragues Castle
The word Abraxas (or Abrasax or Abracax) was engraved on certain antique stones, called Abraxas stones, which were used as amulets or charms by Gnostic sects. Amulets and seals bearing the figure of Abraxas were popular in the 2nd century, and were used also in the 13th century in some of the seals of the Knights Templar. By medieval times, Abraxas was relegated to the ranks of demons. The image most associated with Abraxas is that of a composite creature with the head of a rooster, the body of a man, and legs made of serpents or scorpions. He carries a whip and shield, called wisdom and power. Occasionally Abraxas is depicted driving a chariot drawn by four horses, probably representing the elements.
- "Afterwards broke out the heretic Basilides. He affirms that there is a supreme Deity, by name Abraxas, by whom was created Mind, which in Greek he calls Nous; that thence sprang the Word; that of Him issued Providence, Virtue, and Wisdom; that out of these subsequently were made Principalities, powers, and Angels; that there ensued infinite issues and processions of angels; that by these angels 365 heavens were formed, and the world, in honour of Abraxas, whose name, if computed, has in itself this number. Now, among the last of the angels, those who made this world, he places the God of the Jews latest, that is, the God of the Law and of the Prophets, whom he denies to be a God, but affirms to be an angel."
Sun and Moon
Seals of Brother Otto of Brunswich, commander of Supplingenburg, shows a lion; A seal of one Knight Templar, England, 1303 is showing the Lion of England and the cross pattée and the crescent moon of the Mother Goddess with stars. Aragon; Miravet; 1278, 1287. Depicting a lion
William, Master of the Temple in Hungary and Slovenia, 1297, depicts a winged griffon
Unusual uncertified early Templar insignia
From Hugues de Payens period. Hand carved Grand Seal. Alike wax imprints were found on official documents addressed to Hugues de Payens.
- as reproduced in T. A. Archer, The Crusades: The Story of the Latin Kingdom of Jerusalem (1894), p. 176. The design with the two knights on a horse and the inscription SIGILLVM MILITVM XRISTI is attested in 1191, see Jochen Burgtorf, The central convent of Hospitallers and Templars: history, organization, and personnel (1099/1120-1310), Volume 50 of History of warfare (2008), ISBN 978-90-04-16660-8, pp. 545-546.
|Wikimedia Commons has media related to Templars Seal.|
- Hopkins, M, Simmans, G. & Wallace-Murphy, T., Rex Deus, Element, Shaftesbury, Dorset, 2000, 177
- F. de Sagarra, Sigillografía catalana, iii (Barcelona, 1932), 473
- R. de Huesca, Teatro histórico de las iglesias del reino de Aragón, vii (Pamplona, 1797), 121
- The Templars in the Corona de Aragón, Alan John Forey