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A knocker-up, sometimes known as a knocker-upper, was a profession in Britain and Ireland that started during and lasted well into the Industrial Revolution, when alarm clocks were neither cheap nor reliable, and to as late as the beginning of the 1920s. A knocker-up's job was to rouse sleeping people so they could get to work on time.
The knocker-up used a baton or short, heavy stick to knock on the clients' doors or a long and light stick, often made of bamboo, to reach windows on higher floors. At least one of them used a pea-shooter. In return, the knocker-up would be paid a few pence a week. The knocker-up would not leave a client's window until they were sure that the client had been awoken.
A knocker-upper would also use a 'snuffer outer' as a tool to rouse the sleeping. This implement was used to put out gas lamps which were lit at dusk and then needed to be extinguished at dawn.
There were large numbers of people carrying out the job, especially in larger industrial towns such as Manchester. Generally the job was done by elderly men and women but sometimes police constables supplemented their pay by performing the task during early morning patrols.
In Ferryhill, County Durham, miner's house had slate boards set into their outside walls onto which the miners would write their shift details in chalk so that the colliery-employed knocker up could wake them at the correct time. These boards were known as "knocky-up boards" or "wake-up slates".
Charles Dickens's Great Expectations includes a brief description of a knocker-up. Hindle Wakes, a play written by Stanley Houghton and then a movie (of the same title) directed by Maurice Elvey, similarly involves one.
The profession of a knocker-up is documented and explained in the episode "The Industrial Revolution" of the television series The Worst Jobs in History.
A knocker-upper appears at the very beginning of the musical The Wind Road Boys by Paul Flynn. He walks along a group of children who are all holding slates with a number chalked upon them. The number on the slates denotes at what hour the householder wished to be woken in the morning and he calls and raps on the windows with his stick accordingly.
- Leigh, Egderton; Roger Wilbraham (1877). A glossary of words used in the dialect of Cheshire. Hamilton, Adams, and Co. p. 117. (One of the curious ways of earning a livelihood in the manufacturing towns)
- Macauley, James (1857). The Leisure Hour Vol VI. London. p. 312.
- Hylton, Stuart (1998). From Rationing to Rock: The 1950s Revisited. Stroud: Sutton. p. 29. ISBN 0750917334. Retrieved 12 January 2017.
- Taylor, Simon (1993). A land of dreams: a study of Jewish and Caribbean migrant communities in England. Routledge. p. 59. (The knocker-up man and his long pole...)
- "Knocker-up Armed with a Pea Shooter". Eastern Daily Press. 5 August 2009. Archived from the original on 18 January 2013. Retrieved 22 October 2012.
- Taylor, David (1997). The new police in nineteenth-century England: crime, conflict, and control. Manchester, UK: Manchester University Press. p. 68. ISBN 978-0-7190-4729-9. (An entrepreneurial bobby could earn a shilling or two by acting as a knocker-up)
- "'Knocky-up boards' saved from ex-miners' homes". BBC News. 15 September 2019. Retrieved 17 September 2019.
- Silent footage of a knocker-up c.1946 Produced by Sam Hanna in Burnley (Vimeo - North West Film Archive)
- Woodcock, George (March 1944). "The Tyranny of the Clock". Archived from the original on 28 January 2005.
- Knocker-up Man in action - (apparently in Oldham)
- The Knocker-up Man - rendition of song by Mike Canavan describing the occupation
- A Miner's House Slate in Ferryhill, a mining town in the North East of England.