Koi No Yokan
|Koi No Yokan|
|Studio album by Deftones|
|Released||November 12, 2012|
|Recorded||2012, Paramount Studios, Los Angeles; Ameraycan Studios, Encore Studios, North Hollywood|
|Singles from Koi No Yokan|
Koi No Yokan is the seventh studio album by the American alternative metal band Deftones. The album was released by Reprise Records on November 12, 2012 in the UK and November 13, 2012 in the United States. Koi No Yokan was met with acclaim from professional critics on release and debuted at No. 11 on the Billboard 200, with sales of 65,000 copies. According to Nielsen SoundScan, the album has sold over 200,000 copies to date in the US. Koi no yokan is a Japanese phrase translating to "premonition of love".
Band frontman Chino Moreno characterized the album as "dynamic" with a full range of noise, noting an increased contribution of ideas by bassist Sergio Vega compared to their previous record, Diamond Eyes. Deftones recorded Koi No Yokan differently than their previous studio releases, leading to a more rhythmic sound.
A major change in the recording process came with the use of the Fractal Audio Systems Axe-Fx preamp/effects processor, which creates the sound of multiple outboard amps and pedals and allowed for different tones. Vega said the group was able to "bring Fractal into hotel rooms and run it into software and record ideas and flesh them out later". The group tracked guitar, bass and vocals, then recorded drums and replaced the guitar, bass and vocals. Vega confirmed that "everything was organic".
Koi No Yokan marked the second album without longtime bass player Chi Cheng, who was injured in a car accident in November 2008 that left him comatose or in a partially conscious state until his death in 2013.
Described as having an "alternative metal vibe", the music incorporates experimental elements from the band's previous albums Saturday Night Wrist (2006) and Diamond Eyes (2010), incorporating elements from metal (including doom metal and groove metal), alternative rock, shoegaze, dream pop, post-rock and prog rock.
On September 19, 2012, the band released the song "Leathers" as a promotional single via a free download on their website. On October 8, 2012, "Leathers" was released as the album's first single. "Leathers" was also released as a limited-edition cassingle with "Rosemary" as the B-side.
Koi No Yokan was released on vinyl in four versions: a standard retail version pressed on 140-gram black vinyl (3,000 units), a direct-to-consumer version on 180-gram black vinyl with foil-stamped numbered jackets (1,000 units), an international edition pressed on 180-gram vinyl and an exclusive edition sold through Hot Topic retailers pressed on 140-gram clear-colored vinyl (1,500 units).
The band launched a tour on October 9, 2012, which ended on November 21 in Los Angeles. The band played at venues with capacities between 1,000 and 4,000 with the goal being to allow fans to experience the music before the album was even released.
|Drowned in Sound||9/10|
The album was met with overall critical acclaim. The aggregate review site Metacritic assigned an average score of 86 to the album based on 18 reviews, indicating "Universal Acclaim". With this score, Koi No Yokan was among the eight best-reviewed albums of 2012. Gregory Heaney of AllMusic wrote, "While a lot of bands out there have been tinkering with the loud/quiet dynamic for decades now, what makes Deftones so special is their ability to do both at the same time, effectively blending the calm and the storm into a single sound". Mischa Pearlman of BBC Music wrote, "It transcends the boundaries and expectations of its genre--even those previously set by the very band that made it". Al Horner of NME said of the album, "It's a shotgun blast of cranked guitars, bruising hardcore and canyon-sized choruses, and it's mesmerising". Greg Fisher of Sputnikmusic called it "a remarkably consistent effort" that "glitters with supreme melodies as much as crushes with massive riffs showcasing the quintet's most accomplished material in over a decade". Rolling Stone called the album "adventurously aggressive" and stated, "Koi No Yokan ranges from brutal, blunt-force trauma ('Gauze') to epic prog-rock atmospherics (the sprawling, enchanting 'Tempest'). Opener 'Swerve City' sets the tone immediately with a bludgeoning riff, but Deftones also take nuanced approaches to angsty tension, weaving meticulously crafted cosmic rock on 'Entombed' and wading through murky, jagged textures on 'Rosemary'".
|11.||"What Happened to You?"||3:53|
Koi No Yokan album personnel adapted from the CD liner notes.
- Abe Cunningham − drums
- Stephen Carpenter − guitar
- Frank Delgado − samples, keyboards
- Chino Moreno − vocals, guitar
- Sergio Vega − bass
- Technical personnel
- Nick Raskulinecz − production
- Matt Hyde − production, engineering
- Steve Olmon − engineering
- Rich Costey − mixing
- Eric Isip − mixing
- Ted Jensen − mastering
- Chris Kasych − protools mix engineering
- Frank Maddocks − art direction, package design
- Futura − photography
- 13th Witness − band photograph
|Canadian Albums Chart||13|
|Hungarian Albums Chart||40|
|UK Albums Chart||30|
|U.S. Billboard 200||11|
|U.S. Rock Albums||5|
|U.S. Alternative Albums||5|
|U.S. Hard Rock Albums||2|
|German Album Charts||17|
|2013||US Billboard 200||174|
- Horner, Al (November 8, 2012). "Koi No Yokan review". NME. Retrieved November 8, 2012.
- Alex Young (August 30, 2012). "Deftones announce new album: Koi No Yokan". Consequence of Sound. Retrieved September 19, 2012.
- Wheeler, Brad (November 16, 2012). "Ruth Minnikin's new album invites you into her heart and hearth". The Globe and Mail. Retrieved November 18, 2012.
Koi no Yokan is a Japanese phrase referring to the feeling, upon first meeting someone, that you will eventually fall in love. Though it might be facile to suggest that the phrase applies equally to the music on this album, it wouldn't be far from wrong. The Deftones have always had a way with instrumental sound, pulling elements from metal, alt-rock and shoegaze to create an emotionally evocative wall of guitars, but this time around the textures are even more closely tied to the songwriting. Perhaps that's why the songs seem more deeply engrossing, from the darkly churning textures of Gauze to the almost pop-flavoured melodies of Entombed. -J.D. Considine
- Gary Graff (July 2, 2012). "Deftones Racing Through Next Album, Hoping for October Release". Billboard.com. Retrieved September 19, 2012.
- Micallef, Ken. "Deftones - Modeling For Mayhem". Electronic Musician. New Bay Media. Retrieved April 14, 2014.
- "Deftones, 'Koi No Yokan' – Album Review". Loudwire. Retrieved March 7, 2016.
Overall, if the Smashing Pumpkins were heavier, ballsier and angrier, they'd make albums that sound like this, since Deftones do have an alt-metal vibe. Moreno's lyrics are often from-the-journal-page and stream of thought, making them entirely open-ended and capable of attracting the disaffected.
- "Deftones - Koi No Yokan [Album Review]". AbsolutePunk.net. Retrieved March 7, 2016.
[...] the band is taking the experimental elements of Saturday Night Wrist and evolving it with the sound they created on Diamond Eyes. Unlike its predecessor however, this album has more of bassist Sergio Vega's handprints over it, as he and drummer Abe Cunningham's percussion skills give Koi No Yokan its backbone throughout. Carpenter will keep listeners guessing with the twists and tempo changes within his guitar work.
- "Album Review: Deftones – Koi No Yokan". Consequence of Sound. Retrieved March 7, 2016.
Koi No Yokan sees the Deftones fully embracing the shoegazer elements that were only experimented with on past albums [...] Opener “Swerve City” sways between delicate jangles (during verses) and dominating groove metal (during the chorus).
- Heaney, Gregory. "Koi No Yokan". AllMusic. Retrieved November 14, 2012.
In their continued exploration of the intersection of heaviness and harmony, Koi No Yokan finds the band returning with a warm, dreamy sound that feels more like heavy dream pop or shoegaze than light metal.
- Fisher, Greg. "Deftones, Koi No Yokan". Sputnik Music. Retrieved May 5, 2015.
- Rowe, Riley. "Gore – Deftones". Metal Injection. Retrieved 7 April 2016.
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“Tempest” utilizes the capture-and-release found in post-rock/metal instrumentation[...]The mid-section of “Rosemary” come as close to doom metal as Deftones have ever ventured
- "Deftones Unleash Angst and Tension in New Album 'Koi No Yokan' - Premiere". Rolling Stone. Retrieved April 13, 2016.
- Dick, Jonathan. "Deftones' Chino Moreno On Surviving, Evolving And 'Gore'". npr.org. NPR. Retrieved 3 June 2016.
From the trip-hop nuances of its self-titled album in 2003 to the bleak math metal tendencies of 2006's Saturday Night Wrist to the goth-rock tinged shoegaze of 2010's Diamond Eyes to the prog-rock flirting of 2012's Koi No Yokan, Deftones' catalogue reads like a case study in how a band can translate influences into a sound that's definitively their own.
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- Kerrang! magazine issue November 7, 2012
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