The Konzerthaus Berlin is a concert hall situated on the Gendarmenmarkt square in the central Mitte district of Berlin housing the German orchestra Konzerthausorchester Berlin. Built as a theatre from 1818 to 1821 under the name of the Schauspielhaus Berlin, later also known as the Theater am Gendarmenmarkt and Komödie, its usage changed to a concert hall after the Second World War and its name changed to its present one in 1994.
Königliches Schauspielhaus 1817–1870
The new hall was designed by Karl Friedrich Schinkel between 1818 and 1821.
The new Königliches Schauspielhaus was inaugurated on June 18, 1821 with the acclaimed premiere of Carl Maria von Weber's opera Der Freischütz. Other works that have premiered at the theatre include Undine by E. T. A. Hoffmann in 1816. During the 1848 Revolution its main auditorium housed the Prussian National Assembly for several weeks in September, with the Gendarmenmarkt a major arena of political events.
Preußisches Staatstheater 1870–1944
After World War I the Schauspielhaus reopened under the name of Preußisches Staatstheater Berlin in October 1919. Under the direction of Leopold Jessner it soon became one of the leading theatres of the Weimar Republic, a tradition ambivalently continued by his successor Gustaf Gründgens after the Nazi takeover in 1933, including his famous staging of Goethe's Faust and the premiere of Gerhart Hauptmann's tragedy Iphigenie in Delphi in 1941.
1944 to present
Severely damaged by Allied bombing and the Battle of Berlin the building was rebuilt from 1977 onwards and reopened as the concert hall of the Berliner Sinfonie-Orchester in 1984 with a gala concert. The exterior, including many of the sculptures of composers by Christian Friedrich Tieck and Balthasar Jacob Rathgeber, is a faithful reconstruction of Schinkel's designs, while the interior was adapted in a Neoclassical style meeting the conditions of the altered use. The great hall is equipped with a notable four-manual pipe organ including 74 stops and 5,811 pipes. In 1994 it was renamed the "Konzerthaus Berlin".
Acoustically, the hall is considered to be amongst the five best concert venues in the world for music and/or opera.
- Long, Marshall, "What is So Special About Shoebox Halls? Envelopment, Envelopment, Envelopment", Acoustics Today, April 2009, pp.21-25. The other venues are Buenos Aires' Teatro Colon, Vienna's Musikverein, the Concertgebouw in Amsterdam, and Boston's Symphony Hall.
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