Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790.
Life and career
Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts.
In 1782 Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790.
Koryūsai's known designs total 2500, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century".
The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–81) ran for 140 prints, the longest ukiyo-e print series of beauties known. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. 90 of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period.
Despite the Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as examplars; Koryūsai work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga's in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade. Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull created a series of 12 prints depicting nature scenes adapted from Koryūsai's designs.
His work is held in the permanent collections of several museums worldwide, including the British Museum, the Museum of Fine Arts, Boston, the Carnegie Museum of Art, the Princeton University Art Museum, the Minneapolis Institute of Art, the University of Michigan Museum of Art, the Hermitage Museum, the Suntory Museum of Art, the Israel Museum, the Krannert Art Museum, the Los Angeles County Museum of Art, the Philadelphia Museum of Art, the Honolulu Museum of Art, the Museum of New Zealand, the Brooklyn Museum, the Ashmolean Museum, the Fine Arts Museum of San Francisco, the Freer Gallery of Art, the Indianapolis Museum of Art, the Chazen Museum of Art, the Portland Art Museum, and the Kimbell Art Museum.
- Marks 2012, p. 60.
- Hockley 2003, p. 3.
- Hockley 2003, p. 4.
- Hockley 2003, pp. 3–4.
- Hockley 2003, p. 11.
- David, Bull (13 December 2020). "Mokuhankan Japanese Prints - 2020 Update". YouTube.
- "Scenes from Nature". mokuhankan.com. Retrieved 2021-01-15.
- "kakemono-e | British Museum". The British Museum. Retrieved 2021-02-05.
- "Matsunoi and Matsui of the Matsubaya". collections.mfa.org. Retrieved 2021-02-05.
- "CMOA Collection". collection.cmoa.org. Retrieved 2021-02-05.
- "Twelve Aspects of Children (Fūryū kodomo jūnishi 風流子供十二支) (1996-207)". artmuseum.princeton.edu. Retrieved 2021-02-05.
- "Red, Isoda Koryūsai ^ Minneapolis Institute of Art". collections.artsmia.org. Retrieved 2021-02-05.
- "Exchange: A Tea-house Girl from the Iseya". exchange.umma.umich.edu. Retrieved 2021-02-05.
- "Tea Ceremony - Isoda Koryusai". www.arthermitage.org. Retrieved 2021-02-05.
- "Search Results: Search Conditions [Isoda Koryusai]: Collection Database". SUNTORY MUSEUM of ART. Retrieved 2021-02-05.
- "Isoda Koryusai, Japan, active ca. 1764-88 | The Israel Museum, Jerusalem". www.imj.org.il. Retrieved 2021-02-05.
- "Isoda Koryusai, A Standing Courtesan, 1775. Work on paper. Gift of the Class of 1908 1974-15-1 | Krannert Art Museum". kam.illinois.edu. Retrieved 2021-02-05.
- "Isoda Koryūsai | LACMA Collections". collections.lacma.org. Retrieved 2021-02-05.
- "Philadelphia Museum of Art - Collections Object : Minazuki The Sixth Month (Three Women and a Baby)". www.philamuseum.org. Retrieved 2021-02-05.
- "Michinoku with Attendants, Isoda Koryūsai (1735-1790) | Allure". Retrieved 2021-02-05.
- "Loading... | Collections Online - Museum of New Zealand Te Papa Tongarewa". collections.tepapa.govt.nz. Retrieved 2021-02-05.
- "Brooklyn Museum". www.brooklynmuseum.org. Retrieved 2021-02-05.
- "Ashmolean". collections.ashmolean.org. Retrieved 2021-02-05.
- "Night Rain, from the series Eight Elegant Views of Nagauta Performances - Isoda Koryūsai". FAMSF Search the Collections. 2015-05-08. Retrieved 2021-02-05.
- "Beauties of the Seasons---Winter". Freer Gallery of Art & Arthur M. Sackler Gallery. Retrieved 2021-02-05.
- "Mandarin Ducks". Indianapolis Museum of Art Online Collection. Retrieved 2021-02-05.
- "Three Cranes, Pines, and Rising Sun | 8549". Chazen Museum of Art. Retrieved 2021-02-05.
- "Isoda Koryūsai". portlandartmuseum.us. Retrieved 2021-02-05.
- "Courtesan Playing the Samisen | Kimbell Art Museum". www.kimbellart.org. Retrieved 2021-02-05.
- Hockley, Allen (2003). The Prints of Isoda Koryūsai: Floating World Culture and Its Consumers in Eighteenth-century Japan. University of Washington Press. ISBN 978-0-295-98301-1.
- Marks, Andreas (2012). Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900. Tuttle Publishing. ISBN 978-1-4629-0599-7.