Kyle Bobby Dunn

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Kyle Bobby Dunn
Background information
Birth name Kyle Robert Dunn
Also known as Beaver McMounty-Moose, Le Fromagerie Royale.
Origin Canada

Minimalist music

Contemporary classical
Occupation(s) Musician
Years active 2000–present
Labels Sedimental, Moodgadget, Low Point, Students of Decay, Ghostly International.

Kyle Bobby Dunn (born February 27, 1986 in Ontario) is a composer, arranger, and live performer of modern compositional and guitar based drone music. He has performed in live and exclusive outdoor settings, including Banff National Park, since 2000 and has released music on various international recording labels.[1][2][3]

His work has been described as "compositions that are patience incarnate"[4] and "encourage an emotional response even as its seemingly infinite, creeping swirl and hum threatens to numb. A difficult feat."[5] It is music that often "captures a mood somewhere between sadness and strength; it's the sound of a respite that occurs after having survived an ordeal; it's sound as memory, as memorial."[6]

The austere, tempered tonal shifts featured in many of his compositions subtly echo the work of minimalist forerunners like Morton Feldman and LaMonte Young. At the same time Dunn occasionally intersperses quaint, almost chamberal touches which evoke more traditionally classical sources.[7]


First realized in Calgary, Alberta, Dunn started composing and arranging his music on piano and cassette tapes (audio and video) in the late 1990s. He began seriously performing and recording under the name Kyle Bobby Dunn in 2002 with the first self released album, Music for Medication.

In interviews he has often mentioned large admiration for classical and soundtrack composers including Arvo Pärt, Valentin Silvestrov, John Williams, Ennio Morricone and Jerry Fielding,[8] yet his own music often exhibits a more quiet, minimalist, and droning nature that is often compared to ambient contemporary musicians William Basinski, Brian Eno and Stars of the Lid.

Recent works[edit]

Releasing what he has referred to as his 'first proper full length' album, Fragments & Compositions of Kyle Bobby Dunn, on Boston's Sedimental label in 2008. The album covered several years of his earliest compositional works, mainly for strings and piano.

In early 2010, a long form album that filled a double compact disc set containing five years worth of his music, A Young Person's Guide to Kyle Bobby Dunn, arrived on the UK based label Low Point, and was praised in various music journalism and considered a 'deeply affecting' work by The New York Times and 'his most definitive statement so far,' by Pitchforkmedia.

He released Ways of Meaning in 2011 on Buffalo, New York imprint, Desire Path Recordings, to unanimously positive reception. The Huffington Post's Daniel Kushner wrote, "Dunn presents the listener with sounds that seemingly, have no beginning, nor any end. There are not so much melodies, in the conventional sense – but rather an economical assemblage of tones, which linger in the air like the quivering brush strokes in an Impressionist still life."[9]

In 2012 he released another double disc set of long form works on the Low Point label. Bring Me the Head of Kyle Bobby Dunn was recorded at the artist's Bunce Cake studio and throughout remote locations in his native Canada. The recordings revealed a most personal and deeply emotional aspect of the composer's work and reached a high standard for electronically produced and arranged music – only utilizing an electric guitar and loop pedal for the album's 15 songs. The disc received a largely positive response and was heralded by Resident Advisor as being among his finest work.

In addition to the massive double disc release of 2012, a five song vinyl record was released later in the year on the Toronto label, Komino. It was considered as "a tightening of the composer's sound – the signature elements are there; cyclical patterns, drifts of spidery drones, buried static, but though they somehow seem slower and more stately than before, they seem focused, resolute" and "in a quiet master class in poised composition; constantly in motion, and in perfect stillness" by John Boursnell at UK's Fluid Radio.

It is reported that in 2014 there will be a vinyl reissue from Low Point of the composer's first works for strings and piano from the original 2008 Sedimental release, 'Fragments & Compositions,' as well as another large full-length release entitled 'Kyle Bobby Dunn & The Infinite Sadness.' The album is said to be the artist's largest and most ambitious offering yet. Arriving in a 3 vinyl album version and a double compact disc set culminating in his most intensely emotional works; it slightly borrows its title from the well known 1990's alternative rock album title Mellon Collie and the Infinite Sadness by The Smashing Pumpkins. It is already a largely anticipated independent album release of 2014 by notable music journalist websites including Pitchforkmedia.



  1. ^ New York Times, Steve Smith
  2. ^ Allmusic, Ned Raggett.All Music review
  3. ^ Pitchfork.Pitchfork Review
  4. ^ Pitchfork Review on Fervency (2009)Pitchfork Review: "Fervency"
  5. ^ Just Press Play Review on Kyle Bobby Dunn (2010)JustPressPlay Review: "A Young Person's Guide"
  6. ^ Bring Me the Head of Kyle Bobby Dunn Review (2012)The Fanzine Review: Bring Me the Head
  7. ^ Mark Lesseraux, DOA Review of Young Person's Guide DOA Review by Mark Lesseraux
  8. ^ Future Sequence Interview with Kyle Bobby Dunn
  9. ^ Huffington Post Review

External links[edit]