Kyrie

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For other uses, see Kyrie (disambiguation).
Kyrie XI ("orbis factor")—a fairly ornamented setting of the Kyrie in Gregorian chant—from the Liber Usualis

Kyrie, a transliteration of Greek Κύριε, vocative case of Κύριος (Kyrios), is a common name of an important prayer of Christian liturgy, also called the Kyrie eleison /ˈkri. ˈl.sɒn/ (Greek: Κύριε, ελέησον, translit. Kýrie eléison, lit. 'Lord, have mercy').[1]

In the New Testament[edit]

In John 13:13, John reports Jesus as saying "You call Me Teacher and Lord (Κύριε), and you say well, for so I am".

The prayer, "Kyrie, eleison," "Lord, have mercy" derives from several New Testament verses in particular. In Matthew 15:22, the Canaanite woman cries out to Jesus, "Have mercy on me, O Lord, Son of David." In Matthew 20:30, 31, two unnamed blind men call out to Jesus, "Lord, have mercy on us, Son of David." Finally, in Mark 10:46, Blind Bartimaeus cries out, "Jesus, Son of David, have mercy on me." There are other examples too, such as Luke 18:39 and Matthew 9:27, but the phrase "Lord, have mercy" was well-enough established in the Gospel narratives to become the basis for the use of "Kyrie, eleison" as a liturgical prayer. An important difference is that in the New Testament the expression is always personalized by an object after the exclamation,[2] while in the Eucharistic celebration it can be seen more as a general expression of confidence in God's love,[3]:293 especially in view of the litany form in which it originated (infra).

In Eastern Christianity[edit]

See also: Hesychasm

Τhe phrase Kýrie, eléison (Greek: Κύριε, ἐλέησον), or one of its equivalents in other languages, is one of the most oft-repeated phrases in Eastern Orthodox and Byzantine-Rite Eastern Christianity.

The various litanies, frequent in that rite, generally have Lord, have mercy as their response, either singly or triply. Some petitions in these litanies will have twelve or even forty repetitions of the phrase as a response.

The phrase is the origin of the Jesus Prayer, beloved by Christians of that rite and increasingly popular amongst Western Christians.

The biblical roots of this prayer first appear in 1 Chronicles 16:34

...give thanks to the LORD; for he is good; for his mercy endures for ever...

The prayer is simultaneously a petition and a prayer of thanksgiving; an acknowledgment of what God has done, what God is doing, and what God will continue to do. It is refined in the Parable of The Publican (Luke 18:9-14), "God, have mercy on me, a sinner", which shows more clearly its connection with the Jesus Prayer.

Since the early centuries of Christianity, the Greek phrase, Kýrie, eléison, is also extensively used in the Coptic (Egyptian) Christian liturgy, which uses both the Coptic and the Greek language.

In the cultures of East Slavs, its adaptation also gave rise to the word of gratitude (Russian: Спасибо, Spasibo) through a rough interpretation Save, God.

In Western Christianity[edit]

In Rome, the sacred Liturgy was first celebrated in Greek. At some point the Roman Mass was translated into Latin, but the historical record on this process is sparse. Jungmann explains at length how the Kyrie in the Roman Mass is best seen as a vestige of a litany at the beginning of the Mass, like that of some Eastern churches.[3]:335f.

As early as the sixth century, Pope Gregory the Great notes that there were differences in the way in which eastern and western churches sang Kyrie. In the eastern churches all sing it at the same time, whereas in the western church the clergy sing it and the people respond. Also the western church sang Christe eleison as many times as Kyrie eleison.[1][4]

In the Roman Rite liturgy, a variant, Christe, eléison, a transliteration of Greek Χριστέ, ἐλέησον, is introduced.

"Kyrie, eleison" (or "Lord, have mercy") may also be used as a response of the people to intentions mentioned in the Prayer of the Faithful.

Since 1549, Anglicans have normally sung or said the Kyrie in English. In the 1552 Book of Common Prayer, the Kyrie was inserted into a recitation of the Ten Commandments. Modern revisions of the Prayer Book have restored the option of using the Kyrie without the Commandments.

Other denominations also, such as Lutheranism, use "Kyrie, eleison" in their liturgies.

Kyrie as section of the Mass ordinary[edit]

In the Tridentine Mass form of the Roman Rite, Kýrie, eléison is sung or said three times, followed by a threefold Christe, eléison and by another threefold Kýrie, eléison. In the Paul VI Mass form, each invocation is made only once by the celebrating priest or by a cantor, with a single repetition, each time, by the congregation. Even if Mass is celebrated in the vernacular, the Kyrie may be in Greek. This prayer occurs directly following the Penitential Rite or is incorporated in that rite as one of the three alternative forms provided in the Roman Missal. The Penitential Rite and Kyrie may be replaced by the Rite of Sprinkling.

In modern Anglican churches, it is common to say (or sing) either the Kyrie or the Gloria in Excelsis Deo, but not both. In this case, the Kyrie may be said in penitential seasons like Lent and Advent, while the Gloria is said the rest of the year. Anglo-Catholics, however, usually follow Roman norms in this as in most other liturgical matters.

Text[edit]

Kyrie eleison (Κύριε ἐλέησον)
Lord, have mercy
Christe eleison (Χριστέ ἐλέησον)
Christ, have mercy

Musical settings[edit]

For more details on this topic, see Mass (music) § I. Kyrie.

In the Tridentine Mass, the Kyrie is the first sung prayer of the Mass ordinary. It is usually (but not always) part of any musical setting of the Mass. Kyrie movements often have a ternary (ABA) musical structure that reflects the symmetrical structure of the text. Musical settings exist in styles ranging from Gregorian chant to Folk.

Pronunciations[edit]

The original pronunciation in Medieval Greek was [ˈcyri.e eˈle.ison xrisˈte eˈle.ison], just when the Byzantine Rite was in force. The transliteration of ἐλέησον as "eléison" shows that the post-classical itacist pronunciation of the Greek letter eta (η) is used. Although the Greek words have seven syllables (Ký-ri-e, e-lé-i-son), pronunciations as six syllables (Ký-ri-e, e-léi-son) or five (Ký-rie, e-léi-son) have been used.

In Ecclesiastical Latin a variety of pronunciations are used, the italianate [ˈkirie eˈleison krisˈte eˈleison] having been proposed as a standard.[dubious ] Text underlay in mediaeval and Renaissance music attests that "Ký-ri-e-léi-son" (five syllables) was the most common setting until perhaps the mid-16th century. William Byrd's Mass for Four Voices is a notable example of a musical setting originally written with five syllables in mind, later altered for six syllables.[citation needed]

The Mediaeval poetic form Kyrielle sometimes uses Kýrieléis, an even more drastic four-syllable form, which is reduced to three syllables or even to kyrleis in the German Leise. [laɪzə]

In renewed Roman Catholic liturgy[edit]

The terms aggiornamento (signs of the times) and ressourcement (light of the Gospel) figure significantly into the documents of Vatican II: “The Church carries the responsibility of scrutinizing the signs of the times and interpreting them in the light of the Gospel” (Gaudium et spes, 4).[5] Louis Bouyer, a theologian at Vatican II, wrote of the distortion of the Eucharistic spirit of the Mass over the centuries, so that "one could find merely traces of the original sense of the Eucharist as a thanksgiving for the wonders God has wrought.”[6] The General Instruction of the Roman Missal (GIRM) notes that at the Council of Trent “manuscripts in the Vatican… by no means made it possible to inquire into 'ancient and approved authors' farther back than the liturgical commentaries of the Middle Ages…. [But] traditions dating back to the first centuries, before the formation of the rites of East and West, are better known today because of the discovery of so many liturgical documents" (7f.). Consonant with these modern studies, theologians have suggested that there be a continuity in praise of God between the opening song and the praise of the Gloria. This is explained by Keith Pecklers, S.J., of the Gregorian University in Rome, speaking of the Kyrie:

Its emphasis is not on us (our sinfulness) but on God’s mercy and salvific action in Jesus Christ. It could just as accurately be translated "O Lord, you are merciful!" Note that the sample tropes all mention what Christ has done for us, not how we have sinned. For example, “you were sent to heal the contrite,” “you have shown us the way to the Father,” or “you come in word and sacrament to strengthen us in holiness,” leading to further acclamation of God’s praises in the Gloria.[7]

In this same line, Hans Urs von Balthasar calls for a renewal in our whole focus at the Eucharist:

We must make every effort to arouse the sense of community within the liturgy, to restore liturgy to the ecclesial plane, where individuals can take their proper place in it…. Liturgical piety involves a total turning from concern with one’s inner state to the attitude and feeling of the Church. It means enlarging the scope of prayer, so often narrow and selfish, to embrace the concerns of the whole Church and, indeed – as in the Our Father – of God.”[8]

In the New Dictionary of Sacramental Worship the need to establish communion is reinforced as it quotes the General Instruction to the effect that the purpose of the introductory rites is “to ensure that the faithful who come together as one establish communion and dispose themselves to listen properly to God's word and to celebrate the Eucharist worthily” (GIRM, 46, emphasis added).[9]

In various languages[edit]

In addition to the original Greek and the local vernacular, many Christian communities use other languages, especially where the prayer is repeated often.

See also[edit]

References[edit]

Citations[edit]

  1. ^ a b "Definitions for Medieval Christian Liturgy: Kyrie eleison". Yale. 
  2. ^ "Kyrie Eleison". Retrieved 13 March 2017. 
  3. ^ a b Jungmann, J. The Mass of the Roman Rite: Its Origins and Development. New York 1951: Benzinger Brothers. pp. num. 322ss. 
  4. ^ Gregory the Great, Epistles 9: 26, trans. Baldovin, Urban Worship, 244-245
  5. ^ Ressourcement: A Movement for Renewal in Twentieth-Century Catholic Theology. Chapter 24, Ressourcement and Vatican II. Oxford. 2011. ISBN 9780199552870. Retrieved 12 March 2017. 
  6. ^ Eucharist. Notre Dame University. 1989. ISBN 0268004986. Retrieved 12 March 2017. , p. 318
  7. ^ The Genius of the Roman Rite: On the Reception and Implementation of the New Missal. Collegeville, MN: Liturgical Press. 2009. ISBN 978-0-8146-6021-8. Retrieved 12 March 2017. 
  8. ^ Church and World. Herder and Herder. 1967. Retrieved 12 March 2017. 
  9. ^ New Dictionary of Sacramental Worship. Collegeville, MN: Liturgical Press. 1990. pp. 944f. ISBN 0814657885. Retrieved 12 March 2017. 
  10. ^ Berndt, Guido M. (2016-04-15). Arianism: Roman Heresy and Barbarian Creed. Routledge. ISBN 9781317178651. 

Sources[edit]

  • Hoppin, Richard. Medieval Music. New York: W. W. Norton and Co., 1978. ISBN 0-393-09090-6. Pages 133–134 (Gregorian chants), 150 (tropes).

External links[edit]