La Baby Sister

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La Baby Sister is a Colombian telenovela produced by Caracol TV which aired in the United States on the network Telemundo in 2001. The series, containing a total of 160 episodes, centers on the romance between two leading protagonists, Daniel Luna (played by Victor Mallarino) and Fabiana Estrella Rivera (played by Paola Rey). On Telemundo, La Baby Sister followed the wildly successful telenovela, Betty La Fea, which has since been reinvented in the US as ABC's Ugly Betty. La Baby Sister was meant to be the successor to Betty la Fea as a hip and funny romantic comedy, and it was partially successful in this goal. Both novelas feature similar characteristics— both were produced in Colombia, and both feature a mix of romance and humor, modern sound editing and camera work, and a plot that centers on a young female protagonist and her family. Although La Baby Sister gained some acclaim from both critics and viewers, it never achieved the popularity of Betty la Fea. Nonetheless, it is often credited with launching the career of Paola Andrea Rey, who has since become one of Colombia's biggest television stars.

Plot summary[edit]

Daniel Luna and his wife Martha Parejo (played by Marcela Gallego) are a successful and semi-famous couple living among Bogota's upper crust society. They work in the same office, where Martha is a celebrity marriage counselor/television personality (much like Dr. Phil in America), and Daniel is a lawyer and professor specializing in divorce law. In the opening episode, Martha is about to release her newest book, which is an exaltation of her ostensibly perfect marriage. Martha's reputation as a counselor is built on honest and straightforward communication between couples. In one chapter of her book— a chapter highlighted by the book's publisher— Martha states that Daniel was often sexually inadequate, but that they have managed to overcome his inadequacies and build a successful marriage based on trust and honesty. However, both trust and honesty crumble for the celebrity couple when Daniel, who has not yet read Martha's newest book, discovers that the entire nation of Colombia believes he is sexually inadequate, which (the directors of the novela imply through various sex scenes) is not true.

Martha's book release has a pernicious effect on their marriage, which begins to crumble after Martha finds out that Daniel had a brief sexual encounter with one of his students, Veronica Davila (played by Manuela Gonzalez), who is infatuated with Daniel and who, as the viewers gradually find out, is insane.

During the same time period, the Lunas have hired Fabiana Rivera, a beautiful twenty-one-year-old college student, to help them take care of their two children. Fabiana is from a lower-class family, and she is dazzled by the Luna's rich style of living and by the charm her new boss, Daniel. As Martha and Daniel's relationship continues to deteriorate, the two decide to separate, and Daniel increasingly comes to rely on Fabiana to help him cope with raising his children while separating from his wife. Fabiana and Daniel fall in love, and after sharing various furtive kisses (accompanied by feelings of guilt and confusion), they culminate their romance sexually in a hotel.

Fabiana and Daniel make plans to run away together, but their plans are shattered when Martha, distraught because her separation from Daniel has become a national scandal fueled by the gossip driven media, accidentally overdoses on anti-depressants. Daniel mistakenly believes that his wife tried to commit suicide, and Martha does nothing to disabuse him of the belief in hopes that his feelings of guilt will help save their marriage.

The sexual consummation between Fabiana and Daniel, followed almost immediately by Martha's overdose, takes place during the first third of the novela's 160 episodes, and the rest of the narrative arch involves Daniel struggling between his love for Fabiana and the desire not to hurt his family, and Fabiana's doomed attempts to forget about Daniel. Fabiana continues to work in the Luna household for a time (where she continues to have brief romantic encounters with Daniel), but she leaves after Martha discovers that she and Daniel slept together. Fabiana and Daniel separate, and Fabiana briefly gets engaged to her childhood friend, Edwin Paipa (played by Luis Fernando Salis). But neither she nor Daniel can overcome their illicit love for one another. In the end, the two protagonists cast aside social restrictions against their relationship and the objections of their respective friends and families, and get married.

Social Class in La Baby Sister[edit]

Although much of the La Baby Sister involves either stereotypical romantic themes or silly comical hijinks, the novela does delve into some pertinent social commentary, most notably involving social class.

A recurring theme in La Baby Sister is the difference in class between Fabiana and Daniel and their respective families. Most characters, including Fabiana herself at one point, assume that Daniel cannot possibly love Fabiana because she is of a lower social class. Indeed, Daniel says as much to Veronica while trying to deny that he and Fabiana had an affair. Moreover, Martha appears (unrealistically) blind to the affair between Fabiana and Daniel because she assumes that Daniel would never "sink so low" as to have an affair with hired help, or at least not an affair that would mean anything. Throughout the novela, Martha repeatedly tries to instill class-based discrimination in the education of her children. At one point she, apparently without irony, alludes to George Orwell's Animal Farm by saying to her daughter, "All people are equal, but some people are more equal than others."

The producers of the novela clearly come down on the progressive side of the class debate: with the exception of Daniel, every upper-class character is stereotyped as snobbish, greedy, insane, or all three. One of the Novela's primary villains, Veronica, continually evokes her membership in the upper-class as justification for her unsavory and occasionally violent actions. In contrast, the Fabiana's working-class family and neighbors are consistently portrayed sympathetically as hard-working people who want nothing more than happiness for everyone, regardless of their social position. The novela also repeatedly portrays class-mobility in Colombia as difficult at best: Fabiana repeatedly tries to enter with Colombia's upper-class and is repeatedly buffeted by discrimination by her social "betters." In the final episodes, Daniel realizes that in order to be with Fabiana, he must renounce background in and cut his ties with Bogota's high society, a decision that allows him to be with his love, but which also costs him a lucrative career. The Novela's resolution suggests that, however unjust it may be, class discrimination is as strong as ever in Colombia.

Success and Availability of La Baby Sister[edit]

La Baby Sister aired successfully in several Latin American countries. It enjoyed a successful run in America as well, though it seems unlikely that Telemundo, or any other network, will air the series again. It is, however, available for sale on the internet in the form of unauthorized DVDs, an illicit market that gives many telenovlas a second life after their initial broadcasts. Many of the actors in the novella continued to work together on other projects following La Baby Sister, and the main star, Paola Andrea Rey, starred in three more telenovelas broadcasts on Telemundo, including La mujer en el espejo and Pasion de Gavilanes.

External links[edit]