|Medium||oil on canvas|
|Dimensions||100 cm × 75 cm (39 in × 30 in)|
|Location||Palazzo Pitti, Florence|
La Bella is a portrait of an unknown woman by Titian, painted around 1536 and now in the Palazzo Pitti in Florence. The work of a mature artist, it shows the woman with Renaissance ideal proportions and a natural expressive force. The composition is clear.
La Bella is often discussed as alternative to Titian's Portrait of Isabella d'Este in Vienna, because the order was a cajoling rejuvenated portrait by the more than 60 years old art patron. Eye colour, hair colour, eye brows and sex appeal would even homogenize all portraits of Isabella d'Este.
Titian likely used the same model for the Venus of Urbino. Both pictures are documented in letters by Francesco Maria I della Rovere, Duke of Urbino, who was the husband of Isabella's daughter Eleonora Gonzaga. The Venus of Urbino was painted for the marriage of their son, so there are similarities and the environment of the same family.
- (Spanish) Los maestros de la pintura occidental, Taschen, 2005, page 176, ISBN 3-8228-4744-5
- Leandro Ozzola, Isabella d'Este e Tiziano, in Bollettino d'arte, 1931, p. 491-494 Download: http://www.bollettinodarte.beniculturali.it/opencms/multimedia/BollettinoArteIt/documents/1407155929929_06_-_Ozzola_491.pdf
- Corrado Cagli: L'opera completa di Tiziano, Rizzoli Milano 1969, no. 177 - La Bella
- Ciatti, Marco/ Navarro, Fausta/ Riitano, Patrizia: Titian's La Bella - Woman in a Blue Dress.Edifir Firenze 2011, pp. 41-48, ISBN 978-88-7970-523-3 (Original letters in Italian and English)
- Goffen, Rona: Sex, Space and History in Titian's Venus of Urbino, in Titian's Venus of Urbino, ed. by Goffen, Rona, Cambridge 1997, pp. 63-90
- (German) Malaguzzi, Silvia: Schmuck und Juwelen in der Kunst. Parthas Verlag Berlin 2008, p. 274, ISBN 978-3-936324-94-5