They Were Five
|This article needs additional citations for verification. (February 2015) (Learn how and when to remove this template message)|
|La belle équipe|
|Directed by||Julien Duvivier|
|Written by||Julien Duvivier
|Music by||Maurice Yvain|
La belle équipe is a 1936 French film directed by Julien Duvivier. The script was written by Duvivier and Charles Spaak. Maurice Yvain provided the score. Jean Gabin's song Quand on s'promène au bord de l'eau was written by Duvivier, Yvain and Louis Poterat. Interiors were shot at the Studios de Joinville in Joinville-le-Pont, Val-de-Marne, with exteriors at Chennevières-sur-Marne. The film is also known as "They Were Five".
Five unemployed Parisian workers, Jeannot (Jean Gabin), Charlot (Charles Vanel), Raymond, called Tintin (Raymond Aimos), Jacques (Charles Dorat), and Mario (Raphaël Médina), a foreigner threatened with expulsion, win the main prize in the National Lottery. One of them, Jeannot, has the idea of putting the money together so the group can buy an old suburban wash house in ruins that they would transform, as equal co-owners, into a guinguette—a dancing and refreshment café in the country. They get down to realizing the project with confidence. But the solidarity of the group proves fragile. Soon enough the group is reduced to just Charles and Jean—who are in love with the same woman, Gina (Viviane Romance). The ending, judged too pessimistic, was re-made.
- Jean Gabin as Jean a.k.a. Jeannot
- Charles Vanel as Charles Billot a.k.a. Charlot
- Raymond Aimos as Raymond a.k.a. Tintin
- Charles Dorat as Jacques
- Raphaël Médina as Mario
- Micheline Cheirel as Huguette, Mario's fiancée
- Viviane Romance as Gina, the wife of Charles
- Marcelle Géniat as Huguette's grandmother
- Fernand Charpin as policeman Antomarchi
- Raymond Cordy as the drunkard
- Charles Granval as Father Guilard
Critics have associated the film with the rise and demise of the Popular Front. The film was made in June and July 1936 and coincided with the early days of the Léon Blum government and the strikes for better conditions. Duvivier was certainly not a Leftist. It should be pointed out nonetheless that Duvivier's portrayal of male friendship gradually being eroded by a woman and by desire for that woman was canonical by 1936, so the film does not limit itself to that reading. If the men in Duvivier's film do not get to fulfil their dream of setting up their guinguette it is because, while economically they can be solidaires—as one, sexually they cannot.On a first level of reading, therefore, it is sex before politics that drives the narrative."