La commare secca

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La commare secca
La commare secca poster.jpg
Directed by Bernardo Bertolucci
Produced by Antonio Cervi
Written by Bernardo Bertolucci
Sergio Citti
Pier Paolo Pasolini
Starring Marisa Solinas
Allen Midgette
Giancarlo De Rosa
Alfredo Leggi
Music by Piero Piccioni
Carlo Rustichelli
Cinematography Giovanni Narzisi
Edited by Nino Baragli
Release date
19 September 1962
Running time
88 minutes
Country Italy
Language Italian

La commare secca (literally "The skinny gossip", English title The Grim Reaper) is the 1962 Italian film written and directed by Bernardo Bertolucci, based on a story by Pier Paolo Pasolini. It was Bertolucci's directorial debut at age 21.


The story is very similar to Akira Kurosawa's influential Rashomon, though in an interview Bertolucci denied having seen that film at the time.

The film begins with the brutal image of a prostitute's corpse on the bank of the Tiber in Rome. We then see a series of interrogations of suspects by the police, all of whom are known to have been in a nearby park at the time of the murder. Each suspect recounts his activities during the day and evening, and each narrative serves as a slice of life story. A young man tells the police that he was meeting with priests in order to get a job recommendation, though we see that he and his friends spent the time trying to rob lovers in the park. A gigolo treats both his girlfriends badly. A soldier fails in his attempts at picking up a number of women and falls asleep on a park bench. Two teenage boys share a pleasant afternoon in the company of two teenage girls but end up stealing from a homosexual man in the park.

The final flashback depicts the prostitute's murder by a man in clogs who had been interrogated previously and who is finally apprehended at a dance.

Each narrative is interrupted by a sudden thunderstorm, which in each case leads to an interlude at the prostitute's apartment as she prepares for her evening.

Critical reception[edit]

The film was hailed by international critics as a success by a major new talent. Many Italian critics thought it was very much a Pasolini film, although Bertolucci made a conscious effort to create a distinct individual style.

External links[edit]