La nonne sanglante

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La nonne sanglante - title page of the piano score - Paris 1855
Louis Gueymard as Rodolphe, La nonne sanglante. Sketch (1854) by Alexandre Lacauchie [fr]

La nonne sanglante (The Bloody Nun) is a five-act opera by Charles Gounod to a libretto by Eugène Scribe and Germain Delavigne, after an episode in The Monk, a gothic novel by Matthew Gregory Lewis.[a] Written between 1852 and 1854, it was first produced on 18 October 1854 at the Salle Le Peletier by the Paris Opera.

It received 11 performances between October and November 1854. Its poor reception, in the midst of various crises, contributed to the overthrow of the Opéra director Nestor Roqueplan, who was replaced by his adversary François-Louis Crosnier. Crosnier immediately cancelled the run, saying that 'such filth' (pareilles ordures) would no longer be tolerated.[3]

Performance history[edit]

Although the first run sold well, Gounod's opera disappeared completely for a very long time. After the unfortunate beginning, no other opera manager took the risk.[b]

On 18-20 March 2008, Theater Osnabrück presented La nonne sanglante for the first time on a German stage, with Yoonki Baek [de] (Rodolphe), Eva Schneidereit [de] (La nonne sanglante), Natalia Atmanchuk (Agnes). The conductor was Hermann Bäumer [de][5]

On 2 June 2018 the opera had a rare Paris revival at the Opéra-Comique with Michael Spyres as Rodolphe, Jodie Devos as Arthur, Jean Teitgen as Pierre and Marion Lebègue as the nun, conducted by Laurence Equilbey, and directed by David Bobée.[6]


Role Voice type Premiere Cast, October 18, 1854
(Conductor: Narcisse Girard)
Le comte Ludorf bass Jean-Baptiste Merly
Le baron Moldaw bass Jacques-Alfred Guignot
Pierre l'hermite bass Jean Depassio
Rodolphe, son of Ludorf tenor Louis Guéymard
Agnès, daughter of Moldaw soprano Anne Poinsot
La nonne sanglante mezzo-soprano Palmyre Wertheimber
Arthur, Rodolphe's servant soprano Marie-Dussy
Vassals, soldiers, wedding-guests, peasants, knights, ghosts


Place: Bohemia
Time: 11th century


Agnès is in love with Rodolphe, although the two families are perpetually at war with each other. Moldaw's castle is said to be haunted by the bloody figure of a nun.

Act 1[edit]

Pierre, the hermit, breaks up a row between the family vassals and abjures them to join his crusade. He proposes that Agnès should marry Rodoplhe's brother Théobald to cement relations between the families. The lovers agree that to escape, Agnès should disguise herself as the ghost of the nonne sanglante and elope with him at midnight.

Act 2[edit]

Arthur sings of the legend of la nonne sanglante. At Rodolphe's rendez-vous, he walks off with the ghost of the nun, believing it to be Agnès. The ghosts of Rodolphe's ancestors materialise in the magically-restored family castle to witness the marriage of Rodolphe and the nun.

Act 3[edit]

Théobald has been killed in battle, so Rodolphe is in theory free to marry Agnès. However, Rodolphe reveals to Arthur that he is nightly haunted by the nun who reminds him of his vows. She eventually reveals that Rodolphe can only be released by killing the (unidentified) man who murdered her.

Act 4[edit]

At the marriage feast of Rodophe and Agnès, the nun's ghost appears at midnight and indicates to Rodolphe that his father, Ludorf, was her murderer. Rodolphe abandons the ceremonies in horror, reigniting the ancient mutual hatred of the families.

Act 5[edit]

Ludorf is consumed by guilt for his crime and will accept punishment if he can meet with Rodolphe for one last time. He overhears Moldaw's retainers planning to kidnap Rodolphe. Rodolphe then appears with Agnès and confesses to her the story of the ghost. To save his son, Ludorf presents himself to Moldaw's men as his son, and is murdered by them, dying in his son's arms at the tomb of the murdered nun. This act of expiation is clearly acceptable to the ghost who ascends to heaven praying for Ludorf.



  1. ^ The libretto was originally considered by "eight other composers, including Giuseppe Verdi and Hector Berlioz",[1] who wrote a few fragments before abandoning it.[2]
  2. ^ One year later, British composer Edward Loder presented his version of the same subject, Raymond and Agnes. This opera was first shown in Manchester and was brought to London in 1859. Loder's version was not very successful either. It was revived only once, 1966 in Cambridge.[4]


  1. ^ Cross, Lucy. Gounod's Romeo and Juliet. Bavarian Radio and BMG Classics, 1996.
  2. ^ See
  3. ^ Andrew Gann, 'Theophile Gautier, Charles Gounod, and the massacre of La Nonne sanglante,' Journal of Musicological Research 13, no. 1–2 (1993), 49–66. See also Anne Williams article re La Nonne sanglante: Stephen Huebner, The Operas of Charles Gounod (Clarendon Press, Oxford 1990).
  4. ^ English Romantic Opera: Raymond and Agnes, retrieved on 4 April 2023.
  5. ^ Uwe Schweikert: Tanz der Vampire Archived 2018-05-20 at the Wayback Machine, Opernwelt, March 2008, p. 50, retrieved on May 20, 2018
  6. ^ Coughlan, Alexandra. Report from Paris. Opera, Vol 69 No.9, September 2018, pp. 1085–87.