Lavinia Williams

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Williams in 1955

Lavinia Williams (July 2, 1916 – July 19, 1989), who sometimes went by the married name Lavinia Williams Yarborough, was an African-American dancer and dance educator who founded national schools of dance in several Caribbean countries.


Lavinia Williams was born the second of six children in Philadelphia, Pennsylvania, grew up in Portsmouth, Virginia and Brooklyn, New York and studied in New York City after high school, where she joined the American Negro Ballet, beginning her career in a number of dance companies and stage productions.

Her work included classical ballet, folk, modern, musicals, and, most importantly, Caribbean dance, which she mastered in the 1940s while working with Katherine Dunham. She spent nearly the entirety of the years from 1953 through the late 1980s teaching dance and founding and developing national schools of dance in Haiti, Guyana, and the Bahamas.

She spent most of the last years of her life teaching in New York City, but left the United States for Haiti in 1984 February.[1] The New York Times reported that she died of a heart attack in Port-au-Prince,[2] although several other sources[3] and Beryl Campbell reported it as "some kind of food poisoning".[4] Diana Dunbar, Lavinia's friend and student, arranged her funeral service.[3]

Marriages and children[edit]

Williams married Léon Theremin in the middle 1930s. In 1938, Theremin suddenly returned to the Soviet Union,[5] where he was imprisoned and later sent to a labor camp.[4] Williams never saw him again.

She married Shannon Yarborough in the late 1940s and had two daughters, Sharron and Sara. The younger daughter, Sara Yarborough-Smith, followed in her mother's footsteps as a professional dancer with the Alvin Ailey American Dance Theater, the Dance Theater of Harlem and the Robert Joffrey Ballet, among others.

Lavinia visited Clara Rockmore in 1974 and expressed happiness in discovering that Theremin was still alive; shortly afterwards she and Theremin started corresponding, with Theremin even proposing remarriage.[6]

Featured in[edit]

  • Aschenbrenner, Joyce. Katherine Dunham: reflections on the social and political contexts of Afro-American dance. New York: CORD: 1981.


  • She wrote the 49 page pamphlet Haiti Dance[7] printed by Brönners Druckerei in 1959.
  • She wrote various other small pamphlets on dance, for example: "Ballets d'Haïti": Bamboche creole, 24 pages, 1974;[8] Dances of the Bahamas & Haiti, 1980, 12 pages[9]


  1. ^ Glinsky p. 325
  2. ^ "Lavinia Williams Service". The New York Times. November 8, 1989.
  3. ^ a b Glinsky p. 372 "Dunbar: many sources in Haiti that I interviewed."
  4. ^ a b Theremin: An Electronic Odyssey, written, directed and produced by Steven M. Martin. Orion/MGM, 1994: 26mins Beryl Campbell reports Lavinia's call; 50mins Lydia Kavina reports Stalin's award; 51mins Beryl reports Lavinia's food poisoning
  5. ^ Glinsky, Albert (2000), Theremin: Ether Music and Espionage, Urbana, Illinois: University of Illinois Press, ISBN 0-252-02582-2
  6. ^ Glinsky p. 324
  7. ^ Daniel, Yvonne (2005), Embodied Knowledge in Haitian Vodou, Cuban Yoruba, and Bahian Candomblé, University of Illinois Press, p. 116, ISBN 978-0-252-07207-9
  8. ^ Ballets d'Haïti
  9. ^ Dances of the Bahamas & Haiti.


  • Allen, Zita. Thirteen WNET New York. "Lavinia Williams." Dance In America: Free To Dance web companion. Online.
  • Kisselgoff, Anna. The New York Times. "Dance: For Alvin Ailey, 25th Anniversary Gala." December 2, 1983. Online.
  • Glinsky, Albert (2000), Theremin: Ether Music and Espionage, Urbana, Illinois: University of Illinois Press, ISBN 0-252-02582-2