Leap of Faith (film)
|Leap of Faith|
Leap of Faith original theatrical poster
|Directed by||Richard Pearce|
|Produced by||Michael Manheim
David V. Picker
(Gospel songs and choir produced by George Duke and choir master Edwin Hawkins.)
|Written by||Janus Cercone|
|Music by||Cliff Eidelman|
|Cinematography||Matthew F. Leonetti|
|Edited by||John F. Burnett
|Distributed by||Paramount Pictures|
|December 18, 1992|
Leap of Faith is a 1992 American dramedy film, directed by Richard Pearce and starring Steve Martin, Debra Winger, Lolita Davidovich, Liam Neeson and Lukas Haas. The film is about Jonas Nightengale, a fraudulent Christian faith healer who uses his revival meetings, in Rustwater, Kansas, to bilk believers out of their money.
Jonas Nightengale (Steve Martin) is a faith healer, loosely based on televangelist Peter Popoff, who makes a living traveling across America holding tent revival meetings and conducting purported miracles. He is helped by his friend and manager Jane Larson (Debra Winger) and an entourage of fellow con artists.
Their bus breaks down in the fictional Rustwater, Kansas, a town with a 27 percent unemployment rate that is in desperate need of rain to save its crops. Learning they will be stuck in Rustwater for days waiting for replacement parts to come in for one of the many big trucks of their fleet, Jonas decides, in an effort to cut some of their losses while the truck is being repaired, to hold revival meetings despite the town's small size. Early on Jonas meets Marva, a waitress in a local café. She rebuffs his persistent advances.
Local sheriff Will Braverman (Liam Neeson) is skeptical and tries to prevent his townspeople from being conned out of what little money they do have. After seeing the excessive pageantry of the first show and the counting of money by the team on Jonas' tour bus, Braverman decides to investigate Jonas' past. He learns that Jonas, claiming to have been born in a humble log cabin in the Appalachians, is in fact Jack Newton, a native of New York City. Between the age of 15 and 18 he lived a life of crime, including petty theft and drug possession. Braverman shares this information with the townspeople who have gathered for another tent revival. Jonas storms off the stage, soon returning to successfully spin Braverman's report, leaving the crowd more energized than ever, much to Braverman's exasperation.
Jonas also gives back the collections for the day, saying he could not take their money in good conscience knowing that they doubted him and that if his faith was strong God would send them a sign. He also has his crew secretly plant an additional $60 among the crowd, setting up the believers for a miracle the next day. The next morning, the huge crucifix forming the backdrop of the revival tent with Jesus' eyes normally closed is found to somehow have his eyes opened. A shocked Jonas, in front of all the townspeople and numerous television cameras from the region's network affiliates, proclaims it a miracle which is amplified as townsfolk who had money planted on them reveal their unexplained fortunes.
Throughout all of this is a subplot involving Jane and Braverman, who find themselves falling for each other. She becomes enchanted by Braverman's simple farm life and his interest in butterflies. However, after Braverman's disclosure of Jonas' past Jane breaks off their budding relationship. They soon, however, meet again and Jane confesses to Braverman that she is tired of manipulating people. He makes it clear he would like a permanent relationship with her if she will stay.
Meanwhile, Jonas can't understand why Marva won't date him. Marva points to her brother Boyd who walks with crutches following an auto accident in which also their parents died. Marva explains that doctors couldn't find anything physically wrong with him, so as a last resort she took him to a faith healer who subsequently blamed it on Boyd's supposed lack of faith. Marva now detests faith healers, having had one blame her brother for his own psychosomatic disability.
Boyd comes to believe that Jonas can make him walk again. He goes to the revival and implores Jonas to heal him. Jonas finishes the show while pretending not to notice the boy, but is compelled to return to the stage after the crowd begins to chant "one more."
Jonas spins the expected failure to heal Boyd by blaming Braverman, who is present, saying that if a failure occurs, it will be due to Braverman's skepticism. Boyd walks to the open-eyed crucifix and touches the feet of Jesus Christ. He drops his crutches and begins to walk unassisted. The awed crowd sweeps the stage. After the show, an enraged Jonas rails to Jane that he was conned and that Boyd upstaged him. Jane doesn't believe it was a con. The production crew are thrilled with all the money that came in as a result of Boyd being healed and want Boyd to join the show. A clearly annoyed Jonas reluctantly agrees and stalks off the bus. Jane follows him out and they argue.
After the revival, Jonas enters the empty, darkened tent and mocks the crucifix and Christianity. Boyd walks in while Jonas talking. Boyd thanks Jonas for healing him, but Jonas insists angrily that he did nothing. Boyd says it doesn't matter, that the job still got done. Jonas accuses Boyd of being a better con artist than he himself. Boyd wants to join Jonas on the road, telling him a lot of ways he can help out exist and promising to earn his keep. Jonas agrees to meet Boyd the following morning, implying Boyd can come. Then Boyd's sister Marva arrives. She sends him out of the tent saying that people are looking for him. She thanks Jonas, who tells her that he will not be meeting her brother Boyd the next morning. He asks her to tell Boyd that "just because a person didn't show up doesn't mean that the person doesn't care about them." referencing a set up earlier in the movie where Jane defended Jonas by telling Braverman the story of a five-year-old Jonas waiting in vain for four days for his mother to return, for many years while living in an orphanage holding steadfast to the belief that one day she indeed would.
Jonas leaves the tent and sees the crowd that has gathered just outside of it, many praying, some sleeping in groups, and others feeding the crowd that has gathered. He packs a bag and departs alone under the cover of darkness, leaving behind his silver-sequined jacket with an envelope for Jane containing his ring that she had long coveted. Braverman and Jane drive to Jonas' motel room and find him gone.
Jonas hitches a ride with a truck driver bound for Pensacola, Florida. When asked by the driver if he is in some kind of trouble, Jonas replies that probably for the first time in his life in fact he is not. As they continue to ride along, the drought threatening the crops, the centerpiece of the town's economy, comes to an dramatic end in a miraculous downpour.
Jonas laughs heartily, the film ending with him riding off into the sunrise loudly thanking Jesus.
- Steve Martin — Jonas Nightengale
- Debra Winger — Jane Larson
- Lolita Davidovich — Marva
- Liam Neeson — Sheriff Will Braverman
- Lukas Haas — Boyd
- Albertina Walker — Lucille
- Meat Loaf — Hoover
- Philip Seymour Hoffman — Matt
- M. C. Gainey — Tiny
- La Chanze — Georgette
- Delores Hall — Ornella
- Phyllis Somerville — Dolores
- Troy Evans — Officer Lowell Dade
The movie was filmed in Groom, Texas, and Tulia, Texas, though parts of the movie were filmed in Plainview, Texas, where the town water tower still has the fictional town mascot painted on the side. Martin became the film's leading actor after Michael Keaton quit the production.
On April 11, 2006, Taylor Hackford announced that he would be making his directorial debut on Broadway by bringing the film to the stage as a musical. The score was written by Alan Menken with lyrics by Glenn Slater. Hackford chose Leap of Faith even though he had previously been offered the opportunity to bring his film Ray to the stage. "What got me here was Alan Menken's score and how it so beautifully fit the book," Hackford said. According to an article in the January 20, 2010 New York Post, Hackford is no longer the director of this project.
The Center Theatre Group presented the musical at the Ahmanson Theatre, Los Angeles, with Rob Ashford as director and choreographer. Performances began on September 11, 2010, with an official opening on October 3, 2010, running through October 24, 2010. Raul Esparza played the role of Jonas Nightengale (originated by Steve Martin in the film) and Brooke Shields played the role of Marva (originated by Lolita Davidovich in the film. The musical began previews on Broadway at the St. James Theatre on April 3, 2012, and opened on April 26, 2012 before closing after only 20 performances. Direction was by Christopher Ashley, choreography by Sergio Trujillo, a revised book by Warren Leight, with a cast featuring Raúl Esparza as Jonas Nightengale, and Jessica Phillips as Marla.
- "Internet Movie Database: Leap of Faith Trivia". Internet Movie Database. 2007. Retrieved 2007-04-23.
- Peace Corps Online | 2006.04.12: April 12, 2006: Headlines: Figures: COS - Bolivia: Movies: Hollywood: Musicals: Broadway: UPI: "Taylor Hackford plans to make his Broadway debut in the 2007-8 season as the director of "Leap of Faith," a new musical" peacecorpsonline.org
- Riedel, Michael."A look before 'Leap' "New York Post, January 20, 2010
- Jones, Kenneth."Leap of Faith, Menken's Gospel-Filled Musical Comedy, Will Premiere in L.A." playbill.com, January 28, 2010
- Gans, Andrew."Raúl Esparza and Brooke Shields To Star in Leap of Faith at the Ahmanson" playbill.com, June 21, 2010
- Jones, Kenneth (January 12, 2012). "Leap of Faith's Broadway Launch Will Be April 3; Jessica Phillips, Raul Esparza, Kendra Kassebaum Star". Playbill. Retrieved January 13, 2012.
- Leap of Faith at the Internet Movie Database
- Leap of Faith at AllMovie
- Review/Film; Steve Martin as a Healer With Faith Only in Lies December 18, 1992
- Leap Of Faith by Roger Ebert
- Faith Healers deal in phony shows and false hopes The Observer
- Randi and Popoff BBC 9 Dec 06
- Listing notes for The Faith Healers, by James Randi, which formed the basis for this film.
- On Entering the Third Decade by Paul Kurtz
- The third eye by Pat Reeder