Leave It to Beaver (Veronica Mars)
|"Leave It to Beaver"|
|Veronica Mars episode|
After solving the murder of her best friend Lilly Kane, Veronica dreams about their reunion. Veronica's final promise to Lilly is that she could never forget about her.
|Episode no.||Season 1
|Directed by||Michael Fields|
|Teleplay by||Rob Thomas
|Story by||Rob Thomas|
|Original air date||May 10, 2005|
"Leave It to Beaver" is the twenty-second and final episode of the first season of the American television series Veronica Mars. Series creator Rob Thomas wrote the story, and collaborated with Diane Ruggiero to write the teleplay. The season finale was directed by Michael Fields, and was first aired on May 10, 2005 in the United States on UPN.
The finale concludes the storyline of Lilly Kane's murder, as Veronica Mars (Kristen Bell) finally discovers the identity of the murderer after investigating the mystery with her father Keith Mars (Enrico Colantoni) throughout the season. Thomas said that the finale was more ambitious than the average episode, requiring a larger budget and more filming than usual. "Leave It to Beaver" was watched by 2.99 million American viewers on its original airing. Critical reaction to the episode was generally positive, and several critics praised Thomas' use of red herrings.
The first season revolves around Veronica's investigation of her best friend Lilly's murder. Prior to the murder, Veronica was dumped by her boyfriend, Duncan Kane (Teddy Dunn), who was also Lilly's brother. After Lilly was killed, Veronica's father, County Sheriff Keith Mars, accused Lilly's father, popular software billionaire Jake Kane (Kyle Secor), of being involved in the murder. This provoked Neptune's wrath and Keith's ousting as sheriff in a recall election. Veronica's mother, Lianne Mars (Corinne Bohrer), developed a drinking problem and left town. Veronica's "09er" friends—wealthy students from the fictional 90909 ZIP code—forced her to choose between them and her father; Veronica chose her father.
After being voted out as sheriff, Keith opens a private investigation agency, Mars Investigations, where Veronica works part-time. Veronica helps her father solve cases and conducts her own investigations on behalf of friends and acquaintances at school. Veronica discovers new evidence which suggests that Abel Koontz (Christian Clemenson), the man imprisoned after confessing to Lilly's murder, is innocent. As Veronica delves deeper into the murder case, she also works on other investigations, seeks her mother's whereabouts and deals with the aftermath of being drugged and raped during an "09er" party. Things get more complicated when Veronica falls into a relationship with Lilly's ex-boyfriend Logan Echolls (Jason Dohring), who for a time held Veronica partly responsible for Lilly's death and went out of his way to harass her.
In the previous episode, Keith proves the innocence of convicted murderer Koontz, who had falsely confessed to murdering Lilly. Veronica, who believed that she had been raped the previous year at a party, discovers that she and Duncan had sex while under the influence of GHB; Duncan left that next morning because he believed Veronica was his sister. Veronica spends time with her boyfriend Logan in his pool house, but discovers a hidden video system linking to cameras focused on the bed. Veronica is shocked and goes home, only to find her mother Lianne has returned from rehab.
When a reporter writes an article about Koontz's innocence, Duncan demands the truth from his parents, Jake and Celeste Kane (Lisa Thornhill), who tell him that they arrived home one night to find Duncan covered in blood and holding Lilly's body. Cassidy Casablancas (Kyle Gallner) tells Veronica that on the weekend of Lilly's murder, he had gone surfing in Mexico with Logan and Dick Casablancas (Ryan Hansen); however, Logan had driven back to Neptune to see Lilly. Veronica and Keith discover that a shot glass Logan bought is on the evidence record of Lilly's bedroom and car. Talking to Keith on the phone, Veronica suggests that Logan is the murderer, and their conversation is overheard by the leader of the Latino biker gang PCHers, Eli "Weevil" Navarro (Francis Capra), who had a relationship with Lilly.
Keith ends his relationship with Wallace's mother Alicia Fennel (Erica Gimpel) to give Lianne a second chance. Because Celeste refused to pay the $50,000 reward for finding Duncan, Keith sues the Kanes, who agree to pay if Veronica signs away any future claim to their estate. Once Veronica signs, Keith shows her the DNA test that proves he is her father, meaning Veronica never had a claim of the estate. Logan is arrested, and once released he angrily breaks up with Veronica for providing the evidence against him. Logan then explains that when he saw Lilly after returning from Mexico, he knew their relationship was over and wrote a letter which he left in her car.
Veronica realizes that Logan's letter was never found, and searches Lilly's room during a dinner party at the Kane's household. Duncan enters the room and they discover several videotapes which show Lilly having an affair with Logan's father, Aaron Echolls (Harry Hamlin). Veronica believes that Lilly found the tapes and refused to return them, which angered Aaron and he killed her; Duncan arrived home to find Lilly dead and had an epileptic fit, at which time Jake and Celeste returned home. While an unseen person watches them from a closet, Veronica calls Keith and tells him that she will bring home the tapes, noting that Aaron is at the party. Before she leaves, Veronica tells Duncan that they are not related. Meanwhile, Logan is drunk and stands on a bridge railing. Weevil and the PCHers arrive and they initiate a fight.
While driving home, Veronica discovers Aaron in the back seat of her car and crashes into a power pole. Although both are knocked unconscious, Veronica awakens first and distributes the tapes around a nearby house. Aaron traps Veronica in a fridge, and when Keith arrives, he lights it on fire. Keith is burnt freeing Veronica, and Aaron is hit by a truck while trying to escape. The police arrive and Keith and Aaron are taken away on stretchers as Aaron is read his rights. Jake vows to see Aaron fry for his actions and is also arrested. Keith wakes up in hospital to find Alicia by his side. Veronica arrives home and tells her mother to leave before Keith comes home; she knows that Lianne is still drinking and did not finish her rehab. Lianne packs her bags and steals the $50,000 settlement check from the Kanes before she leaves. Veronica dreams about her and Lilly floating on a pool raft in a pool full of flowers, and they say their final goodbyes. Veronica wakes up and answers the door, and tells the unseen person, "I was hoping it would be you".
The first season of Veronica Mars features a different "case of the week" each episode, and the season-long mystery of Lilly Kane's murder. In addition to developing a separate mystery for each episode, the writers also had to provide clues that would lead to the murder's resolution in the season finale. The murder mystery plot was planned from the beginning of the season and the killer's identity remained the same throughout production. Thomas said that at the beginning of the season, "I know the broad strokes, I know who did it, I know how it was done, I know the big arcs, but we're always filling in the details. Those are week to week. It's a week to week challenge in the writers room figuring out how much information we want to dole out to the audience."
Although series creator Rob Thomas always planned on Harry Hamlin's character Aaron Echolls as the murderer, this reveal almost didn't happen because Hamlin was almost unavailable to shoot the season finale due to a movie he had booked in Australia. However, he decided to continue on Veronica Mars instead.
Although the season's plan was changed very little, Thomas said that Logan became a much bigger character than anticipated. Thomas attributed this to Jason Dohring being an engaging performer, and the crew wanting to write scenes for him. While the budget for each episode was around $1.7 million, an extra $400,000 was spent for the finale. Filming was extended by one full day with the first unit and an extra three days of filming with the second unit. Thomas promised that there would be "more action than you've ever seen on Veronica Mars."
Speaking about the episode's filming, Thomas said, "our final Lilly moment is just beautiful. I think Veronica and Lilly saying goodbye to each other is what people want to see. As much as who killed Lilly Kane." For the finale, Thomas promised "80 percent total satisfaction. People will know who killed Lilly Kane. And there won't be that twist at the end that 'perhaps they didn't do it.' I'm not going to be leaving people like that. However, at the end of the episode, it gives us a pretty big cliffhanger question as well."
"Leave It to Beaver" was watched by 2.99 million American viewers on its original airing, ranking number 98 out of 112 in the weekly charts. This was an increase over the pilot, which was viewed by 2.49 million American viewers. The first season averaged 2.5 million viewers per episode.
Jesse Hassenger of PopMatters found the finale to be "breathlessly paced". However, the writer was also dissatisfied with the cliffhanger, and hoped that the second season would not increase the series' focus on Veronica's relationships. Hassenger wrote, "so far, the series has eschewed the relationship angst so common in other teen-centric shows; Neptune hearts get broken, yes, but the show never stoops to that will-they-or-won't-they dynamic. Veronica is that rare television character who's too interesting for love triangles." Filip Vukcevic of IGN thought that while the resolution of the murder was satisfying, it could have been better; "I liked the way everything played out, but I didn't get the Sixth Sense moment I was hoping for. I wanted the season finale to blow my mind, instead all it got out of me was, 'Ah, I see. That's cool.'" Vukcevic wrote that the pace of the season increased exponentially, and was at its best during the final episode. Both reviewers praised Rob Thomas's use of red herrings. Vukcevic felt that "as the finale approaches you are led to believe that the murderer could be any one of several different people - not any easy thing to pull off convincingly. What makes good TV is audience participation. If you feel for a character or are puzzling out a mystery, you're involved. And when you're involved, you're having a good time." Hassenger cited Lianne, Duncan and Logan as the main red herrings.
Mike Duffy of the Detroit Free Press included the episode on his list of "12 season finales you won't want to miss", citing "great writing, a merrily dark sense of humor and Bell's self-assured smart-girl charm" as the main reasons to watch. Screenwriter and director Kevin Smith praised the "seat-of-your-pants" season finale, writing that it managed to "thread the needle with the Lilly Kane murder so well, it never feels marginalized or played out over 22 episodes". Smith compared the year-long murder mystery to that of Twin Peaks, stating that "unlike Peaks, when the murderer is revealed and the storyline wrapped up in the final [episode], it doesn't feel like the show's outlived its relevance; thanks to the crisp writing, the deft fleshing-out of the Mars universe and the endearing cast, you’re left wanting Veronica's story to continue."
Price Peterson, writing for TV.com, gave the episode an extremely positive review, writing that it was "stellar…just a perfect hour of television and a fantastic end to the season. I still can't believe how well they pulled off the mystery. I did NOT see Aaron Echolls as the killer." Rowan Kaiser of The A.V. Club gave a glowing review, praising the Keith-Veronica dynamic, the conclusions to the story arcs, and the final sequence after it is revealed that Aaron is the murderer. "It’s also an interesting choice to have the reveal come about two-thirds of the way through the episode, and have the episode end with a dramatic chase and fight scene. Veronica has so rarely been in direct personal danger that having Aaron Echolls chase and capture her, and having Keith show up for a brutal fight and rescue, is jarring. And I think it is effective." Television Without Pity gave the episode an "A".
Give Me My Remote listed the episode as the third best episode of Veronica Mars, writing "everything about this episode is superb, from the plotlines, to the stunts, and the performances. Kristen Bell, in particular, churned out gut- wrenching, Emmy- worthy scenes." IGN ranked the episode as the best episode of Veronica Mars, writing "Once you realize Aaron is the one, you're glued to your seat for the rest of the episode, possibly hiding behind a blanket. Getting to this reveal was worth the season-long wait." BuzzFeed listed the episode as the second best episode of the series, calling it "one of the most intense, thrilling, and emotional episodes of the show." On a similar list, TV Line ranked the episode as the fourth best episode of the show.
- Thomas, Rob. ""Pilot" commentary". SlaveRats.com. Retrieved September 17, 2008.
- Vukcevic, Filip (October 19, 2005). "Veronica Mars: Season 1 Review". IGN. Retrieved June 9, 2010.
- Porter, Rick (September 28, 2005). "Mystery deepens on Mars". The Providence Journal. Archived from the original on December 9, 2008. Retrieved November 8, 2008.
- Cortez, Carl (May 9, 2005). "Exclusive Interview: Veronica Mars Creator Rob Thomas". iFMagazine.com. Archived from the original on May 11, 2005. Retrieved June 9, 2010.
- Thomas, Kaitlin (March 14, 2014). "Veronica Mars at PaleyFest: 9 Things You Might Not Have Known About the Series and the Movie". TV.com. Retrieved February 19, 2015.
- Aurthur, Kate (April 17, 2005). "Television: Character; A Season-Long Whodunit Must Soon Say Who Did". The New York Times. Retrieved June 9, 2010.
- "Weekly Program Rankings". ABC Medianet. May 17, 2005. Retrieved July 30, 2008.
- "Weekly Program Rankings". ABC Medianet. September 24, 2004. Retrieved July 30, 2008.
- "Primetime series". The Hollywood Reporter. May 27, 2005. Archived from the original on June 22, 2008. Retrieved September 18, 2008.
- Skerry, Kath (December 8, 2008). "Take 5: Veronica Mars Top 5 Episodes". Give Me My Remote. Retrieved May 10, 2015.
- Hassenger, Jesse (May 17, 2005). "Crafty (And Just My Type)". PopMatters. Retrieved June 9, 2010.
- Duffy, Mike (May 9, 2005). "Must-see TV". The Roanoke Times. Landmark Media Enterprises. Detroit Free Press. Retrieved June 9, 2010.[dead link]
- Smith, Kevin (September 3, 2005). "My Boring-Ass Life: Kevin Smith's Online Diary". silentbobspeaks.com (via Internet Archive). Archived from the original on May 8, 2006. Retrieved October 20, 2008.
- Peterson, Price (June 16, 2012). "The Veronica Mars Season 1 Dossier: Episodes 17-22". TV.com. Retrieved January 22, 2015.
- Kaiser, Rowan (August 19, 2011). "Review: Veronica Mars: "Leave It to Beaver"". The A.V. Club. Retrieved February 16, 2015.
- "Veronica Mars Leave It To Beaver Recap". Television Without Pity. May 9, 2005. Retrieved February 16, 2015.
- Ratcliffe, Amy (March 13, 2014). "The Top 10 Veronica Mars Episodes". IGN. Retrieved May 10, 2015.
- Bordages, Anais (March 10, 2014). "The Definitive Ranking of All "Veronica Mars" Episodes". BuzzFeed. Retrieved May 10, 2015.
- Roots, Kimberly (March 14, 2014). "Every Veronica Mars Episode, Worst To Best, Plus Some Key Info to Prep You For the Movie". TV Line. Retrieved May 10, 2015.
|Wikiquote has quotations related to: Veronica Mars#Leave It to Beaver|