Lee Tung Foo

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Lee Tung Foo
Lee Tung Foo1910.jpg
Singer in the United States
Born(1875-04-23)April 23, 1875
DiedMay 1, 1966(1966-05-01) (aged 91)
Other namesLee Tong Foo
Years active1910–1962

Lee Tung Foo (also known as Frank Lee) was a Chinese American Vaudeville performer born in California who performed in English, German, and Latin.[1][2][3] He became a film actor later in his life.

At the age of 45, he ran a Chinese restaurant he bought in New York City called Jung Sy Mandarin Restaurant. He opened a second restaurant, Imig Sy, and both were strategically placed near Broadway. By the 1930s he returned to theater work, playing some minor roles until 1932, when he was cast as Wang Yun in the film, The Skull Murder Mystery. He continued with minor roles, being cast as the servant of the Detective, Mr. Wong, in the 1939 film The Mystery of Mr. Wong. His last work was in The Manchurian Candidate, an uncredited role at the age of 87.

Early life[edit]

Born in 1875 in Watsonville, California Lee was a son of Chinese immigrants. Lee's parents had started a Laundry and grocery business in Watsonville, but moved many times before finally settling in Ripon, California. In his youth Lee had run away from home after growing pressure from his father to leave school and work full-time. Working as a servant Lee was introduced to American music by his employers who had also encouraged him to go to school. A servant in the Oakland home of Zeno Mauvais, a local music store owner, Lee was influenced by his wife Mae S. Mauvais who worked in the Chinese Presbyterian Mission. Lee joined the church, sang in the mission choir and played the piano and reed organ. Through the mission Lee was taken in by Margaret Blake Alverson, "a well known voice teacher in the San Francisco Bay Area". whom he worked with many years to hone his singing ability.

Early career[edit]

Lee first came in to the vaudeville stage in 1905. Hoping to dismantle the "racist attitudes that had been developing on the stage and in print media over the latter half of the nineteenth century." Lee performed in a manner that no other Chinese American vaudevillians had done before. Lee fused yellowface, a caricature portrayal of Asians done by European American actors, with "singing operatic and popular songs, doing ethnic impersonations, and exchanging comedic patter.". By combining what the general public were familiar with, yellowface, and using his musical and comedic talent Lee quickly gained recognition. His singing performance left many thinking that it was remarkable a Chinese man could sing this well. Lee broke the stereotype that Chinese musical ability were limited and inferior and became the forefront of Chinese Americans performing in American popular culture.

Touring and act[edit]

At the height of his career Lee toured vaudeville theaters from United States, Canada, and Europe most notably Great Britain and Belgium. In these 14 years of touring Lee's vaudeville acts mainly consisted of singing operatic and popular songs as well as caricature acting of the Irish, Scottish, and Chinese. Lee's most famous sets were of mocking stereotypes of Chinese immigrants and Scottish caricatures which he based on Harry Lauder's character Highlander.

Lee trained for various songs to implement in his routine. Many of the songs he trained were considered challenging and difficult to sing such as "Pro Peccatis Suae Gentis" from Gioacchino Rossini's Stabat Mater (1837) and Carl Bohm's "Still wie die Nacht" (n.d.)". His light operatic work were also challenging such as "The Watcher" (1846), "The Holy City" (1892), and "Thora" (1905). Lee also performed many popular acts such as numbers from Tin Pan Alley and "My Own United States" (1909) a song from a Civil War-themed musical, When Johnny comes Marching Home.

Acting in Hollywood[edit]

By the 1920s Lee stopped performing in Vaudeville and had worked in his restaurant in New York City. Lee was also married in 1918 and had family commitments to uphold. Lee moved back to Los Angeles and started acting in films as talkies became very popular. Lee played minor roles that were often stereotypical of Asians. In at least thirty-nine films Lee's roles were of the immigrant workers, cooks, servants, waiters, and laundrymen. Some of Lee's most notable appearances are in They Knew What They Wanted (1940) and Phantom of Chinatown (1940) as Foo. He also appeared in an episode of The Lone Ranger (1950).

Partial filmography[edit]


  1. ^ Sixty years of California song By Rosana Margaret Kroh Blake Alversonwas
  2. ^ Yellowface: creating the Chinese in American popular music and performance by Moon, Krystyn R., pp 146-147
  3. ^ Lee Tung Foo and the Making of a Chinese American Vaudevillian, 1900s-1920s by Moon, Krystyn R., Journal of Asian American Studies - Volume 8, Number 1, February 2005, pp. 23-48
  4. ^ a b c d e f g h i j k l The American Film Institute Catalog Feature Films 1931-1940 The American Film Institute, University of California Press, Pg 248
  5. ^ https://morethanyouneededtoknow.typepad.com/the_unsung_joe/2008/12/lee-tung-foo-1.html
  6. ^ nytimes.com The Screen in Review; Laughton in 'They Knew What They Wanted' at Music Hall--Dance, Girl, Dance' at Palace--New Films at Loew's State, Rialto and Cinecitta by Bosley Crowther, New York Times, Published: October 11, 1940
  7. ^ nytimes.com THE SCREEN; 'Across the Pacific,' Featuring Humphrey Bogart and Sydney Greenstreet in a Tingling Thriller, Arrives at Strand By Bosley Crowther, New York Times, Published: September 5, 1942
  8. ^ nytimes.com At the Roxy, by T.M.P., New York Times, Published: October 12, 1944
  9. ^ Leonard Maltin's 2009 Movie Guide By Leonard Maltin, pg 214

External links[edit]