This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these template messages)(Learn how and when to remove this template message)
Early life and education
During World War II Stevens worked as radio director for the Southwest Pacific Area for the U.S. Office of War Information. He was musical director of the War Production Board (WPB) series Three Thirds of a Nation presented on Wednesdays on the NBC Blue Network.
As early as 1934, Stevens was active in radio broadcasting. Radio highlights in an April 28, 1934, newspaper listed "Romantic songs have been chosen by Charles Carlile, tenor, for his broadcast with Leith Stevens' orchestra over WBBM at 5:45."
Stevens worked as an arranger for CBS radio, and his numerous radio credits over several decades include The Abbott and Costello Show, Academy Award Theater, Action Eighty, American School for the Air, Arch Oboler's Plays, Big Town, The Black Book, CBS Radio Workshop (later called Columbia Workshop), The Doctor Fights, Encore Theater, Escape, The Free Company Rogue's Gallery, The Burns and Allen Show, The Judge, Lights Out, Men Against Death, The Miracle of America, No Help Wanted, Request Performance, Saturday Night Swing Club, Suspense and radio crime melodrama Yours Truly, Johnny Dollar.
Stevens' piano concerto in C minor was his first work to be used on cinema for the 1947 Hollywood film Night Song. In it Arthur Rubinstein played piano accompanied by the New York Philharmonic and conducted by Eugene Ormandy. The music is tonal, with a horizontal (as distinct from vertical) compositional approach, with sophisticated harmonies and challenging virtuoso passages for the piano. The work is influenced by Delius, Rachmaninov, and Gershwin, and is both impressionist and romantic.
- Syncopation (1942)
- Night Song (1948)
- All My Sons (1948)
- Feudin', Fussin' and A-Fightin' (1948)
- Larceny (1948)
- The Sun Sets at Dawn (1950)
- the George Pal science-fiction classics Destination Moon (1950) and
- No Questions Asked (1951)
- When Worlds Collide (1951)
- The Atomic City (1952)
- Beware, My Lovely (1952)
- The Hitch-Hiker (1953),
- The War of the Worlds (1953)
- The Bigamist (1953)
- The Wild One (1953)
- Private Hell 36 (1954)
- Crashout (1955)
- The Treasure of Pancho Villa (1955)
- World Without End (1956)
- Julie (1956)
- The Garment Jungle (1957)
- Lizzie (1957)
- Ride Out for Revenge (1957)
- Eighteen and Anxious (1957)
- The Green-Eyed Blonde (1957)
- Violent Road (1958)
- The Gun Runners (1958)
- But Not for Me (1959)
- The Gene Krupa Story (1959)
- Hell to Eternity (1960)
- The Interns (1962)
- A New Kind of Love (1963)
- The Night of the Grizzly (1966)
- Chuka (1967)
- Assault on the Wayne (1971)
He also provided uncredited contributions to the Frank Capra film classic It's a Wonderful Life.
The James Dean Story
Stevens composed and conducted the music accompanying the film The James Dean Story. In 1957, Capitol Records released the eponymous album containing this music, and its anonymous sleeve notes state, "Here is the music direct from the soundtrack of The James Dean Story, a different kind of motion picture. This is a film in which there are no actors, there is no fiction. It is, instead, the story of a young man in search of himself - a story of a lonely boy growing into a lonely manhood, of a quest for discovery and meaning, of a great talent and zest for creative expression, and of a tragic end which brought more questions than answers." The sleeve notes continue, "The life of James Dean is presented on the screen through the means of a new technique - dramatic exploration of a still photograph. Together with tape recordings, existing motion picture material, and the people with whom he lived and worked, these photographs create the presence of the living character. If there are supporting roles in this picture, the parts must be credited to the people of Fairmount, Indiana, where Dean lived as a boy; to the nine million faces of New York City, where he struggled for recognition as an artist and as an individual; and to the men and women of Hollywood who shared in the development of his career."
The sleeve notes describe the music as "...unusual and exciting as the motion picture itself. Leith Stevens, the composer, captures a haunting reflection of the violent yet strangely understandable uncertainties of modern youth. Stevens, whose musical scores have distinguished such films as The Wild One, Private Hell 36, Destination Moon and Julie, describes the loneliness and frustrations, the fury and tenderness of James Dean’s life and the world in which he moved. With his use of such instruments as the recorder, harmonica and bongo drums, and in his unique utilization of the jazz idiom, Leith Stevens produces music with dynamic personal identification, not only for James Dean, but for every boy who’s ever worn a leather jacket and for every girl who’s ever danced without her shoes. Stevens traces the development of Dean throughout his boyhood, his early rebellion against conventions, the discovery of his artistic abilities, and his failure to resolve his personal problems. “Who Am I?” depicts the young Dean groping for self-identification; “Lost Love” is a painful portrayal of a romance without a happy ending; and “Testing The Limits of Time” is a brilliant montage of the moods and actions which Dean experienced in his last few months. Tommy Sands, the nation’s newest singing sensation, sings the theme song “Let Me Be Loved” by Jay Livingston and Ray Evans."
Stevens' television work was extensive, including composing, arranging and conducting music for 36 television series, nearly two dozen from the 1950s through the late 1960s, including the haunting theme song for the CBS television show Climax!.. He was the Music Supervisor for six popular television series, including Mannix, Mission: Impossible, "Mr. Novak," (TV series), The Odd Couple, The Brady Bunch, The Immortal, and Love, American Style. Stevens scored episodes for
Personal life and death
This section needs expansion. You can help by adding to it. (August 2013)
- Theme Music from "The James Dean Story" (World Pacific, 1956)
- DeLong, Thomas A. (1996). Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960. McFarland & Company, Inc. ISBN 978-0-7864-2834-2. P. 253.
- "Glee Clubs Prominent on the Air". Freeport Journal-Standard. Illinois, Freeport. April 28, 1934. p. 3. Retrieved August 30, 2016 – via Newspapers.com.
- Kleiner, Dick (August 7, 1997). "'Hill Street Blues' was located in large, unnamed Eastern city". The Kokomo Tribune. Indiana, Kokomo. p. 9. Retrieved August 30, 2016 – via Newspapers.com.
- Terrace, Vincent. Radio Programs, 1924-1984. Jefferson, North Carolina: McFarland, 1999. ISBN 0-7864-0351-9
|This article about an American musician is a stub. You can help Wikipedia by expanding it.|