|Lemora: A Child's Tale of the Supernatural|
DVD cover from Synapse Films
|Directed by||Richard Blackburn|
|Produced by||Robert Fern|
|Written by||Richard Blackburn|
|Starring||Cheryl "Rainbeaux" Smith
|Music by||Dan Neufeld|
|Edited by||Pieter Hubbard|
|Distributed by||Media Cinema Group|
Lemora: A Child's Tale of the Supernatural (also called Lemora: The Lady Dracula and The Legendary Curse of Lemora) is a 1975 American horror film written and directed by Richard Blackburn. Blackburn later gained fame as the co-writer of the Paul Bartel film Eating Raoul.
During the Prohibition era, 13-year-old Lila Lee (Cheryl Smith) is summoned by letter to visit her injured father, a gangster, before he dies. She runs away from the Reverend (Blackburn), who has raised her and in whose church she has become well known as a singer, though her extraordinary beauty is beginning to attract attention as well. She ends up taking a bus to her father's purported location, the strange town of Astaroth, where people have the "Astaroth Look."
En route, Lila is menaced in a swamp by a band of mindless vampires who haunt the woods and town. She is rescued by a mysterious woman named Lemora (Lesley Gilb), who takes a fancy to her. It seems Lemora is the one who called the girl to her, though whether to protect or to corrupt her remains to be seen. Lemora takes Lila to an old house, where she bathes the girl and tries to soothe her. Exploring, Lila discovers the truth: Lemora is a vampire who feeds upon children and is holding her father captive. She is also the unofficial queen of the Astaroth vampires.
While trying to escape, Lila embarks on a nighttime journey through the town of Astaroth, learning in the process that there are two types of vampires there. The one faction is like Lemora herself, relatively human in behavior and appearance, while the others are mutated or perhaps regressed, far more feral in behavior and monstrous in form; and the two groups are at war. Meanwhile, the Reverend, who is seeking Lila, manages to retrace her steps.
After a climactic battle which leaves most of the vampires dead, Lila is forced to kill her own father, who has become one of the degenerates. As she weeps over his corpse, Lemora approaches her and offers her comfort by her vampire's kiss. When the Reverend shows up not long after, he finds Lila willing, even eager to kiss him. He resists at first, then he gives in. That is when she drives her fangs into his throat and drains his blood, watched over by a smiling Lemora.
The film ends showing Lila singing again in church. Whether this was intended to indicate the story was a dream, a "flash forward" or that Lila returned as a vampire to the Church—or that the ending scene in the church is a flashback—is left ambiguous.
- The Reverend — Richard Blackburn
- Lila Lee — Cheryl Smith
- Alvin Lee — William Whitton
- The Ticket Man - Steve Johnson
- The Bus Driver — Hy Pyke
- Lemora — Lesley Gilb
- Solange — Maxine Ballantyne
- Unknown - Monty Pyke
- Young Man - Parker West
The film had limited distribution during its original release. It was described as anti-Catholic. It may have been either banned or condemned by the Catholic Film Board or the Catholic Legion of Decency. Some reviewers have claimed that in the start, Lila was attempting to flee the sexual advances of the priest.
It quickly fell into obscurity except in France, where it became something of a cult film. It was first released on video in the United States (with a mini-documentary on the film) as late as the mid-90s. Today, Lemora still remains a relatively obscure film, but it has developed a strong following in the horror fandom over the years. A DVD of the 85 minutes theatrical version was released in 2004, featuring additional footage and commentary by the director and producer and actress Lesley Gilb.
The final confrontation in the Astaroth church features a plot hole in which Lila pulls a stake from the chest of a vampire corpse who turns out to be Lemora, but her demise is not pictured beforehand. In addition, photographs exist of several additional scenes centering on a ceremony in which Lila was presumably meant to be initiated into the ranks of the Astaroth vampires, such as Lila lying in a coffin. A good portion of the deleted footage from the uncut version (113 minutes) must therefore pertain to this said ritual, which is only obscurely hinted at before the climactic confrontation in the original theatrical and DVD release.
- The Overlook Film Encyclopedia: Horror, edited by Phil Hardy, Overlook Press, Woodstock, 1995, p. 279: "leavened with a fierce anti-Catholicism"
- Demonique #4, FantaCo Enterprises, Albany, 1983, p.3 "the entire plot of the film reeks of anti-Catholicism" by Barry Kaufman
- 'Lemora: A Child's Tale of the Supernatural' (1973) by QueerHorror.com 1999-2006 by Richard Blackburn: "This vampire film was banned by the Catholic Film Board for 21 years." says Qvamp
- Halloween Candy, by Thomas M. Sipos, p. 225 "Silver and Ursini also write that Lemora was condemned by the Catholic Legion of Decency, rather than by the Catholic Film Board. On this matter I don't know who is correct; Hardy and Kaufman, or Silver and Ursini."
- The Vampire Film: From Nosferatu to Bram Stoker's Dracula, by Alain Silver and James Ursini, Limelight, New York, 1993, p. 194: "to escape the sexual advances of the minister"