Leonhart Fuchs

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Leonhart Fuchs
Renaissance C14 Füllmaurer Leonhart Fuchs.jpg
Portrait of Fuchs, by Heinrich Füllmaurer, Tübingen, 1541
Born(1501-01-17)17 January 1501
Died10 May 1566(1566-05-10) (aged 65)
EducationUniversity of Erfurt
University of Ingolstadt (M.D., 1524)
Scientific career
InstitutionsUniversity of Tübingen
Notable studentsJohann Bauhin

Leonhart Fuchs (German: [ˈfʊks]; 17 January 1501 – 10 May 1566), sometimes spelled Leonhard Fuchs,[1] was a German physician and botanist. His chief notability is as the author of a large book about plants and their uses as medicines, a herbal, which was first published in 1542 in Latin. It has about 500 accurate and detailed drawings of plants, which were printed from woodcuts. The drawings are the book's most notable advance on its predecessors.[2] Although drawings had been used in other herbal books, Fuchs's herbal book proved and emphasized high-quality drawings as the most telling way to specify what a plant name stands for.

The botanical genus Fuchsia is named in his honour and consequently the colour fuchsia.


Fuchs was born in 1501 in Wemding in the Duchy of Bavaria. After attending a school in Heilbronn, Fuchs enrolled at the University of Erfurt.[3] In 1521 he became Magister Artium at the University of Ingolstadt, and received his medical doctorate there in 1524.

From 1524–26 he practised as a doctor in Munich, until he received a chair of medicine at the University of Ingolstadt in 1526. From 1528–31 he was the personal physician of Georg, Margrave of Brandenburg-Ansbach in Ansbach.

Fuchs was called to Tübingen by Ulrich, Duke of Württemberg in 1533 to help in reforming the University of Tübingen in the spirit of humanism. He created its first medicinal garden in 1535 and served as chancellor seven times, spending the last thirty-one years of his life as professor of medicine. Fuchs died in Tübingen in 1566. For the 500th anniversary of his birth, a glass and steel pavilion was opened in 2001 in the Botanischer Garten der Universität Tübingen.[4]

Scientific views[edit]

Like his medieval predecessors and his contemporaries, Fuchs was heavily influenced by the three Greek and Roman writers on medicine and materia medica, Dioscorides, Hippocrates, and Galen. He wanted to fight the Arab hegemony in medicine, as it had been transmitted by the Medical School of Salerno, and to "return" to the Greek authors. But he saw the importance of practical experience as well and offered botanical field days for the students, where he demonstrated the medicinal plants in situ. He founded one of the first German botanical gardens.

Eponymy (proper name)[edit]

Fuchs' name is preserved by the plant Fuchsia,[5] discovered in the Dominican Republic in the Caribbean in 1696/97 by the French scientist and Minim monk Charles Plumier. He published the first description of " Fuchsia triphylla, flore coccineo" in 1703. It is sometimes thought that the color fuchsia is also named for Fuchs, but that derives from fuchsine, an early trade name for the dye rosaniline hydrochloride, which produces a brilliant pink-purple color. Magenta is another competing trade name for the same dye in England. The dye was given the name of fuchsine in France by its original manufacturer Renard frères et Franc to capitalize both on the increasing popularity of the genus Fuchsia in fashionable gardens and the fact that Renard in French and Fuchs in German both mean fox. An 1861 article in Répertoire de Pharmacie in fact confirms that the name was simply chosen for these two reasons and irrelevant of the actual colors of any flowers in the genus Fuchsia.[6]


From a woodcut by Veit Rudolph Speckle
  • Errata recentiorum medicorum ("Errors of recent doctors") (Hagenau, 1530), his first publication, in which he argued for the use of "simples" (herbs) rather than the noxious "compounds" of arcane ingredients concocted in medieval medicine.
  • De Historia Stirpium Commentarii Insignes ("Notable commentaries on the history of plants", Basel, 1542),[7] his great herbal, which was offered, with varying degrees of fidelity to his text, as "New Kreüterbuch" in a German translation (1543), "New Herbal" in English, "Den nieuwen Herbarius, dat is dat boeck van den cruyden" (1543) in Dutch.

Fuchs tried to identify the plants described by the classical authors. Over a decade, Fuchs began to prepare for the publication of his herbal. He stocked the garden attached to his house with rare specimens solicited from friends around Europe, and he assembled a large botanical library.[8] The book contains the description of about 400 wild and more than 100 domesticated plant species and their medical uses ("Krafft und Würckung") in alphabetical order: Fuchs made no attempt at presenting them in a natural system of classification. The first reports of Zea mays and of chili peppers were among the exotic new species. The text is mainly based on Dioscorides. The book contains 512 pictures of plants, largely growing locally, in woodcuts. The illustrators were Heinrich Füllmaurer [de] and Albrecht Meyer, the woodcutter Veit Rudolph Speckle, portraits of whom are contained in the volume. It was printed at the famous shop of Michael Isengrin in Basel. Its appeal to gardeners, botanists, bibliophiles, and the casual viewer was immediate, while the clarity of its plant pictures continues to define a standard for botanical illustrators.[8]

  • Eyn Newes hochnutzlichs Büchlin/und Anothomi eynes auffgethonen augs/auch seiner erklärung bewerten purgation/Pflaster/Tollirien/Sälblin pulvern unnd wassern/wie mans machen und brauchen sol (A new, very useful book and anatomy of the open eye/also an explanation of useful purgatives/plasters/poultices/salves, powders and waters/how one should make and use them), 1539.
  • Alle Kranckheyt der Augen (All diseases of the eye), 1539.
  • Den nieuwen herbarius (in Dutch). Basel: Michael Isengrin. 1543.

Fuchs's books on the anatomy of the eye and its diseases were among the standard references on this subject during this period.

  • All in all, Leonhart Fuchs wrote more than 50 books and polemics.
Cannabis sativa from De historia stirpium commentarii.

See also[edit]


  1. ^ See for example
    von Sachs, Julius (1890). History of Botany (1530–1860). Translated by Garnsey, Henry E. F. Oxford at the Clarendon Press. p. 13.
    Vines, Sydney Howard (1913). "Robert Morison 1620–1683 and John Ray 1627–1705". In Oliver, Francis Wall (ed.). Makers of British botany. Cambridge University Press. p. 9.
  2. ^ The Great Herbal of Leonard Fuchs, by Frederick G. Meyer, et al., year 1999, volume one page 11.
  3. ^ "Leonhart Fuchs". Iowa State University. Retrieved February 22, 2015.
  4. ^ Schmolke, Birgit (2007). "Fuchsienpavillon". Architektur neues Baden-Württemberg. Braun. p. 149. ISBN 9783938780121.
  5. ^ "Book of the Week – De Historia Stirpivm Commentarii Insignes…". University of Utah. Retrieved October 1, 2013.
  6. ^ Répertoire de Pharmacie (in French). Paris: M. Bouchardat. 1861. pp. 62.
  7. ^ Paris, Harry S.; Daunay, Marie-Christine; Pitrat, Michel; Janick, Jules (July 2006). "First Known Image of Cucurbita in Europe, 1503–1508". Annals of Botany. 98 (1): 41–47. doi:10.1093/aob/mcl082. PMC 2803533. PMID 16687431.
  8. ^ a b Towntil, Compedium of rare books, ATT, p. 48, 1998
  9. ^ IPNI.  L.Fuchs.

External links[edit]

Historical editions

Modern editions

  • Klaus Dobat/Werner Dressendorfer (eds.) Leonhart Fuchs: The New Herbal of 1543 (Taschen 2001).
  • Frederick Meyer/Emily Trueblood/John Heller (eds.) The Great Herbal of Leonhart Fuchs: De Historia Stirpium Commentarii Insignes, 1542: Vol 1 & 2. (Stanford University Press 1999).