Let My People Come
|Let My People Come|
|A Sexual Musical|
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|Music||Earl Wilson, Jr.|
|Lyrics||Earl Wilson, Jr.|
|Productions||1974 Off-Broadway |
Let My People Come is a sexually-explicit musical about love, sex and relationships, written by Earl Wilson, Jr., that originally ran from 1974–1976 at The Village Gate theater in Greenwich Village, New York City. Subtitled "A Sexual Musical," the show began previews at the Morosco Theatre on Broadway on July 7, 1976, and closed on October 2, 1976 after 108 performances. The show includes the songs "I'm Gay", "Come in My Mouth", "Fellatio 101", and "The Cunnilingus Champion of Company C," and features on-stage nudity.
Let My People Come opened Off-Broadway on January 8, 1974 at The Village Gate and closed on July 5, 1976. A second New York City production opened in 1985, produced by Bernard Jay. A third New York City production opened in 2013 at The Underground, produced and directed by John Forslund, and featured both new and re-imagined numbers from the original production.
Originally produced and directed by Phil Oesterman, with musical direction and vocal arrangements by Billy Cunningham, the show opened on Broadway in previews at the Morosco Theater on July 7, 1976. The original cast included Yvette Freeman. Wilson sought a close order but was denied, and removed his name from the production. According to The New York Times, "Earl Wilson Jr. has asked to have his name removed from any credits for the Broadway production of 'Let My People Come.' “I feel that the show has become vulgar,” he said." This production did not officially open, and closed on October 2, 1976.
"The Cunnilingus Champion of Company C" was the subject of a lawsuit filed by MCA Music against Wilson, and which was decided in favor of the plaintiffs in 1976. The court found that the song, which openly borrows the melody from "Boogie Woogie Bugle Boy" by Don Raye and Hughie Prince, "could not be construed as a burlesque of plaintiff's work per se", but was merely a "commentary on an era" and therefore was not protected by fair use. As a result, the defendants were found liable for copyright infringement.
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- Wollman, Elizabeth L. "A ‘Sexual Musical,’ Now Middle-Aged" The New York Times, December 27, 2012
- Healy, Patrick. "‘Let My People Come’ to Bare Itself in New York Again" The New York Times, December 12, 2012
- Bradburn, Jamie (2009-06-23). "Vintage Toronto Ads: And So The People Came". Torontoist. Buzz Connected Media Inc. Retrieved 2020-05-24.
- "Let My People Come". Theatre In Chicago. Theatre In Chicago. Retrieved 2020-05-24.
- "Let My People Come Show Information". Broadway World. Wisdom Digital Media. Retrieved 2020-05-24.
- Sisaro B "Philip Oesterman obituary" The New York Times, August 4, 2002
- "'Let My People Come' To Go to Broadway" The New York Times, June 26, 1976
- " 'Let My People’ Postponed" The New York Times, July 26, 1976
- "Wilson Objects To New ‘People’ " The New York Times. July 1976
- "Broadway" ibdb.com, retrieved October 12, 2017
- "Music Copyright Infringement Resource: MCA Music v. Earl Wilson 425 F. Supp. 443 (S.D.N.Y. 1976)".