A liberty pole is a wooden pole, or sometimes spear or lance, surmounted by a "cap of liberty", mostly of the Phrygian cap form outside the Netherlands. The symbol originated in the immediate aftermath of the assassination of the Roman dictator Julius Caesar by a group of Rome's Senators in 44 BC. Immediately after Caesar was killed the assassins, or Liberatores as they called themselves, went though the streets with their bloody weapons held up, one carrying a pileus (a kind of skullcap that identified a freed slave, not in fact a Phrygian cap) carried on the tip of a spear. This symbolized that the Roman people had been freed from the rule of Caesar, which the assassins claimed had become a tyranny because it overstepped the authority of the Senate and thus betrayed the Republic.
The liberty pole was not thereafter part of the normal Roman depiction of Libertas, the Roman goddess of liberty, who is very often shown holding out a pileus, and carrying a pole or rod. Both refer to the ceremony granting freeman status to a slave, where the subject was touched with the rod, and given the hat. But the hat raised on the end of the pole was shown as an attribute held by Libertas on some coins of the emperor Antoninus Pius, which was enough, with the literary references, to bring it to the attention of Renaissance antiquarians. The pileus itself was shown between two daggers, with the inscription "Ides of March", on some very famous coins made by the assassins of Julius Caesar in the civil war following the assassination.
After the Renaissance the liberty pole became a common element in the depiction of liberty, initially in a small version carried by personifications, and also later as a larger actual physical object planted in the ground, used as a type of flagstaff.
Revival from the Renaissance onwards
When the motif was revived during the 16th century it was mostly carried by national or political personifications. Its first appearance as an attribute of Liberty in an Italian emblem book was in 1556, later followed by many others. In his "Apotheosis of Venice" (1585) in the Doge's Palace, Paolo Veronese has the ascendant Republic of Venice (personified as a woman) flanked by several symbolic persons, one of whom represents Liberty, dressed as a peasant hoisting a red Phrygian cap on a spear.
The Dutch Maiden, national personification of the Dutch United Provinces fighting to escape from Spanish rule, often carries a hat on a pole. In these cases, the hat is the normal contemporary respectable man's hat, usually with a broad and stiff brim. With considerable cheek, Louis XIV of France had a medal cast in 1678, after the Treaty of Nijmegen ended the war started by his invasion of the Netherlands; this showed the Maiden "standing beside Peace, and receiving the instructions of Prudence".
The imagery was introduced to Britain, partly by the Dutch William III of England, who in one medal presents a cap of liberty to the kneeling England, Scotland and Ireland. When Britannia was pictured as "British Liberty", she usually exchanged the trident she normally carried for a liberty pole. An example of this is a large monument, originally called the "Column of British Liberty", now usually just the "Column to Liberty", begun in the 1750s on his Gibside estate outside Newcastle-on-Tyne by the hugely wealthy Sir George Bowes, reflecting his Whig politics. Set at the top of a steep hillock, the monument itself is taller than Nelson's Column in London, and topped by a bronze female figure, originally gilded, carrying a cap of liberty on a pole.
During the 18th century, the Roman pileus was confused with the Phrygian cap, and this mis-identification then led to the Phrygian cap, familiar from other uses in Roman sculpture, becoming the standard shape when a cap of liberty was used as a political symbol.
- Liberty poles carried by personifications
Dutch allegory for the Netherlands/US trade treaty, 1782. Personification of the Americas, left, "Indian princess" and classical hybrid for the US centre, Dutch Maiden right.
French painting of the Triumph of Liberty, c. 1790. The cap is a contemporary man's hat. The Gallic cock accompanies Liberty.
Liberty Displaying the Arts and Sciences, or The Genius of America Encouraging the Emancipation of the Blacks, 1792, Samuel Jennings. A liberty tree is outside.
"British Liberty" in The Contrast: 1792: Which Is Best, by Thomas Rowlandson. Anti-French cartoon.
Nanine Vallain, Liberté, 1794
John Archibald Woodside, We Owe Allegiance To No Crown, 1814
Obverse of 1839 United States Gobrecht dollar coin, the first of the "Seated Liberty" type
Liberty poles were often erected in town squares in the years before and during the American Revolution (e.g. Concord, Massachusetts; Newport, Rhode Island; Caughnawaga, New York; Savannah, Georgia and Englewood, New Jersey). Some colonists erected liberty poles on their own private land[original research?] (such as in Bedford, Massachusetts since 1964 and Woburn, Massachusetts—the pole raising there is reenacted annually). An often violent struggle over liberty poles erected by the Sons of Liberty in New York City raged for 10 years. The poles were periodically destroyed by the royal authorities (see the Battle of Golden Hill), only to be replaced by the Sons with new ones. The conflict lasted from the repeal of the Stamp Act in 1766 until the revolutionary New York Provincial Congress came to power in 1775. The liberty pole in New York City had been crowned with a gilt vane bearing the single word, "Liberty". Under the Sedition Act of 1798, authorities indicted several men in Massachusetts for erecting a liberty pole bearing the inscription "No Stamp Act, No Sedition Act, No Alien Bills, No Land Tax, downfall to the Tyrants of America; peace and retirement to the President; Long Live the Vice President".
During the Siege of Boston on August 1, 1775, a tall liberty pole was erected on Prospect Hill, a fortified high-ground overlooking the road to British-occupied Boston. Both the "Appeal to Heaven" Pine Tree Flag and Grand Union Flag (aka Continental Colors) are reported to have flown on Prospect Hill. The 76' long liberty pole was originally a ship's mast that had been recently captured from the British armed schooner HMS Diana (1775), in the aftermath of the Battle of Chelsea Creek on May 27 and 28, 1775.
When an ensign was raised (usually red) on a liberty pole, it would be a calling for the Sons of Liberty or townspeople to meet and vent or express their views regarding British rule.[original research?] The pole was known to be a symbol of dissent against Great Britain. The symbol is also apparent in many seals and coats of arms as a sign of liberty, freedom, and independence.
During the Whiskey Rebellion, locals in western Pennsylvania would erect poles along the roads or in town centers as a protest against the federal government's tax on distilled spirits, and evoke the spirit embodied by the liberty poles of decades earlier.
The arbres de la liberté ("liberty trees") were a symbol of the French Revolution, mostly living trees newly planted. The first was planted in 1790 by a pastor of a Vienne village, inspired by the 1765 Liberty Tree of Boston. One was also planted in front of the City Hall of Amsterdam on 4 March 1795, in celebration of the alliance between the French Republic and the Batavian Republic. In 1798, with the establishment of the short-lived Roman Republic, a liberty tree was planted in Rome's Piazza delle Scole, to mark the legal abolition of the Roman Ghetto. After resumption of Papal rule, the Vatican reinstated the Roman ghetto.
- Liberty Pole, Wisconsin, unincorporated community, United States
|Wikimedia Commons has media related to Liberty pole.|
|Wikimedia Commons has media related to Freedom trees.|
- Adrian Goldsworthy. Caesar: Life of a Colossus. London: Phoenix, 2007. pp. 596–619.
- Not mentioned by Suetonius or Plutarch, but is in Appian Bellum Civile, 2.119, text; Adrian Goldsworthy. Caesar: Life of a Colossus. London: Phoenix, 2007. p. 619.
- Warner, 275; example
- Warner, 275
- "Apotheosis of Venice by Verinyes, Paolo". www.wga.hu. Retrieved 23 April 2018.
- Warner, 275
- Warner, 275
- Green, Adrian, in Northern Landscapes: Representations and Realities of North-East England, 136-137, 2010, Boydell & Brewer, ISBN 184383541X, 9781843835417, google books; "Column to Liberty", National Trust.
- Warner, 275
- Historic Englewood Archived 2012-03-13 at the Wayback Machine City of Englewood
- Resistance and Dissent : Independence & its Enemies in New York Archived 2003-06-06 at the Wayback Machine
- Foner, Eric (2008). Give Me Liberty!. W.W. Norton and Company. ISBN 978-0-393-93257-7.
- Curtis, Michael Kent (2000). Free speech, "the people's darling privilege": struggles for freedom of expression in American history. Duke University Press. p. 88. ISBN 978-0-8223-2529-1.
- Journal kept by continental soldier Lieutenant Paul Lunt, May-December 1775 "raised the mast that came out of the schnoner that was burnt at Chelsea, for to hoist our flag upon, in the fort upon Prospect Hill".
- The Writings of George Washington from the Original Manuscript Sources 1745-1799, Vol. 4: To Joseph Reed Cambridge, January 4, 1776. Archived February 8, 2011, at the Wayback Machine
- Paul Lunt's Diary, Lieutenant Paul Lunt, May–December 1775, Tuesday, July 18, 1775, "Our standard was presented in the midst of the regiments with this inscription upon it, "Appeal to Heaven."
- Revolutionary War Soldier's Journal/Diary in the Longfellow House Collections, Moses Sleeper, Tuesday, August 1st, 1775 "Raised the mast that Came out of the Schooner that was burnt at Chelsa" Archived 2009-02-12 at the Wayback Machine.
- Baldwin, Leland Dewitt (1968). Whiskey rebels: the story of a frontier uprising. University of Pittsburgh Press. p. 208.