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A light novel (ライトノベル raito noberu?) is a style of Japanese novel primarily, but not exclusively, targeting middle- and high-school students (young adult demographic). "Light novel" is a wasei-eigo, or a Japanese term formed from words in the English language. Such short, light novels are often called ranobe (ラノベ?) or LN in the West. They are typically not more than 40,000–50,000 words long (the shorter ones being equivalent to a novella in US publishing terms), are rarely more than a few hundred pages, often have dense publishing schedules, are usually published in bunkobon size (A6, 10.5 cm × 14.8 cm), and are often illustrated, mostly with manga style art. The text is often serialized in anthology magazines before collection in book form.
Light novels are an evolution of pulp magazines. To please their audience, in the 1970s, most of the Japanese pulp magazines, which had already changed from the classic style to the popular anime style covers, began to put illustrations in the beginning of each story and included articles about popular anime, movies, and video games. The narrative evolved to please the new generations and became fully illustrated with the popular style. The popular serials are printed in novels.
In recent years, light novels' stories have been popular choices for adaptation into manga, anime, and live-action films, though in the case of the former two, usually only the first two novels are adapted. Light novels are often serialized in literary magazines such as Faust, Gekkan Dragon Magazine, The Sneaker and Dengeki hp, or media franchise magazines like Comptiq and Dengeki G's Magazine.
Publishing companies are constantly searching for new talent with annual contests, many of which earn the winner a cash prize and publication of their novel. The Dengeki Novel Prize is the largest, with over 6,500 submissions (2013) annually. They are all clearly labeled as "light novels" and are published as low-priced paperbacks. For example, the price for The Melancholy of Haruhi Suzumiya in Japan is ¥514 (plus 5% tax), similar to the normal price for trade paperbacks — light novels and general literature — sold in Japan. In 2007 it was estimated (according to a website funded by the Japanese government) that the market for light novels was about ¥20 billion ($166.7 million at ¥120 to the dollar) and about 30 million copies published annually. Kadokawa Group Holdings, which owns major labels like Kadokawa Sneaker Books and Dengeki Books, has a 70% to 80% share of the market. In 2009, light novels made ¥30.1 billion in sales, or about 20% of all sales of bunkobon-format paperback books in Japan.
There are currently many licensed English translations of Japanese light novels available. These have generally been published in the physical dimensions of standard mass market paperbacks or similar to manga tankōbon, but starting in April 2007, Seven Seas Entertainment was the first English publisher to print light novels in their original Japanese Bunkobon format. Other English-language publishers that produce light novels are Tokyopop, Viz, DMP, Dark Horse, Yen Press, and Del Rey Manga. The founder of Viz Media, Seiji Horibuchi, speculates that the US market for light novels will experience a similar increase in popularity as it has in the Japanese subculture once it becomes recognized by the consumer audience.
Although is still premature, there are a few light novels written by non-Asian writers. Yū Kamiya author of No Game No Life is a Brazilian-Japanese writer. And there is a few original light novels written in English, and published by big web sites as in Baka-Tsuki.
Popular literature has a long tradition in Japan. Even though cheap, pulp novels resembling ranobe were present in Japan for years prior, the creation of Sonorama Bunko in 1975 is considered by some to be a symbolic beginning. Science fiction and horror writers like Hideyuki Kikuchi or Baku Yumemakura started their careers through such imprints.
In the 1980s, epic novels by Yoshiki Tanaka — The Heroic Legend of Arslan — took young male Japanese audiences by storm. Also, RPG-inspired Record of Lodoss War novels achieved popularity. All of those were later animated.
The 1990s saw the smash-hit Slayers series which merged fantasy-RPG elements with comedy. Some years later MediaWorks founded a pop-lit imprint called Dengeki Bunko, which produces well-known light novel series to this day. The Boogiepop series was their first major hit which soon was animated and got many anime watchers interested in literature.
Dengeki Bunko writers continued to slowly gain attention until the small light novel world experienced a boom around 2006. After the huge success of the Haruhi Suzumiya series, suddenly the number of publishers and readers interested in light novels skyrocketed.
Light novels became an important part of the Japanese 2D culture in late 2000s. The number of ranobe series put out every year increases, the most celebrated artists from pixiv illustrate them and the most successful works are animated and made into manga and live action movies.
- 榎本秋 (Aki Enomoto) (October 2008). ライトノベル文学論 [Light Novel Criticism] (in Japanese). Japan: NTT Shuppan. ISBN 978-4-7571-4199-5.
- "The Platform to Produce Innovative Content - Kadokawa Annual Report 2012" (PDF). p. 11.
- Light Reading, Pop Culture, Trends in Japan, Web Japan.
- Yegulalp, Serdar (July 30, 2009). "Vertical Vednesday In NYC: Lighten Up!". Advanced Media Network. Retrieved 2009-08-10.
- "The Dengeki Novel Prize's official website" (in Japanese). ASCII Media Works. Retrieved 2013-08-31.
- "Publishing heavyweights see light in growing 'light novel' market". The Asahi Shimbun. Retrieved 30 November 2011.
- "Seven Seas Entertainment Launches New "Light Novel" Imprint". 2006-09-13. Retrieved 2007-05-08.
- "Horibuchi on Manga ICv2 Interview--Part 2". ICv2. Retrieved 20 March 2012.
Media related to Light novels at Wikimedia Commons