|Plot element from the Star Wars franchise|
A lightsaber, also known as a laser sword, is a fictional energy weapon featured in the Star Wars universe. A typical lightsaber is over a meter in length total, usually consisting of a metal hilt (usually around 11 inches (28 cm) in length) that projects a brightly-lit energy blade (usually around 3 feet (91 cm) in length, though the height can usually be adjusted by a control on the side of the hilt). The lightsaber is the signature weapon of the Jedi order and their Sith counterparts, both of whom can use them for close combat, or to deflect blaster bolts. Its distinct appearance was created using rotoscoping for the original films, and digitally for the prequel trilogy. The lightsaber first appeared in the original 1977 Star Wars film and every Star Wars movie has featured at least one lightsaber duel. In 2008, a survey of approximately 2,000 film fans found it to be the most popular weapon in film history.
The lightsaber's energy blade can cut, burn and melt through most substances with little resistance. It leaves cauterized wounds in flesh, but can be deflected by another lightsaber's blade, or by energy shields. Some exotic saber-proof materials have been introduced in the Expanded Universe. An active lightsaber gives off a distinctive hum, which rises in pitch and volume as the blade is moved rapidly through the air. Bringing the blade into contact with another lightsaber's blade produces a loud crackle.
There are several literary precedents in science fiction for a "sword" of pure energy that can cut through anything, notably:
- Edmond Hamilton's story Kaldar: World of Antares (published 1933 in the April issue of The Magic Carpet Magazine). It was reprinted in one of Donald A. Wollheims well-known and widely-read Science Fiction anthologies, Swordsmen in the Sky, Ace Books 79276, 1964, and thus readily available to the Science Fiction reader community of the 1960s and 1970s.
- Fritz Leiber's Gather Darkness (1943): the priests' "rods of wrath" (energy projections) only end where they cut into solid matter, so that a single duel led to numerous casualties of bystanders and charred scores across all nearby walls.
- Isaac Asimov's Lucky Starr series (1952): The force-blade is "a short shaft of stainless steel" which can project a force field that can cut through anything, making it "the most vicious weapon in the galaxy." Asimov's force-blade expands on his earlier invention of "a penknife with a force-field blade," first used in his Foundation novel (1951).
- Larry Niven's Ringworld (1970): Louis Wu uses his "flashlight laser" as a sword of indefinite length.
- M. John Harrison's The Pastel City (1971): the energy baan are used by the Methven, an order of knights sworn to protect their empire.
Korean animator Nelson Shin, who was working for an American company at the time, was asked by his manager if he could animate the lightsaber in the live action scenes of a film. After Shin accepted the assignment, the live action footage was given to him, and he drew the lightsabers with a rotoscope. Shin explained to the people from Lucasfilm that since a lightsaber is made of light, the sword should look "a little shaky" like a fluorescent tube. He suggested inserting one frame that was much lighter than the others while printing the film on an optical printer, making the light seem to vibrate. Shin also recommended adding a degausser sound on top of the other sounds for the weapon since the sound would be reminiscent of a magnetic field. The whole process took one week, surprising his company. Lucasfilm showed Shin the finished product, having followed his suggestions to use an X-Acto knife to give the lightsaber a very sharp look, and to have sound accompany the weapon's movements.
The lightsaber sound effect was developed by sound designer Ben Burtt as a combination of the hum of idling interlock motors in aged movie projectors and interference caused by a television set on a shieldless microphone. Burtt discovered the latter accidentally as he was looking for a buzzing, sparking sound to add to the projector-motor hum.
The pitch changes of lightsaber movement were produced by playing the basic lightsaber tone on a loudspeaker and recording it on a moving microphone, generating Doppler shift to mimic a moving sound source.
For the original Star Wars film, A New Hope, the film prop hilts were constructed by John Stears from old press camera flash battery packs and other pieces of hardware. The "switched-on" sword props were designed with the intention of creating an "in-camera" glowing effect. The "blade" was three-sided and coated with a retroreflector array, the same sort used for highway signs. A lamp was positioned to the side of the taking camera and reflected towards the subject through 45-degree angled glass so that the sword would appear to glow from the camera's point of view.
Set Decorator Roger Christian found the handles for the Graflex Flash Gun in a photography shop in Great Marlborough Street, in London's West End. He then added cabinet T-track to the handles, securely attaching them with cyanoacrylate glue. Adding a few "greebles" (surface details), Christian managed to hand-make the first prototype of a lightsaber prop for Luke before production began. George Lucas decided he wanted to add a clip to the handle, so that Luke could hang it on his belt. Once Lucas felt the handle was up to his standards, it went to John Stears to create the wooden dowel rod with front-projection paint so that the animators would have a glow of light to enhance later on in post production. Due to lack of preparation time, Christian's prototype and a second spare were used for the shooting in Tunisia, where Star Wars filming began. It was discovered, however, that the glowing effect was greatly dependent on the rod's orientation to the camera, and during the Obi-Wan Kenobi/Darth Vader duel, they could clearly be seen as rods. Because of this, the glow would be added in post-production through rotoscoping, which also allowed for diffusion to be employed to enhance the glow.
Lightsabers were present in the earliest drafts as mundane laser weapons that were used alongside laser guns. The introduction of the Force in a later revision made the Jedi and the Sith supernaturally skilled; initially they were only portrayed as swordsmen. There were some variations of the lightsaber that were sometimes used by non-Force-sensitive beings, called the lightfoil. The lightsaber became the Force-user's tool, described in A New Hope by Obi-Wan Kenobi as "not as clumsy or random as a blaster. An elegant weapon, for a more civilized age."
Lightsabers are hand-built as part of a Jedi's or Sith's training regimen. Each lightsaber is as unique as the one who built it, though some may bear resemblance to others like the ones utilized by Obi-Wan Kenobi and Luke Skywalker. Lightsabers can be wielded either one-handed or two-handed. The Phantom Menace introduced a saber-staff essentially two lightsabers bound together at the pommels for Darth Maul, and Attack of the Clones introduced a lightsaber with a curved hilt, wielded by Darth Tyranus. Traditionally, there are 4 types of lightsabers: the shoto, which is used by Grand Master Yoda (for his stature), the curved hilt, used by Count Dooku (for lightsaber fencing), the light club, which is used by Houks or other large Jedi, and the dual-phase lightsaber, which can extend to almost twice its length by alternating focus between two separate crystals inside. The video game The Force Unleashed introduced two other variants: a light-saber pike (a lightsaber with a shorter blade but a long handle, resembling a spear) and a Tonfa-style lightsaber with right-angle hilt.
The Star Wars Expanded Universe adds several lightsaber types, including short and dual-phase (adjustable length) weapons. In Star Wars Rebels, Ezra Bridger's lightsaber is blue colored blade and had a guard extending from the top to the bottom of the hilt that protected the main handle of the blade. Ezra's was a unique hybrid that featured a fully functional blaster pistol built into the handle.
Some parts of the Expanded Universe contain designs of a "lightwhip," which consists of energy tendrils that can slice or grip.
Lightsabers depicted in the first two released films, A New Hope and The Empire Strikes Back, had blades that were colored either blue (for the Jedi) or red (for the Sith). In Return of the Jedi, Luke Skywalker's new lightsaber was colored blue during the initial editing of the film, and appears so in both an early movie trailer and the official theatrical posters, but it was ultimately colored green in the film, in order to better stand out against the blue sky of Tatooine in outdoor scenes, and this color change is also reflected in the film's re-release posters. Shades of purple, green, blue, yellow, orange, etc. became the standard blade colors for Jedi lightsabers in the Star Wars Universe, while the Sith's lightsabers emitted only red blades due to their synthetic crystals.
Mace Windu's amethyst-bladed lightsaber, as first seen in Attack of the Clones, was requested by the actor Samuel L. Jackson as a way to make his character stand out among other Jedi. Jackson's favorite color is purple and he frequently requests that the characters he plays use an item of that color. Pre Vizsla, leader of a Mandalorian crime organization called Death Watch, was in possession of a black-bladed lightsaber (called "Darksaber").
A multitude of visible spectrum blade colors appeared in the Expanded Universe and in other Star Wars products. The original Kenner figure of Luke Skywalker in his Tatooine costume from Star Wars was released with a yellow-bladed lightsaber. While no lightsaber blade colors beside blue, green, or red appeared in the films before Attack of the Clones, they have appeared in several computer games, such as Jedi Knight, Jedi Power Battles, Jedi Outcast, The Force Unleashed, Star Wars Galaxies and Jedi Academy.
The technical lightsaber choreography for the original Star Wars trilogy was developed by Hollywood sword-master Bob Anderson. Anderson personally trained Mark Hamill (Luke Skywalker) and, in The Empire Strikes Back and Return of the Jedi, performed all the stunts as Darth Vader during the lightsaber duels wearing Vader's costume. Anderson's role in the trilogy was highlighted in the film Reclaiming The Blade where he shared his experiences as a fencer developing the lightsaber techniques for the three original movies.
The lightsaber duels in the Star Wars prequel trilogy were specifically choreographed by stunt-coordinator Nick Gillard to be miniature "stories". For these films, Gillard was the primary sword instructor for Liam Neeson (Qui-Gon Jinn), Ewan McGregor (Obi-Wan Kenobi) and Hayden Christensen (Anakin Skywalker / Darth Vader) among other actors. His goal in choreographing the action for The Phantom Menace was to create stunts that flow from the story; "You can't just think, 'I'm a stunt coordinator, I'm going to make a big stunt happen'," Gillard said. "It's all about making it tie in nicely with the film so that you don't notice the stunts."
In writing the prequel trilogy, George Lucas said he wanted the lightsaber combat to be "reminiscent of what had been done in the previous films but also something that was more energized. We'd seen old men, young boys, and characters who were half-droid, but we'd never seen a Jedi in his prime. I wanted to do that with a fight that was faster and more dynamic – and we were able to pull that off."
According to Gillard (who would later go on to perform a cameo role in Revenge of the Sith), various lightsaber combat styles were devised for the prequels and intended to further characterize their practitioners.
I developed different styles for the characters, and gave each of them a flaw or a bonus. So with Obi-Wan Kenobi, for instance, he's got a very business-like style – when he was younger he could border on the flashy and might twirl his lightsaber a bit, because he was taught by Qui-Gon. Qui-Gon was brash, that rubbed off on Obi-Wan and Obi-Wan then taught Anakin, who was way too old to learn anyway... I think the style really worked well. The Jedi style of fighting is an amalgamation of all the great swordfighting styles. Melding them together is the difficult part – to move from a Kendo style to, say, rapier requires a complete change in body and feet movement, and this must look effortless. The style moves seamlessly between the different disciplines, but remains technically correct throughout.
For The Phantom Menace, Gillard set out certain styles and faults for the saber-wielding characters. He added that the Jedi's use of such "a short-range weapon" meant "they would have to be very good at it"; combining a variety of disciplines from various swordfighting styles to martial arts "with a touch of tennis and tree chopping", he created the style seen in the Episode I lightsaber battles.
- Based on the averaged measurements of various lightsaber props used in the Star Wars films. A fair amount of these measurements were found on http://www.proparchives.com
- "Star Wars Rebels - Rise of the Old Masters - Ezra's Jedi Training - HD". YouTube. Ahsoka114. November 25, 2014. Retrieved August 10, 2015.
- Sophie Borland (2008-01-21). "Lightsabre wins the battle of movie weapons". Daily Telegraph. Retrieved 2008-01-26.
- Eight Miles Higher: Book Review: Edmond Hamilton 'City At World's End'. Andrewdarlington.blogspot.co.il (2012-03-30). Retrieved on 2013-07-28.
- Technovelgy: "Rod of Wrath"
- TV Tropes: Laser Blade, see "Literature".
- "Interview with Nelson Shin". CNN. 2007-11-09.
- Burtt, Benn (1993), Star Wars Trilogy: The Definitive Collection, Lucasfilm,
...the microphone passed right behind the picture tube and as it did, this particular microphone produced an unusual hum. It picked up a transmission from the television set and a signal was induced into its sound reproducing mechanism, and that was a great buzz, actually. So I took that buzz and recorded it with the projector motor sound and that fifty-fifty kind of combination of those two sounds became the basic Lightsaber tone."
- Star Wars Insider magazine issue No 98 January 2008
- Lucas, George (May 1973), The Star Wars, story synopsis,
An alarm sounds. The rebels are forced to fight their way out of the prison with "multiple lazer guns" and swords.
- Lucas, George (May 1974), The Star Wars, rough draft,
Ten troopers break out of the ranks and take up the chase. Starkiller runs down a corridor and rounds a corner, reaching a dead end. The troops round the corner and confront the trapped Jedi.
- Lucas, George (1977), Star Wars Episode IV: A New Hope
- BioWare (2003-11-19). "Star Wars: Knights of the Old Republic" PC. LucasArts.
- Anderson, Kevin J. (1994). Dark Apprentice. The Jedi Academy Trilogy. Bantam Spectra.
- Foster, Alan Dean (1979). Splinter of the Mind's Eye. Ballantine Books.
- Star Wars: The Clone Wars
- Bouzereau, Laurent; Duncan, Jody (1999). Star Wars: The Making of Episode I: The Phantom Menace (Hardcover ed.). New York: Ballantine Publ. Group. ISBN 0-345-43111-1., page 99
- "Creating the Lightsaber Battles in ROTS Game". TheForce.Net. May 4, 2005. Retrieved 2010-09-31. Check date values in:
- "March-Interview with stunt co-ordinator Nick Gillard (Mr. Optimism)". Retrieved 2009-06-21.
- "Nick Gillard Talks ROTS Game". TheForce.Net. 2005-05-08. Retrieved 2008-11-28.
- Episode I Video: Prime of the Jedi -(part of the "Making Episode I" series).
|Wikimedia Commons has media related to Lightsabers.|
- Saberproject.de - Everything about lightsabers
- Lightsaber in the Official StarWars.com Encyclopedia
- Lightsaber on Wookieepedia: a Star Wars wiki
- Lucas' Light Saber Battle, (26 July 2001, E! Online) George Lucas suing Minrad Inc. over copyright of Light Saber name on their laser medical equipment
- "Howstuffworks – Inside the Lightsaber"
- "Sci Fi Science: How to Build a Light Saber (Season 2, Episode 12)" amazon.com
- Lightsabers tutorial in graphics design
- Are light sabers possible? physics.org, May 14, 2010
-  How a Light Saber Works - A popular explanation