Lin Fengmian

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Lin Fengmian
Lin Fengmian
Born (1900-11-22)22 November 1900
Mei County, Guangdong, Qing China
Died 12 August 1991(1991-08-12) (aged 90)
Hong Kong
Other names Lin Fengming
Known for Modern Chinese painting
Spouse(s) Elisa von Roda (m.1924)
Alice Vattant (m.1925)
Parent(s) Lin Yulung

Lin Fengmian (Chinese: 林風眠; November 22, 1900 – August 12, 1991), originally Lin Fengming (林凤鸣), was a Chinese painter and is considered a pioneer of modern Chinese painting for blending Chinese and Western styles, he was one of the earliest Chinese painters to study in Europe.[1] He was also an important innovator in the area of Chinese art education. He was one of the pioneers of Chinese modern art, who earned the title of "The Four Great Academy Presidents".[2]

Biography[edit]

Born in Ge Gong Ling village which is located in Meijiang District, Xiyang Baigong Township, in the suburbs of today's Meizhou municipality in Guangdong province, China. Lin Fengmian displayed an early fascination for arts and excelled at it.[3] As part of the young Chinese elite, Lin participated in the Diligent Work-Frugal Study Program and went to France. He travelled to Paris with Chinese architect Liu Jipiao and artist Lin Wenzheng and he connected with Chinese artists living in Paris, such as Xu Beihong.[4] Lin spent the early years of his career in Europe, moving to the prestigious Ecole Nationale Superieure des Beaux-Arts in Paris, France in 1920 to study painting in the studio of Fernand Cormon, who also trained other such renowned painters such as Vincent van Gogh, Henri de Toulouse-Lautrec, Emile Bernard, etc. In 1923, he moved to Berlin, Germany for a study tour.

In 1926 he returned to China, where he became the principal of the National Beijing Fine Art School.[3] In 1928, with encouragement from Cai Yuanpei, he founded the Hangzhou National College of Art (now called the China Academy of Art) in Hangzhou, becoming its first principal[3] and taught western painting along with Fang Ganmin and Wu Dayu.

Lin's works and life were met with great tragedy. While many of his early works were destroyed by Japanese soldiers during the Sino-Japanese War, many of his later works were destroyed during the Cultural Revolution.[3] After being heavily criticized and denounced by the Gang of Four, a Chinese political faction, Lin personally destroyed his own works by soaking and then flushing his works down the toilet;[3] however, he still ended up being imprisoned for over four years. Zhou Enlai finally approved his release papers. After his release, Lin slowly began to recreate many of his previously destroyed works.

In 1977, thanks to the assistance of Marshall Ye Jianying, who is also from Meizhou, he was allowed to leave China on the assumption that he could reunite with his family in Brazil.[3] He visited his family on several occasions in Brazil but settled in Hong Kong, where he remained until his death in 1991.[5]

Fengmian's artwork is featured in museum art collections, including: The Metropolitan Museum of Art,[1] and the Art Gallery of New South Wales.[6]

References[edit]

  1. ^ a b "Collection: Seated Woman". The Metropolitan Museum of Art (The Met). Retrieved 2018-10-03.
  2. ^ "Property From an important private Asian Collection – Yan Wenliang". Sotheby's. 2010.
  3. ^ a b c d e f Seno, Alexandra A. (2007-05-23). "Lin Fengmian: An unconventional master of Chinese art". The New York Times. Retrieved 2018-10-03.
  4. ^ Wong, Jennifer (2013). "The Newsletter - 'The Chinese Art Deco architect of the 1925 Paris Expo' – My grandfather" (PDF). International Institute of Asian Studies (IIAS). Retrieved 2018-10-02.
  5. ^ "Lin Fengmian Paintings | Chinese Art Gallery". China Online Museum. Retrieved 2018-10-03.
  6. ^ "The Collection - (Chinese theatre), (circa 1950)". Art Gallery NSW. Retrieved 2018-10-03.

External links[edit]