The Lincoln Memorial is an American national monument built to honor the 16th President of the United States, Abraham Lincoln. It is located on the western end of the National Mall in Washington, D.C., across from the Washington Monument. The architect was Henry Bacon; the designer of the primary statue – Abraham Lincoln, 1920 – was Daniel Chester French; the Lincoln statue was carved by the Piccirilli Brothers; and the painter of the interior murals was Jules Guerin. Dedicated in 1922, it is one of several monuments built to honor an American president. It has always been a major tourist attraction and since the 1930s has been a symbolic center focused on race relations.
The building is in the form of a Greek Doric temple and contains a large seated sculpture of Abraham Lincoln and inscriptions of two well-known speeches by Lincoln, "The Gettysburg Address" and his Second Inaugural Address. The memorial has been the site of many famous speeches, including Martin Luther King's "I Have a Dream" speech, delivered on August 28, 1963, during the rally at the end of the March on Washington for Jobs and Freedom.
Like other monuments on the National Mall – including the nearby Vietnam Veterans Memorial, Korean War Veterans Memorial, and National World War II Memorial – the memorial is administered by the National Park Service under its National Mall and Memorial Parks group. It has been listed on the National Register of Historic Places since October 15, 1966. It is open to the public 24 hours a day. In 2007, it was ranked seventh on the List of America's Favorite Architecture by the American Institute of Architects. Since 2010, approximately 6 million people visit the memorial annually.
The first public memorial to Abraham Lincoln in Washington, D.C., was a statue by Lot Flannery erected in front of the District of Columbia City Hall in 1868, three years after Lincoln's assassination. Demands for a fitting national memorial had been voiced since the time of Lincoln's death. In 1867, Congress passed the first of many bills incorporating a commission to erect a monument for the sixteenth president. An American sculptor, Clark Mills, was chosen to design the monument. His plans reflected the nationalistic spirit of the time, and called for a 70-foot (21 m) structure adorned with six equestrian and 31 pedestrian statues of colossal proportions, crowned by a 12-foot (3.7 m) statue of Abraham Lincoln. Subscriptions for the project were insufficient.
The matter lay dormant until the start of the 20th century, when, under the leadership of Senator Shelby M. Cullom of Illinois, six separate bills were introduced in Congress for the incorporation of a new memorial commission. The first five bills, proposed in the years 1901, 1902, and 1908, met with defeat because of opposition from Speaker Joe Cannon. The sixth bill (Senate Bill 9449), introduced on December 13, 1910, passed. The Lincoln Memorial Commission had its first meeting the following year and U.S. President William H. Taft was chosen as the commission's president. Progress continued at a steady pace and by 1913 Congress had approved of the Commission's choice of design and location.
There were questions regarding the commission's plan. Many thought that architect Henry Bacon's Greek temple design was far too ostentatious for a man of Lincoln's humble character. Instead they proposed a simple log cabin shrine. The site too did not go unopposed. The recently reclaimed land in West Potomac Park was seen by many to be either too swampy or too inaccessible. Other sites, such as Union Station, were put forth. The Commission stood firm in its recommendation, feeling that the Potomac Park location, situated on the Washington Monument-Capitol axis, overlooking the Potomac River and surrounded by open land, was ideal. Furthermore, the Potomac Park site had already been designated in the McMillan Plan of 1901 to be the location of a future monument comparable to that of the Washington Monument.
With Congressional approval and a $300,000 allocation, the project got underway. On February 12, 1914, a dedication ceremony was conducted and the following month the actual construction began. Work progressed steadily according to schedule. Some changes were made to the plan. The statue of Lincoln, originally designed to be 10 feet (3.0 m) tall, was enlarged to 19 feet (5.8 m) to prevent it from being overwhelmed by the huge chamber. As late as 1920, the decision was made to substitute an open portal for the bronze and glass grille which was to have guarded the entrance. Despite these changes, the Memorial was finished on schedule. Commission president William H. Taft – who was then Chief Justice of the United States – dedicated the Memorial on May 30, 1922 and presented it to President Warren G. Harding, who accepted it on behalf of the American people. Lincoln's only surviving son, 78-year-old Robert Todd Lincoln, was in attendance.
On the morning of July 26, 2013, the memorial was shut down after the statue's base and legs were splashed with green paint. It reopened later that day. A 58-year-old Chinese national, Jiamei Tian, was later found responsible for the vandalism. Following her arrest at the Washington National Cathedral, she was admitted to St. Elizabeths Hospital, a psychiatric facility, and was later found to be incompetent to stand trial; she has since been released from the hospital.
The exterior of the Memorial echoes a classic Greek temple and features Yule marble from Colorado. The structure measures 189.7 by 118.5 feet (57.8 by 36.1 m) and is 99 feet (30 m) tall. It is surrounded by a peristyle of 36 fluted Doric columns, one for each of the 36 states in the Union at the time of Lincoln's death, and two columns in-antis at the entrance behind the colonnade. The columns stand 44 feet (13 m) tall with a base diameter of 7.5 feet (2.3 m). Each column is built from 12 drums including the capital. The columns, like the exterior walls and facades, are inclined slightly toward the building's interior. This is to compensate for perspective distortions which would otherwise make the memorial appear to bulge out at the top when compared with the bottom, a common feature of Ancient Greek architecture.
Above the colonnade, inscribed on the frieze, are the names of the 36 states in the Union at the time of Lincoln's death and the dates in which they entered the Union.[Note 1] Their names are separated by double wreath medallions in bas-relief. The cornice is composed of a carved scroll regularly interspersed with projecting lions' heads and ornamented with palmetto cresting along the upper edge. Above this on the attic frieze are inscribed the names of the 48 states present at the time of the Memorial's dedication. A bit higher is a garland joined by ribbons and palm leaves, supported by the wings of eagles. All ornamentation on the friezes and cornices was done by Ernest C. Bairstow.
The Memorial is anchored in a concrete foundation, 44 to 66 feet (13 to 20 m) in depth, constructed by M. F. Comer and Company and the National Foundation and Engineering Company, and is encompassed by a 187-by-257-foot (57 by 78 m) rectangular granite retaining wall measuring 14 feet (4.3 m) in height.
Leading up to the shrine on the east side are the main steps. Beginning at the edge of the Reflecting Pool, the steps rise to the Lincoln Memorial Circle roadway surrounding the edifice, then to the main portal, intermittently spaced with a series of platforms. Flanking the steps as they approach the entrance are two buttresses each crowned with an 11-foot (3.4 m) tall tripod carved from pink Tennessee marble by the Piccirilli Brothers.
The area where the statue stands is 60 feet wide, 74 feet long, and 60 feet high. The interior of the Memorial is divided into three chambers by two rows of Ionic columns. These columns, four in each row, are 50 feet (15 m) tall and 5.5 feet (1.7 m) in diameter at their base. The north and south side chambers contain carved inscriptions of Lincoln's second inaugural address and his Gettysburg Address.[Note 2] Bordering these inscriptions are pilasters ornamented with fasces, eagles, and wreaths. The inscriptions and adjoining ornamentation were done by Evelyn Beatrice Longman.
The Memorial is filled with symbolism: the 36 columns represent the states in the union at the time of Lincoln's death, the 48 stone festoons on the attic above the columns represent the 48 states in 1922. Above each of the inscriptions is a 60-by-12-foot (18.3 by 3.7 m) mural painted by Jules Guerin graphically portraying governing principles evident in Lincoln's life. On the south wall mural, Freedom, Liberty, Immortality, Justice, and the Law are pictured, while the north wall portrays Unity, Fraternity, and Charity. Both scenes contain a background of cypress trees, the emblem of Eternity. The murals were crafted with a special mixture of paint which included elements of kerosene and wax to protect the exposed artwork from fluctuations in temperature and moisture conditions.
The ceiling of the Memorial, 60 feet (18 m) above the floor, is composed of bronze girders, ornamented with laurel and oak leaves. Between the girders are panels of Alabama marble, saturated with paraffin to increase their translucency. Despite the increased light from this device, Bacon and French felt the statue required even more light. They decided upon an artificial lighting system in which a louvered lighting panel would be set in the ceiling with metal slats to conceal the great floodlights. Custodians could adjust the lights from a control room, varying them according to the outside light. Funds for this expensive system were appropriated by Congress in 1926, and in 1929, seven years after the dedication, the statue was properly lighted. Since that time, only one major alteration has taken place in the Memorial's design. This was the addition of an elevator within the structure to aid handicapped visitors, which was installed in the mid-1970s.
IN THIS TEMPLE
|Epitaph by Royal Cortissoz above Abraham Lincoln by Daniel Chester French|
Lying between the north and south chambers is the central hall containing the solitary figure of Lincoln sitting in contemplation. The statue was carved by the Piccirilli Brothers under the supervision of the sculptor, Daniel Chester French, and took four years to complete. The statue, originally intended to be only 10 feet (3.0 m) tall, was, on further consideration, enlarged so that it finally stood 19 feet (5.8 m) tall from head to foot, the scale being such that if Lincoln were standing, he would be 28 feet (8.5 m) tall. The extreme width of the statue is the same as its height. The Georgia white marble sculpture weighs 175 short tons (159 t) and had to be shipped in 28 separate pieces.
The statue rests upon an oblong pedestal of Tennessee marble 10 feet (3.0 m) high, 16 feet (4.9 m) wide, and 17 feet (5.2 m) deep. Directly beneath this lies a platform of Tennessee marble about 34.5 feet (10.5 m) long, 28 feet (8.5 m) wide, and 6.5 inches (0.17 m) high. Lincoln's arms rest on representations of Roman fasces, a subtle touch that associates the statue with the Augustan (and imperial) theme (obelisk and funerary monuments) of the Washington Mall. The statue is discretely bordered by two pilasters, one on each side. Between these pilasters and above Lincoln's head stands the engraved epitaph, composed by Royal Cortissoz, shown in the adjacent box.
The sculpture has been at the center of two urban legends. Some have claimed that the face of General Robert E. Lee was carved onto the back of Lincoln's head, and looks back across the Potomac toward his former home, Arlington House, now within the bounds of Arlington National Cemetery. Another popular legend is that Lincoln is shown using sign language to represent his initials, with his left hand shaped to form an "A" and his right hand to form an "L", the president's initials. The National Park Service denies both legends.
However, historian Gerald Prokopowicz writes that, while it is not clear that sculptor Daniel Chester French intended Lincoln's hands to be formed into sign language versions of his initials, it is possible that French did intend it, because he was familiar with American Sign Language, and he would have had a reason to do so, that is, to pay tribute to Lincoln for having signed the federal legislation giving Gallaudet University, a university for the deaf, the authority to grant college degrees. The National Geographic Society's publication, "Pinpointing the Past in Washington, D.C." states that Daniel Chester French had a son who was deaf and that the sculptor was familiar with sign language. Historian James A. Percoco has observed that, although there are no extant documents showing that French had Lincoln's hands carved to represent the letters "A" and "L" in American Sign Language, "I think you can conclude that it's reasonable to have that kind of summation about the hands."
As Sandage (1993) demonstrates, the Memorial has become a symbolically sacred venue especially for the Civil Rights movement. In 1939, the Daughters of the American Revolution refused to allow the African-American contralto Marian Anderson to perform before an integrated audience at the organization's Constitution Hall. At the suggestion of Eleanor Roosevelt, the wife of President Franklin D. Roosevelt, Harold L. Ickes, the Secretary of the Interior, arranged for a performance on the steps of the Lincoln Memorial on Easter Sunday of that year, to a live audience of 70,000, and a nationwide radio audience.
On August 28, 1963, the memorial grounds were the site of the March on Washington for Jobs and Freedom, which proved to be a high point of the American Civil Rights Movement. It is estimated that approximately 250,000 people came to the event, where they heard Martin Luther King, Jr., deliver his historic speech, "I Have a Dream", before the memorial honoring the president who had issued the Emancipation Proclamation 100 years earlier. King's speech, with its language of patriotism and its evocation of Lincoln's Gettysburg Address, was meant to match the symbolism of the Lincoln Memorial as a monument to national unity. The D.C. police also appreciated the location because it was surrounded on three sides by water, so that any incident could be easily contained. Twenty years later, on August 28, 1983, crowds gathered again to mark the 20th Anniversary Mobilization for Jobs, Peace and Freedom, to reflect on progress in gaining civil rights for African Americans and to commit to correcting continuing injustices. The "I Have a Dream" speech is such a part of the Lincoln Memorial story, that the spot on which King stood, on the landing eighteen steps below Lincoln's statue, was engraved in 2003 in recognition of the 40th anniversary of the event.
At the memorial on May 9, 1970, President Richard Nixon had a middle-of-the-night impromptu, brief meeting with protesters who, just days after the Kent State shootings, were preparing to march against the Vietnam War.
Depictions on U.S. currency
From 1959 to 2008, the Lincoln Memorial was shown on the reverse of the United States one cent coin, which bears Lincoln's portrait bust on the front. The statue of Lincoln can be seen in the monument. This was done to mark the 150th anniversary of Lincoln's birth.
The memorial also appears on the back of the U.S. five dollar bill, the front of which bears Lincoln's portrait.
In popular culture
As one of the most prominent American monuments, the Lincoln Memorial is often featured in books, films, and television shows that take place in Washington; by 2003 it had appeared in over 60 films, and in 2009, Mark S. Reinhart compiled some short sketches of dozens of uses of the Memorial in film and television.
Some examples of films include Mr. Smith Goes to Washington, in a key scene where the statue and its inscription provide inspiration to freshman Senator Jefferson Smith, played by James Stewart – the Park Service did not want director Frank Capra to film at the Memorial, so he sent a large crew elsewhere as a distraction while a smaller crew filmed Stewart and Jean Arthur at the Memorial; The Day the Earth Stood Still, a science fiction film in which the alien Klaatu visits the Memorial and is impressed by Lincoln's words carved there; the 2001 version of Planet of the Apes; X-Men: First Class; the 2011 film Transformers: Dark of the Moon, where Megatron destroys the statue of Lincoln and then sits on the chair as a throne;  and the 2016 horror movie The Purge: Election Year, in which the Lincoln Memorial is shown with dead and burning bodies on the steps and the columns defaced with giant letters that spell out "PURGE", written in human blood.
Other films and television programs which have featured the Memorial include In the Line of Fire; National Treasure, in which the main characters discuss the possibility of stealing the Declaration of Independence while sitting on the steps of the Memorial; the comedy Night at the Museum: Battle of the Smithsonian, where the statue of Lincoln helps defeat the Horus warriors; the "Mr. Lisa Goes to Washington" episode of The Simpsons; the scene from Forrest Gump, in which Forrest (Tom Hanks) delivers a speech standing on a podium in front of the Memorial facing the reflecting pool; and the 2013 film White House Down, in which the President (Jamie Foxx) requests a fly-by of the Lincoln Memorial, at both the beginning and the end of the movie to pay homage to his hero.
Many of the appearances of the Lincoln Memorial are actually digital visual effects, due to restrictive filming rules. As of 2017, according to the National Park Service, "Filming/photography is prohibited above the white marble steps and the interior chamber of the Lincoln Memorial."
Mitchell Newton-Matza argued in 2016, "Reflecting its cherished place in the hearts of Americans, the Lincoln Memorial has often been featured prominently in popular culture, especially motion pictures." According to Tracey Gold Bennett, "The majesty of the Lincoln Memorial is a big draw for film location scouts, producers, and directors because this landmark has appeared in a considerable number of films."
Jay Sacher writes:
From high to low, the memorial is cultural shorthand for both American ideals and 1960s radicalism. From Forrest Gump's Zelig-like insertion into anti-war rallies on the steps of the memorial, to the villainous Decepticon robots discarding the Lincoln statue and claiming it as a throne....The memorial's place in the culture is assured even as it is parodied.
- Washington, D.C. portal
- NRHP portal
- List of areas in the United States National Park System
- National Register of Historic Places listings in the District of Columbia
- The date for Ohio was incorrectly entered as 1802, as opposed to the correct year, 1803.
- There was an error in the engraving of the second inaugural address. In the line, "With high hope for the future," the "F" of the word future was originally carved as an "E". To cover the mistake, the bottom line of the E is not painted in.
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- See Buchner, Edmund (1976). "Solarium Augusti und Ara Pacis", Römische Mitteilungen 83: 319–375; (1988). Die Sonnenuhr des Augustus: Kaiser Augustus und die verlorene Republik (Berlin); P. Zanker The Augustan Program of Cultural Renewal for a full discussion of the Augustan solarium and its architectural features.
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- Prokopowicz, Gerald J. (2008) Did Lincoln Own Slaves? And Other Frequently Asked Questions About Abraham Lincoln. Pantheon. ISBN 978-0-375-42541-7
- Evelyn, Douglas E. and Dickson, Paul A. (1999) On this Spot: Pinpointing the Past in Washington, D.C. National Geographic Society. ISBN 0-7922-7499-7
- Percoco, James A., speech given on April 17, 2008, in the Jefferson Room of the National Archives and Records Administration as part of the National Archive's "Noontime Programs" lecture series. Broadcast on the C-Span cable television network on April 4 and April 5, 2009. c-spanvideo.org
- Fairclough, Adam (1997) "Civil Rights and the Lincoln Memorial: The Censored Speeches of Robert R. Moton (1922) and John Lewis (1963)" Journal of Negro History v.82 pp.408–416.
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- Mark S. Reinhart (2009). Abraham Lincoln on Screen: Fictional and Documentary Portrayals on Film and Television. McFarland. ISBN 978-0-7864-5261-3.
- Toney, Veronica (September 17, 2015). "It's not just 'Forrest Gump.' The National Mall has had an iconic role in many movies.". Washington Post. Retrieved 12 February 2017.
- Rosales, Jean K. and Jose, Michael R. (2003) DC Goes to the Movies: A Unique Guide to Reel Washington iUniverse. p.245 ISBN 9780595267972
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- Kim, Kristen Yoonsoo (June 30, 2016) "'The Purge: Election Year' Hits the Upgrade Button in Literally Every Way" Complex: Pop Culture"
- Sacher, Jay (May 6, 2014). Lincoln Memorial: The Story and Design of an American Monument. Chronicle Books. pp. 83–85. ISBN 9781452131986. Retrieved February 12, 2017.
- "Permit FAQS" National Park Service
- Mitchell Newton-Matza (2016). Historic Sites and Landmarks that Shaped America. ABC-CLIO. p. 324.
- Tracey Gold Bennett (2014). Washington, D.C., Film and Television. Arcadia. p. 27.
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|Wikimedia Commons has media related to Lincoln Memorial.|
|Laser Scan: Lincoln Memorial (0:33), DJS Associates from the Lincoln Memorial Project|
- Lincoln Memorial homepage (NPS)
- Lincoln Memorial Panoramic Tour
- "Trust for the National Mall: Lincoln Memorial". Trust for the National Mall.
- "Colorado Yule Marble – Building Stone of the Lincoln Memorial;" (PDF). US Geological Survey – Bulletin 2162; 1999.
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