Linda Stein (artist)

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Linda Stein
Born (1943-09-13) September 13, 1943 (age 75)
The Bronx, New York US
NationalityAmerican
EducationQueens College
Pratt Institute
Known forSculpture
Websitelindastein.com

Linda Stein (born 1943) is an American feminist artist whose work focuses on themes of protection and otherness. Stein’s work is primarily abstract and figurative sculpture. Stein also has a history of nonfiction writing and art education.

Stein is a 9/11 survivor, who was displaced from her Tribeca home and studio following the attacks. This event had a notable impact on her art, inspiring her to move from abstract to figurative work and to address themes of protection, bravery, and sanctuary.

Stein is an active feminist who is on the Board of Directors for Veteran Feminists of America.[1]

Stein came to international attention when British comedian Sacha Baron Cohen fooled her into an interview with his character Borat telling her he was a journalist for Belarus Television making a documentary about the United States, which was included in his 2006 film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. In the interview, Stein responded seriously and angrily to Cohen's character's ludicrously sexist attitudes toward women. She finally stormed off the interview set and kicked him out of her studio.[2][3]

Early Life and Education[edit]

Stein was born in the Bronx to a working-class, Jewish family.[1] She attended the School of Visual Arts and Queens College, where she earned a B.A.. While working as an art teacher she earned an M.A. at the Pratt Institute.[2] She also attended the art students league and Pratt Graphics Center

Her career began with a calligraphy service that became the premier vendor in New York, used by Tiffany's and Cartier. The business was one of the pioneers in the art gentrification of TriBeCa.

Artistic career[edit]

Stein’s professional artistic career began in the 1960’s, with her studies at Queens College (1961-1965).

Stein works in series, including:

Sexism and Masculinities/Femininities: Exploring, Exploding, Expanding (Gender) Expression[edit]

In 2015, Stein’s work began to focus on Sexism in society and the art world. Her work discusses the representation and financial support given to men and the lack of support for women artists. This work references the #MeToo movement, and her non-profit is in the process of collecting stories from women sexually abused in the art world.[4]

Displacement from Home - What to Leave, What to Take: Cabinets, Cupboards, Cases, and Closets[edit]

This series contains assemblage sculptures consisting of different furniture (cupboards, cases, etc) with random house-hold items. Inspired by the displacement of people from war-torn countries, as well as her own experience on 9/11, Stein creates assemblages which bring to mind the interiors of homes abandoned by individuals forced to flee for safety.[4]

Holocaust Heroes: Fierce Females[edit]

Holocaust Heroes: Fierce Females is one of Stein’s major traveling exhibitions which began going to museums and universities in 2015. This body of work contains ten tapestries inspired by historical accounts of women who actively intervened to save Jews from Nazi persecution. Heroes featured include Anne Frank, Noor Inayat Khan, Ruth Gruber, Nancy Wake, Nadezhda Popova, Hannah Senesh, Hadassah Bimko Rosensaft, Zivia Lubetkin, Vitka Kempner, and Gertrud Luckner. First exhibited at the Flomenhaft Gallery in Chelsea in December 2014, the tapestries continue to tour the United States and international venues.[11] This body of work also contains her Spoon to Shell series, which consists of 20 assemblage sculptures which contemplate the sacrifice and bravery of Holocaust victims who were sexually abused. The exhibition also includes wall-hanging “protector” sculptures. (CITATION)

The Fluidity of Gender[edit]

Stein made larger-than-life wall sculptures as well as free-standing torsos with “skins” of black leather and mixed media that were intentionally androgynous.[10] This series has been touring museums and universities since 2010 under the title The Fluidity of Gender.[9]

I Am the Environment: My Gender, My Nature[edit]

In 2012, Stein began a series titled I Am the Environment: My Gender, My Nature, including larger-than-life torsos and wall sculptures created from natural materials: beans, shells, branches, seeds, and stones. They suggest the embeddedness of the body in ecological systems[1] and Oceanic feeling.

Body Swapping Armor: Wearable Sculpture[edit]

In 2009, Stein attached shoulder straps to her figurative sculpture, allowing the work to be worn like armor. She invited visitors to her studio to experience "body-swapping": donning the "sculptural avatars" and imagining what it would feel like to be in a differently gendered body.[9]

Knights of Protection[edit]

Post 9/11, Stein was unable to return to her Tribeca studio or make sculpture for a year.[5] When she returned to making art, her new sculptures were figurative and symbolized protection. Begun in 2002, The Knights of Protection series was her earliest shield-like forms made of mixed media and hung on the wall. [6][7] Later Knights became more figurative and included images of Wonder Woman, Princess Mononoke, Lady Gaga, Lisbeth Salander, Storm, and Guanyin.[8]

Earlier Work: Blades, Ceremonial Scepters, etc.[edit]

In the 1990s, Stein began the sculpture series, Blades. Stein fused machetes to other materials. The Ceremonial Scepters were objects that looked like ancient weapons and spoke of relationships of power and violence. Stein composed origin stories that undid these associations and offered alternatives, such as defense and empowerment for the user.[1]

Awards, Grants, and Residencies[edit]

  •      2018 – Women’s eNews. Stein chosen as one of “21 Leaders for the 21st Century.”
  •       2017 – New York City Art Teachers Association (NYCATA)/United Federation of Teachers (UFT). Stein chosen as the 2017 Artist of the Year.
  •       2016 – National Association of Women Artists (NAWA). Stein chosen as the 2016 Artist Honoree for Commitment to Arts and Culture; Artist-In-Residence: Squire Foundation, Santa Barbara, California
  •       2015 – Financial Grant: Memorial Foundation for Jewish Culture (MFJC)
  •       2007 – Artist-In-Residence: Hunter College, Manhattan, New York (2007-2008)
  •       2005 – Financial Grant: Lower Manhattan Cultural Council (LMCC) and the New York City Department of Cultural Affairs (DCA)
  •       1999 – Guild Hall Museum Award
  •       1989 – Resident Fellowship, Virginia Center for the Creative Arts
  •       1988 – Resident Fellowship, Djerassi Foundation, California
  •       1987 – Resident Fellowship, Virginia Center for the Creative Arts
  •       1975 – Financial Grant: America the Beautiful Fund of New York
  •       1972-79 – Yearly Artist-in-Residence Grants: Suffolk BOCES Art & Humanities Program, Deer Park School District, New York

Have Art: Will Travel! Inc.[edit]

Stein founded Have Art: Will Travel! (HAWT), a non-profit arts organization that promotes positive gender roles towards social justice in 1972. The organization manages the traveling exhibition of The Fluidity of Gender: Sculpture by Linda Stein (FoG), Holocaust Heroes: Fierce Females-Tapestries and Sculpture by Linda Stein (H2F2), and Displacement From Home: What To Leave, What To Take – Cabinets, Cupboards, Cases and Closets by Linda Stein.[12] Programming includes lectures, performances, panel discussions, and educational exercises. Have Art: Will Travel's! Curriculum Team has created participatory, social justice art education encounters, which use the traveling exhibitions has foundations.[13]

Further reading[edit]

  • Stein, Linda (July 2008). "The art perspective: Suzanne Lacy". On the Issues Magazine. Merle Hoffman.
  • Pérez de Miles, Adetty; Peck, Scott (2017). "Exhibition as curriculum: Creativity as a human right". Art Education. 70 (4): 60–64.
  • Knight, Wanda B. (2018). "Upstander for Social Justice through Art Education". Visual Culture & Gender. 12: 48–57.
  • Stein, Linda (2016). Holocaust heroes: Fierce females—Tapestries and sculpture by Linda Stein. Philadelphia, PA: Old City Publishing.

References[edit]

  1. ^ "Board of Directors - Veteran Feminists of America". www.veteranfeministsofamerica.org. Retrieved 2018-10-08.
  2. ^ "How I was duped by Ali G." www.downtownexpress.com. Retrieved 2018-10-08.
  3. ^ "THE BORAT TRAP'S BIG CATCH By ANDREA PEYSER - New York Post Online Edition: Seven". 2006-11-02. Retrieved 2018-10-08.
  4. ^ a b "An Interview with Linda Stein - Veteran Feminists of America". www.veteranfeministsofamerica.org. Retrieved 2018-10-08.

External links[edit]