|Lisa Victoria Chapman Jones|
|Born||August 15, 1961|
|Alma mater||Yale University and New York University|
|Occupation||Author, Journalist and Playwright|
|Years active||1961- present|
|Spouse(s)||Kenneth S. Brown|
|Parent(s)||Hettie Jones and Amiri Baraka|
Personal life and education
Jones grew up in New York City and Newark, New Jersey. She is the daughter of poets Hettie Jones and Amiri Baraka (formerly known as LeRoi Jones). Jones graduated from Yale University and received a MFA in Film from New York University. She married Kenneth S. Brown in 2004 and their daughter was born in 2005.
Jones joined the staff of the Village Voice in 1984 and wrote for the paper for 15 years. She was known for her "Skin Trade" columns in the Village Voice, a selection of which were published as a book, Bulletproof Diva, in 1994.
Jones published a memoir, Good Girl in a Bad Dress, in 1999. She also co-wrote three books with Spike Lee, all companion books to his films: Uplift the Race: The Construction of School Daze, published in 1988, Do the Right Thing, published in 1989, and Mo' Better Blues, published in 1990. Her essays have been widely anthologized.
Jones wrote the plays Carmella & King Kong and Combination Skin while involved with the Rodeo Caldonia, a feminist collective of African-American women artists. Combination Skin went on to premiere at Company One in Hartford, CT, in 1992. The New York Times Theater review called her "a fresh talent" and praised her "all-consuming vision". Combination Skin was anthologized in Contemporary Plays by Women of Color. Jones also created three works for the New American Radio series of National Public Radio: Aunt Aida's Hand (1989), Stained (1991), and Ethnic Cleansing (1993). Aunt Aida's Hand and Stained were collaborations with Alva Rogers, who was also a Rodeo Caldonia member. In 1995, Jones and Rogers received a joint choreography and creator Bessie Award for their collaborative work.
- Ellis, Trey (1988). Platitudes & "The new black aesthetic". Northeastern University Press, Ann Arbor. ISBN 1-55553-586-0
- Perkins, Kathy and Uno, Roberta (1996). Contemporary Plays by Women of Color: an anthology. London: Routledge. ISBN 0-415-11378-4
- Stetler, Carrie. "Still rebellious after all these years: Amiri Baraka turns 75, and Newark celebrates with five days of events", The Star-Ledger, Newark, NJ, October 2, 2009.
- "Kellie Jones Faculty Directory Department of Art History and Archaeology". Columbia University. Retrieved 2010-05-21.
- Tate, Greg. "License to Ill: Black journalism in the pages of the 'Voice'", Village Voice, New York, October 18, 2005.
- Jones, Lisa (1994). Bulletproof Diva: Tales of Race, Sex and Hair. New York: Doubleday. ISBN 0-385-47122-X
- Solberg, Judy. "Prepub Alert", Library Journal, New York, December 1993.
- Jones, Lisa (1999). Good Girl in a Bad Dress. New York: Random House. ISBN 978-0-375-50180-7
- Jones, Lisa and Lee, Spike (1988). Uplift the Race: The Construction of School Daze. Fireside, New York. ISBN 0-671-64418-1
- Jones, Lisa and Lee, Spike (1989). Do the Right Thing. Fireside, New York. ISBN 0-671-68265-2
- Lee, Spike; Jones, Lisa (1990), Mo' Better Blues, Simon & Schuster, ISBN 978-0-671-72570-9
- Taumann, Beatrix (1999). Strange Orphans: Contemporary African American Women Playwrights. Würzburg, Königshausen & Neumann. ISBN 3-8260-1681-5
- Shipp, E. R. "Their Muse Is Malcolm X", New York Times, December 4, 1988.
- Klein, Alvin. "Theater Review: In the 90's, Questions Of Color And Identity", New York Times, October 18, 1992.
- "Lisa Jones and Alva Rogers: Stained". Somewhere.org. Retrieved 2010-05-21.
- "'Bessies' Go to New Artists and Philip Glass", New York Times, September 18, 1995.
- "Lisa Jones: Combination Skin", in Beatrix Taumann, "Strange Orphans": Contemporary African American Women Playwrights, pp. 279–86.
|Library resources about
|By Lisa Jones|
- Meri Nana-Ama Danquah, "The World According to Lisa Jones : Literature: The essayist writes about a place where hair explains history and any woman with lip and nerve can be a 'bulletproof diva.'" Los Angeles Times, June 29, 1994.