List of Led Zeppelin songs written or inspired by others
In their career, the British rock band Led Zeppelin recorded many songs that consisted, in whole or part, of pre-existing songs, melodies, or lyrics. They sometimes credited those sources, sometimes not. The band has been sued a number of times over attribution, some cases having concluded with others being awarded writing credit for the song in question.
This is a partial list of songs that contributed to or inspired Led Zeppelin songs or covers. It includes non-controversial ones the band attributed to other writers from the outset.
|Led Zeppelin Songs Written or Inspired by Others|
|Album||Led Zeppelin song||Original Attribution||Earlier Version||Earlier Artist||Current Attribution|
|Led Zeppelin||"Babe I'm Gonna Leave You"||Trad. arr. Jimmy Page||"Babe I'm Gonna Leave You"||Joan Baez||Anne Bredon, Page, Robert Plant|
|The band covered Baez's version; both guitarist Jimmy Page and singer Robert Plant were fans of Baez. Baez's album had originally indicated no writing credit, and Led Zeppelin credited the song as "Trad. arr. Page". In the 1980s, Bredon was made aware of Led Zeppelin's version of the song, and since 1990 the Led Zeppelin version has been credited to Anne Bredon/Jimmy Page & Robert Plant. Bredon received a substantial back-payment of royalties.|
|"You Shook Me"||Willie Dixon||"You Shook Me"||Muddy Waters||Unchanged|
|This song was correctly credited to Willie Dixon, but a similar controversy exists over whether Page got the idea from friend and former bandmate Jeff Beck:
Major differences between both versions include the prominence afforded Nicky Hopkins keyboard playing in the Mickie Most mix, and that Rod Stewart sings only two verses in the Jeff Beck recording.
|"Dazed and Confused"||Page||"Dazed and Confused"||Jake Holmes||Jimmy Page, inspired by Jake Holmes|
|Page was performing his version of this song with the Yardbirds, before forming Led Zeppelin. The Yardbirds had toured with Holmes. A 2010 lawsuit appears to have been settled out of court.|
|"Black Mountain Side"||Page||"Down by Blackwaterside"||Bert Jansch||Unchanged|
|Al Stewart learned Jansch's version of the traditional song "Black Waterside." However, he mistook Jansch's 'drop-D' tuning for DADGAD. At the time, Stewart was recording his own debut record and had engaged Jimmy Page as a session musician. According to Stewart's account, it was he (Stewart) who taught Page 'Blackwaterside' (the DADGAD version) during a tea-break. In spite of this difference, Jansch's record company sought legal advice following the release of Led Zeppelin. Early in 1965, Anne Briggs and Jansch were performing regularly together in folk clubs and spent most of the daytime at a friend's flat, collaborating on new songs and the development of complex guitar accompaniments for traditional songs. Ultimately, no legal action was ever taken against Led Zeppelin, because it could not be proven that the recording in itself constituted Jansch's own copyright, as the basic melody was traditional. Nevertheless, Jansch said that Page "ripped me off, didn't he? Or let's just say he learned from me."|
|"I Can't Quit You Baby"||Willie Dixon||"I Can't Quit You Baby"||Otis Rush||Unchanged|
|This song was published by Willie Dixon only three years earlier, and correctly attributed when Led Zeppelin covered it on their debut album.|
|"How Many More Times"||John Bonham, John Paul Jones, Page, Plant||"How Many More Years"||Howlin' Wolf (Chester Arthur Burnett)||Unchanged|
|This song's attribution has never been changed. No lawsuits have been filed. The song also contains components of Albert King's "The Hunter".|
|Led Zeppelin II||"Whole Lotta Love"||Bonham, Jones, Page, Plant||"You Need Love"||Willie Dixon||Bonham, Dixon, Jones, Page, Plant|
|The band was sued over this song, settling out of court in Dixon's favor. Plant later said "Page's riff was Page's riff. It was there before anything else. I just thought, 'well, what am I going to sing?' That was it, a nick. Now happily paid for. At the time, there was a lot of conversation about what to do. It was decided that it was so far away in time and influence that...well, you only get caught when you're successful. That's the game."|
|"The Lemon Song"||Bonham, Jones, Page, Plant||"Killing Floor"||Howlin' Wolf||Bonham, Burnett, Jones, Page, Plant|
|Other lyrics, notably "squeeze (my lemon) till the juice runs down my leg," can be traced to Robert Johnson's "Travelling Riverside Blues". It is likely that Johnson borrowed this himself, from a song recorded in the same year (1937) called "She Squeezed My Lemon" (by Arthur McKay). The song also borrowed from Albert King's "Cross-Cut Saw".|
|"Moby Dick"||Bonham, Jones, Page||"Watch Your Step"||Bobby Parker||Unchanged|
|The intro and outro were "inspired by" the Bobby Parker song, the rest of the track being a long drum solo.|
|"Bring It On Home"||Page, Plant||"Bring It On Home"||Sonny Boy Williamson||Dixon|
|The intro and outro were deliberate homages to the Sonny Boy Williamson song, whereas the rest of the track was original. however, Dixon was not given a lyric writing credit for the song. In 1972, Chess Records brought a lawsuit against Led Zeppelin for copyright infringement; the case was settled out-of-court.|
|Led Zeppelin III||"Since I've Been Loving You"||Jones, Page, Plant||"Never"||Moby Grape||Unchanged|
|The initial and closing lyrics, and some other aspects, are nearly identical to the Moby Grape song written by Bob Mosley.
Both bear more than a passing resemblance to Fenton Robinson's "Somebody Loan Me A Dime" which Robinson performed throughout the 60s despite not recording it until 1974.
|"Gallows Pole"||Trad. arr. Page, Plant||"Gallows Pole"||Fred Gerlach||Unchanged|
|This song was correctly attributed as traditional, from the beginning. Page credits the Gerlach version as his inspiration, though the song has a much older history as "The Maid Freed from the Gallows".|
|"Bron-Y-Aur Stomp"||Jones, Page, Plant||"The Waggoner's Lad"||Bert Jansch||Unchanged|
|Jimmy Page repeatedly mentioned Bert Jansch as an influence in interviews. Jansch's album Jack Orion contained two tracks whose components later appeared in Page songs without writing credit. Jansch bandmate Jacqui McShee later said:
In a May 1970 interview with that group conducted by Lemon Squeezings friend Rick McGrath for Vancouver's underground newspaper Georgia Strait, Jansch and McShee expressed their frustration with Page's sole writing credit on the song.
|"Hats Off to (Roy) Harper"||Trad. arr. Charles Obscure (Page)||"Shake 'Em On Down'"||Bukka White||Unchanged|
|The song is a medley of fragments of blues songs and lyrics, including "Shake 'Em On Down" by Bukka White. Therefore, the song is both a tribute to contemporary folk singer Roy Harper and the influential American blues singer who recorded from the 1930s to the 1970s.|
|Led Zeppelin IV||"When the Levee Breaks"||Bonham, Jones, Memphis Minnie, Page, Plant||"When the Levee Breaks"||Kansas Joe McCoy and Memphis Minnie||Unchanged|
|This song used lyrics from the original and was credited to Memphis Minnie along with the band from the beginning, without controversy, although Kansas Joe McCoy did not receive a writer's credit on it. Memphis Minnie biographers have suggested she may have been the main lyricist, especially considering that she and her family were victims of the Great Mississippi Flood of 1927 described in the song, whereas McCoy lived in Tennessee at that time.|
|Physical Graffiti||"Custard Pie"||Page, Plant||"Drop Down Mama"||Sleepy John Estes||Unchanged|
|The lyrics to the riff-heavy song pay homage to the blues songs of the Robert Johnson era; specifically "Drop Down Mama" by Sleepy John Estes, "Shake 'Em On Down" by Bukka White, and "I Want Some of Your Pie" by Blind Boy Fuller.|
|"In My Time of Dying"||Bonham, Jones, Page, Plant||"In My Time of Dying"||Blind Willie Johnson||Unchanged|
|This is actually a traditional gospel song, first recorded in 1926. but not released, then recorded and released by Blind Willie Johnson as a single. Because it was in the public domain the members of Zeppelin were able to claim writing credit for their version despite numerous earlier versions by other artists, including one by Bob Dylan.|
|"Trampled Under Foot"||Jones, Page, Plant||"Terraplane Blues"||Robert Johnson||Unchanged|
|The lyrics were inspired by blues musician Robert Johnson's 1936 "Terraplane Blues". A Terraplane is a classic car, and the song uses car parts as metaphors for sex—"pump your gas," "rev all night," etc. The themes of these songs however differ; "Terraplane Blues" is about infidelity, while "Trampled Under Foot" is about giving in to sexual temptation. Plant explicitly refers to this song as a tribute to "Terraplane Blues" in Zeppelin's 2007 reunion performance.|
|"Boogie with Stu"||Bonham, Jones, Page, Plant, Ian Stewart, Mrs Valens||"Ooh, My Head"||Ritchie Valens||Unchanged|
|The song is credited to "Page/Plant/Jones/Bonham/Ian Stewart/Mrs. Valens", being heavily based on Ritchie Valens' "Ooh, My Head". Valens's publisher, Kemo Music, filed suit for copyright infringement and an out of court settlement was reached. As Page explained:
|Presence||"Nobody's Fault but Mine"||Page, Plant||"It's Nobody's Fault but Mine"||Blind Willie Johnson||Unchanged|
|"Nobody's Fault but Mine" is a gospel song that has been recorded by many musicians over the years. The first known recording of this song was by American gospel blues musician Blind Willie Johnson in 1927, titled "It's Nobody's Fault but Mine". In an interview, Jimmy Page explained:
|BBC Sessions||"The Girl I Love She Got Long Black Wavy Hair"||Bonham, Sleepy John Estes, Jones, Page, and Robert Plant||"The Girl I Love She Got Long Curley Hair"||Sleepy John Estes||Unchanged|
|The lyrics in the first verse are an adaptation of the 1929 blues recording "The Girl I Love She Got Long Curley Hair" by Sleepy John Estes. Snippets of the song appeared in the "Whole Lotta Love" medley until 1971.|
|"Travelling Riverside Blues"||Robert Johnson, Page, and Plant||"Travelling Riverside Blues"||Robert Johnson||Unchanged|
|"Travelling Riverside Blues" is a blues song written by the bluesman Robert Johnson. He recorded during his last recording session on June 20, 1937, in Dallas, Texas.|
|How the West Was Won||"Let's Have a Party"||Wanda Jackson||"Let's Have a Party"||Wanda Jackson||Unchanged|
|"Hello Mary Lou"||Ricky Nelson||"Hello Mary Lou"||Ricky Nelson||Unchanged|
|In the 2003 release of "How the West Was Won" abbreviated versions of these two songs are covered in the "Whole Lotta Love (Live)" track. "Let's Have a Party" begins at 8:00 in that track, while "Hello Mary Lou" begins at 9:58.|
- List of songs recorded by Led Zeppelin
- List of songs written by Willie Dixon
- Cover version
- Musical plagiarism
- Led Zeppelin bootleg recordings
- Led Zeppelin discography
- Led Zeppelin covers and tributes
- Lewis, Dave (1994). The Complete Guide to the Music of Led Zeppelin. Omnibus Press. ISBN 0-7119-3528-9.
- Dave Schulps, Interview with Jimmy Page, Trouser Press, October 1977.
- Gregg Akkerman, (2014) "You Shook Me", Experiencing Led Zeppelin: A Listener's Companion, p.7, ISBN 978-0-8108-8915-6
- "ORDER DISMISSING ACTION WITH PREJUDICE by Judge Dolly M for Jake Holmes v. James Patrick Page et al :: Justia Dockets & Filings". Justia Dockets & Filings. Retrieved 18 January 2015.
- Harper p. 200
- Mick Wall (2008), When Giants Walked the Earth: A Biography Of Led Zeppelin',' London: Orion, p. 56
- Harper p. 162
- Harper p.161
- Shadwick, Keith (2005). Led Zeppelin: The Story of a Band and Their Music 1968-1980, Backbeat Books, ISBN 978-0-87930-871-1
- Albert King Biography musiciansguide.com
- John Mendelsohn Led Zeppelin I rollingstone.com Mar 15, 1969
- Young, Charles M. (June 1990). "Robert Plant's manic persona". Musician. Amordian Press (140): 45. ISSN 0733-5253.
- Australian Broadcasting Corporation - Triple J Music Specials - Led Zeppelin (first broadcast 2000-07-12)
- "Bobby Parker: Bluesman whose riff from 'Watch Your Step' was borrowed". The Independent. 2013-11-15. Retrieved 2017-02-16.
- Lewis, Dave (2012). From a Whisper to a Scream: The Complete Guide to the Music of Led Zeppelin. London: Omnibus Press. ISBN 978-0-85712-788-4.
A self-styled custom blues, though Robert Plant clearly derived some of the lyrics from the Moby Grape track 'Never' which appeared on the Grape Jam bonus disc that came with their 1968 Wow album.
- Led Zeppelin FAQ: All That's Left to Know About the Greatest Hard Rock Band
- Obituary: Guitarist Bert Jansch dies at 67; influenced Jimmy Page on Led Zeppelin songs
- Garon, Paul; Garon, Beth (2014). Woman with Guitar: Memphis Minnie's Blues. San Francisco: City Lights Books. pp. 49, 361. ISBN 978-0-87286-621-8.
- Blakey, D. N. (2007). Revelation: Blind Willie Johnson The Biography. DNB45 Publishing. pp. 26–32. ISBN 978-1-4303-2899-5.
- Williams, Stacey (1962). Bob Dylan (Album notes). Bob Dylan. Columbia Records. p. 5. CK 8579.
- Godwin, Robert (24 August 1990). "Led Zeppelin: Alchemists of the '70s". Goldmine: 13.
- Lehmer, Larry. The Day the Music Died: The Last Tour of Buddy Holly, the Big Bopper and Ritchie Valens (2004): 166
- Brad Tolinski and Greg Di Bendetto, "Light and Shade", Guitar World magazine, January 1998.
- Tolinski, Brad (2013). Light and Shade: Conversations with Jimmy Page. Broadway Books. ISBN 978-0307985750.
- Case, George (2011). > Led Zeppelin FAQ: All That's Left to Know About the Greatest Hard Rock Band of All Time. Backbeat. ISBN 978-1-61713-025-0. Renbourn's version is found on his 1967 album Another Monday (Transatlantic Records TRA 149). Sometimes John Renbourn's albums include a credit to New Orleans jazz musician Bunk Johnson.