List of World Heritage Sites in Southeast Asia
The UNESCO (United Nations Educational, Scientific and Cultural Organization) has designated 37 World Heritage Sites in eleven countries (also called "State parties") of Southeast Asia: Indonesia, Vietnam, Thailand, Philippines, Malaysia, Myanmar, Cambodia, Singapore, and Laos. Only Brunei and East Timor lack World Heritage sites.
Indonesia and Vietnam lead the list with eight inscribed sites each, with the Philippines having six, Thailand five, Malaysia four, Cambodia and Laos two each, and Myanmar and Singapore one each. The first sites from the region were inscribed at the 15th session of the World Heritage Committee in 1991. The latest site inscribed is the Singapore Botanic Gardens in Singapore inscribed in 39th session of the Committee in Bonn, Germany in July 2015. Each year, UNESCO's World Heritage Committee may inscribe new sites or delist those no longer meeting the criteria, the selection based on ten criteria of which six stand for cultural heritage (i–vi) and four for natural heritage (vii–x); some sites are "mixed" and represent both types of heritage. In Southeast Asia, there are 23 cultural, 13 natural and 1 mixed sites.
The World Heritage Committee may also specify that a site is endangered, citing "conditions which threaten the very characteristics for which a property was inscribed on the World Heritage List." One site in this region, Tropical Rainforest Heritage of Sumatra, is listed as endangered; Angkor and Rice Terraces of the Philippine Cordilleras were once listed but were taken off in 2004 and 2012 respectively.
The table is sortable by column by clicking on the at the top of the appropriate column; alphanumerically for the Site, Area, and Year columns; by state party for the Location column; and by criteria type for the Criteria column. Transborder sites sort at the bottom.
- Site; named after the World Heritage Committee's official designation
- Location; at city, regional, or provincial level and geocoordinates
- Criteria; as defined by the World Heritage Committee
- Area; in hectares and acres. If available, the size of the buffer zone has been noted as well. A value of zero implies that no data has been published by UNESCO
- Year; during which the site was inscribed to the World Heritage List
- Description; brief information about the site, including reasons for qualifying as an endangered site, if applicable.
|Angkor||Siem Reap Province, Cambodia
(i), (ii), (iii), (iv)
|40,000 (99,000)||1992||Angkor is one of the most important archaeological sites in South-East Asia. Stretching over some 400 km2, including forested area, Angkor Archaeological Park contains the magnificent remains of the different capitals of the Khmer Empire, from the 9th to the 15th century. They include the famous Temple of Angkor Wat and, at Angkor Thom, the Bayon Temple with its countless sculptural decorations. UNESCO has set up a wide-ranging programme to safeguard this symbolic site and its surroundings. The site was listed as endangered from its inscription in times of political instability following the civil war in the 1980s to 2004.||
|Archaeological Heritage of the Lenggong Valley||Perak, Malaysia
|399 (990)||2012||Situated in the lush Lenggong Valley, the property includes four archaeological sites in two clusters which span close to 2 million years, one of the longest records of early man in a single locality, and the oldest outside the African continent. It features open-air and cave sites with Palaeolithic tool workshops, evidence of early technology. The number of sites found in the relatively contained area suggests the presence of a fairly large, semi-sedentary population with cultural remains from the Palaeolithic, Neolithic and Metal ages.|||
|Ban Chiang Archaeological Site||Udon Thani Province, Thailand
|64 (160)||1992||Ban Chiang is considered the most important prehistoric settlement so far discovered in South-East Asia. It marks an important stage in human cultural, social and technological evolution. The site presents the earliest evidence of farming in the region and of the manufacture and use of metals.|||
|Baroque Churches of the Philippines||Manila; Santa Maria, Ilocos Sur; Paoay, Ilocos Norte and Miag-ao, Iloilo; Philippines
|1993||These four churches, the first of which was built by the Spanish in the late 16th century, are located in Manila, Santa Maria, Paoay and Miag-ao. Their unique architectural style is a reinterpretation of European Baroque by Chinese and Philippine craftsmen.|||
|Borobudur Temple Compounds||Magelang Regency, Central Java Indonesia
(i), (ii), (vi)
|1991||This famous Buddhist temple, dating from the 8th and 9th centuries, is located in central Java. It was built in three tiers: a pyramidal base with five concentric square terraces, the trunk of a cone with three circular platforms and, at the top, a monumental stupa. The walls and balustrades are decorated with fine low reliefs, covering a total surface area of 2,500 m2. Around the circular platforms are 72 openwork stupas, each containing a statue of the Buddha. The monument was restored with UNESCO's help in the 1970s.|||
|Central Sector of the Imperial Citadel of Thang Long - Hanoi||Hanoi, Vietnam
(ii), (iii), (vi)
|18 (44); buffer zone 108 (270)||2010||The Thang Long Imperial Citadel was built in the 11th century by the Ly Viet Dynasty, marking the independence of the Dai Viet. It was constructed on the remains of a Chinese fortress dating from the 7th century, on drained land reclaimed from the Red River Delta in Hanoi. It was the centre of regional political power for almost 13 centuries without interruption. The Imperial Citadel buildings and the remains in the 18 Hoang Dieu Archaeological Site reflect a unique South-East Asian culture specific to the lower Red River Valley, at the crossroads between influences coming from China in the north and the ancient Kingdom of Champa in the south.|||
|Citadel of the Hồ Dynasty||Tây Giai, Vĩnh Lộc District, Thanh Hóa Province, Vietnam
|156 (390); buffer zone 5,079 (12,550)||2011||The 14th -century Ho Dynasty citadel, built according to the feng shui principles, testifies to the flowering of neo-Confucianism in late 14th century Viet Nam and its spread to other parts of east Asia. According to these principles it was sited in a landscape of great scenic beauty on an axis joining the Tuong Son and Don Son mountains in a plain between the Ma and Buoi rivers. The citadel buildings represent an outstanding example of a new style of south-east Asian imperial city.|||
|Complex of Hué Monuments||Thừa Thiên–Huế Province, Vietnam
|1993||Established as the capital of unified Viet Nam in 1802, Hué was not only the political but also the cultural and religious centre under the Nguyen dynasty until 1945. The Perfume River winds its way through the Capital City, the Imperial City, the Forbidden Purple City and the Inner City, giving this unique feudal capital a setting of great natural beauty.|||
|Cultural Landscape of Bali Province: the Subak System as a Manifestation of the Tri Hita Karana Philosophy||Bali Indonesia
(ii), (iii), (v), (vi)
|19,520 (48,200)||2012||The cultural landscape of Bali consists of five rice terraces and their water temples that cover 19,500 ha. The temples are the focus of a cooperative water management system of canals and weirs, known as subak, that dates back to the 9th century. Included in the landscape is the 18th-century Royal Water Temple of Pura Taman Ayun, the largest and most impressive architectural edifice of its type on the island. The subak reflects the philosophical concept of Tri Hita Karana, which brings together the realms of the spirit, the human world and nature. This philosophy was born of the cultural exchange between Bali and India over the past 2,000 years and has shaped the landscape of Bali. The subak system of democratic and egalitarian farming practices has enabled the Balinese to become the most prolific rice growers in the archipelago despite the challenge of supporting a dense population.||1194rev|
|Dong Phayayen-Khao Yai Forest Complex||Saraburi, Nakhon Ratchasima, Nakhon Nayok, Prachinburi, Sa Kaeo and Buriram Provinces Thailand
|615,500 (1,521,000)||2005||The Dong Phayayen-Khao Yai Forest Complex spans 230 km between Ta Phraya National Park on the Cambodian border in the east, and Khao Yai National Park in the west. The site is home to more than 800 species of fauna, including 112 mammal species (among them two species of gibbon), 392 bird species and 200 reptile and amphibian species. It is internationally important for the conservation of globally threatened and endangered mammal, bird and reptile species, among them 19 that are vulnerable, four that are endangered, and one that is critically endangered. The area contains substantial and important tropical forest ecosystems, which can provide a viable habitat for the long-term survival of these species.|||
|Gunung Mulu National Park||northern Sarawak, Borneo, Malaysia
(vii), (viii), (ix), (x)
|52,864 (130,630)||2000||Important both for its high biodiversity and for its karst features, Gunung Mulu National Park, on the island of Borneo in the State of Sarawak, is the most studied tropical karst area in the world. The 52,864-ha park contains seventeen vegetation zones, exhibiting some 3,500 species of vascular plants. Its palm species are exceptionally rich, with 109 species in twenty genera noted. The park is dominated by Gunung Mulu, a 2,377 m-high sandstone pinnacle. At least 295 km of explored caves provide a spectacular sight and are home to millions of cave swiftlets and bats. The Sarawak Chamber, 600 m by 415 m and 80 m high, is the largest known cave chamber in the world.|||
|Hạ Long Bay||Quảng Ninh Province, Vietnam
|150,000 (370,000)||1994[nb 1]||Ha Long Bay, in the Gulf of Tonkin, includes some 1,600 islands and islets, forming a spectacular seascape of limestone pillars. Because of their precipitous nature, most of the islands are uninhabited and unaffected by a human presence. The site's outstanding scenic beauty is complemented by its great biological interest. It has also been designated as one of the New7Wonders of Nature.|||
|Historic City of Ayutthaya||Ayutthaya province, Thailand
|289 (710)||1991||Founded c. 1350, Ayutthaya became the second Siamese capital after Sukhothai. It was destroyed by the Burmese in the 18th century. Its remains, characterized by the prang (reliquary towers) and gigantic monasteries, give an idea of its past splendour.|||
|Historic Town of Sukhothai and Associated Historic Towns||Sukhothai and Kamphaeng Phet Provinces, Thailand
|11,852 (29,290)||1991||Sukhothai was the capital of the first Kingdom of Siam in the 13th and 14th centuries. It has a number of fine monuments, illustrating the beginnings of Thai architecture. The great civilization which evolved in the Kingdom of Sukhothai absorbed numerous influences and ancient local traditions; the rapid assimilation of all these elements forged what is known as the 'Sukhothai style'.|||
|Historic Town of Vigan||Ilocos Sur, Philippines
|1999||Established in the 16th century, Vigan is the best-preserved example of a planned Spanish colonial town in Asia. Its architecture reflects the coming together of cultural elements from elsewhere in the Philippines, from China and from Europe, resulting in a culture and townscape that have no parallel anywhere in East and South-East Asia. It has also been designated as one of the New7Wonders Cities.|||
|Hội An Ancient Town||Hội An, Quảng Nam Province, Vietnam
|30 (74); buffer zone 280 (690)||1999||Hoi An Ancient Town is an exceptionally well-preserved example of a South-East Asian trading port dating from the 15th to the 19th century. Its buildings and its street plan reflect the influences, both indigenous and foreign, that have combined to produce this unique heritage site.|||
|Kinabalu Park||Sabah, Borneo, Malaysia
|75,370 (186,200)||2000||Kinabalu Park, in the State of Sabah on the northern end of the island of Borneo, is dominated by Mount Kinabalu (4,095 m), the highest mountain between the Himalayas and New Guinea. It has a very wide range of habitats, from rich tropical lowland and hill rainforest to tropical mountain forest, sub-alpine forest and scrub on the higher elevations. It has been designated as a Centre of Plant Diversity for Southeast Asia and is exceptionally rich in species with examples of flora from the Himalayas, China, Australia, Malaysia, as well as pan-tropical flora.|||
|Komodo National Park||East Nusa Tenggara Indonesia
|219,322 (541,960)||1991||These volcanic islands are inhabited by a population of around 5,700 giant lizards, whose appearance and aggressive behaviour have led to them being called 'Komodo dragons'. They exist nowhere else in the world and are of great interest to scientists studying the theory of evolution. The rugged hillsides of dry savannah and pockets of thorny green vegetation contrast starkly with the brilliant white sandy beaches and the blue waters surging over coral. It has also been designated as one of the New7Wonders of Nature.|||
|Lorentz National Park||Papua Indonesia
(vii), (ix), (x)
|2,350,000 (5,800,000)||1999||Lorentz National Park (2.35 million ha) is the largest protected area in South-East Asia. It is the only protected area in the world to incorporate a continuous, intact transect from snowcap to tropical marine environment, including extensive lowland wetlands. Located at the meeting-point of two colliding continental plates, the area has a complex geology with ongoing mountain formation as well as major sculpting by glaciation. The area also contains fossil sites which provide evidence of the evolution of life on New Guinea, a high level of endemism and the highest level of biodiversity in the region.|||
|Melaka and George Town, Historic Cities of the Straits of Malacca||Malacca and Penang, Malay Peninsula, Malaysia
(ii), (iii), (iv)
|148 (370); buffer zone 284 (700)||2008||Melaka and George Town, historic cities of the Straits of Malacca have developed over 500 years of trading and cultural exchanges between East and West in the Straits of Malacca. The influences of Asia and Europe have endowed the towns with a specific multicultural heritage that is both tangible and intangible. With its government buildings, churches, squares and fortifications, Melaka demonstrates the early stages of this history originating in the 15th-century Malay sultanate and the Portuguese and Dutch periods beginning in the early 16th century. Featuring residential and commercial buildings, George Town represents the British era from the end of the 18th century. The two towns constitute a unique architectural and cultural townscape without parallel anywhere in East and Southeast Asia.|||
|Mount Hamiguitan Range Wildlife Sanctuary||Davao Oriental, Philippines
|2014||Forming a mountain ridge running north-south along the Pujada Peninsula in the south-eastern part of the Eastern Mindanao Biodiversity Corridor, the Mount Hamiguitan Range Wildlife Sanctuary has an elevation range of 75–1,637 m above sea level and provides critical habitat for a range of plant and animal species. The property showcases terrestrial and aquatic habitats at different elevations, and includes threatened and endemic flora and fauna species, eight of which are found only at Mount Hamiguitan. These include critically endangered trees, plants and the iconic Philippine eagle and Philippine cockatoo.|||
|Mỹ Sơn Sanctuary||Duy Phú, Duy Xuyên District, Quảng Nam Province, Vietnam
|142 (350); buffer zone 920 (2,300)||1999||Between the 4th and 13th centuries a unique culture which owed its spiritual origins to Indian Hinduism developed on the coast of contemporary Viet Nam. This is graphically illustrated by the remains of a series of impressive tower-temples located in a dramatic site that was the religious and political capital of the Champa Kingdom for most of its existence.|||
|Phong Nha-Kẻ Bàng National Park||Bố Trạch and Minh Hóa districts, Quảng Bình Province, Vietnam
|123,326 (304,750)||2003||The Phong Nha-Ke Bang National Park, inscribed on the World Heritage List in 2003, covered 85,754 hectares. With this extension, the site covers a total surface area of 126,236 hectares (a 46% increase) and shares a boundary with the Hin Namno Nature Reserve in the Peoples Democratic Republic of Laos. The Park’s landscape is formed by limestone plateaux and tropical forests. It features great geological diversity and offers spectacular phenomena, including a large number of caves and underground rivers. The site harbours a high level of biodiversity and many endemic species. The extension ensures a more coherent ecosystem while providing additional protection to the catchment areas that are of vital importance for the integrity of limestone landscapes.|||
|Prambanan Temple Compounds||Central Java Indonesia
|1991||Built in the 10th century, this is the largest temple compound dedicated to Shiva in Indonesia. Rising above the centre of the last of these concentric squares are three temples decorated with reliefs illustrating the epic of the Ramayana, dedicated to the three great Hindu divinities (Shiva, Vishnu and Brahma) and three temples dedicated to the animals who serve them.|||
|Puerto-Princesa Subterranean River National Park||Palawan, Philippines
|5,753 (14,220)||1999||This park features a spectacular limestone karst landscape with an underground river. One of the river's distinguishing features is that it emerges directly into the sea, and its lower portion is subject to tidal influences. The area also represents a significant habitat for biodiversity conservation. The site contains a full 'mountain-to-sea' ecosystem and has some of the most important forests in Asia. It has also been designated as one of the New7Wonders of Nature.|||
|Pyu Ancient Cities||Mandalay, Magway, Bago, Myanmar
(ii), (iii), (iv)
|2014||Pyu Ancient Cities includes the remains of three brick, walled and moated cities of Halin, Beikthano and Sri Ksetra located in vast irrigated landscapes in the dry zone of the Ayeyarwady (Irrawaddy) River basin. They reflect the Pyu Kingdoms that flourished for over 1,000 years between 200 BC and AD 900. The three cities are partly excavated archaeological sites. Remains include excavated palace citadels, burial grounds and manufacture sites, as well as monumental brick Buddhist stupas, partly standing walls and water management features – some still in use – that underpinned the organized intensive agriculture.|||
|Rice Terraces of the Philippine Cordilleras||Ifugao, Cordillera Region, Philippines
(iii), (iv), (v)
|1995||For 2,000 years, the high rice fields of the Ifugao have followed the contours of the mountains. The fruit of knowledge handed down from one generation to the next, and the expression of sacred traditions and a delicate social balance, they have helped to create a landscape of great beauty that expresses the harmony between humankind and the environment. This site was removed from the "endangered" list in 2012 due to the success of the government's conservation efforts.|||
|Sangiran Early Man Site||Central Java Indonesia
|5,600 (14,000)||1996||Excavations here from 1936 to 1941 led to the discovery of the first hominid fossil at this site. Later, 50 fossils of Meganthropus palaeo and Pithecanthropus erectus/Homo erectus were found – half of all the world's known hominid fossils. Inhabited for the past one and a half million years, Sangiran is one of the key sites for the understanding of human evolution.|||
|Singapore Botanic Gardens||Singapore Singapore
|49 (120)||2015||Situated at the heart of the city of Singapore, the site demonstrates the evolution of a British tropical colonial botanic garden that has become a modern world-class scientific institution used for both conservation and education. The cultural landscape includes a rich variety of historic features, plantings and buildings that demonstrate the development of the garden since its creation in 1859. It has been an important centre for science, research and plant conservation, notably in connection with the cultivation of rubber plantations, in Southeast Asia since 1875.|||
|Temple of Preah Vihear||Preah Vihear Province, Cambodia
|155 (380); buffer zone 2,643 (6,530)||2008||Situated on the edge of a plateau that dominates the plain of Cambodia, the Temple of Preah Vihear is dedicated to Shiva. The Temple is composed of a series of sanctuaries linked by a system of pavements and staircases over an 800 metre long axis and dates back to the first half of the 11th century AD. Nevertheless, its complex history can be traced to the 9th century, when the hermitage was founded. This site is particularly well preserved, mainly due to its remote location. The site is exceptional for the quality of its architecture, which is adapted to the natural environment and the religious function of the temple, as well as for the exceptional quality of its carved stone ornamentation.|||
|Thungyai-Huai Kha Khaeng Wildlife Sanctuaries||Kanchanaburi, Tak and Uthai Thani Provinces Thailand
(vii), (ix), (x)
|622,200 (1,537,000)||1991||Stretching over more than 600,000 ha along the Myanmar border, the sanctuaries, which are relatively intact, contain examples of almost all the forest types of continental South-East Asia. They are home to a very diverse array of animals, including 77% of the large mammals (especially elephants and tigers), 50% of the large birds and 33% of the land vertebrates to be found in this region.|||
|Town of Luang Prabang||Luang Prabang Province, Laos
(ii), (iv), (v)
|1995||Luang Prabang is an outstanding example of the fusion of traditional architecture and Lao urban structures with those built by the European colonial authorities in the 19th and 20th centuries. Its unique, remarkably well-preserved townscape illustrates a key stage in the blending of these two distinct cultural traditions.|||
|Tràng An Landscape Complex||Ninh Binh Province, Vietnam
(v), (vii), (viii)
|2014||Situated near the southern margin of the Red River Delta, the Trang An Landscape Complex is a spectacular landscape of limestone karst peaks permeated with valleys, many of them partly submerged and surrounded by steep, almost vertical cliffs. Exploration of caves at different altitudes has revealed archaeological traces of human activity over a continuous period of more than 30,000 years. They illustrate the occupation of these mountains by seasonal hunter-gatherers and how they adapted to major climatic and environmental changes, especially the repeated inundation of the landscape by the sea after the last ice age. The story of human occcupation continues through the Neolithic and Bronze Ages to the historical era. Hoa Lu, the ancient capital of Viet Nam, was strategically established here in the 10th and 11th centuries AD. The property also contains temples, pagodas, paddy-fields and small villages.|||
|Tropical Rainforest Heritage of Sumatra†||Sumatra, Indonesia
(vii), (ix), (x)
|2,595,124 (6,412,690)||2004||The 2.5 million hectare Tropical Rainforest Heritage of Sumatra site comprises three national parks: Gunung Leuser National Park, Kerinci Seblat National Park and Bukit Barisan Selatan National Park. The site holds the greatest potential for long-term conservation of the distinctive and diverse biota of Sumatra, including many endangered species. The protected area is home to an estimated 10,000 plant species, including 17 endemic genera; more than 200 mammal species; and some 580 bird species of which 465 are resident and 21 are endemic. Of the mammal species, 22 are Asian, not found elsewhere in the archipelago and 15 are confined to the Indonesian region, including the endemic Sumatran orang-utan. The site also provides biogeographic evidence of the evolution of the island. The site has been listed as endangered since 2011 due to poaching, illegal logging, agricultural encroachment, and plans to build roads.|||
|Tubbataha Reefs Natural Park||Cagayancillo, Palawan, Philippines
(vii), (ix), (x)
|130,028 (321,310)||1993[nb 2]||The Tubbataha Reef Marine Park covers 130,028 ha, including the North and South Reefs. It is a unique example of an atoll reef with a very high density of marine species; the North Islet serving as a nesting site for birds and marine turtles. The site is an excellent example of a pristine coral reef with a spectacular 100-m perpendicular wall, extensive lagoons and two coral islands.|||
|Ujung Kulon National Park||Banten and Lampung, Indonesia
|78,525 (194,040)||1991||This national park, located in the extreme south-western tip of Java on the Sunda shelf, includes the Ujung Kulon peninsula and several offshore islands and encompasses the natural reserve of Krakatoa. In addition to its natural beauty and geological interest – particularly for the study of inland volcanoes – it contains the largest remaining area of lowland rainforests in the Java plain. Several species of endangered plants and animals can be found there, the Javan rhinoceros being the most seriously under threat.|||
|Vat Phou and Associated Ancient Settlements within the Champasak Cultural Landscape||Champasak Province, Laos
(iii), (iv), (vi)
|39,000 (96,000)||2001||The Champasak cultural landscape, including the Vat Phou Temple complex, is a remarkably well-preserved planned landscape more than 1,000 years old. It was shaped to express the Hindu vision of the relationship between nature and humanity, using an axis from mountain top to river bank to lay out a geometric pattern of temples, shrines and waterworks extending over some 10 km. Two planned cities on the banks of the Mekong River are also part of the site, as well as Phou Kao mountain. The whole represents a development ranging from the 5th to 15th centuries, mainly associated with the Khmer Empire.|||
Location of sites
Green - Natural; Yellow - Cultural; Blue - Mixed; Red - Endangered
UNESCO Tentative List of Southeast Asia
Brunei, Singapore, and East Timor have currently no tentative sites listed in UNESCO.
- Betung Kerihun National Park (Transborder Rainforest Heritage of Borneo) (2004)
- Bunaken National Park (2005)
- Raja Ampat Islands (2005)
- Taka Bone Rate National Park (2005)
- Wakatobi National Park (2005)
- Derawan Islands (2005)
- Tana Toraja Traditional Settlement (2009)
- Bawomataluo Site (2009)
- Muara Takus Compound Site (2009)
- Muarajambi Temple Compound (2009)
- Trowulan - Former Capital City of Majapahit Kingdom (2009)
- Prehistoric Cave Sites in Maros-Pangkep (2009)
- Sangkulirang – Mangkalihat Karts: Prehistoric rock art area (2015)
- Old Town of Jakarta (Formerly old Batavia) and 4 outlying islands (Onrust, Kelor, Cipir dan Bidadari) (2015)
- Semarang Old Town (2015)
- Sawahlunto Old Coal Mining Town (2015)
- Traditional Settlement at Nagari Sijunjung (2015)
- The Historic and Marine Landscape of the Banda Islands (2015)
- National Park (Taman Negara) of Peninsular Malaysia (2014)
- Bagan Archaeological Area and Monuments (1996)
- Wooden Monasteries of Konbaung Period: Ohn Don, Sala, Pakhangyi, Pakhannge, Legaing, Sagu, Shwe-Kyaung (Mandalay) (1996)
- Badah-lin caves (1996)
- Ancient cities of Upper Myanmar: Innwa, Amarapura, Sagaing, Mingun, Mandalay (1996)
- Myauk-U Archaeological Area and Monuments (1996)
- Inle Lake (1996)
- Mon cities: Bago, Hanthawaddy (1996)
- Ayeyawady River Corridor (2014)
- Northern Mountain Forest Complex (2014)
- Indawgyi Lake Wildlife Sanctuary (2014)
- Natma Taung National Park (2014)
- Myeik Archipelago (2014)
- Hukaung Valley Wildlife Sanctuary (2014)
- Taninthayi Forest Corridor (2014)
- Batanes Protected landscapes and seascapes (1993)
- The Tabon Cave Complex and all of Lipuun (2006)
- Paleolithic Archaeological Sites in Cagayan Valley (2006)
- Kabayan Mummy Burial Caves (2006)
- Butuan Archeological Sites (2006)
- Baroque Churches of the Philippines (Extension)(2006)
- Petroglyphs and Petrographs of the Philippines (2006)
- Neolithic Shell Midden Sites in Lal-lo and Gattaran Municipalities (2006)
- Chocolate Hills Natural Monument (2006)
- Mt. Malindang Range Natural Park (2006)
- Mt. Pulag National Park (2006)
- Apo Reef Natural Park (2006)
- El Nido-Taytay Managed Resource Protected Area (2006)
- Coron Island Natural Biotic Area (2006)
- Mt. Iglit-Baco National Park (2006)
- Northern Sierra Madre Natural Park and outlying areas inclusive of the buffer zone (2006)
- Mt. Mantalingahan Protected Landscape (2015)
- Mayon Volcano Natural Park (MMVNP) (2015)
- Turtle Islands Wildlife Sanctuary (2015)
- Phimai, its Cultural Route and the Associated Temples of Phanomroong and Muangtam (2004)
- Phuphrabat Historical Park (2004)
- Kaeng Krachan Forest Complex (KKFC) (2011)
- Wat Phra Mahathat Woramahawihan, Nakhon Si Thammarat (2012)
- Monuments, Sites and Cultural Landscape of Chiang Mai, Capital of Lanna (2015)
UNESCO Intangible Cultural Heritage Register of Southeast Asia
The Intangible Cultural Heritage of Southeast Asia is represented by Cambodia, Indonesia, Malaysia, the Philippines, and Vietnam. Myanmar, Thailand, Laos, Singapore, Brunei, and East Timor have either not yet submitted an intangible heritage to UNESCO or they have yet to ratify and participate in the Intangible Cultural Registrar of UNESCO. Southeast Asia has two endangered intangible cultural heritage, Ca trung singing of Vietnam and Noken multifunctional knotted or woven bag, handcraft of the people of Papua of Indonesia. The element, Tug of War - a multinational intangible heritage, which contains 4 significant tug-of-war games, 3 are in Southeast Asia, has been submitted by Vietnam, Cambodia, the Philippines, and South Korea in 2014 and is expected to be inscribed in 2015. Other pending intangible heritages in UNESCO are Pinisi, art of boatbuilding in South Sulawesi of Indonesia for 2016 inscription, and The art of Bài Chòi in Central Viet Nam of Vietnam for 2016 inscription.
|Member state||Element[A]||Year Proclaimed[B]||Year Inscribed[C]||Description[D]||Reference|
|Cambodia||The Royal Ballet of Cambodia||2003||2008||Renowned for its graceful hand gestures and stunning costumes, the Royal Ballet of Cambodia, also known as Khmer Classical Dance, has been closely associated with the Khmer court for over one thousand years. Performances would traditionally accompany royal ceremonies and observances such as coronations, marriages, funerals or Khmer holidays. This art form, which narrowly escaped annihilation in the 1970s, is cherished by many Cambodians.|||
|Sbek Thom, Khmer Shadow Theatre||2005||2008||The Sbek Thom is a Khmer shadow theatre featuring twometre high, non-articulated puppets made of leather openwork. Dating from before the Angkorian period, the Sbek Thom, along with the Royal Ballet and mask theatre, is considered sacred. Dedicated to the divinities, performances could only take place on specific occasions three or four times a year, such as the Khmer New Year, the King’s birthday or the veneration of famous people. After the fall of Angkor in the fifteenth century, the shadow theatre evolved beyond a ritualistic activity to become an artistic form, while retaining its ceremonial dimension.|||
|Indonesia||Wayang Puppet Theatre||2003||2008||Renowned for its elaborate puppets and complex musical styles, this ancient form of storytelling originated on the Indonesian island of Java. For ten centuries wayang flourished at the royal courts of Java and Bali as well as in rural areas. Wayang has spread to other islands (Lombok, Madura, Sumatra and Borneo) where various local performance styles and musical accompaniments have developed.|||
|Indonesian Kris||2005||2008||The kris or keris is a distinctive, asymmetrical dagger from Indonesia. Both weapon and spiritual object, the kris is considered to possess magical powers. The earliest known kris go back to the tenth century and most probably spread from the island of Java throughout South-East Asia.|||
|Indonesian Batik||2009||2009||The techniques, symbolism and culture surrounding hand-dyed cotton and silk garments known as Indonesian Batik permeate the lives of Indonesians from beginning to end: infants are carried in batik slings decorated with symbols designed to bring the child luck, and the dead are shrouded in funerary batik. Clothes with everyday designs are worn regularly in business and academic settings, while special varieties are incorporated into celebrations of marriage and pregnancy and into puppet theatre and other art forms. The garments even play the central role in certain rituals, such as the ceremonial casting of royal batik into a volcano. Batik is dyed by proud craftspeople who draw designs on fabric using dots and lines of hot wax, which resists vegetable and other dyes and therefore allows the artisan to colour selectively by soaking the cloth in one colour, removing the wax with boiling water and repeating if multiple colours are desired. The wide diversity of patterns reflects a variety of influences, ranging from Arabic calligraphy, European bouquets and Chinese phoenixes to Japanese cherry blossoms and Indian or Persian peacocks. Often handed down within families for generations, the craft of batik is intertwined with the cultural identity of the Indonesian people and, through the symbolic meanings of its colours and designs, expresses their creativity and spirituality.|||
|Indonesian Angklung||2010||2010||Angklung is an Indonesian musical instrument consisting of two to four bamboo tubes suspended in a bamboo frame, bound with rattan cords. The tubes are carefully whittled and cut by a master craftsperson to produce certain notes when the bamboo frame is shaken or tapped. Each Angklung produces a single note or chord, so several players must collaborate in order to play melodies. Traditional Angklungs use the pentatonic scale, but in 1938 musician Daeng Soetigna introduced Angklungs using the diatonic scale; these are known as angklung padaeng. The Angklung is closely related to traditional customs, arts and cultural identity in Indonesia, played during ceremonies such as rice planting, harvest and circumcision. The special black bamboo for the Angklung is harvested during the two weeks a year when the cicadas sing, and is cut at least three segments above the ground, to ensure the root continues to propagate. Angklung education is transmitted orally from generation to generation, and increasingly in educational institutions. Because of the collaborative nature of Angklung music, playing promotes cooperation and mutual respect among the players, along with discipline, responsibility, concentration, development of imagination and memory, as well as artistic and musical feelings.|||
|Saman dance||2011||The Saman dance is part of the cultural heritage of the Gayo people of Aceh province in Sumatra. Boys and young men perform the Saman sitting on their heels or kneeling in tight rows. Each wears a black costume embroidered with colourful Gayo motifs symbolizing nature and noble values. The leader sits in the middle of the row and leads the singing of verses, mostly in the Gayo language. These offer guidance and can be religious, romantic or humorous in tone. Dancers clap their hands, slap their chests, thighs and the ground, click their fingers, and sway and twist their bodies and heads in time with the shifting rhythm – in unison or alternating with the moves of opposing dancers. These movements symbolize the daily lives of the Gayo people and their natural environment. The Saman is performed to celebrate national and religious holidays, cementing relationships between village groups who invite each other for performances. The frequency of Saman performances and its transmission are decreasing, however. Many leaders with knowledge of the Saman are now elderly and without successors. Other forms of entertainment and new games are replacing informal transmission, and many young people now emigrate to further their education. Lack of funds is also a constraint, as Saman costumes and performances involve considerable expense.|||
|Noken multifunctional knotted or woven bag, handcraft of the people of Papua||2012||Noken is a knotted net or woven bag handmade from wood fibre or leaves by communities in Papua and West Papua Provinces of Indonesia. Men and women use it for carrying plantation produce, catch from the sea or lake, firewood, babies or small animals as well as for shopping and for storing things in the home. Noken may also be worn, often for traditional festivities, or given as peace offerings. The method of making Noken varies between communities, but in general, branches, stems or bark of certain small trees or shrubs are cut, heated over a fire and soaked in water. The remaining wood fibre is dried then spun to make a strong thread or string, which is sometimes coloured using natural dyes. This string is knotted by hand to make net bags of various patterns and sizes. The process requires great manual skill, care and artistic sense, and takes several months to master. The number of people making and using Noken is diminishing, however. Factors threatening its survival include lack of awareness, weakening of traditional transmission, decreasing numbers of craftspeople, competition from factory-made bags, problems in easily and quickly obtaining traditional raw materials, and shifts in the cultural values of Noken.|||
|Malaysia||Mak Yong Theatre||2005||2008||This ancient theatre form created by Malaysia’s Malay communities combines acting, vocal and instrumental music, gestures and elaborate costumes. Specific to the villages of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is performed mainly as entertainment or for ritual purposes related to healing practices.|||
|Philippines||The Hudhud Chants of the Ifugao||2001||2008||The Hudhud consists of narrative chants traditionally performed by the Ifugao community, which is well known for its rice terraces extending over the highlands of the northern island of the Philippine archipelago. It is practised during the rice sowing season, at harvest time and at funeral wakes and rituals. Thought to have originated before the seventh century, the Hudhud comprises more than 200 chants, each divided into 40 episodes. A complete recitation may last several days.|||
|The Darangen Epic of the Maranao People of Lake Lanao||2005||2008||The Darangen is an ancient epic song that encompasses a wealth of knowledge of the Maranao people who live in the Lake Lanao region of Mindanao. This southernmost island of the Philippine archipelago is the traditional homeland of the Maranao, one of the country’s three main Muslim groups. Comprising 17 cycles and a total of 72,000 lines, the Darangen celebrates episodes from Maranao history and the tribulations of mythical heroes. In addition to having a compelling narrative content, the epic explores the underlying themes of life and death, courtship, love and politics through symbol, metaphor, irony and satire. The Darangen also encodes customary law, standards of social and ethical behaviour, notions of aesthetic beauty, and social values specific to the Maranao. To this day, elders refer to this time-honoured text in the administration of customary law.|||
|Vietnam||Nhã nhạc, Vietnamese Court Music||2003||2008||Nha Nhac, meaning "elegant music", refers to a broad range of musical and dance styles performed at the Vietnamese royal court from the fifteenth to the mid-twentieth century. Nha Nhac was generally featured at the opening and closing of ceremonies associated with anniversaries, religious holidays, coronations, funerals and official receptions. Among the numerous musical genres that developed in Vietnam, only Nha Nhac can claim a nationwide scope and strong links with the traditions of other East Asian countries. Nha Nhac performances formerly featured numerous singers, dancers and musicians dressed in sumptuous costumes. Large-scale orchestras included a prominent drum section and many other types of percussion instruments as well as a variety of wind and string instruments. All performers had to maintain a high level of concentration since they were expected to follow each step of the ritual meticulously.|||
|Space of Gong Culture||2005||2008||The cultural space of the gongs in the central highlands of Vietnam covers several provinces and seventeen Austro-Asian and Austronesian ethno-linguistic communities. Closely linked to daily life and the cycle of the seasons, their belief systems form a mystical world where the gongs produce a privileged language between men, divinities and the supernatural world. Behind every gong hides a god or goddess who is all the more powerful when the gong is older. Every family possesses at least one gong, which indicates the family’s wealth, authority and prestige, and also ensures its protection. While a range of brass instruments is used in the various ceremonies, the gong alone is present in all the rituals of community life and is the main ceremonial instrument.|||
|Quan Họ Bắc Ninh folk songs||2009||2009||In the provinces of Bắc Ninh and Bắc Giang in northern Viet Nam, many of the villages are twinned, reinforcing their relationship through social customs such as Quan họ Bắc Ninh folk songs. The songs are performed as alternating verses between two women from one village who sing in harmony, and two men from another village who respond with similar melodies, but with different lyrics. The women traditionally wear distinctive large round hats and scarves; the men’s costumes include turbans, umbrellas and tunics. The more than 400 song lyrics, sung with 213 different melody variations, express people’s emotional states of longing and sadness upon separation, and the happiness of the meeting of lovers, but custom forbids marrying a singing partner. Quan họ singing is common at rituals, festivals, competitions and informal gatherings, where guests will perform a variety of verses for their hosts before singing farewell. Younger musicians of both sexes may practice the four singing techniques – restrained, resonant, ringing and staccato – at parties organized around singing. Quan họ songs express the spirit, philosophy and local identity of the communities in this region, and help forge social bonds within and between villages that share a cherished cultural practice.|||
|Ca Trù singing||2009||2009||Ca trù is a complex form of sung poetry found in the north of Viet Nam using lyrics written in traditional Vietnamese poetic forms. Ca trù groups comprise three performers: a female singer who uses breathing techniques and vibrato to create unique ornamented sounds, while playing the clappers or striking a wooden box, and two instrumentalists who produce the deep tone of a three-stringed lute and the strong sounds of a praise drum. Some Ca trù performances also include dance. The varied forms of Ca trù fulfill different social purposes, including worship singing, singing for entertainment, singing in royal palaces and competitive singing. Ca trù has fifty-six different musical forms or melodies, each of which is called thể cách. Folk artists transmit the music and poems that comprise Ca trù pieces by oral and technical transmission, formerly, within their family line, but now to any who wish to learn. Ongoing wars and insufficient awareness caused Ca trù to fall into disuse during the twentieth century. Although the artists have made great efforts to transmit the old repertoire to younger generations, Ca trù is still under threat of being lost due to the diminishing number and age of practitioners. Ca Trù singing was enlisted as an endangered intangible cultural heritage in 2009.|||
|Gióng festival of Phù Ðổng and Sóc Temples||2010||2010||The Gióng festival of Phù Đổng and Sóc temples is celebrated annually in outlying districts of Hanoi, the capital of Viet Nam. Each spring, before the rice harvest, the Việt people honour the mythical hero, god and saint, Thánh Gióng, who is credited with defending the country from foreign enemies, and is worshipped as the patron god of the harvest, national peace and family prosperity. The festival at Phù Đổng temple, which takes place in the fourth lunar month in the village of his birth, symbolically re-enacts his feats through the riding of a white horse into battle and the orchestration of an elaborate flag dance to symbolize the battle itself. Young men receive extensive training to play the roles of Flag Master, Drum Master, Gong Master, Army Master and Children’s Master, while 28 girls aged 9 to 13 are selected to play the enemy generals. The Flag Master’s dancing movements and drum and gong sounds convey the development of the battle, and paper butterflies released from the flag symbolically disperse the invaders. The arrival of rains after the festival is seen as a blessing from the saint for an abundant harvest. The celebrations at Sóc temple, where saint Gióng ascended to heaven, take place in the first lunar month and include the ritual of bathing his statue and a procession of bamboo flowers to the temple as offerings to the saint.|||
|Xoan singing of Phú Thọ Province||2011||2011||Xoan singing is practised in Phú Thọ Province, Viet Nam, in the first two months of the lunar year. Traditionally, singers from Xoan guilds performed songs in sacred spaces such as temples, shrines and communal houses for the spring festivals. There are three forms of Xoan singing: worship singing for the Hùng kings and village guardian spirits; ritual singing for good crops, health and luck; and festival singing where villagers alternate male and female voices in a form of courtship. Each Xoan music guild is headed by a leader, referred to as the trùm; male instrumentalists are called kép and female singers, đào. Although only four traditional guilds remain, in recent years the singing has been taken up by clubs and other performing groups. Xoan singing is accompanied by dancing and musical instruments such as clappers and a variety of drums. The music has a spare structure with few ornamental notes and simple rhythms, and Xoan is characterized by a modulation between singers and instrumentalists at the perfect fourth interval. Knowledge, customs and techniques for singing, dancing and playing drum and clappers are traditionally transmitted orally by the guild leader. However, the majority of bearers are now over sixty years in age, and the numbers of people who appreciate Xoan singing have decreased, particularly among the younger generations.|||
|Worship of Hùng Kings in Phú Thọ||2012||2012||Annually, millions of people converge on the Hùng temple at Nghĩa Lĩnh mountain in Phú Thọ province to commemorate their ancestors and pray for good weather, abundant harvests, good luck and good health. The largest ceremony, the Ancestral Anniversary festival of the Hùng Kings, is celebrated for about one week at the beginning of the third lunar month. People from surrounding villages dress in splendid costumes and compete to provide the best palanquin and most highly valued objects of worship for the key rite in which drums and gongs are conveyed to the main temple site. Communities make offerings of rice-based delicacies such as square cakes and glutinous cakes, and there are verbal and folk arts performances, bronze drum beating, Xoan singing, prayers and petitions. Secondary worship of Hùng Kings takes place at sites countrywide throughout the year. The rituals are led and maintained by the Festival Organizing Board – knowledgeable individuals of good conducts, who in turn appoint ritual committees and temple guardians to tend worship sites, instruct devotees in the key ritual acts and offer incense. The tradition embodies spiritual solidarity and provides an occasion to acknowledge national origins and sources of Vietnamese cultural and moral identity.|||
|Art of Đờn ca tài tử music and song in southern Việt Nam||2013||2013||A musical art with both scholarly and folk roots, Đờn ca tài tử is an indispensable part of the spiritual activity and cultural heritage of the people of southern Viet Nam. The music and songs evoke the people’s life and work on the land and rivers of the Mekong Delta region. Performed at numerous events such as festivals, death anniversary rituals and celebrations, Đờn ca tài tử is thus intimately connected with other cultural practices and customs, oral traditions and handicrafts. The performers express their feelings by improvising, ornamenting and varying the ‘skeletal melody’ and main rhythmic patterns of these pieces. Đờn ca tài tử is played on a variety of different instruments, including the moon-shaped lute, two-stringed fiddle, sixteen-stringed zither, pear-shaped lute, percussion, monochord and bamboo flute. Its repertoire is based on twenty principal songs and seventy-two classical songs. The musical art is passed on through oral transmission, based on imitation, from master instrumentalists and singers to students. Musicians need to study for at least three years to learn the basic instrumental techniques and master the musical modes to express different moods and emotions. Vocal students study the traditional songs and learn to improvise subtly, using different ornamentation techniques.|||
|Ví and Giặm folk songs of Nghệ Tĩnh||2014||2014||Ví and Giặm songs are sung by a wide range of communities in Nghệ An and Hà Tĩnh Provinces of north-central Viet Nam. Specific songs are sung without instrumental accompaniment while people cultivate rice in the fields, row boats, make conical hats or lull children to sleep. Ví and Giặm lyrics use the specific dialect and linguistic idioms of the Nghệ Tĩnh region and practitioners sing with the particular singing voice of Nghệ Tĩnh people. Many of the songs focus on key values and virtues including respect for parents, loyalty, care and devotion, the importance of honesty and a good heart in the maintenance of village customs and traditions. Singing provides people with a chance to ease hardship while working, to relieve sorrow in their lives, to express feelings of sentiment between men and women, and to exchange feelings of love between unmarried boys and girls. Today Ví and Giặm are commonly performed at community cultural events and are sung by artists in theatres. Ví and Giặm are transmitted, preserved and promoted by master practitioners; and local performances and folk singing festivals provide opportunities for Ví and Giặm groups in villages and schools to transmit and practise the songs.|||
Southeast Asia Memories of the World Register
The Memories of the World
UNESCO's Memory of the World Programme is an international initiative launched to safeguard the documentary heritage of humanity against collective amnesia, neglect, the ravages of time and climatic conditions, and willful and deliberate destruction. It calls for the preservation of valuable archival holdings, library collections and private individual compendia all over the world for posterity, the reconstitution of dispersed or displaced documentary heritage, and the increased accessibility to and dissemination of these items.
Southeast Asia's entry to the Memories of the World Register was through the submission of the Philippine Paleographs (Hanunoo, Build, Tagbanua and Pala’wan) by the National Museum of the Philippines in 1999, where it was inscripted on the same year as well. Following this landmark for the region, Malaysia followed with an immediate three submissions in 2001, all of which were inscripted the same year. Vietnam, Thailand, and Indonesia followed in 2003. After these landmark submissions and inscriptions, Southeast Asia's contribution to the Memories of the World Register has expanded into 21, 1 from Cambodia, 4 from Indonesia (1 of which is a multinational inscription), 4 from Malaysia, 1 from Myanmar, 4 from the Philippines, 4 from Thailand, 1 from Timor-Leste, and 2 from Vietnam. Singapore, Laos, and Brunei have yet to inscript a submission in the Register.
|Member state||Memory||Submission||Inscription||Submitted By||Detail||Reference|
|Cambodia||Tuol Sleng Genocide Museum Archives||2008||2009||Photographs and documents from the Tuol Sleng Genocide Museum the former S-21 prison and interrogation centre where it is estimated that over 15, 000 prisoners were held in this former high school. Only a handful of them survived the ordeal. The archive contains photographs of over 5,000 of these prisoners, as well as "confessions", many extracted under torture, and other biographical records of prisoners and prison guards and officials in the security apparatus.|||
|Indonesia||Babad Diponegoro or Autobiographical Chronicle of Prince Diponegoro (1785-1855). A Javanese nobleman, Indonesian national hero and pan-Islamist||2012||2013||The autobiographical chronicle of the Javanese nobleman, Indonesian national hero and Pan-Islamist, Prince Diponegoro (1785-1855) (literally 'The Light of the Country') of Yogyakarta - the Babad Diponegoro ('The Chronicle of Diponegoro') - written in exile in North Sulawesi (Celebes) in 1831-1832. It is the personal record of a key figure in modern Indonesian history. It is also the first ego-document (autobiography) in modern Javanese literature and shows unusual sensitivity to local conditions and experiences.|||
|Indonesia||Nāgarakrĕtāgama or Description of the Country (1365 AD)||2012||2013||The Nāgarakrĕtāgama gives testimony to the reign of a king in the fourteenth century in Indonesia in which the modern ideas of social justice, freedom of religion, personal safety and welfare of the people were held in high regard. It also testifies to the democratic attitude and openness of authority before the people in an era that still adhered to the absolute rights of kingship.|||
|Indonesia||La Galigo||2010||2011||La Galigo is a poetic text set in a strict metre and using a particular Bugis vocabulary. Its language is considered beautiful and difficult. The work is also known by the name Sureq Galigo. Dating from approximately the 14th century and with its origin in oral traditions, its contents are pre-Islamic and of an epic-mythological nature of high literary quality. The size of the whole work is enormous (an estimated 6000 folio pages) and may be considered as the most voluminous literary work in the world.|||
|Multinational: Indonesia Netherlands India South Africa Sri Lanka||Archives of the Dutch East India Company||2003||2003||The Dutch East India Company (VOC, Verenigde Oostindische Compagnie), founded in 1602 and liquidated in 1795, was the largest and most impressive of the early modern European trading companies operating in Asia. About twenty-five million pages of VOC records have survived in repositories in Jakarta, Colombo, Chennai, Cape Town, and The Hague. The VOC archives make up the most complete and extensive source on early modern world history anywhere with data relevant to the history of hundreds of Asia’s and Africa’s former local political and trade regions.|||
|Malaysia||Batu Bersurat Terengganu (Inscribed Stone of Terengganu)||2008||2009||The Batu Bersurat, Terengganu or Inscribed Stone of Terengganu constitutes the earliest evidence of Jawi writing (writing based on Arabic alphabets) in the Malaya Muslim world of Southeast Asia. The Stone is a testimony to the spread of Islam offering an insight to the life of the people of the era as well as depicting the growing Islamic culture subsumed under a set of religious laws.|||
|Malaysia||Correspondence of the late Sultan of Kedah (1882-1943)||2001||2001||The records are unique in that they constitute the only available evidence of the Malay Sultanate prior to the advent of western-style colonialism. The records have a universal appeal in that they portray the precarious life of a State in transition, straddling between two powers in a world that is fast changing. Originating as they do from the Palace, the highest seat of administration in the state of Kedah in the nineteenth and early twentieth century, the records reflect the unified authority wielded by the Palace in all matters relating to Kedah state administration. The Palace may thus be said to have total influence on all aspects of the life of the people. The influence of the Palace, however is waning, as it is no longer able to control the destiny of the State on account of the need to submit itself to foreign powers far superior in might. The records are therefore useful to research from a number of perspectives, including social change, economics, politics, foreign relations, education, religion and customs. However, the Palace is not able to control the destiny of its own people.|||
|Malaysia||Hikayat Hang Tuah||2001||2001||Hikayat Hang Tuah is regarded as a Malay literary classic and a traditional Malay epic. This folk tale has been proudly recounted to generations of Malays. It is recognised as a national literary classic which is well-known not only amongst the Malays but also to the people in the Malay Archipelago. Much studies have been made on this manuscript by local and foreign researchers. Hang Tuah is characterised as most illustrious Malay hero in Malacca and represented absolute loyalty to the ruler as the ultimate champion of Malay loyalty, chivalry and obedience to tradition. Hikayat Hang Tuah symbolises the greatness of Malacca at that time whilst projecting the bravery of the Malays. The National Library of Malaysia has in its possession two manuscripts of Hikayat Hang Tuah, with identification number MSS 1658 and MSS 1713. The manuscripts are written on old European paper about 200 years ago. Colophon statement is distinctly absent, as is usual in the tradition of Malay manuscripts writing. To this day the author of the hikayat remains unknown. The manuscripts are being preserved in an acid-free box and kept in strong room which is designed according to the accepted standards of preservation requirements.|||
|Malaysia||Sejarah Melayu (The Malay Annals)||2001||2001||The Sejarah Melayu or the Malay Annals are unique in that they constitute the only available account of the history of the Malay Sultanate in the fifteenth and early sixteenth century. They are in the nature of what may be termed as historical literature conveying a historical narration on the origins, evolution and demise of a great Malay maritime empire, with its unique system of government, administration and politics. The Annals have universal appeal as they relate to a major transformation in the lives of the people of the Malay Archipelago from a Hindu-Malay matrix to an Islamic – Malay culture. Being an entrepot port, Melaka made rapid progress on account of its cosmopolitan population comprising merchants from India, China, Arabia, Portugal and various other nations of the world. They contributed to the social, economic and political evolution of the Malay Kingdom. The Annals are therefore a vital source of information for scholars in various fields including sociology, anthropology, economics, politics, international relations, linguistics and literature.|||
|Myanmar||Maha Lawkamarazein or Kuthodaw Inscription Shrines||2012||2013||The Stone Inscription is a collection of 729 stone slabs on which are inscribed the whole of the Buddhist scriptures whose religious and social significance is important for Asia. It records the Fifth Great Synod convened by King Mindon and which was the significant event of the Buddhist religion and its devotees.|||
|Philippines||Presidential Papers of Manuel L. Quezon||2010||2011||The Manuel L. Quezon Papers, University of Michigan Library||Manuel Quezon was a forceful personality who dominated the political scene and towered over his contemporaries and colleagues. His active involvement in the destiny of his country was felt both in the Philippines and the United States. Much of the current relations between the Philippines and the United States can best be understood by studying how the United States pursued policy for the Philippines, especially in the matter of political independence and economic development. The Quezon papers document the events and politics involved in the long history of the Philippine independence movement conducted both in the Philippines and in the United States, and consequently constitute a major source of information not only for the history of the Philippines, but also in the context of its history within and of the region (Southeast East Asia/East Asia), as well as of the United States, and of European countries (Britain, France, the Netherlands) during the period of colonial rule in the region.|||
|Philippines||José Maceda Collection||2007||2007||U.P. Center for Ethnomusicology, Quezon City||Prof. Dr. Jose Maceda (January 31, 1917 – May 5, 2004) composer, internationally renowned scholar in ethnomusicology, recorded end collected (personally, and cooperatively with his staff, as well as contributions from other scholars in the international community) traditional musics in the Philippines and in some parts of South East Asia (Indonesia, Malaysia, Singapore, Thailand, China, ….) during the period between 1953 and 2003. The collection consists of 1760 hours of tape recordings in 1936 reels and cassette tapes [See Annex A], field notes, black&white and colored photographs of different musicians and instruments and some films. The collection reflects the traditional music of the Philippines covers sixty-eight ethnolinguistic groups [See Annex B] and South East Asians before many musical styles vanished, or substantially changed, as a result of the process of social change, modern civilization and cultural globalization. For the region, the José Maceda Collection is unique in scope and size. It is a significant memorial of the orally transmitted cultural contributions to mankind from that part of the world.|||
|Philippines||Radio Broadcast of the Philippine People Power Revolution||2003||2003||Radio Veritas Asia, Quezon City; Raja Broadcasting Network, Makati City; Personal Archives of Mr. Orly Punzalan, Dasmariñas||The collection of sound recordings of 44 audiocassette tapes and 1 mini-disc document the actual, unedited day-to-day radio broadcast of Radio Veritas, (a Catholic –owned radio station at the outskirts of Manila), DZRJ/DZRB, Radio Bandido, (a privately-owned radio station in Quezon City then under the Ministry of National Defense), DZRH (a privately-owned radio station in Manila) and Voice of the Philippines (a government-owned radio station taken over by the people led by Radio Veritas on the 24th of February, 1986). The People Power Revolution was possibly a unique political event of the 20th century which stirred the world: the peaceful overthrow of an entrenched dictatorship through a spontaneous popular uprising, documented and influenced by the 20th century medium of radio. The unbroken radio record over four days in 1986 is an unvarnished chronicle of a nation and its people at a crucial time in its history. The world listened, watched and read. The event will forever be a reference point for the peaceful resolution of deep national crises.|||
|Philippines||Philippine Paleographs (Hanunoo, Build, Tagbanua and Pala’wan)||1999||1999||National Museum, Manila||Communication by means of symbols and creative graphics is one of man's singular achievements. Syllabaries, like those that developed in the Philippines, go a step further and represent not merely graphics, but articulate sounds. Dating back to at least the 10th century AD, four sets of these syllabaries, out of a documented seventeen, have survived the centuries and remain in use to this day, notably the Hanunoo Mangyan syllabary figuring in poetry - ambahan -, and in song.|||
|Thailand||"The Minute Books of the Council of the Siam Society", 100 years of recording international cooperation in research and the dissemination of knowledge in the arts and sciences||2012||2013||Contains the official records of the Council meetings and the General Meetings of the Siam Society from 1904 to 2004 and beyond. It reflects the Society's system, process and outcome of work, its obstacles and challenges, the personalities and organizations contributing to its success and the scope of its work in a century of great international changes and development. It testifies to the continuous transactions and cooperation of an international and intellectual nature, among the many generations of people elected to carry out the work of the Siam Society over the long and eventful century.|||
|Thailand||Epigraphic Archives of Wat Pho||2010||2011||The Epigraphic Archives of Wat Pho (Temple of the Bodhi Tree) in Bangkok is a unique collection of 1,431 stone inscriptions in Thai language and scripts made in 1831-1841 on both religious and secular subjects, representing a wide range of Thai knowledge of Asian and local roots of the time in the context of over five centuries of global exchanges in trade, politics and culture. It was a conscious effort by King Rama III and Thai scholars to preserve and make them visible to the public with the ultimate aim in general education on cultural heritage, diversity and civilizations.|||
|Thailand||Archival Documents of King Chulalongkorn's Transformation of Siam (1868-1910)||2008||2009||Present-day Thailand is in many aspects a legacy of the policies and practices carried out by King Chulalongkorn the Great of Siam (A. D. 1868-1910) within the context of western colonialism and modernization. The documents therefore record social policies such as the successful emancipation of slaves by peaceful and legal means, the abolition of gambling, the establishment of a public school system and the reform of the Buddhist Sangha, as well as the promotion of agricultural production, the market economy, financial and fiscal institutions. These measures contributed to the maintenance of Siam independence, a rare feat in the world at the time.|||
|Thailand||The King Ram Khamhaeng Inscription||2003||2003||The King Ram Khamhaeng Inscription (RK) of 1292 A.D. is considered a major documentary heritage of world significance because it gives valuable information on several major themes of world history and culture. It not only records the invention of Thai language scripts that are the foundation of the modern scripts used in Thailand by 60 million people, its rare detailed description of the 13th century Thai state of Sukhothai also reflects universal values shared by many states in the world today. Those values include good governance, the rule of law, economic freedom, and religious morality, in this case Buddhism, one of the world's major religions. The inscription's value as a historical document has already been evident when it was used to support Thailand's successful proposal to inscribe the Historic Town of Sukhothai and Associated Historic Towns on the World Heritage List in 1991.|||
|Timor-Leste||On the Birth of a Nation: Turning points||2012||2013||The Max Stahl collection of audiovisual documents on the Birth of the Nation of Timor Leste consists of documents considered the key record of events which transformed the fate of a community far from the centres of power and of normal interests in a common cause of communities across the world. These images and documentary stories of the story of a new nation born in part due to their transmission across millions of screens of the sufferings on a scale which few could imagine. Timor Leste is the first nation to liberate itself through the power of audiovisual images. In the last century audiovisual media enabled a global voice to those who never before had the education or the opportunity to communicate. . Timor Leste was a landmark in this development.|||
|Vietnam||Stone Stele Records of Royal Examinations of the Le and Mac Dynasties (1442-1779)||2010||2011||The 82 stone steles which are preserved at Van Mieu - Quoc Tu Giam historical site record names of the laureates of Royal Examinations of Le and Mac Dynasties were erected between 1484 and 1780 to commemorate the Royal examinations held between 1442 and 1779. Each inscription contains details such as the date, the names and official posts of the inscription compilers, revisers, calligraphers, and engravers. Steles of each historic period are distinct from the others through features such as designs, decorative patterns, tortoise-shaped bases, and the type of Chinese characters used for their inscriptions preserve the stele's originality and prevent attempts to produce replicas. The steles vividly document the 300 years' history of training and recruiting talented individuals in Viet Nam under the Le and Mac dynasties, as well as similar practices outside of Viet Nam.|||
|Vietnam||Woodblocks of Nguyen Dynasty||2008||2009||The 34,555 plates of wood-blocks of the Nguyen Dynasty helped to record official literature and history as well as classic and historical books. Therefore, apart from their historical value, the wood-blocks also have artistic and technical merit as they mark the development of wood-block carving and printing profession in Viet Nam. Their importance and high value led feudal dynasties and state regimes in history of Viet Nam to pay considerable attention to preserving these records.|||
- List of World Heritage Sites in Indonesia
- List of World Heritage Sites in Thailand
- List of World Heritage Sites in the Philippines
- List of World Heritage Sites in Malaysia
- List of World Heritage Sites in Singapore
- Extended inscription in 2000 to include natural criterion (i) (in present nomenclature criterion (vii)).
- Extended in 2009 and name change from Tubbataha Reef Marine Park to the present name.
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