List of compositions by Franz Schubert

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
Schubert's Opus 1: "Erlkönig", D 328, fourth version, was published by Diabelli as Schubert's "1tes Werk" in 1821. The Lied, composed in 1815, was later adopted along with its prior versions in AGA XX, 3 No. 178 (1895) and NSE IV, 1 (1970).

Franz Schubert (31 January 1797 – 19 November 1828), a late Classical – early Romantic Viennese composer, left a very extended body of work notwithstanding his short life. He wrote some 1500 items, or, when collections, cycles and variants are grouped, some thousand compositions. The largest group are his over six hundred Lieder for solo voice and piano. He composed nearly as many piano pieces, and further some 150 part songs, some 40 liturgical compositions (including several masses) and around 20 stage works like operas and incidental music. His orchestral output includes a dozen symphonies (seven completed) and several overtures. Schubert's chamber music includes over 20 string quartets, and several quintets, trios and duos.[1][2][3][4][5][6]

Otto Erich Deutsch compiled the first comprehensive catalogue of Schubert's works and published it in 1951 as Schubert: Thematic Catalogue of all his Works in Chronological Order.[7] A revised edition appeared in German in 1978.[8] Later editions of the catalogue contained minor updates.[9]

Publication of Schubert's compositions started during his lifetime, by opus number. After the composer's death, posthumous opus numbers continued to be assigned to new publications of his work until 1867 (Op. post. 173). In the meanwhile also publications without opus number had started, for instance, from shortly after the composer's death, many songs in Diabelli's fifty "Nachlaß-Lieferung" (instalment from the heritage) editions.[7]

There are two attempts to publish everything Schubert has composed in a single edition:

Websites such as Schubert Online (schubert-online.at) provide facsimiles (scans) of Schubert's autographs and of other manuscripts and early editions of his work.[12] Texts of Schubert's vocal music can be published without the music, for instance his Lieder (songs) at the LiederNet Archive website.[13]

Works listed in the Deutsch catalogue[edit]

The 1951 first edition of the Deutsch catalogue attempted to list all dated works by Schubert in chronological order, assigning them a number from 1 to 965. Undated works were ordered in the range 966–992. Nos. 993–998 referred to manuscripts that had resurfaced shortly before the catalogue was printed.[7]

Later versions of the catalogue adhered to the general principles that Deutsch numbers below 966 referred, in a chronological order, to compositions by Schubert with an established time of composition, and that the range 966–992 was reserved for his compositions with an uncertain date of composition. Thus "Die Taubenpost", the last Lied Schubert composed, was reassigned from D 957 No. 14 to D 965A, and D 993, an early piano composition, to D 2E.[8]

Spurious and doubtful works (Anh. I)
Annex I of the first edition of the catalogue contains only a single composition under the header Spurious and doubtful works, but however also points to some compositions with authentication issues elsewhere in the catalogue.[7] The 1978 edition of the catalogue lists 32 spurious and doubtful works in its first Anhang (annex), including some that were for that reason removed from the main catalogue.[8]
Arrangements by Schubert (Anh. II)
The 1978 version of the catalogue lists 4 arrangements by Schubert in its second Anhang[8]
Works of others composers copied by Schubert (Anh. III)
Annex II in the first edition of the catalogue contains compositions by other composers copied by Schubert.[7] In the 1978 edition the list was expanded and became Anhang III.[8]
"Setting" vs. "version" distinction 
the New Schubert Edition distinguishes between Bearbeitung (setting) and Fassung (version), the first meaning an independent composition, the second stages of the same composition (modifications of essentially the same composition). Usually different settings have different D numbers, while versions are grouped under the same D number, unless when set for a different (group of) performer(s). The first edition of the Deutsch catalogue was less strict on that point, leading to Deutsch number reassignments in later publications. Example: D 174 is described as two settings of the same text in the original catalogue, the second having become "D deest" by the time it was published in Series IV, Volume 8 of the New Schubert Edition (while the music has no resemblance to the earlier setting). On the other hand, despite a difference in key and number of movements, the original D 567 and D 568 were ultimately published under the same D number as two versions of the same sonata.[7][8][11][9]
Legend to the table
column content
1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951)[7]
2 D utd most recent (utd = up to date) Deutsch catalogue number;[9] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3 Op.
pbl
Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4 AGA Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[10]
5 NSA NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[11]
6 Name unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7 Key / incipit incipit mostly for songs[14] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[13] other compositions by key, except for theatre works: type of composition in brackets.
8 Date (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9 Additional info may include:
  • Information about the text (lyrics,[14][13] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)
  • Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)
  • Forces needed for performance ("For ..."):
    • may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano
    • "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).
  • Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...")
  • Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"
  • Information about versions (e.g. "Two versions: ...")
Compositions by Franz Schubert listed in the Deutsch catalogue
D
'51
D
utd
Op.
pbl
AGA NSA Name Key / incipit Date Additional info
1–1C
1810 Up ↑
1 1 (1888) IX, 3
No. 30
VII/1, 1 No. 1 & Anh. No. 1 Fantasy, D 1 G major 8/4/1810–
1/5/1810
For piano duet; Two versions of Finale
1A (1969) IV, 6
Anh. No. 1
Song, D 1A C minor before
1810?
For b and piano; Sketch; Music partly reused in D 39
1B VII/1, 1 Anh. No. 2 Fantasy, D 1B G major 1810–1811 For piano duet; Fragment; Music related to D 1 and 7
1C VII/1, 1 Anh. No. 3 Sonata, D 1C F major 1810–1811 For piano duet; Largo (fragment)
2–12
1811 Up ↑
996 2A V, 6 No. 1 Overture, D 2A D major 1811? For orchestra
997 2B V, 6 No. 2 Symphony, D 2B D major 1811? Adagio, Allegro con moto (fragment)
998 2C (1978) VI, 3
Anh. No. 1
String Quartet, D 2C D minor or F major 1811? Fragment
995 2D (1956)
(1970)
VI, 9 Six Minuets, D 2D Various keys 1811 For winds; Nos. 1–2: piano version publ. in 1956; Nos. 4-6: sketches
993 2E VII/2, 4 Fantasy, D 2E C minor 1811 For piano
2F VI, 9 Trio, D 2F 1811 For winds?; Sketch; Belongs to a lost Minuet
2G V, 6 No. 3 Overture, D 2G D major 1810–1811? For orchestra; Fragment
3 3 (1978) VI, 3
Anh. No. 2
String Quartet, D 3 C major 1812? Andante (fragment); Partly reused in D 29 and in an early sketch of D 36
4 4 (1886) II
No. 1
V, 5 Overture to the play Der Teufel als Hydraulicus (Overture to a comedy with singing)
D major
1812? For orchestra; Play by Albrecht [de] (plot similar to Weidmann [de]'s Der Bettelstudent)
5 5 (1894) XX, 1
No. 1
IV, 6
No. 1
Hagars Klage Hier am Hügel heißen Sandes 30/03/1811 Text by Schücking [scores]; Music partly reused in D 8 and 9
6 6 (1894) XX, 1
No. 2
IV, 3 Des Mädchens Klage, D 6 Der Eichwald brauset 1811–1812 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 191 and 389)
7 7 (1894) XX, 1
No. 3
IV, 6
No. 2
Leichenfantasie Mit erstorbnem Scheinen 1811? Text by Schiller; reuses music of D 1B
8 8 (1970) VI, 2 No. 1 Overture, D 8 C minor 29/6/1811 For string quintet (two violins, two violas and cello); Music reappears in D 8A
8A (1970) VI, 3 No. 3 Overture, D 8A C minor After
12/7/1811
For string quartet; Based on D 8
9 9 (1888) IX, 3
No. 31
VII/1, 1
No. 2
Fantasy, D 9 G minor 20/9/1811 For piano duet
10 10 (1894) XX, 1
No. 4
IV, 6
No. 3
Der Vatermörder Ein Vater starb von des Sohnes Hand 26/12/1811 Text by Pfeffel
11
966
11 (1893)
(1897)
XV, 7
No. 12
XXI, 1
No.1
II, 11 Der Spiegelritter (Singspiel in three acts) December
1811?
Text by Kotzebue; For ssssstttbbbbSATB and orchestra; Overture (publ. in 1897) – Nos. 1–8 (Act I, Nos. 2–3 and 8 are fragments, No. 3 not in AGA, part of No. 3 was D 966)
12 12 (1897) XXI, 1
No. 2
V, 5 Overture, D 12 D major 1811–1812 For orchestra; Music partly reused in D 94
13–37
1812 Up ↑
13 13 VII/2, 4 Fugue, D 13 D minor c. 1812 For piano?; By Schubert?
14 14 Overture, D 14 c. 1812 Piano sketch; Lost
15 15 (1895) XX, 10
No. 590/1
IV, 7
Anh. No. 5
Der Geistertanz, D 15 Die bretterne Kammer der Toten erbebt c. 1812 Text by Matthisson (other settings: D 15A, 116 and 494); Fragment
15 15A (1895) XX, 10
No. 590/2
IV, 7
Anh. No. 6
Der Geistertanz, D 15A Die bretterne Kammer der Toten erbebt c. 1812 Text by Matthisson (other settings: D 15, 116 and 494); Fragment
16 16 (1940) VIII, 2
No. 11
Counterpoint exercises, D 16 G minor (Nos. 1–4); A minor (Nos. 5–7) 1823? Seven exercises in double counterpoint
17 17 (1940) VIII, 2
No. 37
Composition exercises, D 17 Quell' innocente figlio 1812? Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to D 30; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.)
18 18 (1890) V No. 1 VI, 3 No. 1 String Quartet No. 1 G minor / B major 1810–1811 Andante, Presto vivace – Minuet – Andante – Presto
19 19 String Quartet, D 19 1810–1811 Lost
19A 19A String Quartet, D 19A 1810–1811 Lost
19B Waltzes and a March, D 19B 1812–1813? For piano; Lost
20 20 Overture, D 20 B major 1812 For string quartet; Lost
21 21 Six Variations, D 21 E major 1812 For piano; Lost
22 22 Twelve Minuets with Trios, D 22 1812 For piano; Lost
23 23 131p,3
(1830)
XX, 1
No. 6
IV, 6
No. 4
Klaglied Meine Ruh ist dahin, meine Freud ist entflohn 1812 Text by Rochlitz
24 24 Seven Variations, D 24 F major 1812? For piano; Fragment; Lost
24A VII/2, 4 Fugue, D 24A C major summer
1812?
For keyboard (organ or piano); Partly reused in D 24E
24B VII/2, 4 Fugue, D 24B G major summer
1812?
For keyboard (organ or piano); Two versions
24C VII/2, 4 Fugue, D 24C D minor summer
1812?
For keyboard (organ or piano)
24D VII/2, 4 Anh. Fugue, D 24D C major summer
1812?
For piano; Fragment; Partly reused in D 46
24E I, 5 Anh. Mass, D 24E F major?
GloriaCredo
summer
1812?
Text: Mass ordinary (other settings: D 31, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on D 24A
25 25 VIII, 2 Counterpoint exercises, D 25 started
18/6/1812
Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises
25A VIII, 2 Counterpoint exercises, D 25A summer
1812?
Two 4-part counterpoint exercises
25B VIII, 2 Counterpoint exercises, D 25B summer
1812?
Fifteen 3-part counterpoint exercises
25C VIII, 2 Fugue, D 25C F major summer
1812?
Counterpoint exercise for two voices; Fragment
26 26 (1886) II No. 2 V, 5 Overture, D 26 D major 26/6/1812 For orchestra
27 27 (1928) I, 8 Salve Regina, D 27 F major
Salve Regina
28/06/1812 Text: Salve Regina (other settings: D 106, 223, 386, 676 and 811); For s and orchestra
28 28 (1923) VI, 7 No. 1 Piano Trio, D 28, a.k.a. Sonata B major 27/7/1812–
28/8/1812
Allegro
29 29 (1888) XI No. 9 VII/2, 4 Andante, D 29 C major 9/9/1812 For piano; Related to D 3 and 36
30 30 (1894) XX, 1
No. 5
IV, 4 Der Jüngling am Bache, D 30 An der Quelle saß der Knabe 24/9/1812 Text by Schiller (other settings: D 192 and 638)
31 31 (1888) XIV No. 14 I, 5 Kyrie, D 31 D minor
Kyrie
25/9/1812 Text: Mass ordinary (other settings: D 24E, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass
32 32 (1890)
(1897)
(1954)
V No. 2
XXII v5
VI, 3 No. 4 String Quartet No. 2 C major Sep.–Oct.
1812
Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in D 128 No. 12) – Allegro con spirito (publ. partly in 1897)
33 33 (1940) VIII, 2
No. 38
Composition exercises, D 33 Entra l'uomo allor che nasce Sep.–Oct.
1812
Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos. 2 for sa, No. 3 for sat, Nos. 4–6 for satb) and an Allegretto (b?), with corrections by Salieri
34 34 (1940) VIII, 2
No. 39
Composition exercises, D 34 Te solo adoro 5/11/1812 Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri
35 35 (1940) VIII, 2
No. 40
Composition exercises, D 35 Serbate, o Dei custodi Oct.–Dec.
1812
Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No. 2 for SATB, No. 3 for t and accompaniment); With corrections by Salieri
36 36 (1890) V No. 3 VI, 3 No. 5 String Quartet No. 3 B major 19/11/1812–
21/2/1813
Allegro – Andante – Minuet – Allegretto
37 37 74
(1827)
XIX
No. 1
III, 3 Die Advokaten Mein Herr, ich komm' mich anzufragen 25/12/1812–
27/12/1812
Text by Rustenfeld [scores]; For ttb and piano
37A–91
1813 Up ↑
967 37A VII/2, 4 Anh.
VIII, 2 No. 13
Fugue sketches, D 37A 1813? For piano
38 38 (1892) XIX
No. 20
III, 4 No. 1 Totengräberlied, D 38 Grabe, Spaden, grabe! 1813? Text by Hölty (other setting: D 44); For ttb
39 39 (1969) IV, 6
Anh No. 2
Lebenstraum Ich saß an einer Tempelhalle early 1810? Text by Baumberg; Sketch; Music related to D 1A
39A VI, 9 Three Minuets with Trios, D 39A 1813 For orchestra; Lost
41 41 (1889) XII
No. 30
VII/2, 6 Thirty Minuets with Trios, D 41 Various keys 1813 For piano; Nos. 1–8, 11–18 and 20–23 are extant
41A VII/2, 4 Anh. Fugue, D 41A E minor 1813 For piano; Fragment
42 42 (1895)
(1969)
XX, 10
No. 570
IV, 6 No. 5 Anh. No. 3 Aria di Timante Misero pargoletto 1813? Text by Metastasio, from Demofoonte III, 5; For s and piano; Two settings: 1st, not in AGA, consisting of two variant fragments
43 43 (1897) XXI, 4
No. 43
III, 4 No. 2
VIII, 2 No. 34
Sprüche des Confucius, D 43 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 69 and 70); For ttb
44 44 (1894) XX, 1
No. 7
IV, 6
No. 6
Totengräberlied, D 44 Grabe, Spaden, grabe! 19/1/1813 Text by Hölty (other setting: D 38)
45 45 (1888) XIV No. 21 I, 5 Kyrie, D 45 B major
Kyrie
1/3/1813 Text: Mass ordinary (other settings: D 24E, 31, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB
46 46 (1890) V No. 4 VI, 3 No. 6 String Quartet No. 4 C major 3/3/1813–
7/3/1813
Adagio – Andante con moto – Minuet – Finale
47 47 (1974) III, 2b
Anh. No. 1
Dithyrambe, D 47 Nimmer, das glaubt mir, erscheinen die Götter 29/3/1813 Text by Schiller (other setting: D 801); For tbSATB and piano; Fragment
48 48 (1871)
(1888)
IX, 3
No. 32
VII/1, 1
No. 3
Fantasy, D 48, a.k.a. Grand Sonata C minor April 1813–
10/6/1813
For piano duet; AGA includes concluding fugue
49 49 (1888) XIV No. 15 I, 5 Kyrie, D 49 D minor
Kyrie
early April
1813–
15/4/1813
Text: Mass ordinary (other settings: D 24E, 31, 45, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For satbSATB and orchestra; First part of a Mass
50 50 (1894) XX, 1
No. 8
IV, 6
No. 7
Die Schatten Freunde, deren Grüfte sich schon bemoosten! 12/4/1813 Text by Matthisson
51 51 (1897) XXI, 4
No. 37
III, 4 No. 3 Unendliche Freude, D 51 Unendliche Freude durchwallet das Herz 15/4/1813 Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 53, 54, 57, 58, 60 and 584); For ttb
52 52 (1868) XX, 1
No. 9
IV, 2b No. 8 Sehnsucht, D 52 Ach, aus dieses Tales Gründen 15/4/1813–
17/4/1813
Text by Schiller (other setting: D 636); For b and piano
53 53 (1892) XIX
No. 9
III, 4 No. 4 Vorüber die stöhnende Klage Vorüber die stöhnende Klage! 18/4/1813 Text by Schiller, stanza 1 from "Elysium" (other stanzas and settings: D 51, 54, 57, 58, 60 and 584); For ttb
54 54 (1873) XIX
No. 22
III, 4 No. 5
VIII, 2 No. 17
Unendliche Freude, D 54 Unendliche Freude durchwallet das Herz 19/4/1813 Text by Schiller, stanza 3 from "Elysium" (other stanzas and settings: D 51, 53, 57, 58, 60 and 584); Canon for three male voices
55 55 (1892) XIX
No. 12
III, 4 No. 6 Selig durch die Liebe Selig durch die Liebe Götter 21/4/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 1; Other: D 61, 62, 63, 64, 983A; For ttb
56 56 (1892) XIX
No. 29
I, 5
VIII, 2 No. 18
Sanctus, D 56 B major
Sanctus
21/4/1813 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 66, 105, 167, 324, 452, 678, 755 and 950); Canon for three voices; Two versions
57 57 (1897) XXI, 4
No. 38
III, 4 No. 7 Hier strecket der wallende Pilger Hier strecket der wallende Pilger 29/4/1813 Text by Schiller, stanza 4 from "Elysium" (other stanzas and settings: D 51, 53, 54, 58, 60 and 584); For ttb
58 58 (1892) XIX
No. 10
III, 4 No. 8 Dessen Fahne Donnerstürme wallte Dessen Fahne Donnerstürme wallte May 1813 Text by Schiller, stanza 5 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 60 and 584); For ttb
59 59 (1832) XX, 1
No. 10
IV, 6
No. 8
Verklärung Lebensfunke, vom Himmel entglüht 4/5/1813 Text by Herder after Pope's "The dying Christian to his soul"
60 60 (1892) XIX
No. 11
III, 4 No. 16 Hier umarmen sich getreue Gatten Hier umarmen sich getreue Gatten 3/10/1813 Text by Schiller, stanza 6 from "Elysium" (other stanzas and settings: D 51, 53, 54, 57, 58 and 584); For ttb
61 61 (1897) XXI, 4
No. 39
III, 4 No. 9
VIII, 2 No. 19
Ein jugendlicher Maienschwung Ein jugendlicher Maienschwung 8/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 9; Other: D 55, 62, 63, 64, 983A; Canon for three voices
62 62 (1897) XXI, 4
No. 40
III, 4 No. 10
VIII, 2 No. 35
Thronend auf erhabnem Sitz Thronend auf erhabnem Sitz 9/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 15; Other: D 55, 61, 63, 64, 983A
63 63 (1892) XIX
No. 13
III, 4 No. 11 Wer die steile Sternenbahn Wer die steile Sternenbahn 10/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 26; Other: D 55, 61, 62, 64, 983A; For ttb
64 64 (1897) XXI, 4
No. 41
III, 4 No. 12
VIII, 2 No. 36
Majestät'sche Sonnenroße Majestät'sche Sonnenroße 10/5/1813 Text by Schiller, from "Der Triumph der Liebe": stanza 16; Other: D 55, 61, 62, 63, 983A; For ttb
65 65 (1892) XIX
Anh. I, No. 35
III, 4
Anh. II No. 1

VIII, 2 No. 20
Schmerz verzerret ihr Gesicht Schmerz verzerret ihr Gesicht 11/5/1813 Text by Schiller, from "Gruppe aus dem Tartarus": stanza 2 (other settings: D 396 and 583); For ttb; Sketch
66 66 (1888) XIV No. 16 I, 5 Kyrie, D 66 F major
Kyrie
12/5/1813 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra
67 67 (1897) XXI, 4
No. 42
III, 4 No. 13 Frisch atmet des Morgens lebendiger Hauch Frisch atmet des Morgens lebendiger Hauch 15/5/1813 Text by Schiller (other setting: D 402); For ttb
68 68 (1890) V No. 5 VI, 3 No. 7 String Quartet No. 5 B major 8/6/1813–
18/8/1813
Allegro maestoso – Allegro; Middle movements missing
69 69 (1892) XIX
No. 23
III, 4 No. 14
VIII, 2 No. 21
Sprüche des Confucius, D 69 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 43 and 70); Canon for three voices
70 70 (1974) III, 4
Anh. I No. 1

VIII, 2 No. 33
Sprüche des Confucius, D 70 Dreifach ist der Schritt der Zeit 8/7/1813 Text by Schiller (other settings: D 43 and 69); For ttb; Fragment
71 71 (1892) XIX
No. 14
III, 4
No. 15
Die zwei Tugendwege Zwei sind der Wege 15/7/1813 Text by Schiller; For ttb
71A (1956) I, 8
VIII, 2 No. 22
Alleluja, D 71A F major July 1813? Canon for three voices
71B VII/2, 4 Anh.
VIII, 2 No. 14
Fugue, D 71B E minor July 1813 For piano; Fragment
966A 71C V, 6 No. 5 Orchestral piece, D 71C D major Aug. or
Sep. 1813
Fragment; First pages, a.k.a. D 74A, based on D 74
72 72 (1889)
(1890)
III No. 2
XXII v1
VI, 1 No. 1
& Anh.
Wind Octet F major completed
18/8/1813
Allegro (fragment, publ. in 1890) – Minuet – Allegro; Slow middle movement lost?
73 73 (1868) XX, 1
No. 11
IV, 4 Thekla: Eine Geisterstimme, D 73 Wo ich sei, und wo mich hingewendet 22/8/1813–
23/8/1813
Text by Schiller (other setting: D 595)
74 74 (1890) V No. 6 VI, 4 No. 8 String Quartet No. 6 D major 22/8/1813–
Sep. 1813
Allegro ma non troppo – Andante – Minuet – Allegro
966A 74A V, 6 No. 4 Orchestral piece, D 74A D major Aug. or
Sep. 1813
Fragment; Variant D number for first pages of D 71C
75 75 (1850) XVI
No. 16
III, 3 Trinklied, D 75 Freunde, sammelt euch im Kreise 29/08/1813 Text by Schäffer [scores]; For bTTB and piano
76 76 (1871)
(1969)
XX, 10
No. 571
IV, 6 No. 9 Anh. No. 4 Aria di Fronimo Pensa, che questo istante 7 and 13
Sep. 1813
Text by Metastasio, from Alcide al bivio, 1; For b and piano; Two versions (2nd in AGA)
77
111
77 (1831)
(1894)
XX, 1
No. 12
IV, 6
No. 10
Der Taucher Wer wagt es, Rittersmann oder Knapp 17/9/1813–
early 1815
Text by Schiller; Two versions: 2nd, publ. in 1894, was D 111
78 78 (1895) XX, 10
No. 572
IV, 6 No. 11 Aria di Venere Son fra l'onde 18/9/1813 Text by Metastasio, from Gli orti esperdi, I; For s and piano
79 79 (1889) III No. 3 VI, 1 No. 2 Wind Nonet, a.k.a. Eine kleine Trauermusik or Franz Schuberts Begräbniß-Feyer E minor 19/9/1813 Grave con espressione
80 80 (1892) XIX
No. 4
III, 3 Zur Namensfeier meines Vaters Ertöne Leier zur Festesfeier! 27/9/1813 Text by Schubert; For ttb and guitar
81 81 (1895) XX, 10
No. 583
IV, 14 Auf den Sieg der Deutschen Verschwunden sind die Schmerzen fall 1813 Text by Schubert? (other setting: D 88); For voice, two violins and cello
82 82 (1884) I, 1
No. 1
V, 1 No. 1 Symphony No. 1 D major completed
28/10/1813
Adagio, Allegro vivace – Andante – Minuet – Allegro vivace
83 83 (1895) XX, 10
No. 582
IV, 14 Zur Namensfeier des Herrn Andreas Siller Des Phöbus Strahlen 28/10/1813–
4/11/1813
For voice, violin and harp
84 84 (1888) XV, 1
No. 1
II, 1 Des Teufels Lustschloß (Singspiel in three acts) 30/10/1813–
22/10/1814
Text by Kotzebue; Music for sssttbbbSSSATTBB and orchestra; Two versions: Overture (2nd version in AGA) – Act I (Nos. 1–11, 2nd version in AGA) – Act II (Nos. 12–17, 1st version only, in AGA) – Act III (Nos. 18–23, 1st version Nos. 21 and 23 only, 2nd version in AGA); Sketch of an orchestral piece (from 1st version of Act III?): compare D 94A
86 86 (1886) II
No. 10
VI, 4
Anh. No. 1

VI, 9
Minuet, D 86 D major November
1813?
For string quartet
87 87 125p,1
(1840)
V
No. 10
VI, 4 No. 9 String Quartet No. 10 E major November
1813
Allegro più moderato – Scherzo – Adagio – Allegro
87A VI, 4
Anh. No. 2
Andante, D 87A C major November
1813
For four voices (string quartet or vocal ensemble?); Fragment
88 88 (1892) XIX
No. 21
III, 4 No. 17
VIII, 2 No. 23
Verschwunden sind die Schmerzen Verschwunden sind die Schmerzen 15/11/1813 Text by Schubert? (other setting: D 88); Canon for ttb
89
90
89 (1886) II No. 8
and No. 9
VI, 9 Five Minuets and Five German Dances Various keys 19/11/1813 For string quartet; Minuets have six Trios, German Dances have seven Trios and a Coda
91 91 (1956) VII/2, 6 Two Minuets, D 91 Various keys 22/11/1813 For piano; Each minuet with two Trios
92–126
1814 Up ↑
93 93 (1894) XX, 1
Nos.
13–15
IV, 7
Anh. No. 1
Don Gayseros 1. Don Gayseros,... wunderlicher, schöner Ritter – 2. Nächtens klang die süße Laute – 3. An dem jungen Morgenhimmel 1815? Text by Motte Fouqué, from Der Zauberring; Nos. 2 and 3 incomplete
94 94 (1871) V No. 7 VI, 3 No. 2 String Quartet No. 7 D major 1811 or
1812?
Allegro (partly reused in D 12) – Andante con moto – Minuet – Presto
94A II, 1
V, 6 No. 6
Orchestral piece, D 94A B major c. 1814 Fragment; For 1st version of D 84, Act III?
94B VI, 9 Five Minuets and Six German Dances, D 94B 1814 For string quartet and two horns; Lost
95 95 (1848) XX, 1
No. 25
IV, 7
No. 1
Adelaide Einsam wandelt dein Freund 1814 Text by Matthisson
97 97 (1894) XX, 1
No. 19
IV, 7
No. 2
Trost: An Elisa Lehnst du deine bleichgehärmte Wange 1814 Text by Matthisson
98 98 (1894)
(1968)
XX, 1
No. 24
IV, 7 No. 3
Anh. No. 2
Erinnerungen, D 98 Am Seegestad, in lauen Vollmondsnächten fall 1814 Text by Matthisson (other setting: D 424); Two versions: 1st is fragment, 2nd in AGA
99 99 (1894) XX, 1
No. 16
IV, 7 No. 4 Andenken, D 99 Ich denke dein wenn durch den Hain April 1814 Text by Matthisson (other setting: D 423)
100 100 (1894) XX, 1
No. 17
IV, 7 No. 5 Geisternähe Der Dämm’rung Schein durchblinkt den Hain April 1814 Text by Matthisson
101 101 (1894) XX, 1
No. 18
IV, 7 No. 6 Erinnerung, D 101, a.k.a. Todtenopfer Kein Rosenschimmer leuchtet April 1814 Text by Matthisson
102 102 (1840) XX, 1
No. 20
IV, 7 No. 7 Die Betende Laura betet! fall 1814 Text by Matthisson; Partly reused in D 918
103 103 (1939) VI, 4
Anh. No. 3
Quartettsatz, D 103 C minor 23/4/1814 Grave, Allegro (fragment); Completed by Alfred Orel in 1st ed.
104 104 (1895) XX, 10
No. 584
IV, 7 No. 8 &
Anh. No. 3
Die Befreier Europas in Paris Sie sind in Paris! 16/5/1814 Text by Mikan; Two drafts and a final version
105
185
105 (1856) XIII, 1
No. 1
I, 1a Mass No. 1 F major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
17/5/1814–
22/7/1814
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 167, 324, 452, 678, 755 and 950); For ssattbSATB and orchestra; 2nd setting of Dona nobis pacem was D 185; Partly reused in D 484
106 106 (1888) XIV No. 9 I, 8 Salve Regina, D 106 B major
Salve Regina
28/6/1814–
1/7/1814
Text: Salve Regina (other settings: D 27, 223, 386, 676 and 811); For t and orchestra
107 107 (1894)
(1968)
XX, 1
No. 21
IV, 7 No. 9 Lied aus der Ferne Wenn in des Abends letztem Scheine July 1814 Text by Matthisson; Two versions: 1st in AGA
108 108 (1894) XX, 1
No. 22
IV, 7 No. 10 Der Abend, D 108 Purpur malt die Tannenhügel July 1814 Text by Matthisson
109 109 (1894) XX, 1
No. 23
IV, 7 No. 11 Lied der Liebe Durch Fichten am Hügel July 1814 Text by Matthisson
110 110 (1891) XVI
No. 43
III, 1 Wer ist groß? Wer ist wohl groß? 24/7/1814–
25/7/1814
For bTTBB and orchestra
111A VI, 6
Anh. No. 1
String Trio, D 111A B major 5/9/1814–
13/9/1814
Allegro (fragment); early version of D 112
112 112 168p
(1863)
V No. 8 VI, 4
No. 10
String Quartet No. 8 B major 5/9/1814–
13/9/1814
Allegro ma non troppo – Andante sostenuto – Minuet – Presto; Based on D 111A
113 113 58,2
(1821)
(1826)
(1894)
XX, 1
No. 26
IV, 3 An Emma Weit in nebelgrauer Ferne 17/9/1814 Text by Schiller; Three versions: 2nd publ. in 1821 – 3rd is Op. 58 No. 2
114 114 (1868)
(1901)
XX, 1
No. 27
IV, 7 No. 12 &
Anh. No. 4
Romanze, D 114 Ein Fräulein klagt' im finstern Turm September
1814
Text by Matthisson; Two versions: 2nd in AGA
115 115 (1840) XX, 1
No. 28
IV, 7 No. 13 An Laura, als sie Klopstocks Auferstehungslied sang Herzen, die gen Himmel sich erheben 2/10/1814–
7/10/1814
Text by Matthisson
116 116 (1840) XX, 1
No. 29
IV, 7 No. 14 Der Geistertanz, D 116 Die bretterne Kammer der Toten erbebt 14/10/1814 Text by Matthisson (other settings: D 15, 15A and 494)
117 117 (1894) XX, 1
No. 30
IV, 8
No. 45
Das Mädchen aus der Fremde, D 117 In einem Tal bei armen Hirten 16/10/1814 Text by Schiller (other setting: D 252)
118 118 2
(1821)
XX, 1
No. 31
IV, 1a Gretchen am Spinnrade Meine Ruh' ist hin 19/10/1814 Text by Goethe, from Faust I, 15
119 119 (1850) XX, 1
No. 32
IV, 7 No. 15 Nachtgesang, D 119 O! gib vom weichen Pfühle 30/11/1814 Text by Goethe
120 120 (1835) XX, 1
No. 33
IV, 7 No. 16 Trost in Tränen Wie kommt's, daß du so traurig bist 30/11/1814 Text by Goethe
121 121 3,1
(1821)
(1894)
XX, 1
No. 34
IV, 1a &
b No. 2
Schäfers Klagelied Da droben auf jenem Berge 30/11/1814–
28/2/1819?
Text by Goethe; Two versions: 1st is Op. 3 No. 1 – 2nd composed for 28/2/1819?
122 122 (1872) XX, 1
No. 38
IV, 7 No. 17 Ammenlied Am hohen, hohen Turm early Dec.
1814
Text by Lubi [scores]
123 123 (1842) XX, 1
No. 35
IV, 7 No. 18 Sehnsucht, D 123 Was zieht mir das Herz so? 3/12/1814 Text by Goethe
124 124 (1885)
(1894)
(1968)
XX, 1
No. 36
IV, 7 No. 19 &
Anh. No. 7
Am See, D 124 Sitz' ich im Gras am glatten See 3/12/1814–
7/12/1814
Text by Mayrhofer; Two versions: 1st is fragment – 2nd, modified in 1885 publ., in AGA
125 125 (1884) I, 1
No. 2
V, 1 No. 2 Symphony No. 2 B major 10/12/1814–
24/3/1815
Largo, Allegro vivace – Andante – Minuet – Presto vivace
126 126 (1832)
(1873)
XX, 1
No. 37
IV, 7 No. 20 &
Anh. No. 8
Scene from Faust Wie anders, Gretchen, war dir's early Dec.–
12/12/1814
Text by Goethe, from Faust I, 20; Two versions: 2nd, publ. in 1832, in AGA
127–330
1815 Up ↑
128 128 (1897) XXI, 3
No. 23
VII/2, 6 Twelve Viennese German Dances Various keys 1812? For piano; Includes introduction; No. 12 related to D 32
129 129 (1892) XIX
No. 16
III, 4 No. 18 Mailied, D 129 Grüner wird die Au 1815? Text by Hölty (other settings: D 199 and 503); For ttb
130 130 (1892) XIX
No. 25
III, 4 No. 19
VIII, 2 No. 24
Der Schnee Zerrinnt Der Schnee Zerrinnt 1815? Text by Hölty (other setting: D 202); Canon for three voices
131 131 (1892) XIX
No. 28
III, 4 No. 20
VIII, 2 No. 26
Lacrimoso son io Lacrimoso son io 1815? Canon for three voices; Two versions: 2nd is "Lacrimosa son io"
134 134 126p
(1830)
XX, 2
No. 99
IV, 7 No. 21 Ballade Ein Fräulein schaut vom hohen Turm 1815? Text by Kenner
135 135 (1930) VII/2, 6 German Dance with Trio, D 135 E major 1815 For piano; Variant of D 146 No. 3 (other Trio)
136 136 46
(1825)
XIV No. 1 I, 8 Offertory, D 136, a.k.a. Offertory No. 1 Totus in corde langueo
C major
1815? For s or t, clarinet or violin, and orchestra
137 137 (1893) XV, 7
No. 14
II, 12 Adrast (Singspiel) fall 1819–
early
1820[15]
Text by Mayrhofer; For stbTTBB and orchestra; Nos. 1–8 complete (abandoned variants for some numbers, Nos. 1–7 in AGA) and sketches and fragments for six further numbers; Overture: D 648?
138 138 5,1
(1821)
(1970)
XX, 3
No. 177
IV, 1a &
b No. 6
Rastlose Liebe Dem Schnee, dem Regen, dem Wind entgegen 19/5/1815–
May 1821
Text by Goethe; Two versions: 1st, in AGA, is Op. 5 No. 1
139 139 (1930) VII/2, 6 German Dance with Trio, D 139 C major (Trio in A major) 1815 For piano
140 140 (1850) XVIII
No. 6
III, 3 Klage um Ali Bey, D 140 Laßt mich! laßt mich! ich will klagen 1815 Text by Claudius (other setting: D 496A); For ttb (and piano?)
141 141 131p,1
(1830)
XX, 2
No. 43
IV, 7 No. 23 Der Mondabend Rein und freundlich lacht der Himmel 1815 Text by Kumpf [de]
142 142 92,3
(1828)
(1885)
(1895)
XX, 3
No. 174
IV, 5 Geistes-Gruß Hoch auf dem alten Turme steht before
Apr. 1816–
after
Nov. 1821
Text by Goethe; Six versions: 2nd publ. in 1885 – 3rd and 5th not in AGA – 6th is Op. 92 No. 3
143 143 109p,2
(1829)
XX, 3
No. 181
IV, 7 No. 24 Genügsamkeit Dort raget ein Berg aus den Wolken her 1815 Text by Schober; Intro in 1st ed. not by Schubert
144 144 (1895) XXII, 11
No. 209
IV, 7
Anh. No. 9
Romanze, D 144 In der Väter Hallen ruhte April 1816 Text by Stolberg-Stolberg; Fragment
145 145 18
(1823)
XII
No. 2
VII/2, 6
& 7a
12 Waltzes, 17 Ländler and 9 Écossaises, D 145 Various keys c. 1815
July 1821
For piano; Waltz No. 7 ≈ D 970 No. 2; Écossaises Nos. 5 and 6 identical to D 421 No. 1 and 697 No. 5
146 146 127p
(1824)
(1830)
XII
No. 8
VII/2, 6
& 7a
20 Waltzes, D 146, a.k.a. Letzte Walzer Various keys 1815–
Feb. 1823
For piano; No. 2 publ. in 1824, all 20 as Op. posth. 127 in 1830
147 147 (1892) XIX
No. 15
III, 4 No. 21 Bardengesang Rolle, du strömigter Carun 20/1/1816? Text by Macpherson (Ossian), from Comala, transl. by E. Baron de Harold
148 148 131p,2
(1830)
XIX
No. 8
III, 3 Trinklied, D 148 Brüder! unser Erdenwallen February
1815
Text by Castelli; For tTTB and piano
149 149 117p
(1829)
(1894)
XX, 2
No. 45
IV, 7 No. 25 Der Sänger Was hör' ich draußen vor dem Tür February
1815
Text by Goethe, from Wilhelm Meister's Apprenticeship; Two versions: 2nd is Op. posth. 117, AGA switches 1st and 2nd
150 150 (1830) XX, 2
No. 44
IV, 7 No. 26 Lodas Gespenst Der bleiche, kalte Mond erhob sich im Osten 17/1/1816 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold; 1st ed. replaces end by music from D 277
151 151 (1850) XX, 2
No. 39
IV, 7 No. 27 Auf einen Kirchhof Sei gegrüßt, geweihte Stille 2/2/1815 Text by Schlechta [de]
152 152 (1894) XX, 2
No. 40
IV, 7 No. 28 Minona Wie treiben die Wolken so finster und schwer 8/2/1815 Text by Bertrand [scores]
153 153 (1845) XX, 2
No. 41
IV, 7 No. 29 Als ich sie erröten sah All mein Wirken, all mein Leben 10/2/1815 Text by Ehrlich [scores]
154 154 (1897) XXI, 2
No. 8
VII/2, 1
Anh. No. 1
Piano Sonata, D 154 E major 11/2/1815 Allegro (fragment); Partly reused in D 157
155 155 165p,3
(1862)
XX, 2
No. 42
IV, 7 No. 30 Das Bild Ein Mädchen ist's 10/2/1815
156 156 (1887) XI No. 6 VII/2, 4
& Anh.
Ten Variations, D 156 F major completed
15/2/1815
For piano; Variant of Theme and Var. II
157 157 (1888) X No. 1 VII/2, 1
No. 1
Piano Sonata, D 157 E major started
18/2/1815
Allegro ma non troppo (partly reuses D 154) – Andante – Minuet
158 158 (1889) XII
No. 29
VII/2, 6 Écossaise, D 158 D minor – F major 21/2/1815 For piano
159 159 116p
(1829)
(1968)
XX, 2
No. 46
IV, 7 No. 31 Die Erwartung Hör' ich das Pförtchen nicht gehen? May 1816 Text by Schiller; Two versions: 2nd, in AGA, is Op. posth. 116
160 160 (1894) XX, 2
No. 47
IV, 13 Am Flusse, D 160 Verfließet, vielgeliebte Lieder 27/2/1815 Text by Goethe (other setting: D 766)
161 161 19,2
(1825)
(1894)
XX, 2
No. 48
IV, 1a &
b No. 14
An Mignon Über Tal und Fluß getragen 27/2/1815 Text by Goethe; Two versions: 2nd is Op. 19 No. 2
162 162 5,2
(1821)
(1894)
XX, 2
No. 49
IV, 1a &
Anh. No. 2
Nähe des Geliebten Ich denke dein, wenn mir der Sonne Schimmer 27/2/1815 Text by Goethe; Two versions: 2nd is Op. 5 No. 2
163 163 (1894) XX, 2
No. 50
IV, 8
No. 1
Sängers Morgenlied, D 163 Süßes Licht! Aus goldnen Pforten 27/2/1815 Text by Körner (other setting: D 165)
164 164 IV, 8
Anh. No. 1
Liebesrausch, D 164 Glanz des Guten und des Schönen strahlt mir dein hohes Bild March 1815 Text by Körner (other setting: D 179); Fragment
165 165 (1872) XX, 2
No. 51
IV, 8
No. 2
Sängers Morgenlied, D 165 Süßes Licht! Aus goldnen Pforten 1/3/1815 Text by Körner (other setting: D 163)
166 166 (1894) XX, 2
No. 52
IV, 8
No. 3
Amphiaraos Vor Thebens siebenfach gähnenden Toren 1/3/1815 Text by Körner
167 167 (1846) XIII, 1
No. 2
I, 1b Mass No. 2 G major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
2/3/1815–
7/3/1815
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 324, 452, 678, 755 and 950); For stbSATB and orchestra; Tr and Ti added by Ferd. Schubert; R. Führer as composer in 1st publ.
168 168 (1872) XVII
No. 16
III, 2a
No. 2
Nun laßt uns den Leib begraben, a.k.a. Begräbnislied Begrabt den Leib in seiner Gruft 9/3/1815 Text by Klopstock; For SATB and piano
987 168A (1872) XVII
No. 17
III, 2a
No. 3
Jesus Christus unser Heiland, der den Tod überwand, a.k.a. Osterlied Überwunden hat der Herr den Tod! 9/3/1815 Text by Klopstock; For SATB and piano
169 169 (1894) XX, 2
No. 53
III, 3 Trinklied vor der Schlacht Schlacht, du brichst an! 12/3/1815 Text by Körner; For double unison choir and piano
170 170 (1873) XX, 2
No. 54
III, 3 Schwertlied Du Schwert an meiner Linken 12/3/1815 Text by Körner; For voice, unison choir and piano
171 171 (1831) XX, 2
No. 55
IV, 8
No. 4
Gebet während der Schlacht Vater, ich rufe dich! 12/3/1815 Text by Körner
172 172 IV, 8
Anh. No. 3
Der Morgenstern, D 172 Stern der Liebe, Glanzgebilde 12/3/1815 Text by Körner (other setting: D 203); Fragment
173 173 (1871) V No. 9 VI, 4
No. 11
String Quartet No. 9 G minor 25/3/1815–
1/4/1815
Allegro con brio – Andantino – Minuet – Allegro
174 174 (1845) XX, 2
No. 56
IV, 8
No. 5
Das war ich, D 174 Jüngst träumte mir 26/3/1815 Text by Körner; D. 174 used to include Das war ich, D deest
175 175 (1888) XIV
No. 12
I, 9
No. 1
Stabat Mater, D 175 G minor
Stabat Mater dolorosa
4/4/1815–
6/4/1815
For SATB and orchestra
176 176 (1872) XX, 2
No. 57
IV, 8
No. 6
Die Sterne, D 176 Was funkelt ihr so mild mich an 6/4/1815 Text by Fellinger [wikisource:de]
177 177 173p,3
(1867)
XX, 2
No. 58
IV, 8
No. 7
Vergebliche Liebe Ja, ich weiß es, diese treue Liebe 6/4/1815 Text by Bernard
177A VIII, 3 Am ersten Mai Ich ging mit ihr im Freien before
1821
Text by Bernard; Music lost; Spurious?
178 178 (1897) XXI, 3
No. 22
VII/2, 4
& Anh.
Adagio in G major, D 178 G major 8/4/1815 For piano; Two versions: 2nd is a fragment
179 179 (1872) XX, 2
No. 59
IV, 8
No. 8
Liebesrausch, D 179 Dir, Mädchen, schlägt mit leisem Beben 8/4/1815 Text by Körner; (other setting: D 164)
180 180 (1894) XX, 2
No. 60
IV, 8
No. 9
Sehnsucht der Liebe Wie die Nacht mit heil'gem Beben 8/4/1815 Text by Körner
181 181 (1888) XIV No. 4 I, 9
No. 2
Offertory, D 181 Tres sunt, qui testimonium dant in coelo
A minor
10/4/1815–
11/4/1815
For SATB and orchestra
182 182 (1842) XX, 2
No. 61
IV, 8
No. 10
Die erste Liebe Die erste Liebe füllt das Herz 12/4/1815 Text by Fellinger [wikisource:de]
183 183 (1887) XX, 2
No. 62
III, 3 Trinklied, D 183 Ihr Freunde und du, gold'ner Wein 12/4/1815 Text by Zettler [wikisource:de]; For voice, unison choir and piano
184 184 150p
(1843)
XIV No. 5 I, 9
No. 3
Gradual, D 184 Benedictus es, Domine
C major
15/4/1815–
17/4/1815
For SATB and orchestra
186 186 (1894) XX, 2
No. 65
IV, 8
No. 11
Die Sterbende Heil! dies ist die letze Zähre May 1815 Text by Matthisson
187 187 (1894) XX, 2
No. 63
IV, 10 Stimme der Liebe, D 187 Abendgewölke schweben hell May 1815 Text by Matthisson (other setting: D 418)
188 188 (1887) XX, 2
No. 64
IV, 8
No. 12
Naturgenuß, D 188 Im Abendschimmer wallt der Quell May 1815 Text by Matthisson (other setting: D 422)
189 189 111p,1
(1829)
XX, 2
No. 66
III, 3 An die Freude Freude, schöner Götterfunken May 1815 Text by Schiller; For voice, unison choir and piano
190 190 (1888) XV, 2
No. 2
II, 2
IV, 14
Der vierjährige Posten (Singspiel in one act)
Includes: 5. Gott! Gott! höre meine Stimme
8/5/1815–
19/5/1815
Text by Körner; Music for stttbSATB and orchestra; Overture – Nos. 1–8 (No. 5 also for voice and piano)
191 191 58,3
(1826)
(1894)
XX, 2
No. 67
IV, 3 Des Mädchens Klage, D 191 Der Eichwald brauset 15/5/1815 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 389); Two versions: 2nd is Op. 58 No. 3
192 192 (1887) XX, 2
No. 68
IV, 4 Der Jüngling am Bache, D 192 An der Quelle saß der Knabe 15/5/1815 Text by Schiller (other settings: D 30 and 638)
193 193 57,3
(1826)
XX, 2
No. 69
IV, 3 An den Mond, D 193 Geuß, lieber Mond, geuß deine Silberflimmer 17/5/1815 Text by Hölty; Autograph without piano intro
194 194 (1894) XX, 2
No. 70
IV, 8
No. 13
Die Mainacht Wann der silberne Mond 17/5/1815 Text by Hölty
195 195 173p,1
(1867)
XX, 2
No. 71
IV, 8
No. 14
Amalia Schön wie Engel voll Walhallas Wonne 19/5/1815 Text by Schiller, from Die Räuber III, 1
196 196 172p,3
(1865)
XX, 2
No. 72
IV, 8
No. 15
An die Nachtigall Geuß nicht so laut der liebentflammten Lieder 22/5/1815 Text by Hölty
197 197 (1850) XX, 2
No. 73
IV, 8
No. 16
An die Apfelbäume, wo ich Julien erblickte Ein heilig Säuseln und ein Gesangeston 22/5/1815 Text by Hölty
198 198 (1894) XX, 2
No. 74
IV, 8
No. 17
Seufzer Die Nachtigall singt überall 22/5/1815 Text by Hölty
199 199 (1885) XIX
No. 30
III, 4
No. 22
Mailied, D 199 Grüner wird die Au 24/5/1815 Text by Hölty (other settings: D 129 and 503); For two voices or two horns
200 200 (1884) I, 1
No. 3
V, 1
No. 3
Symphony No. 3 D major 24/5/1815–
19/6/1815
Adagio maestoso, Allegro con brio – Allegretto – Minuet – Presto vivace
201 201 (1970) IV, 10 Auf den Tod einer Nachtigall, D 201 Sie ist dahin, die Maienlieder tönte 25/5/1815 Text by Hölty (other setting: D 399); Fragment
202 202 (1885) XIX
No. 31
III, 4
No. 23
Mailied, D 202 Der Schnee Zerrinnt 26/5/1815 Text by Hölty (other setting: D 130); For two voices or two horns
203 203 (1892) XIX
No. 32
III, 4
No. 24
Der Morgenstern, D 203 Stern der Liebe, Glanzgebilde 26/5/1815 Text by Körner (other setting: D 172); For two voices or two horns
204 204 (1892) XIX
No. 33
III, 4
No. 25
Jägerlied Frisch auf, ihr Jäger 26/5/1815 Text by Körner; For two voices or two horns
204A IV, 8
Anh. No. 4
Das Traumbild May 1815 Text by Hölty; Music lost
205 205 (1892) XIX
No. 34
III, 4
No. 26
Lützows wilde Jagd Was glänzt dort vom Walde im Sonnenschein? 26/5/1815 Text by Körner; For two voices or two horns
206 206 (1872) XX, 2
No. 75
IV, 8
No. 18
Liebeständelei Süßes Liebchen 26/5/1815 Text by Körner
207 207 (1894) XX, 2
No. 76
IV, 8
No. 19
Der Liebende Beglückt, beglückt 29/5/1815 Text by Hölty
208
212
208 (1895)
(1897)
XX, 2
No. 77;
XXII, 11
No. 77
IV, 8 No. 20 & Anh. No. 5 Die Nonne Es liebt' in Welschland irgendwo 29/5/1815 Text by Hölty, from Balladen, No. 5; Two versions: 1st is fragment, incomplete in AGA – 2nd was D 212
209 209 38
(1825)
XX, 2
No. 98
IV, 2a Der Liedler Gib, Schwester, mir die Harf herab January 1815 Text by Kenner
210 210 (1838) XX, 2
No. 78
IV, 8 No. 21 Die Liebe, D 210, a.k.a. Klärchens Lied Freudvoll und leidvoll 3/6/1815 Text by Goethe, from Egmont, Act III, Scene 2, Clärchen's song
211 211 (1894) XX, 2
No. 79
IV, 8 No. 22 Adelwold und Emma Hoch und ehern schier von Dauer 5/6/1815–
14/6/1815
Text by Bertrand [scores]
213 213 172p,1
(1865)
XX, 2
No. 80
IV, 8 No. 23 Der Traum Mir träumt', ich war ein Vögelein 17/6/1815 Text by Hölty, from Balladen, No. 6
214 214 172p,2
(1865)
XX, 2
No. 81
IV, 8 No. 24 Die Laube Nimmer werd' ich, nimmer dein vergessen 17/6/1815 Text by Hölty
215 215 (1906) IV, 1b No. 4 Jägers Abendlied, D 215 Im Felde schleich ich, still und wild 20/6/1815 Text by Goethe (other setting: D 368)
216 215A (1952) IV, 1a &
b No. 3
Meeres Stille, D 215A Tiefe Stille herrscht im Wasser 20/6/1815 Text by Goethe (other setting: D 216)
216 216 3,2
(1821)
XX, 2
No. 82
IV, 1a Meeres Stille, D 216 Tiefe Stille herrscht im Wasser 21/6/1815 Text by Goethe (other setting: D 215A)
217 217 (1830) XX, 2
No. 83
IV, 8 No. 25 Kolmas Klage Rund um mich Nacht 22/6/1815 Text by Macpherson (Ossian), from The Songs of Selma (transl.)
218 218 (1848) XX, 2
No. 84
IV, 8 No. 26 Grablied Er fiel den Tod für's Vaterland 24/6/1815 Text by Kenner
219 219 (1848) XX, 2
No. 85
IV, 8 No. 27 Das Finden Ich hab ein Mädchen funden 25/6/1815 Text by Kosegarten
220 220 (1888) XV, 2
No. 3
II, 2 Fernando (Singspiel in one act) Jun. 1815–
9/7/1815
Text by Stadler, A. [scores]; Music for sstbb and orchestra; Nos. 1–7
221 221 118p,2
(1829)
XX, 2
No. 95
IV, 8 No. 28 Der Abend, D 221 Der Abend blüht, Temora glüht 15/7/1815 Text by Kosegarten
222 222 (1885) XX, 2
No. 86
IV, 8 No. 29 Lieb Minna: Romanze Schwüler Hauch weht mir herüber 2/7/1815 Text by Stadler, A. [scores]
223 223 47
(1825)
XIV No. 2 I, 8 Salve Regina, D 223, a.k.a. Offertory No. 2 F major
Salve Regina
5/7/1815
28/1/1823
Text: Salve Regina (other settings: D 27, 106, 386, 676 and 811); For s and orchestra; Two versions: 2nd, in AGA, is Op. 47
224 224 4,3
(1821)
XX, 2
No. 87
IV, 1a Wandrers Nachtlied, D 224 Der du von dem Himmel bist 5/7/1815 Text by Goethe
225 225 5,3
(1821)
(1970)
XX, 2
No. 88
IV, 1a &
b No. 7
Der Fischer Das Wasser rauscht', das Wasser schwoll 5/7/1815 Text by Goethe; Two versions: 2nd, in AGA, is Op. 5 No. 3
226 226 5,4
(1821)
XX, 2
No. 89
IV, 1a Erster Verlust Ach, wer bringt die schönen Tage 5/7/1815 Text by Goethe
227 227 (1885) XX, 2
No. 90
IV, 8 No. 30 Idens Nachtgesang Vernimm es Nacht, was Ida dir vertrauet 7/7/1815 Text by Kosegarten
228 228 (1894) XX, 2
No. 91
IV, 8 No. 31 Von Ida Der Morgen blüht, der Osten glüht 7/7/1815 Text by Kosegarten
229 229 108,3
(1824)
XX, 2
No. 92
IV, 5 Die Erscheinung, a.k.a. Erinnerung, D 229 Ich lag auf grünen Matten 7/7/1815 Text by Kosegarten; Publ. as Op. 108 No. 3 in 1829
230 230 165p,4
(1855)
XX, 2
No. 93
IV, 8 No. 32 Die Täuschung Im Erlenbusch, im Tannenhain 7/7/1815 Text by Kosegarten; Publ. as Op. posth. 165 No. 4 in 1862
231 231 172p,4
(1865)
XX, 2
No. 94
IV, 8 No. 33 Das Sehnen Wehmut, die mich hüllt 8/7/1815 Text by Kosegarten
232 232 112p,3
(1829)
XVII
No. 8
III, 2a No. 6
2b Anh. No. 2
Hymne an den Unendlichen Zwischen Himmel und Erd' 11/7/1815 Text by Schiller; For satb and piano
233 233 118p,1
(1829)
XX, 2
No. 96
IV, 8 No. 34 Geist der Liebe, D 233 Wer bist du, Geist der Liebe 15/7/1815 Text by Kosegarten
234 234 118p,3
(1829)
XX, 2
No. 97
IV, 8 No. 35 Tischlied Mich ergreift, ich weiß nicht wie 15/7/1815 Text by Goethe
235 235 (1894) XX, 2
No. 100
IV, 8 No. 36 Abends unter der Linde, D 235 Woher, o namenloses Sehnen 24/7/1815 Text by Kosegarten (other setting: D 237)
236 236 (1892) XIX
No. 6
III, 2a
No. 7
Das Abendrot, D 236 Der Abend blüht, der Westen glüht! 20/7/1815 Text by Kosegarten; for ssb and piano
237 237 (1872) XX, 2
No. 101
IV, 8 No. 37 Abends unter der Linde, D 237 Woher, o namenloses Sehnen 25/7/1815 Text by Kosegarten (other setting: D 235)
238 238 (1894) XX, 2
No. 102
IV, 8 No. 38 Die Mondnacht Siehe, wie die Mondesstrahlen 25/7/1815 Text by Kosegarten
239 239 (1893) XV, 7
No. 11
II, 14 Claudine von Villa Bella (Singspiel in three acts) started
26/7/1815
Text by Goethe; For ssttbbSATB and orchestra; Overture (in AGA) – Nos. 1–8 (Act I, in AGA) – No. 9 (fragment from Act II) – No. 10 (fragment from Act III); Other music lost
240 240 (1894) XX, 2
No. 103
IV, 8 No. 39 Huldigung Ganz verloren, ganz versunken 27/7/1815 Text by Kosegarten
241 241 (1894) XX, 2
No. 104
IV, 8 No. 40 Alles um Liebe Was ist es, das die Seele füllt? 27/7/1815 Text by Kosegarten
242 242 (1892) XIX
No. 18
III, 4
No. 27
Trinklied im Winter, a.k.a. Winterlied, D 242 Das Glas gefüllt! August
1815?
Text by Hölty (other setting: D 242A); For ttb
242A IV, 8
No. 41
Winterabend, D 242A,[16] a.k.a. Winterlied Das Glas gefüllt! 1815? Text by Hölty (other setting: D 242)
243 243 (1892) XIX
No. 19
III, 4
No. 28
Frühlingslied, D 243 Die Luft ist blau August
1815?
Text by Hölty (other setting: D 398); For ttb
244 244 (1892) XIX
No. 27
III, 4 No. 29
VIII, 2 No. 25
Willkommen, lieber schöner Mai Willkommen, lieber schöner Mai August
1815?
Text by Hölty; Canon for three voices in two sections
246 246 (1830) XX, 3
No. 109
IV, 8
No. 42
Die Bürgschaft, D 246 Zu Dionys, dem Tyrannen August
1815
Text by Schiller; Partly reused in D 435
247 247 118p,6
(1829)
XX, 3
No. 119
IV, 8
No. 43
Die Spinnerin Als ich still und ruhig spann August
1815
Text by Goethe
248 248 118p,4
(1829)
XX, 3
No. 135
IV, 8
No. 44
Lob des Tokayers O köstlicher Tokayer, o königlicher Wein August
1815
Text by Baumberg
249 249 III, 2b
Anh. No. 4a
Die Schlacht, D 249 Schwer und dumpfig 1/8/1815 Text by Schiller (other setting: D 387); Sketch
250 250 (1872) XX, 3
No. 105
IV, 13 Das Geheimnis, D 250 Sie konnte mir kein Wörtchen sagen 7/8/1815 Text by Schiller (other setting: D 793)
251 251 (1872) XX, 3
No. 106
IV, 4 Hoffnung, D 251 Es reden und träumen die Menschen viel 7/8/1815 Text by Schiller (other setting: D 637)
252 252 (1887) XX, 3
No. 108
IV, 8
No. 46
Das Mädchen aus der Fremde, D 252 In einem Tal bei armen Hirten 12/8/1815 Text by Schiller (other setting: D 117)
253 253 (1887) XX, 3
No. 110
III, 4 No. 30
IV, 8 No. 47
Punschlied: Im Norden zu singen Auf der Berge freien Höhen 18/8/1815 Text by Schiller; Two versions: 2nd for two voices
254 254 (1887) XX, 3
No. 111
IV, 8
No. 48
Der Gott und die Bajadere Mahadöh, der Herr der Erde 18/8/1815 Text by Goethe
255 255 (1850) XX, 3
No. 112
IV, 8
No. 49
Der Rattenfänger Ich bin der wohlbekannte Sänger 19/8/1815 Text by Goethe
256 256 (1887) XX, 3
No. 113
IV, 8
No. 50
Der Schatzgräber Arm am Beutel, krank am Herzen 19/8/1815 Text by Goethe
257 257 3,3
(1821)
XX, 3
No. 114
IV, 1a Heidenröslein Sah ein Knab' ein Röslein stehn 19/8/1815 Text by Goethe
258 258 (1887) XX, 3
No. 115
IV, 8
No. 51
Bundeslied In allen guten Stunden 19/8/1815 Text by Goethe
259 259 (1850) XX, 3
No. 116
IV, 9 No. 27 An den Mond, D 259 Füllest wieder Busch und Tal 19/8/1815 Text by Goethe (other setting: D 296)
260 260 115p,2
(1829)
XX, 3
No. 117
IV, 8
No. 52
Wonne der Wehmut Trocknet nicht, trocknet nicht 20/8/1815 Text by Goethe; Reused in D
261 261 (1850) XX, 3
No. 118
IV, 8
No. 53
Wer kauft Liebesgötter? Von allen schönen Waren 21/8/1815 Text by Goethe, from Der Zauberflöte zweiter Teil
262 262 (1895) XX, 3
No. 134
IV, 9 No. 1 Die Fröhlichkeit Wess' Adern leichtes Blut durchspringt 22/8/1815 Text by Prandstätter [de]
263 263 (1848) XX, 3
No. 123
IV, 9 No. 2 Cora an die Sonne Nach so vielen trüben Tagen 22/8/1815 Text by Baumberg
264 264 (1850)
(1872)
XX, 3
No. 124
IV, 9 No. 3 Der Morgenkuß Durch eine ganze Nacht sich nah zu sein 22/8/1815 Text by Baumberg; Two versions: 2nd, publ. in 1850, in AGA
265 265 (1895) XX, 3
No. 125
IV, 9 No. 4 Abendständchen: An Lina Sei sanft wie ihre Seele 23/8/1815 Text by Baumberg
266 266 (1895) XX, 3
No. 126
IV, 9 No. 5 Morgenlied, D 266 Willkommen, rotes Morgenlicht! 24/8/1815 Text by Stolberg-Stolberg
267 267 (1872) XVI
No. 17
III, 3 Trinklied, D 267 Auf! Jeder sei nun froh und sorgenfrei! 25/8/1815 For ttbb and piano
268 268 (1872) XVI
No. 18
III, 3 Bergknappenlied Hinab, ihr Brüder, in den Schacht! 25/8/1815 For ttbb and piano
269 269 (1848) XVIII
No. 5
III, 3 Das Leben Das Leben ist ein Traum 25/8/1815 Text by Wannovius [scores]; Two versions: 1st for tbb and piano – 2nd, in AGA, for ssa and piano
270 270 118p,5
(1829)
XX, 3
No. 127
IV, 9 No. 6 An die Sonne, D 270 Sinke, liebe Sonne 25/8/1815 Text by Baumberg
271 271 (1895) XX, 3
No. 128
IV, 9 No. 7 Der Weiberfreund Noch fand von Evens Töchterscharen ich keine 25/8/1815 Text by Ratschky [de], after Cowley
272 272 (1872) XX, 3
No. 129
IV, 9 No. 8 An die Sonne, D 272 Königliche Morgensonne 25/8/1815 Text by Tiedge
273 273 (1895) XX, 3
No. 130
IV, 9 No. 9 Lilla an die Morgenröte Wie schön bist du, du güldne Morgenröte 25/8/1815
274 274 (1850) XX, 3
No. 131
IV, 9 No. 10 Tischlerlied Mein Handwerk geht durch alle Welt 25/8/1815
275 275 (1895) XX, 3
No. 132
IV, 9 No. 11 Totenkranz für ein Kind Sanft wehn, im Hauch der Abendluft 25/8/1815 Text by Matthisson
276 276 (1895) XX, 3
No. 133
IV, 9 No. 12 Abendlied, D 276 Groß und rotenflammet 28/8/1815 Text by Stolberg-Stolberg
277 277 (1892) XIX
No. 7
III, 3 Punschlied, D 277 Vier Elemente, inning gesellt 29/8/1815 Text by Schiller; For ttb and piano
277A (1925) VII/2, 4 Minuet with Trio, D 277A A minor (minuet) / F major (trio) September
1815?
For piano; Partly reused in D 279
278 278 (1830)
(1897)
XX, 3
No. 147;
XXII, 11
No. 147
IV, 9 No. 13 Anh. No. 1 Ossians Lied nach dem Falle Nathos Beugt euch aus euren Wolken nieder 1815 Text by Macpherson (Ossian), from Dar-Thula, transl. by E. Baron de Harold; Two versions: 1st is a fragment – 2nd publ. in 1830
279 279 (1888) X No. 2 VII/2, 1
No. 2
Piano Sonata, D 279 C major September
1815
Allegro moderato – Andante – Minuet (partly based on D 277A); D 309A, or 346, may be 4th movement
280 280 (1837) XX, 3
No. 139
IV, 9 No. 14 Das Rosenband Im Frühlingsgarten fand ich sie September
1815
Text by Klopstock
281 281 (1830) XX, 3
No. 148
IV, 9 No. 15 Das Mädchen von Inistore Mädchen Inistores, wein auf dem Felsen September
1815
Text by Macpherson (Ossian), from Fingal, Book I, transl. by E. Baron de Harold
282 282 (1830) XX, 4
No. 188
IV, 9 No. 16 Cronnan Ich sitz' bei der moosigten Quelle 5/9/1815 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold
283 283 172p,5
(1865)
XX, 3
No. 136
IV, 11 An den Frühling, D 283 Willkommen, schöner Jüngling! 6/9/1815 Text by Schiller (other settings: D 338 and 587)
284 284 (1895) XX, 3
No. 137
IV, 9 No. 17 Lied, D 284 Es ist so angenehm, so süß 6/9/1815 Text by Schiller(?)
285 285 (1885)
(1895)
XX, 3
No. 138
IV, 9 No. 18 Anh. No. 2 Furcht der Geliebten, a.k.a. An Cidli Cidli, du weinest 12/9/1815 Text by Klopstock, from Oden; Two versions: 2nd publ. in 1885
286 286 (1837)
(1895)
XX, 3
No. 140
IV, 9 No. 19 Selma und Selmar Weine du nicht 14/9/1815 Text by Klopstock; Two versions: 2nd publ. in 1837
287 287 (1895) XX, 3
No. 141
IV, 9 No. 20 Vaterlandslied Ich bin ein deutsches Mädchen 14/9/1815 Text by Klopstock, from Oden; Two versions
288 288 (1895) XX, 3
No. 142
IV, 9 No. 21 An Sie Zeit, Verkündigerin der besten Freuden 14/9/1815 Text by Klopstock, from Oden
289 289 (1895) XX, 3
No. 143
IV, 9 No. 22 Die Sommernacht Wenn der Schimmer von dem Monde 14/9/1815 Text by Klopstock; Two versions
290 290 (1837) XX, 3
No. 144
IV, 9 No. 23 Die frühen Gräber Willkommen, o silberner Mond 14/9/1815 Text by Klopstock, from Oden
291 291 (1831)
(1895)
XX, 3
No. 145
IV, 9 No. 24 Dem Unendlichen Wie erhebt sich das Herz 15/9/1815 Text by Klopstock; Three versions: 2nd publ. in 1831
293 293 (1830) XX, 3
No. 146
IV, 9 No. 25 Shilric und Vinvela Mein Geliebter ist ein Sohn des Hügels 20/9/1815 Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold
294 294 (1892) XVII
No. 4
III, 1 Namensfeier für Franz Michael Vierthaler, a.k.a. Gratulations-Kantate Erhabner! Verehrter Freund der Jugend! 27/9/1815 For stbSTB and orchestra
295 295 (1872)
(1895)
XX, 3
No. 175
IV, 9 No. 26 Hoffnung, D 295 Schaff, das Tagwerk meiner Hände 1815 or
1816?
Text by Goethe; Two versions: 1st publ. in 1872
296 296 (1868) XX, 3
No. 176
IV, 9 No. 28 An den Mond, D 296 Füllest wieder Busch und Tal 1815 or
1816?
Text by Goethe (other setting: D 259)
297 297 (1850)
(1895)
XX, 3
No. 171
IV, 9 No. 29 Anh. No. 3 Augenlied Süße Augen, klare Bronnen! spring
1817?
Text by Mayrhofer; Two versions: 2nd publ. in 1850
298 298 (1895) XX, 3
No. 170
IV, 9 No. 30 Liane Hast du Lianen nicht gesehen? October
1815
Text by Mayrhofer
299 299 (1897)
(1912)
XXI, 3
No. 29
VII/2, 6 Twelve Écossaises, D 299 Various keys 3/10/1815 For piano; No. 1 similar to D 145 Écoss. No. 1; Nos. 9–12 publ. in 1912
300 300 (1842) XX, 6
No. 398
IV, 9 No. 31 Der Jüngling an der Quelle Leise, rieselnder Quell 1816 or
1817?
Text by Salis-Seewis
301 301 (1842) XX, 3
No. 149
IV, 9 No. 32 Lambertine O Liebe, die mein Herz erfüllet 12/10/1815 Text by Stoll [scores]
302 302 (1895) XX, 3
No. 150
IV, 9 No. 33 Labetrank der Liebe Wenn im Spiele leiser Töne 15/10/1815 Text by Stoll [scores]
303 303 (1887) XX, 3
No. 151
IV, 9 No. 34 An die Geliebte O, daß ich dir vom stillen Auge 15/10/1815 Text by Stoll [scores]; Music partly reused in D 497
304 304 (1895) XX, 3
No. 152
IV, 9 No. 35 Wiegenlied, D 304 Schlumm're sanft! Noch an dem Mutterherzen 15/10/1815 Text by Körner
305 305 (1895) XX, 3
No. 153
IV, 9 No. 36 Mein Gruß an den Mai Sei mir gegrüßt, o Mai 15/10/1815 Text by Kumpf [de]
306 306 (1895) XX, 3
No. 154
IV, 9 No. 37 Skolie, D 306 Laßt im Morgenstrahl des Mai'n 15/10/1815 Text by Deinhardstein [de]
307 307 (1895) XX, 3
No. 155
IV, 9 No. 38 Die Sternenwelten Oben drehen sich die großen unbekannten Welten dort 15/10/1815 Text by Fellinger [wikisource:de], after Jarnik
308 308 (1895) XX, 3
No. 156
IV, 9 No. 39 Die Macht der Liebe Überall, wohin mein Auge blicket 15/10/1815 Text by Kalchberg [wikisource:de]
309 309 (1872) XX, 3
No. 157
IV, 9 No. 40 Das gestörte Glück Ich hab' ein heißes junges Blut 15/10/1815 Text by Körner
309A VII/2, 1
Anh. No. 2
Rondo, D 309A C major 1815 For piano; Fragment; 4th movement of D 279?
310 310 (1895) XX, 3
No. 158
IV, 3 Sehnsucht, D 310, a.k.a. Lied der Mignon Nur wer die Sehnsucht kennt 18/10/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 359, 481, 656 and 877 Nos. 1 & 4); Two versions
311 311 IV, 9
Anh. No. 3
An den Mond, D 311 19/10/1815? For voice and piano; Sketch without text
312 312 58,1
(1826)
(1895)
XX, 3
No. 159
IV, 3 Hektors Abschied Will sich Hektor ewig von mir wenden 19/10/1815 Text by Schiller; Two versions: 2nd is Op. 58 No. 1
313 313 (1895) XX, 3
No. 160
IV, 9 No. 41 Die Sterne, D 313 Wie wohl ist mir im Dunkeln! 19/10/1815 Text by Kosegarten
314 314 (1887) XX, 3
No. 161
IV, 9 No. 42 Nachtgesang, D 314 Tiefe Feier schauert um die Welt 19/10/1815 Text by Kosegarten
315 315 (1895) XX, 3
No. 162
IV, 9 No. 43 An Rosa I Warum bist du nicht hier 19/10/1815 Text by Kosegarten
316 316 (1895) XX, 3
No. 163
IV, 9 No. 44 An Rosa II Rosa, denkst du an mich? 19/10/1815 Text by Kosegarten; Two versions
317 317 (1895) XX, 3
No. 164
IV, 9 No. 45 Idens Schwanenlied Wie schaust du aus dem Nebelflor 19/10/1815 Text by Kosegarten; Two versions: 2nd in AGA
318 318 (1895) XX, 3
No. 165
IV, 9 No. 46 Schwangesang Endlich stehn die Pforten offen 19/10/1815 Text by Kosegarten
319 319 (1895) XX, 3
No. 166
IV, 9 No. 47 Luisens Antwort Wohl weinen Gottes Engel 19/10/1815 Text by Kosegarten
320 320 (1895) XX, 3
No. 167
IV, 9 No. 48 Der Zufriedene Zwar schuf das Glück hienieden 23/10/1815 Text by Reissig [de]
321 321 (1832) XX, 3
No. 168
IV, 9 No. 49 Mignon a.k.a. Mignons Gesang Kennst du das Land 23/10/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship III, 1
322 322 (1837) XX, 3
No. 169
IV, 9 No. 50 Hermann und Thusnelda Ha, dort kömmt er 27/10/1815 Text by Klopstock
323
991
323 (1895) XX, 3
No. 172
IV, 9 No. 51 Anh. Nos. 5–6 Klage der Ceres Ist der holde Lenz erschienen? 9/11/1815–
June 1816
Text by Schiller; Two versions: 2nd in AGA; A fragment of the last part was D 991
324 324 141p
(1837)
XIII, 1
No. 3
I, 2 Mass No. 3 B major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
started
11/11/1815
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 452, 678, 755 and 950); For satbSATB and orchestra
324A IV, 8
No. 41
Winterlied, D 324A 1816?[17]
325 325 (1895) XX, 3
No. 173
IV, 1b No. 9 Harfenspieler, D 325 Wer sich der Einsamkeit ergibt 13/11/1815 Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 478 No. 1)
326 326 (1888) XV, 2
No. 4
II, 3 Die Freunde von Salamanka (Singspiel in two acts) 18/11/1815–
31/12/1815
Text by Mayrhofer; Music for ssstttbbbbbbSATB and orchestra; Overture – Act I (Nos. 1–7) – Act II (Nos. 8–18, with music of No. 12 reappearing in D 803 and of No. 14 in D 796 No. 15)
327 327 IV, 10 Lorma, D 327 Lorma saß in der Halle von Aldo 28/11/1815 Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 376); Fragment
328 328 1
(1821)
(1895)
XX, 3
No. 178
IV, 1a &
b No. 1
Erlkönig Wer reitet so spät durch Nacht und Wind? October
1815?
Text by Goethe; Four versions: 2nd and 3rd switched in AGA – 4th is Op. 1
329 329 (1895) XX, 10
No. 591
IV, 9
Anh. No. 7
Die drei Sänger Der König saß beim frohen Mahle 23/12/1815 Text by Bobrik [scores]; Fragment
329A III, 2b Anh. No. 3
VIII, 2 No. 27
Das Grab, D 329A Das Grab ist tief und stille 28/12/1815? Text by Salis-Seewis (other settings: D 330, 377, 569 and 643A); Canon for SATB; Sketch
330 330 (1895) XX, 3
No. 182
III, 3 Das Grab, D 330 Das Grab ist tief und stille 28/12/1815 Text by Salis-Seewis (other settings: D 329A, 377, 569 and 643A); For choir and piano
331–510
1816 Up ↑
331
332
331 (1866) XVI
No. 38
III, 4
No. 31
Der Entfernten, D 331 Wohl denk' ich allenthalben c. 1816 Text by Salis-Seewis (other setting: D 350); For ttbb; Identical to former D 332
334 334 (1897) XXI, 3
No. 24
VII/2, 4 Minuet with Trio, D 334 A major (minuet) / E major (trio) before
fall 1815
For piano
335 335 (1897) XXI, 3
No. 25
VII/2, 6 Minuet with two Trios E major 1813? For piano
337 337 (1860) XVI
No. 39
III, 4
No. 32
Die Einsiedelei, D 337, a.k.a. Lob der Einsamkeit Es rieselt klar und wehend ein Quell c. 1816 Text by Salis-Seewis (other settings: D 393 and 563); For ttbb
338 338 (1891) XVI
No. 40
III, 4
No. 33
An den Frühling, D 338 Willkommen, schöner Jüngling! c. 1816 Text by Schiller (other settings: D 283 and 587); For ttbb
342 342 (1885) XX, 4
No. 238
IV, 10 An mein Klavier a.k.a. Seraphine an ihr Klavier Sanftes Klavier, welche Entzückungen schaffest du mir c. 1816 Text by Schubart
343 343 (1831) XX, 5
No. 342
IV, 10 Am Tage Aller Seelen a.k.a. Litanei auf das Fest Aller Seelen Ruh'n in Frieden alle Seelen August
1816
Text by Jacobi; Two versions: 1st, in AGA, publ. in 1831
344 344 IV, 10 Am ersten Maimorgen Heute will ich fröhlich sein 1816? Text by Claudius
345 345 (1897) XXI, 1
No. 3
V, 7 No. 1 Violin Concerto, a.k.a. Konzertstück (Concert Piece) D major 1816 Adagio, Allegro
346 346 (1897) XXI, 3
No. 17
VII/2, 4 Anh. Allegretto, D 346 C major 1816? For piano; Fragment; 4th movement of D 279?
347 347 (1897) XXI, 3
No. 18
VII/2, 4 Anh. Allegro moderato, D 347 C major 1813? For piano; Fragment
348 348 (1897) XXI, 3
No. 19
VII/2, 4 Anh. Andantino, D 348 C major 1816? For piano; Fragment
349 349 (1897) XXI, 3
No. 21
VII/2, 4 Anh. Adagio, D 349 C major 1816? For piano; Fragment
350 350 (1885) XX, 4
No. 203
IV, 10 Der Entfernten, D 350 Wohl denk' ich allenthalben 1816? Text by Salis-Seewis (other setting: D 331)
351 351 (1895) XX, 4
No. 204
IV, 11 Fischerlied, D 351 Das Fischergewerbe gibt rüstigen Mut 1816? Text by Salis-Seewis (other settings: D 364 and 562)
352 352 (1847) XX, 4
No. 286
III, 2b
No. 21
Licht und Liebe a.k.a. Nachtgesang Liebe ist ein süßes Licht 1816? Text by Collin, M. C.; For st and piano
353 353 125p,2
(1840)
V No. 11 VI, 4
No. 12
String Quartet No. 11 E major 1816 Allegro con fuoco – Andante – Minuet – Rondo
354 354 (1930) VI, 9 Four Komische Ländler D major January
1816
For two violins
355 355 (1928) VI, 9 Eight Ländler, D 355 F minor January
1816
For violin(?)
356 356 (1844) III, 3 Trinklied, D 356 Funkelnd im Becher so helle, so hold 1816 For vocal soloist, TTBB and piano; Piano part lost (by Czerny in 1844 ed.)
357 357 (1892) XIX
No. 24
III, 4 No. 35
VIII, 2 No. 28
Goldner Schein Goldner Schein deckt den Hain 1/5/1816 Text by Matthisson; Canon for three voices
358 358 (1849) XX, 4
No. 235
IV, 10 Die Nacht, D 358 Du verstörst uns nicht, o Nacht! 1816 Text by Uz
359 359 (1872) XX, 4
No. 260
IV, 3 Sehnsucht, D 359 a.k.a. Lied der Mignon Nur wer die Sehnsucht kennt 1816 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 481, 656 and 877 Nos. 1 & 4)
360 360 65,1
(1826)
XX, 4
No. 268
IV, 3 Lied eines Schiffers an die Dioskuren Dioskuren, Zwillingssterne 1816 Text by Mayrhofer
361 361 109p,1
(1829)
XX, 4
No. 272
IV, 10 Am Bach im Frühling Du brachst sie nun, die kalte Rinde 1816 Text by Schober; Piano intro probably not by Schubert
362 362 (1895) XX, 4
No. 280
IV, 11 Zufriedenheit, D 362, a.k.a. Lied Ich bin vergnugt 1815 or
1816?
Text by Claudius (other setting: D 501)
363 363 IV, 10 An Chloen, D 363 Die Munterkeit ist meinen Wangen 1816 Text by Uz; Fragment
364 364 (1897) XXI, 4
No. 35
III, 4
No. 34
Fischerlied, D 364 Das Fischergewerbe gibt rüstigen Mut 1816 or
1817?
Text by Salis-Seewis (other settings: D 351 and 562); For ttbb
365 365 9
(1821)
XII
No. 1
VII/2, 6
& 7a
36 Original Dances a.k.a. Erste Walzer Various keys c. Mar. 1818–
Jul. 1821
For piano; No. 2 publ. in 1826 as Beethoven's (Kinksky Anh. 14 No. 1)
366 366 (1824)
(1869)
XII
No. 10
VII/2, 6
& 7a
17 Ländler, D 366 Various keys c. Jul. 1824–
Nov. 1824
For piano; Nos. 6 and 17 publ. in 1824; No. 7 partly reappears in D 618 and No. 17 in D 814
367 367 5,5
(1821)
XX, 4
No. 261
IV, 1a Der König in Thule Es war ein König in Thule early 1816 Text by Goethe, from Faust I, 8
368 368 3,4
(1821)
XX, 4
No. 262
IV, 1a Jägers Abendlied, D 368 Im Felde schleich ich, still und wild early 1816? Text by Goethe (other setting: D 215)
369 369 19,1
(1825)
XX, 4
No. 263
IV, 1a An Schwager Kronos Spute dich, Kronos! 1816 Text by Goethe
370 370 (1930) VI, 9 Nine Ländler, D 370 D major January
1816
For violin?; No. 7 reused in D 378 No. 6
371
292
371 (1872) XX, 4
No. 185
IV, 10 Klage, D 371 Trauer umfließt mein Leben January
1816
Two versions: 1st, a sketch, was D 292
372 372 (1895) XX, 4
No. 183
IV, 10 An die Natur Süße, heilige Natur 15/1/1816 Text by Stolberg-Stolberg
373 373 (1895) XX, 4
No. 184
IV, 10 Lied, D 373 Mutter geht durch ihre Kammern 15/1/1816? Text by Motte Fouqué, from Undine
374 374 (1902) VI, 9 11 Ländler, D 374 B major February
1816?
For violin; Nos. 1–3, 5, 7 and 11 reused in Nos. 1–5 and 7 of D 378; No. 2 also partly in D 146 No. 10
375 375 (1830) XX, 4
No. 187
IV, 10 Der Tod Oskars Warum öffnest du wieder February
1816
Text by Macpherson (Ossian), transl. by E. Baron de Harold
376 376 (1895) XX, 10
No. 592
IV, 10 Lorma, D 376 Lorma saß in der Halle von Aldo 10/2/1816 Text by Macpherson (Ossian), from The Battle of Lora, transl. by E. Baron de Harold (other setting: D 327); Fragment
377 377 (1872) XX, 4
No. 186
III, 3 Das Grab, D 377 Das Grab ist tief und stille 11/2/1816 Text by Salis-Seewis (other settings: D 329A, 330, 569 and 643A); For TTBB and piano
378 378 (1889) XII
No. 12
VII/2, 6 Eight Ländler, D 378 B major 13/2/1816 For piano; Nos. 1–5 and 7 reuse D 374 Nos. 1–3, 7, 11 and 5; No. 2 partly in D 146 No. 10; No. 6 reuses D 370 No. 7
379 379 (1859) XIV No. 17 I, 9
No. 13
& Anh. 2
Deutsches Salve Regina (German Salve Regina) Sei, Mutter der Barmherzigkeit
F major
21/2/1816 Text: after Salve Regina; For SATB and organ
380 380 (1897)
(1956)
(1989)
XXI, 2
No. 28
VII/2, 6 Three Minuets, each with Two Trios E major (No. 1)
A major (No. 2)
C major (No. 3)
22/2/1816 For piano; AGA only Nos. 1–2; Start of No. 3, a fragment (1st trio incomplete, 2nd trio missing), reused in D 557
381 381 (1895) XX, 4
No. 189
IV, 10 Morgenlied, D 381 Die frohe, neubelebte Flur 24/2/1816
382 382 (1895) XX, 4
No. 190
IV, 10 Abendlied, D 382 Sanft glänzt die Abendsonne 24/2/1816
383
992
383 (1888) XIV No. 13 I, 7 Stabat Mater, D 383, a.k.a. Deutsches Stabat Mater (German Stabat Mater) Jesus Christus schwebt am Kreuze
F minor
started
28/2/1816
Text by Klopstock after Stabat Mater; For stbSATB and orchestra; Sketch for Nos. 5–6 was D 992
384 384 137p,1
(1836)
VIII
No. 2
VI, 8 No. 1
& anh. 1
Violin Sonata, D 384, a.k.a. Sonatina No. 1 D major March 1816 Allegro molto (+early version in NSA) – Andante – Allegro vivace
385 385 137p,2
(1836)
VIII
No. 3
VI, 8 No. 2 Violin Sonata, D 385, a.k.a. Sonatina No. 2 A minor March 1816 Allegro moderato – Andante – Minuet – Allegro
386 386 (1833) XIV No. 20 I, 9
No. 12
& Anh. 1
Salve Regina, D 386 B major
Salve Regina
early 1816 Text: Salve Regina (other settings: D 27, 106, 223, 676 and 811); For SATB
387 387 (1897) XXI, 4
No. 44
III, 2b
Anh. No. 4b
Die Schlacht, D 387 Schwer und dumpfig March 1816 Text by Schiller (other setting: D 249); Sketch for vocal soloists, choir and piano; Music partly in D 249 and 602 No. 1
388 388 (1895) XX, 4
No. 193
IV, 10 Laura am Klavier Wenn dein Finger durch die Saiten meistert March 1816 Text by Schiller; Two versions
389 389 (1873) XX, 4
No. 194
IV, 3 Des Mädchens Klage, D 389 Der Eichwald brauset March 1816 Text by Schiller, from Wallenstein: Die Piccolomini III, 7 (other settings: D 6 and 191)
390 390 (1895) XX, 4
No. 195
IV, 10 Entzückung an Laura, D 390 Laura, über diese Welt March 1816 Text by Schiller (other setting: D 577)
391 391 111p,3
(1829)
XX, 4
No. 196
IV, 10 Die vier Weltalter Wohl perlet im Glase March 1816 Text by Schiller
392 392 (1895) XX, 4
No. 197
IV, 10 Pflügerlied Arbeitsam und wacker March 1816 Text by Salis-Seewis
393 393 (1845) XX, 4
No. 198
IV, 11 Die Einsiedelei, D 393 Es rieselt klar und wehend ein Quell March 1816 Text by Salis-Seewis (other settings: D 337 and 563)
394 394 (1895) XX, 4
No. 199
IV, 10 An die Harmonie a.k.a. Gesang an die Harmonie Schöpferin beseelter Töne! March 1816 Text by Salis-Seewis
395 395 111p,2
(1829)
XX, 4
No. 205
IV, 10 Lebensmelodien Auf den Wassern wohnt mein stilles Leben March 1816 Text by Schlegel, A. W.
396 396 (1975) IV, 2
Anh. No. 1
Gruppe aus dem Tartarus, D 396 Horch, wie Murmeln des empörten Meeres March 1816 Text by Schiller (other settings: D 65 and 583); Fragment
397 397 (1832) XX, 4
No. 191
IV, 10 Ritter Toggenburg Ritter, treue Schwesterliebe 13/3/1816 Text by Schiller
398 398 (1887) XX, 4
No. 217
IV, 10 Frühlingslied, D 398 Die Luft ist blau 13/5/1816 Text by Hölty (other setting: D 243)
399 399 (1895) XX, 4
No. 218
IV, 10 Auf den Tod einer Nachtigall, D 399 Sie ist dahin, die Maienlieder tönte 13/5/1816 Text by Hölty (other setting: D 201)
400 400 (1895) XX, 4
No. 219
IV, 10 Die Knabenzeit Wie glücklich, wem das Knabenkleid 13/5/1816 Text by Hölty
401 401 (1895) XX, 4
No. 220
IV, 10 Winterlied, D 401 Keine Blumen blühn 13/5/1816 Text by Hölty
402 402 (1872) XX, 4
No. 192
IV, 10 Der Flüchtling Frisch atmet des Morgens lebendiger Hauch 18/3/1816 Text by Schiller (other setting: D 67)
403 403 (1845)
(1895)
XX, 4
No. 201
IV, 10 Lied, D 403 In's stille Land 27/3/1816 Text by Salis-Seewis; Four versions: 1st, publ. in 1845, and 2nd in AGA; Music partly reappears in D 877 No. 4
404 404 (1885) XX, 4
No. 200
IV, 10 Die Herbstnacht a.k.a. Die Wehmuth Mit leisen Harfentönen March 1816 Text by Salis-Seewis
405 405 (1895) XX, 4
No. 202
IV, 10 Der Herbstabend Abendglockenhalle zittern April 1816 Text by Salis-Seewis; Two versions: 1st in AGA
406 406 (1887) XX, 4
No. 208
IV, 10 Abschied von der Harfe Noch einmal tön, o Harfe March 1816 Text by Salis-Seewis
407
441
407 (1891)
(1892)
XVI
No. 44
XIX
No. 5
VIII, 2
No. 31
Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri Gütigster, Bester! Weisester Größter! – So Güt’ als Weisheit strömen mild – Unser aller Großpapa, bleibe noch recht lange da before
16/6/1816
Text by Schubert; Quartet for ttbb (+variant in AGA XIX, formerly D 441, for ttb and piano) – Aria for t and piano – Canon for three voices
408 408 137p,3
(1836)
VIII
No. 4
VI, 8 No. 3 Violin Sonata, D 408, a.k.a. Sonatina No. 3 G minor April 1816 Allegro giusto – Andante – Minuet – Allegro moderato
409 409 (1872) XX, 4
No. 206
IV, 10 Die verfehlte Stunde Quälend ungestilltes Sehnen April 1816 Text by Schlegel, A. W.
410 410 115p,3
(1829)
XX, 4
No. 207
IV, 10 Sprache der Liebe Laß dich mit gelinden Schlägen rühren April 1816 Text by Schlegel, A. W.
411 411 (1887) XX, 4
No. 209
IV, 10 Daphne am Bach Ich hab' ein Bächlein funden April 1816 Text by Stolberg-Stolberg
412 412 (1838) XX, 4
No. 210
IV, 10 Stimme der Liebe, D 412 Meine Selinde April 1816 Text by Stolberg-Stolberg; Two versions: 2nd in AGA
413 413 (1895) XX, 4
No. 211
IV, 10 Entzückung Tag voll Himmel! April 1816 Text by Matthisson
414 414 (1895) XX, 4
No. 212
IV, 10 Geist der Liebe, D 414 Der Abend schleiert Flur und Hain April 1816 Text by Matthisson (other setting: D 747)
415 415 (1895) XX, 4
No. 213
IV, 10 Klage, D 415 Die Sonne steigt, die Sonne sinkt April 1816 Text by Matthisson
416 416 (1825) IV, 10 Lied in der Abwesenheit Ach, mir ist das Herz so schwer April 1816 Text by Stolberg-Stolberg; Fragment
417 417 (1884) I, 2
No. 4
V, 2
No. 4
Symphony No. 4
Tragic
C minor completed
27/4/1816
Adagio molto, Allegro vivace – Andante – Minuet – Allegro
418 418 (1895) XX, 4
No. 214
IV, 10 Stimme der Liebe, D 418 Abendgewölke schweben hell 29/4/1816 Text by Matthisson (other setting: D 187)
419 419 (1895) XX, 4
No. 215
IV, 10 Julius an Theone Nimmer, nimmer darf ich dir gestehen 30/4/1816 Text by Matthisson
420 420 (1871) XII
No. 11
VII/2, 7a Twelve German Dances, D 420 Various keys 1816 For piano; No. 10 reappears in D 679 No. 1
421 421 (1889) XII
No. 27
VII/2, 6 Six Écossaises, D 421 Various keys May 1816 For piano; No. 1 after D 145 Écoss. No. 5
422 422 16,2
(1823)
XVI
No. 8
III, 3 Naturgenuß, D 422 Im Abendschimmer wallt der Quell 1822? Text by Matthisson (other setting: D 188); For ttbb and piano
423 423 (1974) III, 4
No. 36
Andenken, D 423 Ich denke dein wenn durch den Hain May 1816 Text by Matthisson (other setting: D 99); For ttb
424 424 (1974) III, 4
No. 37
Erinnerungen, D 424 Am Seegestad, in lauen Vollmondsnächten May 1816 Text by Matthisson (other setting: D 98); For ttb
425 425 Lebensbild May 1816 Lost: may be related to D Anh. I/23 with the same lyrics as D 508; For ttb
426 426 III, 4 Trinklied, D 426 Herr Bacchus ist ein braver Mann May 1816 Lost; Text by Bürger(?); For ttb
427 427 (1892) XIX
No. 17
III, 4
No. 38
Trinklied im Mai Bekränzet die Tonnen May 1816 Text by Hölty; For ttb
428 428 (1974) III, 4
No. 39
Widerhall Auf ewig dein, wenn Berg und Meere trennen May 1816 Text by Matthisson; For ttb
429 429 (1885) XX, 4
No. 221
IV, 10 Minnelied Holder klingt der Vogelsang May 1816 Text by Hölty
430 430 (1895) XX, 4
No. 222
IV, 10 Die frühe Liebe Schon im bunten Knabenkleide May 1816 Text by Hölty; Two versions: 1st in AGA
431 431 (1887) XX, 4
No. 223
IV, 10 Blumenlied Es ist ein halbes Himmelreich May 1816 Text by Hölty
432 432 (1850)
(1895)
XX, 4
No. 224
IV, 10 Der Leidende a.k.a. Klage, D 432 Nimmer trag' ich langer May 1816 Other setting: D Anh. I/28; Two versions: 1st publ. in 1850
433 433 (1895) XX, 4
No. 225
IV, 10 Seligkeit Freuden sonder Zahl May 1816 Text by Hölty
434 434 (1850) XX, 4
No. 226
IV, 10 Erntelied Sicheln schallen, Ähren fallen May 1816 Text by Hölty
435 435 (1893) XV, 7
No. 13
II, 13
III, 4 No. 30
Die Bürgschaft, D 435 (Opera in three acts) started
2/5/1816
For four sopranos, three tenors, three basses, two baritones, SATB and orchestra; Unfinished: Nos. 1–9 (Act I) – Nos. 10–14 (Act II, No. 13 in NSA III, 4, No. 14 reuses part of D 246) – Nos. 15–16 (Act III, No. 16 is fragment)
436
437
436 (1850) XX, 4
No. 216
IV, 10 Klage, D 436 Dein Silber schien durch Eichengrün 12/5/1816 Text by Hölty; Two versions: 1st publ. in 1850 – 2nd was D 437
438 438 (1897) XXI, 1
No. 4
V, 7 No. 2 Rondo, D 438 A major June 1816 For violin and string orchestra
439 439 (1872) XVII
No. 12
III, 2a
No. 8
An die Sonne, D 439 O Sonne, Königin der Welt June 1816 Text by Uz; For satb and piano
440 440 (1839) XVII
No. 18
III, 2a
No. 9
Chor der Engel Christ ist erstanden June 1816 Text by Goethe, from Faust I, 1; For SATB
442 442 (1847) XX, 4
No. 227
IV, 10 Das große Halleluja Ehre sei dem Hocherhabnen June 1816 Text by Klopstock; For voice(s?) and piano
443 443 (1895) XX, 4
No. 228
IV, 10 Schlachtlied, D 443, a.k.a. Schlachtgesang Mit unserm Arm ist nichts getan June 1816 Text by Klopstock, from Oden (other setting: D 912); For voice(s?) and piano
444 444 (1831) XX, 4
No. 229
IV, 10 Die Gestirne Es tönet sein Lob June 1816 Text by Klopstock, from Oden
445 445 (1837) XX, 4
No. 230
IV, 10 Edone Dein süßes Bild, Edone June 1816 Text by Klopstock, from Oden
446 446 (1887) XX, 4
No. 231
IV, 10 Die Liebesgötter Cypris, meiner Phyllis gleich June 1816 Text by Uz
447 447 (1895) XX, 4
No. 232
IV, 10 An den Schlaf Komm und senke die umflorten Schwingen June 1816
448 448 (1887) XX, 4
No. 233
IV, 10 Gott im Frühlinge In seinem schimmernden Gewand June 1816 Text by Uz; Two versions: 1st, publ. in 1887, in AGA
449 449 (1872) XX, 4
No. 234
IV, 10 Der gute Hirt Was sorgest du? June 1816 Text by Uz
450 450 (1832)
(1895)
XX, 4
No. 236
IV, 10 Fragment from Aeschylus So wird der Mann June 1816 Text by Mayrhofer after Aeschylus' Eumenides (Oresteia III); Two versions: 2nd publ. in 1832
451 451 Prometheus, D 451 Hervor aus Buschen und Baumen 17/6/1816 Text by Draexler von Carin [de]; Lost; Cantata for soprano, bass, choir and orchestra
452
961
452 48
(1825)
(1829)
XIII, 1
No. 4
I, 2 Mass No. 4 C major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
Jun. 1816–
Oct. 1828
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 678, 755 and 950); For satbSATB and orchestra; 2nd setting of "Benedictus", publ. in 1829, was D 961
453 453 I, 5 Anh. Requiem C minor
IntroitusKyrie
July 1816 Fragment; For SATB and orchestra
454 454 (1872) XX, 4
No. 239
IV, 10 Grablied auf einen Soldaten Zieh hin, du braver Krieger du! July 1816 Text by Schubart
455 455 (1887) XX, 4
No. 240
IV, 10 Freude der Kinderjahre Freude, die im frühen Lenze July 1816 Text by Köpken [scores]
456 456 (1887) XX, 4
No. 241
IV, 10 Das Heimweh, D 456 Oft in einsam stillen Stunden July 1816 Text by Hell
457 457 44
(1827)
XX, 4
No. 237
IV, 3 An die untergehende Sonne Sonne, du sinkst July 1816–
May 1817
Text by Kosegarten
458 458 (1872) XX, 4
No. 242
IV, 10 Aus Diego Manazares: Ilmerine Wo irrst du durch einsame Schatten 30/07/1816 Text by Schlechta [de] from Diego Manazares
459
(Nos.
1–2)
459 (1843) XI No. 14 VII/2, 1
No. 3
Piano Sonata, D 459 E major August
1816
Allegro moderato – Scherzo; With D 459A a.k.a. Fünf Klavierstücke
459
(Nos.
3–5)
459A (1843) XI No. 14 VII/2, 4 Three piano pieces, D 459A C major (No. 1)
A major (No. 2)
E major (No. 3)
1816? Adagio – Scherzo – Allegro patetico; With D 459 a.k.a. Fünf Klavierstücke
460 460 (1888) XIV No. 7 I, 9
No. 6
Tantum ergo, D 460 C major August
1816
Text by Aquinas (other settings: D 461, 730, 739, 750, 962 and Anh. I/17); For sSATB and orchestra
461 461 (1935) I, 9
No. 7
Tantum ergo, D 461 C major August
1816
Text by Aquinas (other settings: D 460, 730, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra
462 462 (1895) XX, 4
No. 244
IV, 10 An Chloen, D 462 Bei der Liebe reinsten Flammen August
1816
Text by Jacobi
463 463 (1895) XX, 4
No. 245
IV, 10 Hochzeit-Lied Will singen euch im alten Ton August
1816
Text by Jacobi
464 464 (1895) XX, 4
No. 246
IV, 10 In der Mitternacht Todesstille deckt das Tal August
1816
Text by Jacobi
465 465 (1885) XX, 4
No. 247
IV, 10 Trauer der Liebe Wo die Taub' in stillen Buchen August
1816
Text by Jacobi; Two versions: 1st, in AGA, publ. 1885
466 466 (1872) XX, 4
No. 248
IV, 10 Die Perle Es ging ein Mann zur Frühlingszeit August
1816
Text by Jacobi
467 467 (1885) XX, 10
No. 593
IV, 10 Pflicht und Liebe Du, der ewig um mich trauert August
1816
Text by Gotter; Fragment
468 468 (1895) XX, 4
No. 243
IV, 10 An den Mond, D 468 Was schauest du so hell 07/08/1816 Text by Hölty
469 469 (1897) XXII, 11 Nos. 394–
395
IV, 3 Mignon, D 469 So laßt mich scheinen, bis ich werde September
1816
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 727 and 877 No. 3); Two versions, both fragments
470
601
470 (1886) II No. 3 VI, 4
Anh. No. 4
Overture, D 470 B major September
1816
For orchestra; Overture to D 472(?); Fragment for string quartet was D 601
471 471 (1890)
(1897)
VI No. 1
XXII, 1 p. 84
VI, 6 No. 1
& Anh. No. 2
String Trio, D 471 B major September
1816
Allegro (AGA VI) – Andante sostenuto (fragment, in AGA XXII)
472 472 128p
(1830)
(1892)
XVII
No. 2
III, 1 Kantate zu Ehren von Josef Spendou Da liegt er, starr – Gottes Bild ist Furst und Staat – Ein Punkt nur ist der Mensch – Die Sonne sticht September
1816
Text by Hoheisel [scores]; For sstbSSATB and orchestra (piano reduction in 1st ed.); Overture: D 470(?); Recitative, aria with choir – Recitative, duet – Recitative, choir – Recitative, quartet with choir
473 473 (1833)
(1895)
XX, 4
No. 249
IV, 10 Liedesend Auf seinem gold'nen Throne September
1816
Text by Mayrhofer; Two versions: 2nd in 1st ed.
474 474 (1832)
(1895)
XX, 4
No. 250
IV, 10 Lied des Orpheus, als er in die Hölle ging Wälze dich hinweg September
1816
Text by Jacobi; Two versions: 2nd in 1st ed.
475 475 (1885) XX, 4
No. 251
IV, 11 Abschied: Nach einer Wallfahrts-Arie bearbeitet Über die Berge zieht ihr fort September
1816
Text by Jacobi
476 476 (1872) XX, 4
No. 252
IV, 11 Rückweg Zum Donaustrom, zur Kaiserstadt September
1816
Text by Mayrhofer
477 477 (1895) XX, 4
No. 253
IV, 11 Alte Liebe rostet nie Alte Liebe rostet nie September
1816
Text by Mayrhofer
478
479
480
478 12
(1822)
(1895)
XX, 4
Nos. 254, 256–
258
, 255
IV, 1a &
b No. 10
& Anh.
Nos. 6–7
Gesänge des Harfners aus "Wilhelm Meister" 1. Wer sich der Einsamkeit ergibt – 2. Wer nie sein Brot mit Tränen aß – 3. An die Türen will ich schleichen September
1816–1822
Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting of No. 1: D 325); No. 2 was D 480; No. 3 was D 479; Two versions: 1st, Harfenspieler I/III/II, composed 1816, publ. 1895, has two variants of No. 2 – 2nd, 1822, is Op. 12
481 481 (1895) XX, 4
No. 259
IV, 3 Sehnsucht, D 481 Nur wer die Sehnsucht kennt September
1816
Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 656 and 877 Nos. 1 & 4)
482 482 (1895) XX, 4
No. 264
IV, 11 Der Sänger am Felsen Klage, meine Flöte, klage September
1816
Text by Pichler, from Idyllen
483 483 (1895) XX, 4
No. 265
IV, 11 Lied, D 483 Ferne von der großen Stadt September
1816
Text by Pichler, from Idyllen
484 484 (1895) XX, 10
No. 594
IV, 11 Gesang der Geister über den Wassern, D 484 Des Menschen Seele gleicht dem Wasser September
1816
Text by Goethe (other settings: D 538, 705 and 714); Fragment
485 485 (1885) I, 2
No. 5
V, 2
No. 5
Symphony No. 5 B major Sept.–3 Oct.
1816
Allegro – Andante con moto – Minuet – Allegro vivace
486 486 (1888) XIV No. 11 I, 9
No. 4
Magnificat Magnificat anima mea Dominum
C major
15/09/1815 Text by Luke (Vulgate translation); For satbSATB and orchestra
487 487 (1865) VII, 1
No. 2
V, 7 No. 4
VI, 7 No. 5
Adagio e Rondo concertante F major October 1816 For piano quartet
488 488 (1888) XIV No. 10 I, 8 Auguste jam coelestium Auguste jam coelestium October 1816 Duet for st and orchestra
489
493
489 4,1
(1821)
(1895)
(1970)
XX, 4
No. 266
IV, 1a &
b No. 5
Der Wanderer, D 489, a.k.a. Der Unglückliche Ich komme vom Gebirge her October 1816 Text by Schmidt von Lübeck; Three versions: 1st and 3rd in AGA 1895 – 2nd and 3rd were D 493 (2nd publ. 1970 – 3rd is Op. 4 No. 1); Music partly reappears in D 760
490 490 (1895) XX, 4
No. 267
IV, 11 Der Hirt Du Turm! zu meinem Leide October 1816 Text by Mayrhofer
491 491 (1887) XX, 4
No. 269
IV, 11 Geheimnis: An F. Schubert Sag an, wer lehrt dich Lieder October 1816 Text by Mayrhofer
492 492 (1849) XX, 4
No. 270
IV, 11 Zum Punsche, D 492 Woget brausend, Harmonien October 1816 Text by Mayrhofer
494 494 (1871) XVI
No. 32
III, 4
No. 41
Der Geistertanz, D 494 Die bretterne Kammer der Toten erbebt November 1816 Text by Matthisson (other settings: D 15, 15A and 116); For ttbbb
495 495 (1868) XX, 4
No. 271
IV, 11 Abendlied der Fürstin Der Abend rötet nun das Tal November 1816 Text by Mayrhofer
496 496 (1885) XX, 4
No. 274
IV, 11 Bei dem Grabe meines Vaters Friede sei um diesen Grabstein her! November 1816 Text by Claudius
140 496A (1968) IV, 7
No. 22
Klage um Ali Bey, D 496A Laßt mich! laßt mich! ich will klagen November 1816 Text by Claudius (other setting: D 140)
497 497 98,1
(1829)
XX, 4
No. 276
IV, 5 An die Nachtigall, D 497 Er liegt und schläft November 1816 Text by Claudius
498 498 98,2
(1829)
XX, 4
No. 277
IV, 5 Wiegenlied, D 498 Schlafe, schlafe, holder süßer Knabe November 1816
499 499 (1885) XX, 4
No. 278
IV, 11 Abendlied, D 499 Der Mond ist aufgegangen November 1816 Text by Claudius
500 500 (1895) XX, 4
No. 279
IV, 11 Phidile Ich war erst sechzehn Sommer alt November 1816 Text by Claudius
501 501 (1895) XX, 4
No. 281
IV, 11 Zufriedenheit, D 501 Ich bin vergnugt November 1816 Text by Claudius (other setting: D 362); Two versions: 1st in AGA
502 502 (1872) XX, 4
No. 282
IV, 11 Herbstlied, D 502 Bunt sind schon die Wälder November 1816 Text by Salis-Seewis
503 503 IV, 11 Mailied, D 503 Grüner wird die Au November 1816 Text by Hölty (other settings: D 129 and 199)
504 504 6,3
(1821)
(1970)
XX, 4
No. 275
IV, 1a &
b No. 8
Am Grabe Anselmos Daß ich dich verloren habe 4/11/1816 Text by Claudius; Two versions: 1st, in AGA, is Op. 6 No. 3
505 505 145p,1
(1848)
(1897)
XI No. 5
XXII, 4 No. 5
VII/2, 2 Adagio, D 505 D major September
1818?
For piano; 2nd movement of D 625?; Abridged variant in E major, in AGA XXI, is Op. posth. 145 No. 1
506 506 145p,2
(1848)
XI No. 5 VII/2, 4 Rondo, D 506 E major June 1817? For piano; 4th movement of D 566?
507 507 (1895) XX, 4
No. 283
IV, 11 Skolie, D 507 Mädchen entsiegelten December 1816 Text by Matthisson
508 508 (1845) XX, 4
No. 284
IV, 11 Lebenslied, D 508 Kommen und Scheiden December 1816 Text by Matthisson (other settings: D Anh. I, 23, and possibly 425)
509 509 (1872) XX, 4
No. 285
IV, 11 Leiden der Trennung Vom Meere trennt sich die Welle December 1816 Text by Metastasio, from Artaserse III, 1, "L'onda dal mar divisa", transl. by Collin, H. J.; Two versions: 1st is a fragment – 2nd in AGA
510 510 (1895) XX, 10
No. 573
IV, 11 Vedi quanto adoro Vedi quanto adoro December 1816 Text by Metastasio, from Didone abbandonata II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by Salieri[15]
511–598
1817 Up ↑
511 511 VII/2, 6 Écossaise, D 511 E major c. 1817 For piano
513 513 (1891) XVI
No. 19
III, 3 La pastorella al prato, D 513 La pastorella al prato 1817? Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 528); For ttbb and piano
513A IV, 11 Nur wer die Liebe kennt Nur wer die Liebe kennt 1817? Text by Werner; Sketch
514 514 7,1
(1823)
XX, 5
No. 300
IV, 1a Die abgeblühte Linde Wirst du halten, was du schwurst 1817? Text by Széchényi [scores]
515 515 7,2
(1823)
XX, 5
No. 301
IV, 1a Der Flug der Zeit Es floh die Zeit im Wirbelfluge 1817? Text by Széchényi [scores]
516 516 8,2
(1822)
XX, 6
No. 386
IV, 1a &
Anh. No. 5
Sehnsucht, D 516 Der Lerche wolkennahe Lieder 1816? Text by Mayrhofer
517 517 13,1
(1822)
(1972)
XX, 5
No. 293
IV, 1a Der Schäfer und der Reiter Ein Schäfer saß im Grünen April 1817 Text by Motte Fouqué; Two versions: 2nd, in AGA, is Op. 13 No. 1
518 518 (1824) XX, 5
No. 326
IV, 5 An den Tod Tod, du Schrecken der Natur 1816 or 1817 Text by Schubart; For b and piano
519 519 173p,5
(1867)
XX, 5
No. 299
IV, 11 Die Blumensprache Es deuten die Blumen des Herzens Gefühle 1817? Text by Platner [scores] (?)
520 520 (1850)
(1895)
XX, 5
No. 289
IV, 11 Frohsinn Ich bin von lockerem Schlage January
1817
Text by Castelli; Two versions: 1st in AGA
521 521 (1830)
(1895)
XX, 5
No. 290
III, 3 Jagdlied Trarah! Trarah! Wir kehren daheim January
1817
Text by Werner, from Wanda, Königin der Sarmaten I (other text in 1830 ed.); For voice (or: unison choir) and piano
522 522 (1895) XX, 5
No. 291
IV, 11 Die Liebe, D 522 Wo weht der Liebe hoher Geist? January
1817
Text by Leon [de]
523 523 (1885) XX, 5
No. 292
IV, 11 Trost, D 523 Nimmer lange weil' ich hier January
1817
524 524 13,3
(1822)
(1895)
(1970)
XX, 5
No. 295
IV, 1a &
b No. 12
Der Alpenjäger, D 524 Auf hohem Bergesrücken January
1817
Text by Mayrhofer; Three versions: 2nd, not in AGA, is for b and piano – 3rd is Op. 13 No. 3
525 525 21,3
(1823)
(1970)
XX, 5
No. 296
IV, 1a &
b No. 18
Wie Ulfru fischt Der Angel zuckt, die Rute bebt January
1817
Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 3
526 526 (1832) XX, 5
No. 297
IV, 11 Fahrt zum Hades Der Nachen dröhnt January
1817
Text by Mayrhofer; For b and piano
527 527 24,2
(1823)
(1975)
XX, 5
No. 298
IV, 2a &
b No. 2
Schlaflied a.k.a. Abendlied a.k.a. Schlummerlied Es mahnt der Wald January
1817
Text by Mayrhofer; Two versions: 2nd, in AGA, is Op. 24 No. 2
528 528 (1872) XX, 10
No. 574
IV, 11 La pastorella al prato, D 528 La pastorella al prato January
1817
Text by Goldoni, from Il filosofo di campagna II, 16 (other setting: D 513); Arietta for soprano and piano
529 529 (1871)
(1897)
XII
No. 11
XXI, 3
No. 30
VII/2, 6 Eight Écossaises, D 529 Various keys February
1817
For piano; Nos. 1–3, 6 and 8 publ. 1871
530 530 109p,3
(1829)
XX, 4
No. 273
IV, 11 An eine Quelle Du kleine grünumwachs'ne Quelle February
1817
Text by Claudius
531 531 7,3
(1823)
XX, 5
No. 302
IV, 1a Der Tod und das Mädchen Vorüber, ach vorüber February
1817
Text by Claudius; Music partly reappears in D 810
532 532 (1895) XX, 5
No. 303
IV, 11 Das Lied vom Reifen Seht meine lieben Bäume an February
1817
Text by Claudius; Fragment (completed in AGA)
533 533 (1876)
(1895)
XX, 5
No. 304
IV, 11 Täglich zu singen Ich danke Gott und freue mich February
1817
Text by Claudius; 1876 publ. is piano reduction
534 534 (1830) XX, 5
No. 305
IV, 11 Die Nacht, D 534 Die Nacht ist dumpfig und finster February
1817
Text by Macpherson (Ossian), from Domhnull mac Fhionnlaidh, transl. by E. Baron de Harold
535 535 (1853)
(1895)
XX, 10
No. 585
III, 1 Lied, D 535 Brüder, schrecklich brennt die Träne February
1817
For s and small orchestra; 1853 ed. is arrangement
536 536 21,2
(1823)
(1970)
XX, 5
No. 318
IV, 1a &
b No. 17
Der Schiffer, D 536 Im winde, im Sturme 1817? Text by Mayrhofer; For b and piano; Two versions: 2nd, in AGA, is Op. 21 No. 2
537 537 164p
(1852)
X No. 6 VII/2, 1
No. 4
Piano Sonata, D 537 A minor March 1817 Allegro ma non troppo – Allegretto quasi Andantino – Allegro vivace
538 538 (1891) XVI
No. 33
III, 4
No. 42
Gesang der Geister über den Wassern, D 538 Des Menschen Seele gleicht dem Wasser March 1817 Text by Goethe (other settings: D 484, 705 and 714); For ttbb
539 539 8,4
(1822)
XX, 5
No. 306
IV, 1a Am Strome Ist mir's doch, als sei mein Leben March 1817 Text by Mayrhofer
540 540 (1831) XX, 5
No. 307
IV, 11 Philoktet Da sitz' ich ohne Bogen March 1817 Text by Mayrhofer
541 541 6,1
(1821)
XX, 5
No. 308
IV, 1a Memnon Den Tag hindurch nur einmal mag ich sprechen March 1817 Text by Mayrhofer
542 542 6,2
(1821)
XX, 5
No. 309
IV, 1a Antigone und Oedip Ihr hohen Himmlischen March 1817 Text by Mayrhofer
543 543 92,2
(1828)
(1895)
XX, 5
No. 310
IV, 5 Auf dem See Und frische Nahrung March 1817 Text by Goethe; Two versions: 2nd is Op. 92 No. 2
544 544 19,3
(1825)
XX, 5
No. 311
IV, 1a Ganymed Wie im Morgenglanze March 1817 Text by Goethe
545 545 (1872)
(1895)
XX, 5
No. 312
IV, 11 Der Jüngling und der Tod Die Sonne sinkt, o könnt ich March 1817 Text by Spaun; Two versions: 1st is duet – 2nd publ. 1872
546 546 101p,3
(1827)
XX, 5
No. 313
IV, 5 Trost im Liede Braust des Unglücks Sturm empor March 1817 Text by Schober; Publ. as Op. posth. 101 No. 3 in 1828
547 547 88,4
(1827)
(1895)
XX, 5
No. 314
IV, 4 An die Musik Du holde Kunst March 1817 Text by Schober; Two versions: 2nd is Op. 88 No. 4
548 548 (1831) XX, 6
No. 382
IV, 11 Orest auf Tauris Ist dies Tauris March 1817 Text by Mayrhofer
549 549 (1895) XX, 10
No. 595
IV, 13 Mahomets Gesang, D 549 Seht den Felsenquell March 1817 Text by Goethe (other setting: D 721); Fragment
550 550 32
(1820)
(1895)
(1975)
XX, 5
No. 327
IV, 2a &
b No. 3
Die Forelle In einem Bächlein helle late 1816–
October 1821
Text by Schubart; Five versions: 1st–4th in AGA – 4th publ. as Op. 32 in 1827; Music partly reappears in D 667
551 551 (1831) XX, 5
No. 315
IV, 11 Pax vobiscum Der Friede sei mit euch! April 1817 Text by Schober
552 552 20,3
(1823)
(1970)
XX, 5
No. 316
IV, 1a &
b No. 16
Hänflings Liebeswerbung Ahidi! ich liebe April 1817 Text by Kind; Two versions: 2nd, in AGA, is Op. 20 No. 3; Music related to D 972 No. 3
553 553 21,1
(1823)
XX, 5
No. 317
IV, 1a Auf der Donau Auf der Wellen Spiegel April 1817 Text by Mayrhofer; For b and piano
554 554 (1895) XX, 5
No. 319
IV, 11 Uraniens Flucht Laßt uns, ihr Himmlischen, ein Fest begehen! April 1817 Text by Mayrhofer
555 555 (1934) IV, 11 Liedentwurf, D 555 A minor May 1817? Sketch without text
556 556 (1886) II No. 4 V, 5 Overture, D 556 D major May 1817 For orchestra
557 557 (1888) X No. 3 VII/2, 1
No. 5
Piano Sonata, D 557 A major May 1817 Allegro moderato – Andante – Allegro
558 558 (1887) XX, 3
No. 120
IV, 11 Liebhaber in allen Gestalten Ich wollt', ich wär' ein Fisch May 1817 Text by Goethe
559 559 (1885) XX, 3
No. 121
IV, 11 Schweizerlied Uf'm Bergli bin i g'sässe May 1817 Text by Goethe
560 560 (1850) XX, 3
No. 122
IV, 11 Der Goldschmiedsgesell Es ist doch meine Nachbarin May 1817 Text by Goethe
561 561 (1872) XX, 5
No. 320
IV, 11 Nach einem Gewitter Auf den Blumen May 1817 Text by Mayrhofer
562 562 (1895) XX, 5
No. 321
IV, 11 Fischerlied, D 562 Das Fischergewerbe gibt rüstigen Mut May 1817 Text by Salis-Seewis (other settings: D 351 and 364)
563 563 (1887) XX, 5
No. 322
IV, 11 Die Einsiedelei, D 563 Es rieselt klar und wehend ein Quell May 1817 Text by Salis-Seewis (other settings: D 337 and 393)
564 564 (1838) XX, 10
No. 596
IV, 11 Gretchen im Zwinger a.k.a. Gretchens Bitte Ach neige, du Schmerzensreiche May 1817 Text by Goethe, from Faust I, 18; Fragment
565 565 (1876) XX, 5
No. 324
IV, 11 Der Strom Mein Leben wälzt sich murrend fort June 1817? For b and piano
566 566 (1888)
(1907)
(1928-
29)
X No. 4 VII/2, 1 No. 6
& Anh. No. 3
Piano Sonata, D 566 E minor June 1817 Moderato (in AGA) – Allegretto (publ. 1907) – Scherzo (publ. 1928/29); D 506 4th movement?
567
568
568 122p
(1829)
(1897)
X No. 7
XXI, 2
No. 9
VII/2, 1 No. 7
& Anh. Nos. 4–6
Piano Sonata in D major, D 568;
Piano Sonata in E major, D 568
D major;
E major
June 1817 Two versions: 1st, in D major, composed June 1817 – 2nd, in E major, is Op. posth. 122; Allegro moderato – Andante molto – Minuet (2nd version only, D 593 No. 2 for 1st version?) – Allegro moderato (2nd version), Allegretto (fragment, 1st version)
569 569 (1895) XX, 5
No. 323
III, 3 Das Grab, D 569 Das Grab ist tief und stille June 1817 Text by Salis-Seewis (other settings: D 329A, 330, 377 and 643A); For unison men's choir and piano
570 570 (1897) XXI, 3
No. 20
VII/2, 1 No. 8
Anh. Nos. 8–9
Scherzo and Allegro D major (scherzo)
F minor (allegro)
July 1817? For piano; Allegro is fragment; Last movements of D 571?
571 571 (1897) XXI, 2
No. 10
VII/2, 1
Anh. No. 7
Piano Sonata, D 571 F minor July 1817 Allegro moderato; Fragment; Completed by (D 604 and) 570?
572 572 (1872) XVI
No. 34
III, 4
No. 43
Lied im Freien, D 572 Wie schön ist's im Freien July 1817 Text by Salis-Seewis (other setting: D Anh. I/19; For ttbb
573 573 98,3
(1829)
XX, 5
No. 325
IV, 5 Iphigenia Blüht denn hier an Tauris Strande July 1817 Text by Mayrhofer
574 574 162p
(1851)
VIII
No. 6
VI, 8 No. 4 Violin Sonata, D 574, a.k.a. (Grand) Duo A major August 1817 Allegro moderato – Scherzo – Andantino – Allegro vivace
575 575 147p
(1846)
X No. 5 VII/2, 1 No. 9
& Anh. No. 10
Piano Sonata, D 575 B major August 1817 Allegro ma non troppo – Andante – Scherzo – Allegro giusto
576 576 (1867) XI No. 7 VII/2, 4 13 Variations on a theme by Anselm Hüttenbrenner A minor August 1817 For piano
577 577 (1895) XX, 10
No. 597
IV, 10 Entzückung an Laura, D 577 Laura, über diese Welt August 1817 Text by Schiller (other setting: D 390); Two fragments of a sketch
578 578 (1838) XX, 10
No. 586
IV, 11 Abschied, D 578 Lebe wohl! Du lieber Freund! 24/08/1817 Text by Schubert
579 579 (1872)
(1897)
XX, 5
No. 335
XXII, 11
No. 335
IV, 11 Der Knabe in der Wiege Er schläft so süß Autumn
1817
Text by Ottenwalt [scores]; Two versions: 1st publ. 1872 – 2nd is fragment
989 579A (1970) IV, 11 Vollendung Wenn ich einst das Ziel errungen habe Sept. or Oct.
1817?
Text by Matthisson
989A 579B (1970) IV, 11 Die Erde Wenn sanft entzückt mein Auge sieht Sept. or Oct.
1817?
Text by Matthisson
580 580 (1928) V, 7 No. 3 Polonaise, D 580 B major September
1817
For violin and orchestra
581 581 (1897) XXI, 1
No. 5
VI, 6
No. 2–3
String Trio, D 581 B major September
1817
Allegro moderato – Andante – Minuet – Rondo
583 583 24,1
(1823)
XX, 5
No. 328
IV, 2a Gruppe aus dem Tartarus, D 583 Horch, wie Murmeln des empörten Meeres September
1817
Text by Schiller (other settings: D 65 and 396)
584 584 (1830) XX, 5
No. 329
IV, 11 Elysium Vorüber die stöhnende Klage! September
1817
Text by Schiller (settings of separate stanzas: D 51, 53, 54, 57, 58 and 60)
585 585 (1833) XX, 5
No. 330
IV, 11 Atys Der Knabe seufzt übers grüne Meer September
1817
Text by Mayrhofer
586 586 8,3
(1818)
XX, 5
No. 331
IV, 1a Erlafsee Mir ist so wohl, so weh' September
1817
Text by Mayrhofer; Publ. as Op. 8 No. 3 in 1822
587
245
587 (1885)
(1895)
XX, 3
No. 107
IV, 11 An den Frühling, D 587 Willkommen, schöner Jüngling! October
1817
Text by Schiller (other settings: D 283 and 338); Two versions: 1st publ. 1885 – 2nd was D 245
588 588 37,2
(1825)
(1897)
(1975)
XX, 5
No. 332
XXII, 11
No. 332
IV, 2a &
b No. 7
Der Alpenjäger, D 588 Willst du nicht das Lämmlein hüten? October
1817
Text by Schiller; Two versions: 1st incomplete in AGA – 2nd is Op. 37 No. 2
589 589 (1885) I, 2
No. 6
V, 2
No. 6
Symphony No. 6
Little C major
C major Oct. 1817–
Feb. 1818
Adagio, Allegro – Andante – Scherzo – Allegro moderato
590 590 (1886) II No. 5 V, 5 Overture in the Italian Style, D 590 D major November
1817
For orchestra; Piano duet arrangement: D 592; Music partly reappears in D 644
591 591 170p
(1865)
II No. 6 V, 5 Overture in the Italian Style, D 591 C major November
1817
For orchestra; Piano duet arrangement: D 597
592 592 (1872) IX, 2
No. 10
VII/1, 5
No. 1
Overture in the Italian Style, D 592 D major December
1817
For piano duet; Arrangement of D 590
593 593 (1871) XI No. 15 VII/2, 4 Two Scherzi Various keys November
1817
For piano; No. 2 related to D 568
594 594 110p
(1829)
XX, 5
No. 333
IV, 11 Der Kampf Nein, länger werd' ich diesen Kampf nicht kämpfen November
1817
Text by Schiller; For b and piano
595 595 88,2
(1827)
(1895)
XX, 5
No. 334
IV, 4 Thekla: Eine Geisterstimme, D 595 Wo ich sei, und wo mich hingewendet November
1817
Text by Schiller (other setting: D 73); Two versions: 2nd is Op. 88 No. 2
596 596 (1895) XX, 10
No. 598
IV, 11 Lied eines Kindes Lauter Freude fühl' ich November
1817
Fragment
597 597 (1872) IX, 2
No. 9
VII/1, 5
No. 2
Overture in the Italian Style, D 597 C major Nov. or Dec.
1817
For piano duet; Arrangement of D 591
597A 597A Variations A major December
1817
Lost sketch for violin
598
641
598 11,1
(1822)
(1891)
XVI
No. 4 &
No. 46
III, 3 Das Dörfchen Ich rühme mir mein Dörfchen hier December
1817
Text by Bürger; For ttbb and piano; Two versions: 1st is sketch without piano – 2nd, Op. 11 No. 1, was D 641
599–632
1818 Up ↑
599 599 75
(1827)
IX, 3
No. 26
VII/1, 4 Four Polonaises Various keys July 1818 For piano duet
600 600 (1897) XXI, 3
No. 27
VII/2, 4 Minuet, D 600 C minor early 1814? For piano; May combine with D 610 and/or D 613
602 602 27
(1824)
IX, 1
No. 1
VII/1, 4 Trois Marches héroiques Various keys 1818 or 1824 For piano duet
604 604 (1888) XI No. 10 VII/2, 4 Piano piece, D 604, a.k.a. Andante A major 1816 or 1817 2nd movement of D 571?
605 605 (1897) XXI, 3
No. 15
VII/2, 4 Anh. Fantasy, D 605 C major 1821–1823 For piano; Fragment
605A (1969) VII/2, 4 Fantasy, D 605A, a.k.a. Grazer Fantasy C major 1818? For piano
606 606 (1840) XI No. 16 VII/2, 4 March, D 606 E major 1818? For piano
607 607 I, 8 Evangelium Johannis 6, Vers 55–58 In der Zeit sprach der Herr Jesus 1818 Text by John (Luther translation); For voice and figured bass
608 608 138p
(1834)
IX, 2
No. 14
VII/1, 1 No. 4 & Anh. No. 4 Rondo, D 608, "Notre amitié est invariable" D major January
1818
For piano duet; Two versions: 2nd, in AGA, is Op. posth. 138
609
665
609 (1872) XVII
No. 13
III, 2a
No. 10
Die Geselligkeit a.k.a. Lebenslust Wer Lebenslust fühlet January
1818
Text by Unger [Wikisource:de]; For satb and piano; 2nd part of 1st stanza, "im traulichen Kreise", was D 665
610 610 (1889) XII
No. 31
VII/2, 6 Trio, D 610 E major February
1818
For piano; May belong to D 600, and together with that minuet to D 613
611 611 (1850) XX, 5
No. 336
IV, 12 Auf der Riesenkoppe Hoch auf dem Gipfel deiner Gebirge March 1818 Text by Körner
612 612 (1869) XI No. 11 VII/2, 4 Adagio, D 612 E major April 1818 For piano; 2nd movement of D 613?
613 613 (1897) XXI, 2
No. 11
VII/2, 2 Piano Sonata, D 613 C major April 1818 Moderato – [?]; Fragments; D 612 and 600/610 may constitute its other movements
614 614 (1832) XX, 5
No. 337
IV, 12 An den Mond in einer Herbstnacht Freundlich ist dein Antlitz April 1818 Text by Schreiber [de]
615 615 V, 6 No. 9 Symphony, D 615 D major May 1818 Adagio, Allegro moderato – [?]; Sketches
616 616 (1830) XX, 5
No. 338
IV, 12 Grablied für die Mutter Hauche milder, Abendluft June 1818
617 617 30
(1823)
IX, 2
No. 11
VII/1, 1
No. 5
Sonata, D 617 B major Summer–
Autumn
1818(?)
For piano duet; Allegro moderato – Andante con moto – Allegretto
618 618 (1909) VII/1, 4 German Dance with Two Trios and Two Ländler G major (Deutscher/Trios)
E major (Ländler)
Summer–
Autumn
1818
For piano duet
618A 618A (1972) VII/1, 4 Polonaise, D 618A B major July 1818 For piano duet; Sketch
619 619 (1892) XIX
No. 36
III, 2b No. 22
VIII, 2 No. 9
Sing-Übungen (vocal exercises) July 1818 For two voices and figured bass
620 620 (1840) XX, 5
No. 339
IV, 12 Einsamkeit, D 620 Gib mir die Fülle der Einsamkeit! July 1818 Text by Mayrhofer
621 621 (1826) I, 6 Anh. Deutsches Requiem (German Requiem) a.k.a. Deutsche Trauermesse G minor
Bei des Entschlafnen Trauerbahre
August 1818 Text by Schmid; Only known in Ferd. Schubert's arrangements; Publ. 1826 for satbSATB and organ[18]
622 622 (1833) XX, 5
No. 340
IV, 12 Der Blumenbrief Euch Blümlein will ich senden August 1818 Text by Schreiber [de]
623 623 (1831) XX, 5
No. 341
IV, 12 Das Marienbild Sei gegrüßt, du Frau der Huld August 1818 Text by Schreiber [de]
624 624 10
(1822)
IX, 2
No. 15
VII/1, 1 No. 6 & Anh. Nos. 5–6 Eight Variations on a French Song (i.e. Le bon Chevalier) E minor September
1818
Theme after Hortense de Beauharnais; For piano duet
625 625 (1897) XXI, 2
No. 12
VII/2, 2
No. 10
Piano Sonata, D 625 F minor September
1818
Allegro (fragment) – Scherzo – Allegro (fragment); D 505 may be its 2nd movement
626 626 (1842) XX, 5
No. 343
IV, 12 Blondel zu Marien In düstrer Nacht September
1818
627 627 173p,6
(1867)
XX, 5
No. 344
IV, 12 Das Abendrot, D 627 Du heilig, glühend Abendrot! November
1818
Text by Schreiber [de]; For b and piano
628 628 (1895) XX, 5
No. 345
IV, 12 Sonett I Apollo, lebet noch dein hold Verlangen November
1818
Text by Petrarch, transl. by Schlegel, A. W.
629 629 (1895) XX, 5
No. 346
IV, 12 Sonett II Allein, nachdenklich, wie gelähmt vom Krampfe November
1818
Text by Petrarch, transl. by Schlegel, A. W.
630 630 (1895) XX, 5
No. 347
IV, 12 Sonett III Nunmehr, da Himmel, Erde schweigt November
1818
Text by Petrarch, transl. by Gries
631 631 (1885) XX, 5
No. 348
IV, 12 Blanka a.k.a. Das Mädchen Wenn mich einsam Lüfte fächeln December
1818
Text by Schlegel, F.
632 632 (1831) XX, 5
No. 349
IV, 12 Vom Mitleiden Mariä Als bei dem Kreuz Maria stand December
1818
Text by Schlegel, F.
633–678
1819 Up ↑
633 633 57,1
(1826)
XX, 3
No. 179
IV, 3 Der Schmetterling Wie soll ich nicht tanzen 1819–1823? Text by Schlegel, F., from Abendröte I, 7
634 634 57,2
(1826)
XX, 3
No. 180
IV, 3 Die Berge Sieht uns der Blick gehoben 1819–1823? Text by Schlegel, F., from Abendröte I, 1
635 635 (1900)
(1906–
1907)
III, 4
No. 44
Leise, leise laßt uns singen, later also: Ruhe, and: (Nächtliches) Ständchen Leise, leise laßt uns singen, schlummre sanft (later also: Leise, leise laßt uns singen, still schon sieht der Mond) c. 1819 For ttbb; later text versions, from 1900, by Robert Graf and Anton Weiß
636 636 39
(1826)
(1895)
(1975)
XX, 6
No. 357
IV, 2a &
b No. 9
Sehnsucht, D 636 Ach, aus dieses Tales Gründen early
1821?
Text by Schiller (other setting: D 52); Three versions: 1st not in AGA – 3rd is Op. 39
637 637 87,2
(1827)
XX, 6
No. 358
IV, 4 (Die) Hoffnung, D 637 Es reden und träumen die Menschen viel c. 1819? Text by Schiller (other setting: D 251)
638 638 87,3
(1827)
(1895)
XX, 6
No. 359
IV, 4 Der Jüngling am Bache, D 638 An der Quelle saß der Knabe April 1819 Text by Schiller (other settings: D 30 and 192); Two versions: 2nd is Op. 87 No. 3
639
949
639 (1820)
(1832)
XX, 9
No. 553
IV, 5 Widerschein Fischer harrt am Brückenbogen; Tom Lehnt harrend auf der Brücke 1820;
May/Sept.
1828
Text by Schlechta [de]; Two versions; 1st publ. 1820 – 2nd, in AGA with another text variant ("Harrt ein Fischer auf der Brücke"), was D 949
642 642 (1937) III, 2a
No. 1
Viel tausend Sterne prangen Viel tausend Sterne prangen 1812? Text by Eberhard; For satb and piano
643 643 (1889) XII
No. 21
VII/2, 6 German Dance and Écossaise C minor (German dance)
D major (Écossaise)
1819 For piano
643A (1972) III, 2a
No. 11
Das Grab, D 643A Das Grab ist tief und stille 1819 Text by Salis-Seewis (other settings: D 329A, 330, 377 and 569); For satb
644 644 (1855)
(1887)
(1891)
(1975)
XV, 4
No. 7
II, 4 Die Zauberharfe (Incidental music)
Was belebt die schöne Welt? (Romanze from No. 9)Durch der Töne Zaubermacht (final choir)
Apr.–Aug.
1820[15]
Text by Hofmann [de]; Music for tSATB and orchestra; Three acts: Overture (reused in D 797, publ. 1855) and Nos. 1–4 – Nos. 5–9 (Romanze from No. 9, not in AGA, publ. 1887 with piano reduction and 1975 in concert version) – Overture and Nos. 10–13
645 645 IV, 12 Abend, D 645 Wie ist es denn, daß trüb und schwer early 1819 Text by Tieck; Fragment of a sketch
646 646 (1885) XX, 6
No. 350
IV, 12 Die Gebüsche Es wehet kühl und leise January
1819
Text by Schlegel, F., from Abendröte II, 9
647 647 (1872)
(1889)
XV, 3
No. 5
II, 5 Die Zwillingsbrüder (Singspiel) Oct. 1818–
1819[15]
For stbbbSATB and orchestra (piano reduction in 1872 edition); Overture and Nos. 1–10
648 648 (1886) II No. 7 V, 5 Overture, D 648 E minor February
1819
For orchestra
649 649 65,2
(1826)
XX, 6
No. 351
IV, 3 Der Wanderer, D 649 Wie deutlich des Mondes Licht zu mir spricht February
1819
Text by Schlegel, F., from Abendröte II, 1; Two versions: 2nd is Op. 65 No. 2
650 650 (1831) XX, 6
No. 352
IV, 12 Abendbilder Still beginnt's im Hain zu tauen February
1819
Text by Silbert [wikisource:de]
651 651 (1831) XX, 6
No. 353
IV, 12 Himmelsfunken Der Odem Gottes weht February
1819
Text by Silbert [wikisource:de]
652 652 (1842) XX, 6
No. 354
IV, 12 Das Mädchen, D 652 Wie so innig, möcht ich sagen February
1819
Text by Schlegel, F., from Abendröte II, 4; Two versions: 1st, in AGA, publ. 1842
653 653 (1842) XX, 6
No. 355
IV, 12 Bertas Lied in der Nacht Nacht umhüllt mit wehendem Flügel February
1819
Text by Grillparzer
654 654 (1842) XX, 6
No. 356
IV, 12 An die Freunde Im Wald, im Wald, da grabt mich ein March 1819 Text by Mayrhofer
655 655 (1897) XXI, 2
No. 13
VII/2, 2 Piano Sonata, D 655 C minor April 1819 Allegro; Fragment
656 656 (1867) XVI
No. 35
III, 4
No. 45
Sehnsucht, D 656 Nur wer die Sehnsucht kennt April 1819 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 310, 359, 481 and 877 Nos. 1 & 4); For ttbbb
657 657 (1871) XVI
No. 36
III, 4
No. 46
Ruhe, schönstes Glück der Erde Ruhe, schönstes Glück der Erde April 1819 For ttbb
658 658 (1895) XX, 6
No. 364
IV, 12 Marie Ich sehe dich in tausend Bildern May 1819? Text by Novalis, No. 15 from Geistliche Lieder [de]
659 659 (1872) XX, 6
No. 360
IV, 12 Hymn I Wenige wissen das Geheimnis der Liebe May 1819 Text by Novalis, No. 7 from Geistliche Lieder [de]
660 660 (1872) XX, 6
No. 361
IV, 12 Hymn II Wenn ich ihn nur habe May 1819 Text by Novalis, No. 5 from Geistliche Lieder [de]
661 661 (1872) XX, 6
No. 362
IV, 12 Hymn III Wenn alle untreu werden May 1819 Text by Novalis, No. 6 from Geistliche Lieder [de]
662 662 (1872) XX, 6
No. 363
IV, 12 Hymn IV Ich sag' es jedem, daß er lebt May 1819 Text by Novalis, No. 9 from Geistliche Lieder [de]
663 663 IV, 12 Psalm 13 (12) Ach Herr, wie lange willst du mein so ganz vergessen? June 1819 Text by Mendelssohn, M., translating Psalm 13; Fragment
664 664 120p
(1829)
X No. 10 VII/2, 2
No. 11
Piano Sonata, D 664 A major Summer 1819
or 1825
Allegro moderato – Andante – Allegro
666 666 158p
(1849)
XIX
No. 3
III, 2a
No. 12
Kantate zum Geburtstag des Sängers Johann Michael Vogl Sänger, der von Herzen singet – Diese Berge sah'n dich blühen – Da saht ihr Oresten scheiden – Gott bewahr' dein teures Leben 10/08/1819 Text by Stadler, A. [scores]; For stb and piano; Publ. 1849, with different text, as Der Frühlingsmorgen
667 667 114p
(1829)
VII, 1
No. 1
VI, 7 No. 6 Trout Quintet A major 1819? Allegro vivace – Andante – Scherzo – Theme and variations – Allegro giusto; For violin, viola, cello, double bass and piano; Reuses music of D 550
668 668 (1897) XXI, 2
No. 6
VII/1, 5
No. 3
Overture, D 668 G minor October
1819
For piano duet
669 669 (1829) XX, 6
No. 365
IV, 12 Beim Winde Es traümen die Wolken October
1819
Text by Mayrhofer
670 670 165p,2
(1862)
XX, 6
No. 366
IV, 12 Die Sternennächte In monderhellten Nächten October
1819
Text by Mayrhofer; Two versions: 2nd is Op. posth. 165 No. 2
671 671 (1849) XX, 6
No. 367
IV, 12 Trost, D 671 Hörnerklänge rufen klagend October
1819
Text by Mayrhofer
672 672 36,2
(1825)
(1975)
XX, 6
No. 368
IV, 2a &
b No. 5
Nachtstück Wenn über Berge sich der Nebel breitet October
1819
Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 2
673 673 165p,1
(1832)
(1862)
XX, 6
No. 369
IV, 12 Die Liebende schreibt Ein Blick von deinen Augen October
1819
Text by Goethe; Two versions: 1st publ. in 1832 – 2nd is Op. posth. 165 No. 1
674 674 (1850) XX, 6
No. 370
IV, 12 Prometheus, D 674 Bedecke deinen Himmel, Zeus October
1819
Text by Goethe; For b and piano
675 675 34
(1825)
IX, 2
No. 8
VII/1, 5
No. 4
Overture, D 675 F major November
1819?
For piano duet
676 676 153p
(1845)
(1888)
XIV No. 3 I, 8 Salve Regina, D 676, a.k.a. Drittes Offertorium A major
Salve Regina
November
1819
Text: Salve Regina (other settings: D 27, 106, 223, 386 and 811); For s and orchestra; Shortened in 1st ed., Op. posth. 153
677 677 (1848)
(1895)
XX, 6
No. 371
IV, 12 Stanza from "Die Götter Griechenlands" Schöne Welt, wo bist du? November
1819
Text by Schiller; Two versions: 2nd publ. in 1848
678 678 (1875)
(1887)
XIII, 2
No. 5
I, 3 Mass No. 5 A major
Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei
Nov. 1819–
Sept. 1822
Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 755 and 950); For satbSATB and orchestra; Two versions: 1st publ. in 1875 – 2nd in AGA
679–708
1820 Up ↑
681 681 (1930) VII/2, 6 Twelve Ländler, D 681 Various keys c. 1815 For piano; Nos. 1–4 are lost
682 682 (1895) XX, 10
No. 599
IV, 12 Über allen Zauber Liebe Sie hüpfte mit mir auf grünem Plan 1820–1824 Text by Mayrhofer; Fragment
684 684 (1850) XX, 6
No. 378
IV, 12 Die Sterne, D 684 Du staunest, o Mensch 1820 Text by Schlegel, F., from Abendröte II, 8
685 685 4,2
(1821)
XX, 6
No. 379
IV, 1a Morgenlied, D 685 Eh' die Sonne früh aufersteht 1820 Text by Werner
686 686 20,2
(1823)
(1970)
XX, 6
No. 380
IV, 1a &
b No. 15
Frühlingsglaube Die linden Lüfte sind erwacht Sep. 1820–
Nov. 1822
Text by Uhland; Three versions: 3rd, in AGA, is Op. 20 No. 2
687 687 (1872) XX, 6
No. 372
IV, 12 Nachthymne Hinüber wall' ich January
1820
Text by Novalis
688 688 (1871) XX, 10
Nos.
575–
578
IV, 12 Vier Canzonen 1. Non t'accostar all'urna – 2. Guarda, che bianca luna – 3. Da quel sembiante appresi – 4. Mio ben, ricordati January
1820
Text by Vittorelli [de] (Nos. 1–2) and Metastasio (No. 3 from L'eroe cinese I, 3 – No. 4 from Alessandro nell'Indie III, 7)
689 689 (1865)
(1892)
XVII
No. 1
II, 10 Lazarus, oder: Die Feier der Auferstehung (Scenic oratorio in three acts) early 1820–
Mar. 1820[15]
Text by Niemeyer; For sssttbSATB and orchestra (piano reduction in 1865 publ.); Unfinished: Nos. 1–21 (Act I) – Nos. 22–29 (Act II)
690 690 (1830) XX, 6
No. 376
IV, 12 Abendröte Tiefer sinket schon die Sonne March 1823 Text by Schlegel, F., from Abendröte I
691 691 172p,6
(1865)
XX, 6
No. 373
IV, 12 Die Vögel Wie lieblich und fröhlich March 1820 Text by Schlegel, F., from Abendröte I, 2
692 692 (1872) XX, 6
No. 374
IV, 12 Der Knabe Wenn ich nur ein Vöglein wäre March 1820 Text by Schlegel, F., from Abendröte I, 3
693 693 (1872) XX, 6
No. 375
IV, 12 Der Fluß Wie rein Gesang sich windet March 1820 Text by Schlegel, F., from Abendröte I, 4
694 694 (1842) XX, 6
No. 377
IV, 12 Der Schiffer, D 694 Friedlich lieg' ich hingegossen March 1820 Text by Schlegel, F.
695 695 (1895) XX, 10
No. 587
IV, 12 Namenstagslied Vater, schenk' mir diese Stunde 19/3/1820? Text by Stadler, A. [scores]
696 696 113p
(1829)
XIV No. 18 I, 9
No. 11
Sechs Antiphonen zum Palmsonntag Hosanna filio David – In monte Oliveti – Sanctus – Pueri Hebraeorum – Cum angelis et pueris – Ingrediente Domino 26/3/1820 For SATB
697 697 18,É6
(1823)
(1889)
XII
No. 28
No. 2,É6
VII/2, 6 Six Écossaises, D 697 A major May 1820 For piano; No. 5 is 6th Écossaise of Op. 18
698 698 (1832) XX, 6
No. 381
IV, 12 Des Fräuleins Liebeslauschen Hier unten steht ein Ritter September
1820
Text by Schlechta [de]
699 699 (1831) XX, 6
No. 383
IV, 12 Der entsühnte Orest Zu meinen Füßen brichst du dich September
1820
Text by Mayrhofer
700 700 (1831) XX, 6
No. 384
IV, 12 Freiwilliges Versinken Wohin? o Helios! September
1820
Text by Mayrhofer
701 701 (1929) II, 15 Sakuntala (also spelled Sacontala or Sakontala) (Opera in three acts) Oct. 1820–
spring
1821[15]
Text by Neumann after Kalidasa's Shakuntala; For ssssssttttttbbbbbbSATB and orchestra; Unfinished (all numbers are sketches): Nos. 1–7 (Act I, last pages publ. in 1929) – Nos. 8a–11 (Act II)
702 702 8,1
(1822)
XX, 6
No. 385
IV, 1a Der Jüngling auf dem Hügel Ein Jüngling auf dem Hügel November
1820
Text by Hüttenbrenner, H. [de]
703 703 (1870)
(1897)
V No. 12
XXII v5
VI, 5
No. 13 & Anh.
String Quartet No. 12 C minor December
1820
Allegro assai (a.k.a. Quartettsatz, publ. 1870) – Andante (fragment)
705 705 (1897) XXI, 4
No. 34
III, 3 Gesang der Geister über den Wassern, D 705 Des Menschen Seele gleicht dem Wasser December
1820
Text by Goethe (other settings: D 484, 538 and 714); Sketch for ttbb and piano
706 706 132p
(1832)
XVIII
No. 2
III, 3 Psalm 23 (22) Gott ist mein Hirt, mir wird nichts mangeln December
1820
Text by Mendelssohn, M., translating Psalm 23; For ssaa and piano
707 707 36,1
(1825)
(1895)
XX, 6
No. 387
IV, 2a &
b No. 4
Der zürnenden Diana Ja, spanne nur den Bogen December
1820
Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 1
708 708 (1832) XX, 6
No. 387
IV, 12 Im Walde, D 708, a.k.a. Waldesnacht Windes Rauschen, Gottes Flügel December
1820
Text by Schlegel, F.
708A–732
1821 Up ↑
615 708A V, 6 No. 10 Symphony, D 708A D major 1821 or
later
Sketches of four movements
709 709 (1891) XVI
No. 31
III, 4
No. 47
Frühlingsgesang, D 709 Schmücket die Locken mit duftigen Kränzen March 1822
or earlier
Text by Schober (other setting, partly reusing music of this setting: D 740); For ttbb
710 710 (1849) XVI
No. 15
III, 3 Im Gegenwärtigen Vergangenes Ros und Lilie morgentaulich March 1821? Text by Goethe; For ttbb and piano
711 711 13,2
(1822)
(1970)
XX, 5
No. 294
IV, 1a &
b No. 11
Lob der Tränen Laue Lüfte, Blumendüfte 1818–1821? Text by Schlegel, A. W.; Two versions: 2nd, in AGA, is Op. 13 No. 2
712 712 (1842) XX, 6
No. 389
IV, 13 Die gefangenen Sänger Hörst du von den Nachtigallen January
1821
Text by Schlegel, A. W.
713 713 87,1
(1827)
(1895)
XX, 6
No. 390
IV, 4 Der Unglückliche Die Nacht bricht an January
1821
Text by Pichler; Two versions: 2nd is Op. 87 No. 1
714
704
714 167p
(1858)
(1891)
XVI
No. 3 &
No. 45
III, 1 Gesang der Geister über den Wassern, D 714 Des Menschen Seele gleicht dem Wasser Dec. 1820–
Feb. 1821
Text by Goethe (other settings: D 484, 538 and 705); For ttttbbbb, two violas, two cellos and double bass; Two versions: 1st, a sketch, was D 704 – 2nd is Op. posth. 167
715 715 (1845) XX, 6
No. 391
IV, 13 Versunken Voll Locken kraus ein Haupt so rund February
1821
Text by Goethe
716 716 (1832) XX, 6
No. 393
IV, 13 Grenzen der Menschheit Wenn der uralte heilige Vater March 1821 Text by Goethe; For b and piano
717 717 31
(1825)
XX, 6
No. 397
IV, 2a Suleika II Ach um deine feuchten Schwingen March? 1821 Text by Willemer
718 718 (1824) XI No. 8 VII/2, 4 Variation on a Waltz by Anton Diabelli C minor March 1821 For piano; No. 38 in Vaterländischer Künstlerverein Vol. II
719 719 14,2
(1822)
XX, 6
No. 392
IV, 1a Geheimes Über meines Liebchens Äugeln March 1821 Text by Goethe
720 720 14,1
(1822)
XX, 6
No. 396
IV, 1a &
b No. 13
Suleika I Was bedeutet die Bewegung? March 1821 Text by Willemer; Two versions; 2nd, in AGA, is Op. 14 No. 1
721 721 (1895) XX, 10
No. 600
IV, 13 Mahomets Gesang, D 721 Seht den Felsenquell March 1821 Text by Goethe (other setting: D 549); For b and piano; Fragment
722 722 (1889) XII
No. 19
VII/2, 6 German Dance, D 722 G major 8/3/1821 For piano
723 723 (1893) XV, 7
No. 15
II, 18 Duet and Aria for Hérold's Das Zauberglöckchen Nein, nein, nein, nein, das ist zu viel – Der Tag entflieht, der Abend glüht Apr.–May
1821[15]
Text by Théaulon, transl. by Treitschke;Duet for tb and aria for t (both with orchestra)
724 724 11,2
(1822)
XVI
No. 5
III, 3 Die Nachtigall Bescheiden verborgen im buschigten Gang 22/4/1821
or earlier
Text by Unger [Wikisource:de]; For ttbb and piano
725 725 (1929) III, 2b
Anh. No. 5
Duet, D 725 Linde Lüfte wehen, or: Linde Weste wehen April 1821 Fragment for mezzo-soprano, tenor and piano
726 726 (1870) XX, 6
No. 394
IV, 3 Mignon I, D 726 Heiß mich nicht reden April 1821 Text by Goethe, from Wilhelm Meister's Apprenticeship (other setting: D 877 No. 2)
727 727 (1850) XX, 6
No. 395
IV, 3 Mignon II, D 727 So laßt mich scheinen, bis ich werde April 1821 Text by Goethe, from Wilhelm Meister's Apprenticeship (other settings: D 469 and 877 No. 3)
728 728 (1895) XX, 10
No. 601
IV, 13 Johanna Sebus Der Damm zerreißt April 1821 Text by Goethe; Fragment
729 729 (1894)
(1934)
V, 6 No. 7
& Anh 1
Symphony No. 7 E major August
1821
Adagio, Allegro – Andante – Scherzo – Allegro giusto; Sketches; First editions are completions by others (piano reduction in 1894)
730 730 (1926) I, 9
No. 8
Tantum ergo, D 730 B major 16/8/1821 Text by Aquinas (other settings: D 460, 461, 739, 750, 962 and Anh. I/17); For satbSATB and orchestra
731 731 173p,4
(1821)
XX, 6
No. 399
IV, 5 Der Blumen Schmerz Wie tönt es mir so schaurig September
1821
Text by Majláth; Publ. as Op. posth. 173 No. 4 in 1867
732
683
732 (1833)
(1834)
(1867)
(1882)
(1892)
XV, 4
No. 8
(Ov.)

XV, 5
No. 9
II, 6a–c
IV, 14
Alfonso und Estrella (Opera in three acts) 20/9/1821–
27/2/1822
Text by Schober; For two sopranos, two tenors, bass, two baritones, SATB and orchestra (piano reduction in 1882 publ.); Overture (also used as overture to D 797, publ. 1867, piano reductions: D 759A and 773) – Act I: Nos. 1–10 (No. 8 publ. 1833 with piano reduction) – Act II: Nos. 11–22 (No. 11 was also D 683 and some of its music reappears in No. 19 of D 911, No. 13 publ. 1834 with piano reduction) – Act III: Nos. 23–34
733–767
1822 Up ↑
733 733 51
(1826)
IX, 1
No. 3
VII/1, 4 Trois Marches militaires D major
G major
E major
Summer–
Autumn
1818?
For piano duet
734 734 67
(1826)
XII
No. 5
VII/2, 7a 16 Ländler and 2 Écossaises, a.k.a. Wiener Damen-Ländler Various keys before
15/12/1826
For piano
735 735 49
(1825)
XII
No. 23
VII/2, 7a Galop and Eight Écossaises Various keys before
21/11/1825
For piano
736 736 (1842) XX, 7
No. 402
IV, 13 Ihr Grab Dort ist ihr Grab 1822? Text by Engelhardt (a.k.a. Richard Roos) [de]
737 737 56,2
(1826)
XX, 7
No. 414
IV, 3 An die Leier Ich will von Atreus Söhnen 1822 or
1823?
Text by Bruchmann [de] translating Anacreon
738 738 56,3
(1826)
XX, 7
No. 415
IV, 3 Im Haine Sonnenstrahlen durch die Tannen 1822 or
1823?
Text by Bruchmann [de]
739 739 45
(1825)
XIV No. 6 I, 9
No. 5
Tantum ergo, D 739 C major 1814 Text by Aquinas (other settings: D 460, 461, 730, 750, 962 and Anh. I/17); For SATB and orchestra
740 740 16,1
(1823)
XVI
No. 7
III, 3 Frühlingsgesang, D 740 Schmücket die Locken mit duftigen Kränzen January–
early April
1822
Text by Schober (other setting, of which the music is partly reused in this setting: D 709); For ttbb and piano
741 741 20,1
(1823)
XX, 6
No. 400
IV, 1a Sei mir gegrüßt O du Entriß'ne mir late 1821–
autumn 1822
Text by Rückert
742 742 68
(1822)
XX, 7
No. 401
IV, 3 Der Wachtelschlag Ach! mir schallt's dorten so lieblich hervor before
30/7/1822
Text by Sauter [de]; Publ. as Op. 68 in 1827
743 743 23,2
(1823)
XX, 7
No. 406
IV, 2a Selige Welt Ich treibe auf des Lebens Meer autumn
1822?
Text by Senn; For b and piano
744 744 23,3
(1823)
XX, 7
No. 407
IV, 2a Schwanengesang, D 744 Wie klag' ich's aus das Sterbegefühl autumn
1822?
Text by Senn
745 745 73
(1822)
(1895)
XX, 7
No. 408
IV, 3 Die Rose Es lockte schöne Wärme 1822 Text by Schlegel, F., from Abendröte I, 6; Two versions: 1st publ. as Op. 73 in 1827
746 746 (1831) XX, 7
No. 422
IV, 13 Am See, D 746 In des Sees Wogenspiele 1822 or
1823?
Text by Bruchmann [de]
747 747 11,3
(1822)
XVI
No. 6
III, 3 Geist der Liebe, D 747 Der Abend schleiert Flur und Hain January
1822
Text by Matthisson (other setting: D 414); For ttbb and piano
748 748 157p
(1822)
XVII
No. 3
III, 1 Am Geburtstage des Kaisers Steig empor, umblüht von Segen January
1822
Text by Deinhardstein [de]; For satbSATB and orchestra; Publ. with a modified text as Op. posth. 157 in 1849
749 749 (1850) XX, 10
No. 588
IV, 13 Herrn Josef Spaun, Assessor in Linz Und nimmer schreibst du? January
1822
Text by Collin, M. C.
750 750 (1888) XIV No. 8 I, 9
No. 9
Tantum ergo, D 750 D major 22/3/1822 Text by Aquinas (other settings: D 460, 461, 730, 739, 962 and Anh. I/17); For SATB and orchestra
751 751 23,1
(1823)
XX, 7
No. 410
IV, 2a Die Liebe hat gelogen Die Liebe hat gelogen before
17/4/1822
Text by Platen
752 752 (1872) XX, 7
No. 403
IV, 13 Nachtviolen Nachtviolen, Nachtviolen April 1822 Text by Mayrhofer
753 753 65,3
(1826)
XX, 7
No. 404
IV, 3 Heliopolis I a.k.a. Aus Heliopolis Im kalten, rauhen Norden April 1822 Text by Mayrhofer
754 754 (1842) XX, 7
No. 405
IV, 13 Heliopolis II a.k.a. Im Hochgebirge Fels auf Felsen hingewälzet April 1822 Text by Mayrhofer; For b and piano
755 755 I, 5 Anh. Kyrie, D 755 A minor
Kyrie
May 1822 Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 167, 324, 452, 678 and 950); For satbSATB, strings and organ; Sketch
756 756 59,1
(1826)
(1895)
XX, 7
No. 409
IV, 3 Du liebst mich nicht Mein Herz ist zerrissen, du liebst mich nicht! July 1822 Text by Platen; Two versions: 2nd is Op. 59 No. 1
757 757 133p
(1839)
XVIII
No. 3
III, 3 Gott in der Natur Groß ist der Herr! August
1822
Text by Kleist; For ssaa and piano
757A VII/2, 4 March, D 757A B minor 1822 For piano
758 758 108,2
(1829)
XX, 7
No. 411
IV, 5 Todesmusik In des Todes Feierstunde September
1822
Text by Schober; Two versions: 2nd is Op. 108 No. 2
759 759 (1867) I, 2
No. 8
XXII v1
V, 3
No. 7
Symphony No. 8, a.k.a. Unfinished Symphony B minor 30/10/1822 Allegro moderato – Andante con moto – Scherzo (Fragment); D 797 No. 1 may be its 4th movement
732
(Ov.)
759A 69
(1839)
VII/2, 4 Overture to Alfonso und Estrella, D 759A D major November
1822
For piano; Arranged from D 732 (see also: D 773)
760 760 15
(1823)
XI No. 1 VII/2, 5 Fantasy, D 760, a.k.a. Wanderer Fantasy C major November
1822
For piano; Reuses music of D 489
761 761 23,4
(1823)
(1795)
XX, 7
No. 412
IV, 2a &
b No. 1
Schatzgräbers Begehr In tiefster Erde ruht ein alt Gesetz November
1822
Text by Schober; Two versions: 2nd is Op. 23 No. 4
762 762 (1833) XX, 7
No. 413
IV, 13 Schwestergruß Im Mondenschein' wall' ich auf und ab November
1822
Text by Bruchmann [de]
763 763 146p
(1842)
XVII
No. 11
III, 2a
No. 13
Des Tages Weihe Schicksalslenker, blicke nieder 22/11/1822 For satb and piano
764 764 92,1
(1828)
(1895)
XX, 7
No. 416
IV, 5 Der Musensohn Durch Feld und Wald zu schweifen early Dec.
1822
Text by Goethe; Two versions: 2nd is Op. 92 No. 1
765 765 (1868) XX, 7
No. 417
IV, 13 An die Entfernte So hab' ich wirklich dich verloren? early Dec.
1822
Text by Goethe
766 766 (1872) XX, 7
No. 418
IV, 13 Am Flusse, D 766 Verfließet, vielgeliebte Lieder early Dec.
1822
Text by Goethe (other setting: D 160)
767 767 56,1
(1826)
(1895)
XX, 7
No. 419
IV, 3 Willkommen und Abschied Es schlug mein Herz early Dec.
1822
Text by Goethe; Two versions: 2nd is Op. 56 No. 1
768–798
1823 Up ↑
768 768 96,3
(1827)
XX, 7
No. 420
IV, 5 Wandrers Nachtlied, D 768 Über allen Gipfeln ist Ruh before
July 1824
Text by Goethe; Publ. as Op. 96 No. 3 in 1828
769 769 (1823)
(1889)
XII
No. 18
VII/2, 6
& 7a
Two German Dances, D 769 Various keys before
19/12/1823
–Jan. 1824
For piano; No. 2 publ. in 1823
994 769A VII/2, 2 Piano Sonata, D 769a E minor c. 1823 Allegro; Fragment
770 770 71
(1823)
XX, 7
No. 424
IV, 3 Drang in die Ferne Vater, du glaubst es nicht early 1823 Text by Leitner; Publ. as Op. 71 in 1827
771 771 22,1
(1823)
XX, 7
No. 425
IV, 1a Der Zwerg Im trüben Licht verschwinden schon die Berge 1822? Text by Collin, M. C.
772 772 22,2
(1823)
XX, 7
No. 426
IV, 1a Wehmut, D 772 Wenn ich durch Wald und Fluren geh' 1822 or
1823?
Text by Collin, M. C.
773 773 69
(1826)
VII/1, 5
No. 5
Overture to Alfonso und Estrella, D 773 1823 For piano duet; Arranged from D 732 (see also: D 759A); Publ. as Op. 69 in 1830
774 774 72
(1823)
XX, 7
No. 428
IV, 3 Auf dem Wasser zu singen Mitten im Schimmer der spiegelnden Wellen 1823 Text by Stolberg-Stolberg; Publ. as Op. 72 in 1827
775 775 59,2
(1826)
XX, 8
No. 453
IV, 3 Daß sie hier gewesen Daß der Ostwind Düfte hauchet 1823? Text by Rückert
776 776 59,3
(1826)
XX, 8
No. 454
IV, 3 Du bist die Ruh Du bist die Ruh, der Friede mild 1823 Text by Rückert
777 777 59,4
(1826)