List of compositions by Johann Sebastian Bach

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Canon triplex a 6: first printed in 1747 (below), it appears on both versions of the portrait Haussmann made of Bach (1746, 1748 – above). In the 19th-century Bach Gesellschaft edition the canon was published in Volume 451, p. 138. In 1950 the piece was assigned the number 1076 in Schmieder's catalogue of Bach's works (BWV). The 1998 edition of that catalogue (BWV2a) mentions Haussmann's paintings as original sources for the work (p. 438), and likewise the Bach digital website gives a description of both paintings as sources for the piece (linked from Bach digital Work page 01262).

Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, cello, flute, chamber ensemble and orchestra.

There are over 1000 known compositions by Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.

Listing Bach's compositions[edit]

Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work.[1] The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which had been published in the second half of the 18th century), followed by a rough overview of the unpublished ones.[2] In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)

BG[edit]

The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it got the number 857 in the Bach-Werke-Verzeichnis

In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).[3] This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[4]

But there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).

NBG[edit]

In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[4]

BWV[edit]

In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[5]

The BWV is a thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006, movement 2 (Loure) above.
  1. Kantaten (Cantatas), BWV 1–224
  2. Motetten (Motets), BWV 225–231
  3. Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
  4. Passionen, Oratorien (Passions, Oratorios), BWV 244–249
  5. Vierstimmige Choräle (Four-part chorales), BWV 250–438
  6. Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
  7. Werke für Orgel (Works for organ), BWV 525–771
  8. Werke für Klavier (Keyboard compositions), BWV 772–994
  9. Werke für Laute (Lute compositions), BWV 995–1000
  10. Kammermusik (Chamber music), BWV 1001–1040
  11. Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
  12. Kanons (Canons), BWV 1072–1078
  13. Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080

For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).[6]

Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).

BWV Anh.[edit]

The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:

Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.

BWV2a[edit]

Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.[7]

In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[8]

New additions (Nachträge) to BWV2/BWV2a included:

A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[9]

Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:

Some versions were completely removed from the catalogue, e.g. BWV 655b and c

Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).

21st-century additions[edit]

Numbers above BWV 1126 were added in the 21st century.

Reconstructed versions[edit]

An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.

BWV3[edit]

As of mid-2018 the Bach digital website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which has been announced for publication in 2020.[10] For example, the Leipzig version of the Christ lag in Todes Banden cantata used to be BWV 4 in previous versions of the catalogue, and, in BWV3, has become BWV 4.2.[11]

NBA[edit]

The NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (Clavier-Übung III) contains a facsimile of the title page of the 1739 first edition of that collection.

In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[12][13] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.

NBArev[edit]

Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.[14]

BC[edit]

The Bach Compendium (BC), a catalogue covering Bach's vocal works, was published in 1985.[15] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[16]

BNB[edit]

Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach and/or which he (had) copied for performance usually have a BNB number.[17]

SBB[edit]

The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.

By opus number, and chronological lists[edit]

Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number

Apart from indicating his first published keyboard composition as Opus 1, Bach didn't use opus numbers, so Bach's works can't be listed by opus number. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.

Listing Bach's works according to their time of composition can't be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.[18] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).

Other composers[edit]

Various catalogues with works by other composers have intersections with collections of works associated with Bach:[19]

BR-WFB (or) BR
Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49
Other BRs:
Fk (or) F
Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2
H
Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569
HWV
Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605
TWV
Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14
Warb (or) W
Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)
Wq
Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145

Works in Bach's catalogues and collections[edit]

There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, and/or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.

Legend to the table
column content
01 BWV Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows:
  • preceded by I: in Anh. I (lost works) of BWV1 (1950 first edition of the BWV)
  • preceded by II: in Anh. II (doubtful works) of BWV1
  • preceded by III: in Anh. III (spurious works) of BWV1
  • preceded by N: new Anh. numbers in BWV2 (1990) and/or BWV2a (1998)
02 2a Section in which the composition appears in BWV2a:
  • Chapters of the main catalogue indicated by Arabic numerals (1-13)
  • Anh. sections indicated by Roman numerals (I–III)
  • Reconstructions published in the NBE indicated by "R"
03 Date Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher.
04 Name Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...)
05 Key Key of the composition
06 Scoring See scoring table below for the abbreviations used in this column
07 BG Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[3]
08 NBE New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[13]
  1. Cantatas (Vol. 1–34: church cantatas grouped by occasion; Vol. 35–40: secular cantatas; Vol. 41: Varia)
  2. Masses, Passions, Oratorios (12 volumes)
  3. Motets, Chorales, Lieder (4 volumes)
  4. Organ Works (11 volumes)
  5. Keyboard and Lute Works (14 volumes)
  6. Chamber Music (5 volumes)
  7. Orchestral Works (7 volumes)
  8. Canons, Musical Offering, Art of Fugue (3 volumes)
  9. Addenda (approximately 7 volumes)
09 Additional info may include:
  • "after" – indicating a model for the composition
  • "by" – indicating the composer of the composition (if different from Johann Sebastian Bach)
  • "in" – indicating the oldest known source for the composition
  • "pasticcio" – indicating a composition with parts of different origin
  • "see" – composition renumbered in a later edition of the BWV
  • "text" – by text author, or, in source

Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes.

10 BD Bach Digital Work page
Background colours
Colour Meaning
green extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision
yellow extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol)
orange-brown extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member
Table sections (collated as in BWV2a for BWV 1–1126 and Anhang)
BWV (original ranges in parentheses)
1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions
BWV Anhang (Appendix)
I: Lost/fragmentary (1–23) • II: Doubtful (24–155) III: Spurious (156–189) • N: Nachträge (New additions, 190–213)
Not in BWV (BWV deest)
Sorted by BC, BGA, BNB, NBA, etc.
Collections
Without resorting the table (i.e. collection kept together in BWV2a)
Cello Suites BWV 1007–1012Christmas Oratorio, BWV 248Clavier-Übung IV = Goldberg Variations BWV 988Inventions BWV 772–786Sinfonias BWV 787–801Sonatas and partitas for solo violin BWV 1001–1006
Using the sort function (not available in all browsers)
Works in Bach's catalogues and collections
BWV 2a Date Name Key Scoring BG NBE Additional info BD
1. Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach) Up ↑
1 1. 1725-03-25 Cantata Wie schön leuchtet der Morgenstern (Annunciation) F maj. stbSATB 2Hn 2Odc 2Vl Str Bc 1: 1 I/28.2: 3 after Z 8359; text after Nicolai 00001
2 1. 1724-06-18 Cantata Ach Gott, vom Himmel sieh darein (Trinity II) G min. atbSATB 4Tbn 2Ob Str Bc 1: 53 I/16: 81 after Z 4431; text after Luther 00002
2/6 chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6) G Dor. SATB 1: 72 III/2.1: 25
III/2.2: 156
after Z 4431; text by Luther 11189
3 1. 1725-01-14 Cantata Ach Gott, wie manches Herzeleid (Epiphany II) A maj. satbSATB Hn Tbn 2Oba Str Bc 1: 73 I/5: 189 after Z 533a; text after Moller 00003
3/6 chorale setting "Ach Gott, wie manches Herzeleid" (s. 18) SATB 1: 94 III/2.1: 26
III/2.2: 90
after Z 533a; text by Moller 11191
4.2 1. 1724-04-09 Cantata Christ lag in Todes Banden (Easter) E min. satbSATB Cnt 3Tbn Str Bc 1: 95 I/9: 1 after BWV 4.1; text by Luther 00004
4/8 chorale setting "Christ lag in Todes Banden" (s. 7) E min.
D min.
SATB 1: 124 III/2.2: 104 after Z 7012a; text by Luther 11295
4.1 1. 1707-04-24 Cantata Christ lag in Todes Banden (Easter; early version, lost) satbSATB 2Vl 2Va Bc I/9 after Z 7012a; → BWV 4.2; text by Luther 00005
5 1. 1724-10-15 Cantata Wo soll ich fliehen hin (Trinity XIX) G min. satbSATB Tdt 2Ob Str Bc 1: 125 I/24: 133 after Z 2164; text after Heermann 00006
5/7 chorale setting "Wo soll ich fliehen hin" (s. 11) SATB 1: 150 III/2.1: 66
III/2.2: 180
after Z 2164; text by Heermann 11232
chorale setting "Auf meinen lieben Gott" after Z 2164
6 1. 1725-04-02 Cantata Bleib bei uns, denn es will Abend werden (Easter 2) C min. satbSATB 2Ob Odc Str Vc Bc 1: 151 I/10: 43 after Z 439 (/3: → BWV 649), Z 350a (/6); text after Lk 24:29 (/1), by Melanchthon & Selnecker (/3), Luther (/6) 00007
6/6 chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2) G min. SATB 1: 176 III/2.2: 40 after Z 350a; text by Luther 11338
7 1. 1724-06-24 Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist) E min. atbSATB 2Oba 2Vl Str Bc 1: 177 I/29: 25 after Z 7246; text after Luther 00008
8.1 1. 1724-09-24 Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version) E maj. satbSATB Hn Fl 2Oba Str Bc 1: 211 I/23: 105 after Z 6634; by Vetter, D. (/6); text after Neumann; → BWV 8.2 00009
8.2 1. 1747-09-17 Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version) D maj. satbSATB Fl 2Oba Tai 2Vl Str Bc I/23: 163 after BWV 8.1 00010
9 1. 1732-07-20 Cantata Es ist das Heil uns kommen her (Trinity VI) E maj. satbSATB Fl Oba Str Bc 1: 243 I/17.2: 83 after Z 4430; text after Speratus 00011
9/7 chorale setting "Es ist das Heil uns kommen her" (s. 12) SATB 1: 274 III/2.1: 52
III/2.2: 172
after Z 4430; text by Speratus 11213
10 1. 1724-07-02 Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation) G min. satbSATB Tr 2Ob Str Bc 1: 275 I/28.2: 131 after Magnificat peregrini toni; text after Magnificat; → BWV 648 00012
10/7 chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11) SATB 1: 303 III/2.1: 82
III/2.2: 205
after Magnificat peregrini toni; text: German Magnificat 11248
12 1. 1714-04-22 Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions) F Dor. atbSATB Tr Ob 2Vl 2Va Bas Bc 2: 59 I/11.2: 1 after Z 5629 (/7: → BWV 69.1/6); text by Franck, S.?; text after Acts 14:22 (/3); text by Rodigast (/7); /2 → BWV 232/14 00014
1724-04-30 G min.
13 1. 1726-01-20 Cantata Meine Seufzer, meine Tränen (Epiphany II) D min. satbSATB 2Fl Odc Str Bc 2: 79 I/5: 229 after Z 6543 (/3), Z 2293b (/6); text by Lehms, Heermann (/3), Fleming (/6) 00015
13/6 chorale setting "In allen meinen Taten" (s. 9) B♭ maj. SATB 2: 98 III/2.2: 58 after Z 2293b; text by Fleming 11347
chorale setting "Nun ruhen alle Wälder" G maj. III/2.2: 216
14 1. 1735-01-30 Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV) G min. stbSATB Hn 2Ob Str Bc 2: 99 I/6: 139 after Z 4434; text after Luther 00016
14/5 chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3) SATB 2: 132 III/2.1: 88
III/2.2: 103
after Z 4434; text by Luther 11250
16 1. 1726-01-01 Cantata Herr Gott, dich loben wir (New Year/Circumcision) A min. atbSATB Hn 2Ob Odc Str Bc 2: 173 I/4: 103 after Z 8652 (/1), 5267 (/6; → BWV 419); text by Lehms, Luther (/1), Eber (/6) 00018
1731-01-01 atbSATB Hn 2Ob Va Str Bc
16/6 1726-01-01 chorale setting "Helft mir Gotts Güte preisen" (s. 6) SATB 2: 198 III/2.2: 56 after Z 5267; text by Eber 11324
17 1. 1726-09-22 Cantata Wer Dank opfert, der preiset mich (Trinity XIV) A maj. satbSATB 2Ob Str Bc 2: 199 I/21: 147 after Z 8244 (/7); text: Meiningen, after Ps 50:23 (/1; → BWV 236/6), Lk 17:15-16 (/4), by Gramann (/7) 00019
17/7 chorale setting "Nun lob, mein Seel, den Herren" (s. 3) SATB 2: 225 III/2.2: 4 after Z 8244; text by Gramann 11330
18.2 1. 1724-02-13 Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) A min. stbSATB 2Fl Bas 4Va Vc Bc 2: 227
(in g)
I/7: 107 after BWV 18.1; text by Neumeister, after Is 55:1011 (/2), Luther (/3), by Spengler (/5) 00020
18/5 chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8) SATB 2: 252
(in g)
III/2.2: 71 after Z 7549; text by Spengler 11301
1. 1715-02-24 chorale setting "Ich ruf zu dir, Herr Jesu Christ" G min. III/2.2: 56 after Z 7549; text by Agricola
18.1 Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) stbSATB Bas 4Va Vc Bc I/7: 81 after Z 7549 (/5); text by Neumeister, after Is 55:1011 (/2), Luther (/3), by Spengler (/5); → BWV 18.2 00021
19 1. 1726-09-29 Cantata Es erhub sich ein Streit (Michaelmas) C maj. stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc 2: 253 I/30: 55 after Z 6543 (/7); text after Picander 00022
19/7 chorale setting "Freu dich sehr, o meine Seele" (s. 9) SATB 2: 288 III/2.1: 62
III/2.2: 177
after Z 6543 11227
chorale setting "Weg, mein Herz, mit den Gedanken" after Z 6543; text by Gerhardt
20 1. 1724-06-11 Cantata O Ewigkeit, du Donnerwort (Trinity I) F maj. atbSATB Tdt Tmp 3Ob Str Bc 2: 291 I/15: 133 after Z 5820; text after Rist 00023
20/7
20/11
chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16) SATB 2: 317,
327
III/2.2: 17 after Z 5820; text by Rist 11332
21.1 1. before Dec. 1713 Cantata Ich hatte viel Bekümmernis (1st version: in ogni tempore; 1714-06-17: Trinity III) C min. satbSATB 3Tr Tmp Ob Str Bc I/16: 109 after Z 2778 (/9); text by Franck, S.?; text after Ps 94:19 (/2), 42:12 (/6), 116:7 (/9), Rv 5:12-13 (/11), by Neumark (/9); → BWV 21.2 00024
21.2 1. c. autumn 1720 Cantata Ich hatte viel Bekümmernis (2nd version: in ogni tempore) D min. satbSATB 3Tr Tmp Ob Str Bas Bc I/16 after BWV 21.1 (same text); → BWV 21.3 00025
21.3 1. 1723-06-13 Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III) C min. satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc 51: 1 I/16 after BWV 21.2 (same text) 00026
22 1. 1723-02-07 Cantata Jesus nahm zu sich die Zwölfe (Estomihi) satbSATB Ob Str Bc 51: 65 I/8: 1 after Z 4297a (/5); text after Luke 18:31, 34 (/1), by Cruciger (/5) 00027
23.1 1. 1723 Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi) C min. satbSATB 2Ob Str Bc 51: 93 I/8: 33 BWV 23.2, .3 00028
23.2 1. 1723-02-07 Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi) B min. satbSATB Cnt 3Tbn 2Oba Str Bc I/8: 69 after BWV 23.1, Z 58 (/4); text by Luther after Agnus Dei (/4); → BWV 23.3, 245.2/40 00029
23.3 1. 1728–1731 Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi) C min. satbSATB 2Ob Str Bc 51: 93 I/8: 33 after BWV 23.1, .2; text by Luther after Agnus Dei (/4) 00030
24 1. 1723-06-20 Cantata Ein ungefärbt Gemüte (Trinity IV) F maj. satbSATB Tr 2Ob 2Oba Str Bc 51: 125 I/17.1: 47 after Z 5148 (/6); text by Neumeister, Heermann (/6), after Mt 7:12 (/3) 00031
24/6 chorale setting "O Gott, du frommer Gott" (s. 1) SATB 51: 150 III/2.2: 195 after Z 5148; text by Heermann 11333
chorale setting "Was frag ich nach der Welt" after Z 5148; text by Kindermann
25 1. 1723-08-29 Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV) E min. stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc 51: 153 I/21: 79 after Z 6543 (/6); text after Rambach [de], Ps 38:4 (/1), by Heermann (/6) 00032
25/6 chorale setting "Treuer Gott, ich muss dir klagen" (s. 12) C maj. SATB 51: 188 III/2.1: 15
III/2.2: 150
after Z 6543; text by Heermann 11177
chorale setting "Weg, mein Herz, mit den Gedenken" after Z 6543; text by Gerhardt
chorale setting "Freu dich sehr, o meine Seele" III/2.2: 168 after Z 6543
26 1. 1724-11-19 Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV) A min. satbSATB Hn Fl 3Ob Str Bc 51: 189 I/27: 29 after Z 1887b; text after Franck, M. 00033
26/6 chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8) SATB 51: 216 III/2.2: 28 after Z 1887b; text by Franck, M. 11289
27 1. 1726-10-06 Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI) C min. satbSSATB Hn 2Ob Odc Str Org Bc 51: 217 I/23: 221 after Z 2778 (/1); by Rosenmüller (/6 = BWV Anh. 170); text by E. J. of Schwarzburg-Rudolstadt (/1), Albinus (/6), after Neumeister (/3) 00034
28 1. 1725-12-30 Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I) A min. satbSATB Cnt 3Tbn 2Ob Tai Str Bc 51: 245 I/3.2: 75 after Z 8244 (/2), 5267 (/6); text by Neumeister, Gramann (/2), Eber (/6), after Jer 32:41 (/3); → BWV 28/2a, Anh. 160/2 00035
28/6 chorale setting "Helft mir Gotts Güte preisen" (s. 12) SATB 51: 272 III/2.1: 13
III/2.2: 49
after Z 5267; text by Eber 11175
chorale setting "Zeuch ein zu deinen Toren" III/2.2: 15 after Z 5267; text by Gerhardt
28/2a 1. 1725? Motet Sei Lob und Preis mit Ehren C maj. SATB 39: 167 III/3: 15 after BWV 28/2; ↔ Anh. 160/2; was BWV 231 00036
29 1. 1731-08-27 Cantata Wir danken dir, Gott, wir danken dir (council election) D maj. satbSATB 3Tr Tmp 2Ob Str Org Bc 51: 273 I/32.2: 1 after BWV 120.2/4 (/1), Z 8244 (/8); text after Ps 75:2 (/2; → BWV 232/7, /23), by Gramann (/8) 00037
29/8 chorale setting "Nun lob, mein Seel, den Herren" (s. 5) SATB 51: 316 III/2.2: 65 after Z 8244; text by Gramann 11331
30.2 1. 1738-06-24 Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist) D maj. satbSATB 2Fl 2Ob Oba Vl Str Bc 51: 321 I/29: 59 after BWV 30.1, Z 6543 (/6); text by Picander?, Olearius, J. (/6) 00038
30.2/6 chorale setting "Tröstet, tröstet, meine Lieben" (s. 3) A maj. SATB 51: 360 III/2.2: 42 after Z 6543; text by Olearius, J. 11318
chorale setting "Freu dich sehr, o meine Seele" G maj. after Z 6543
30.1 1. 1737-09-28 Secular cantata Angenehmes Wiederau (for Hennicke [de] at Wiederau [de] manor) D maj. satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc 51: 399
34: 325
I/39: 51 text by Picander; → BWV 30.2, 195.2/6, /8 00039
31.2 1. 1724-04-09 Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter) C maj. stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc 7: 1 I/9: 41 after BWV 31.1 (same text) 00040
31/9 chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5) SATB 7: 50 III/2.1: 56 after Z 4482a; text by Herman 11221
31.1 1. 1715-04-21 Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter) C maj. stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc I/9
rev 2: 37
after Z 4482a (/9); text by Franck, S, Herman (/9); → BWV 31.2 00041
32 1. 1726-01-13 Cantata Liebster Jesu, mein Verlangen (Epiphany I) E min. sbSATB Ob Str Bc 7: 53 I/5: 143 after Z 6543 (/6); text by Lehms, Gerhardt (/6) 00042
32/6 chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12) G maj. SATB 7: 80 III/2.2: 18 after Z 6543; text by Gerhardt 11317
chorale setting "Freu dich sehr, o meine Seele" after Z 6543
33 1. 1724-09-03 Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII) A min. atbSATB 2Ob Str Bc 7: 81 I/21: 23 after Z 7292b; text after Hubert 00043
33/6 chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4) SATB 7: 114 III/2.1: 58
III/2.2: 10
after Z 7292b; text by Hubert 11223
34.1 1. 1727-06-01 Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost) D maj. atbSATB 3Tr Tmp 2Fl 2Ob Str Bc 7: 115 I/13: 129 text after Ps 128:6 (/5); → BWV 34.2 00044
34.2 1. after 1727 Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete) D maj. satbSATB Vl Va Bc 41: 117 I/33: 27 after BWV 34.1; text after Ps 128:4–6 (/3–/4), Nm 6:24–26 (/7) 00045
35 1. 1726-09-08 Cantata Geist und Seele wird verwirret (Trinity XII) D min. a 2Ob Tai Str Org Bc 7: 171 I/20: 215 text by Lehms; → BWV 1059 00046
36.4 1. c. 1726–1730 Cantata Schwingt freudig euch empor (Advent I; early version) D maj. stbSATB Oba Str Bc 7: 395 I/1: 17 after BWV 36.1, Z 8359 (/5); text by Picander?, by Nicolai (/5); → BWV 36.5 00048
36.4/5 chorale setting "Wie schön leuchtet der Morgenstern" (s. 7) SATB 7: 399 III/2.1: 28 after Z 8359; text by Nicolai 11193
36.5 1. 1731-12-02 Cantata Schwingt freudig euch empor (Advent I) D maj. satbSATB 2Oba Str Bc 7: 221 I/1: 41 after BWV 36.4, Z 1174 (/2, /6, /8), Z 8359 (/4); text by Picander?, by Luther (/2, /6, /8), Nicolai (/4) 00047
36.5/4 chorale setting "Wie schön leuchtet der Morgenstern" (s. 6) SATB 7: 243 III/2.2: 48,
109, 180
after Z 8359; text by Nicolai 11346
36.5/8 chorale setting "Nun komm, der Heiden Heiland" (s. 8) B min. SATB 7: 258 III/2.2: 18 after Z 1174; text by Luther 11329
36.2 1. 1726-11-30 or
1725-11-30
Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost) stbSATB Oba Va Str Bc (?) I/35 text by Picander; after BWV 36.1/1, /3, /5, /7, /9 00049
36.3 1. 1735-07-27 Secular cantata Die Freude reget sich (birthday of Rivinus, J. F. [de]?) D maj. satSATB Fl Oba Str Bc 34: 39 I/38: 255 after BWV 36.1/1, /3, /5, /7, /8 00050
36.1 1. April–May 1725 Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. [de]?) D maj. stbSATB Oba Str Va Bc 34: 39 I/39: 1 BWV 36.2.4 00051
37 1. 1724-05-18 Cantata Wer da gläubet und getauft wird (Ascension) A maj. satbSATB 2Oba Str Bc 7: 259 I/12: 79 after Z 8359 (/3), 5354 (/6); text after Mk 16: 16, by Nicolai (/3), Kolross (/6) 00052
37/6 chorale setting "Ich dank dir, lieber Herre" (s. 4) SATB 7: 282 III/2.2: 197 after Z 5354; text by Kolross 11304
38 1. 1724-10-29 Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI) E min. satbSATB 2Ob 4Tbn Str Bc 7: 283 I/25: 217 after Z 4437; text after Luther 00053
38/6 chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5) SATB 7: 300 III/2.1: 67
III/2.2: 8
after Z 4437; text by Luther 11233
39 1. 1726-06-23 Cantata Brich dem Hungrigen dein Brot (Trinity I) G min. sabSATB 2Fl 2Ob Str Bc 7: 336 I/15 179 after Z 6543 (/7); text: Meiningen, after Is 58:7–8 (/1), Hb 13:16 (/4), by Denicke (/7) 00054
39/7 chorale setting "Kommt, lasst euch den Herren lehren" (s. 6) B♭ maj. SATB 7: 348 III/2.1: 81
III/2.2: 37
after Z 6543; text by Denicke 11247
chorale setting "Freu dich sehr, o meine Seele" after Z 6543
40 1. 1723-12-26 Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2) F maj. atbSATB 2Hn 2Ob Str Bc 7: 349 I/3.1: 3 after Z 2072 (/3), 4870 (/6), 7880a (/8); text after 1Jh 3:8 (/1; → BWV 233/6), by Füger (/3), Gerhardt (/6), Keymann (/8) 00055
40/3 chorale setting "Wir Christenleut" (s. 3) G min. SATB 7: 377 III/2.2: 186 after Z 2072; text by Füger 11315
40/6 chorale setting "Schwing dich auf zu deinem Gott" (s. 2) D min. SATB 7: 387 III/2.2: 82 after Z 4870; text by Gerhardt 11343
40/8 chorale setting "Freuet euch, ihr Christen alle" (s. 4) F min. SATB 7: 394 III/2.2: 6 after Z 7880a; text by Keymann 11339
41 1. 1725-01-01 Cantata Jesu, nun sei gepreiset (New Year) C maj. satbSATB 3Tr Tmp 3Ob Str Vc Bc 10: 1 I/4: 37 after Z 8477a; text after Hermann; /6 → BWV 171/6 00056
41/6 chorale setting "Jesu, nun sei gepreiset" (s. 3) SATB 10: 58 III/2.1: 90
III/2.2: 8
after Z 8477a; text by Hermann 11253
42 1. 1725-04-08 Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti) D maj. satbSATB 2Ob Bas Str Bc 10: 63 I/11.1: 61 after Z 1945b (/7); text after Jh 20:19 (/2), by Fabricius [de] (/4), Luther after Da pacem, Domine & Walter after 1Tm 2:2 (/7) 00057
42/7 chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) F♯ min. SATB 10: 91 III/2.1: 21
III/2.2: 51, 154
after Z 1945b; text by Luther after Da pacem, Domine & Walter after 1Tm 2:2 11186
43 1. 1726-05-30 Cantata Gott fähret auf mit Jauchzen (Ascension) C maj. satbSATB 3Tr Tmp 2Ob Str Bc 10: 93 I/12: 133 after Z 5741b (/11: by Peter [de]); text: Meiningen, after Ps 47:6-7 (/1), Mk 16:19 (/4), by Rist (/11) 00058
44 1. 1724-05-21 Cantata Sie werden euch in den Bann tun (Exaudi) G min. satbSATB 2Ob Str Bc 10: 127 I/12: 165 after Z 533a (/4), 2293b (/7); text after Jh 16:2 (/1–2), by Moller (/4), Fleming (/7) 00059
44/7 chorale setting "In allen meinen Taten" (s. 7) B♭ maj. SATB 10: 150 III/2.1: 75
III/2.2: 203
after Z 2293b; text by Fleming 11242
chorale setting "Nun ruhen alle Wälder" after Z 2293b; text by Gerhardt
45 1. 1726-08-11 Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII) E maj. atbSATB 2Fl Ob Oba Str Bc 10: 151 I/18: 197 after Z 5206b–c (/7); text: Meiningen, after Mh 6:8 (/1), Mt 7:2223 (/4), by Heermann (/7) 00060
45/7 chorale setting "O Gott, du frommer Gott" (s. 7) SATB 10: 186 III/2.2: 47 after Z 5206b–c; text by Heermann 11297
46 1. 1723-08-01 Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X) D min. atbSATB Tdt Hn 2Fl 2Odc Str Bc 10: 187 I/19: 109 after Z 5105a (/6); text after Lm 1:12 (/1), by Meyfart (/6) 00061
46/6 chorale setting "O großer Gott von Macht" (s. 9) G min. SATB 10: 236 III/2.2: 45 after Z 5105a; text by Meyfart 11341
47 1. 1726-10-13 Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII) G min. sbSATB 2Ob Str Org Bc 10: 239 I/23: 319 after Z 1689a (/5); text by Helbig, after Lk 14:11 (/1) 00062
47/5 chorale setting "Warum betrübst du dich, mein Herz" (s. 11) SATB 10: 274 III/2.2: 52 after Z 1689a 11336
48 1. 1723-10-03 Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX) G min. atSATB Tr 2Ob Str Bc 10: 275 I/24: 105 after Z 2051 (/3), 4486 (/7); text after Rm 7:24, by Rutilius [de] (/3) 00063
48/3 chorale setting "Ach Gott und Herr" (s. 4) B♭ maj. SATB 10: 288 III/2.1: 30
III/2.2: 166
after Z 2051; text by Rutilius [de] 11197
48/7 chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12) G min. SATB 10: 298 III/2.1: 33
III/2.2: 158
after Z 4486 11320
chorale setting "Herr Jesu Christ, du höchstes Gut" after Z 4486; text by Ringwaldt
49 1. 1726-11-03 Cantata Ich geh und suche mit Verlangen (Trinity XX) G min. sb Oba Str Vl Org Bc 10: 299 I/25: 107 after Z 8359; text by Birkmann, Nicolai & after Jer 31:3, Rv 3:20 (/6); /1 → BWV 1053/3 00064
50 1. Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?) D maj. 2SATB 3Tr Tmp 3Ob Str Bc 10: 341 I/30: 141 text after Rv 12:10; in SBB P 136 00065
51 1. 1730-09-17 Cantata Jauchzet Gott in allen Landen (Trinity XV) C maj. s (2)Tr (Tmp) Str Bc 122: 1 I/22: 77 after Z 8244 (/4); text after Ps 128:2 & 26:2 (/2), by Gramann (/4) 00066
52 1. 1726-11-24 Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII) F maj. sSATB 2Hn 3Ob Bas Str Bc 122: 25 I/26: 131 after BWV 1046a/1 (/1), Z 2461 (/6); text by Birkmann, Reusner (/6) 00067
54 1. 1714–1717? Cantata Widerstehe doch der Sünde (Oculi) E♭ maj. a 2Vl 2Va Bc 122: 59 I/18: 3 text by Lehms; → BWV 247/53? 00069
55 1. 1726-11-17 Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII) G min. tSATB Fl Oba Str Bc 122: 73 I/26: 55 after Z 6551 (/5); text by Birkmann, Rist (/5) 00070
55/5 chorale setting "Werde munter, mein Gemüte" (s. 6) B♭ maj. SATB 122: 86 III/2.2: 53 after Z 6551; text by Rist 11319
56 1. 1726-10-27 Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX) G min. bSATB 2Ob Tai Str Vc Bc 122: 87 I/24: 173 after Z 6773 (/5); text by Birkmann, Franck, J. (/5) 00071
56/5 chorale setting "Du, o schönes Weltgebäude" (s. 6) C Dor. SATB 122: 104 III/2.2: 48 after Z 6773; text by Franck, J. 11300
57 1. 1725-12-26 Cantata Selig ist der Mann (Christmas 2) G min. sbSATB 2Ob Tai Str Bc 122: 105 I/3.1: 83 after Z 1912a–c (/8); text by Lehms, Fritsch (/8), after Jm 1:12 (/1) 00072
57/8 chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6) B♭ maj. SATB 122: 132 III/2.2: 50 after Z 1912a–c; text by Fritsch 11323
58.2 1. 1733-01-04
or
1734-01-03
Cantata Ach Gott, wie manches Herzeleid (New Year I) C maj. sb 2Ob Tai Vl Str Bc 122: 133 I/4: 217 after BWV 58.1; text by Birkmann, Moller (/1), Behm (/5) 00073
58.1 1. 1727-01-05 Cantata Ach Gott, wie manches Herzeleid (New Year I; early version) C maj. sb Vl Str Bc I/4: 241 after Z 533a (/1, /5); text by Birkmann, Moller (/1), Behm (/5); → BWV 58.2 00074
59 1. 1724-05-28 Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) C maj. sbSATB 2Tr Tmp Str Bc 122: 151 I/13: 65 after Z 7445a (/3); text by Neumeister, Luther (/3), after Jh 14:23 (/1); → BWV 74/1–/2, 175/7 00075
60 1. 1723-11-07 Cantata O Ewigkeit, du Donnerwort (Trinity XXIV) D maj. atbSATB Hn 2Oba Str Bc 122: 169 I/27: 1 after Z 5820 (/1), 7173 (/5); text by Rist (/1), Burmeister (/5), after Rv 14:13 (/4) 00076
60/5 chorale setting "Es ist genug, so nimm" (s. 5) A maj. SATB 122: 190 III/2.1: 37
III/2.2: 127
after Z 7173; text by Burmeister 11203
61 1. 1714-12-02 Cantata Nun komm, der Heiden Heiland (Advent I – first setting) A min. stbSATB Fag 2Vl 2Va Bc 16: 1 I/1: 1 after Z 1174 (/1), 8359 (/6); text by Neumeister, Luther (/1), Nicolai (/6), after Rv 3:20 (/4) 00077
62 1. 1724-12-03 Cantata Nun komm, der Heiden Heiland (Advent I – second setting) B min. satbSATB Hn 2Ob Str Bc 16: 19 I/1: 75 after Z 1174; text after Luther 00078
62/6 chorale setting "Nun komm, der Heiden Heiland" (s. 8) SATB 16: 50 III/2.1: 68 after Z 1174; text by Luther 11234
A min. III/2.2: 97
63 1. 1714-12-25
1723-12-25
Cantata Christen, ätzet diesen Tag (Christmas; two versions) C maj. satbSATB 4Tr Tmp 3Ob Bas Str Bc 16: 51 I/2: 1 text by Heineccius? 00079
64 1. 1723-12-27 Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3) E min. sabSATB Cnt 3Tbn Oba Str Bc 16: 111, 371 I/3.1: 113 after Z 1947 (/2), 5206b–c (/4), 8032 (/8); text after Knauer [scores], 1Jh 3:1 (/1), by Luther (/2), Kindermann (/4), Franck, J. (/8) 00080
64/2 chorale setting "Gelobet seist du, Jesu Christ" (s. 7) G maj. SATB 16: 371 III/2.1: 16
III/2.2: 92
after Z 1947; text by Luther 11179
64/4 chorale setting "Was frag ich nach der Welt" (s. 1) D maj. SATB 16: 372 III/2.1: 16
III/2.2: 151
after Z 5206b–c; text by Kindermann 11180
64/8 chorale setting "Jesu, meine Freude" (s. 5) E min. SATB 16: 132 III/2.1: 15
III/2.2: 80
after Z 8032; text by Franck, J. 11178
65 1. 1724-01-06 Cantata Sie werden aus Saba alle kommen (Epiphany) C maj. tbSATB 2Hn 2Fl 2Odc Str Bc 16: 133 I/5: 1 after Z 192b (/2), 7568 (/7); text after Is 60:6 (/1), by Spangenberg (/2), Gerhardt (/7) 00081
65/2 chorale setting "Ein Kind geboren zu Bethlehem" (s. 4) A min. SATB 16: 152 III/2.2: 9 after Z 192b; text by Spangenberg 11342
chorale setting "Puer natus in Bethlehem" after Z 192b
65/7 chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10) A min. SATB 16: 166 III/2.2: 24 after Z 7568; text by Gerhardt 11337
chorale setting "Was mein Gott will, das gscheh allzeit" after Z 7568; text by Albert of Prussia
66.2 1. 1724-04-10 Cantata Erfreut euch, ihr Herzen (Easter 2) D maj. atbSATB Tr 2Ob Str Bc 16: 167 I/10: 1 after BWV 66.1/8, /1–/4, Z 8584/3 00082
66.2/6 chorale setting "Alleluja", s. 3 from "Christ ist erstanden" F♯ min. SATB 16: 214 III/2.1: 57 after Z 8584/3 11222
66.1 1. 1718-12-10 Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen) atbSATB 2Ob Bas Str Bc (?) I/35 text by Hunold; → BWV 66.2/1–/5 00083
67 1. 1724-04-16 Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti) A maj. atbSATB Hn Fl 2Oba Str Bc 16: 215 I/11.1: 1 after Z 1743 (/4), 4373 (/7); text after 2Ti 2:8 (/1), Jh 20:19 (/6; → BWV 234/2), by Herman (/4), Ebert (/7) 00084
67/7 chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1) SATB 16: 246 III/2.1: 10
III/2.2: 25
after Z 4373; text by Ebert 11174
68 1. 1725-05-21 Cantata Also hat Gott die Welt geliebt (Pentecost 2) D min. sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc 16: 247 I/14: 31 after Z 5920 (/1), BWV 208/13 (/2) and /7 (/4); text by Ziegler, C. M., Liscow (/1), after Jh 3:18 (/5) 00085
69.2 1. 1748-08-26 Cantata Lobe den Herrn, meine Seele (council election) D maj. satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc 16: 281 I/32.2: 111 after BWV 69.1/1, /3, /5, Z 7247 (/6); text after Knauer [scores], Ps 103:2 (/1), by Luther (/6) 00086
69.2/6 chorale setting "Es woll uns Gott genädig sein" (s. 3) SATB 16: 325 III/2.2: 192 after Z 7247; text by Luther 11303
69.1 1. 1723-08-15 Cantata Lobe den Herrn, meine Seele (Trinity XII) D maj. satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc 16: 373 I/20: 117 after BWV 12/7 (/6); text after Knauer [scores], Ps 103:2 (/1), by Rodigast (/6); → BWV 69.2/1, /3, /5 00087
69.1/6 chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) G maj. SATB 16: 379 III/2.1: 55
III/2.2: 174
after BWV 12/7; text by Rodigast 11219
70.2 1. 1723-11-21 Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI) C maj. satbSATB Tr Ob Str Vc Bc 16: 327 I/27: 107 after BWV 70.1, Z 6543 (/7); text by Franck, S, Keymann (/11) 00088
70.2/11 1716-12-06 chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5) C maj. SATB 16: 368 III/2.2: 200 = BWV 70.1/6 11308
70.1 1. Cantata Wachet! Betet! Betet! Wachet! (Advent II) satbSATB Tr Ob Str Vc Bc 16: 327 I/1 after Z 3449 (/6); text by Franck, S, Keymann (/6); → BWV 70.2/1, /3, /5, /8, /10, /11 00089
71 1. 1708-02-04 Cantata Gott ist mein König (council election) D maj. satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org 18: 1 I/32.1: 3 after Z 5148 (/2); text by Eilmar?, Heermann & after 2Sm 19:35 & 37 (/2), Ps 74:12 (/1), 16–17 (/4), 19 (/6), Dt 33:25 & Gn 21:22b (/3) 00090
72 1. 1726-01-27 Cantata Alles nur nach Gottes Willen (Epiphany III) A min. sabSATB 2Ob Str Bc 18: 55 I/6: 59 after Z 7568 (/6); text by Franck, S, Albert of Prussia (/6); /1 → BWV 235/2 00091
73 1. 1724-01-23 Cantata Herr, wie du willt, so schicks mit mir (Epiphany III) G min. stbSATB Hn 2Ob Str Bc 18: 85 I/6: 3 after Z 4441a (/1), 5264b (/5); text by Bienemann [de] (/1), Helmbold (/5) 00092
73/5 chorale setting "Von Gott will ich nicht lassen" (s. 9) C min.
A min.
SATB 18: 104 III/2.2: 107 after Z 5264b; text by Helmbold 11310
74 1. 1725-05-20 Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) C maj. satbSATB 3Tr Tmp 2Ob Odc Str Bc 18: 105 I/13: 83 after BWV 59/1 & /4 (/1–/2), Z 2496 (/8); text by Ziegler, C. M., Gerhardt (/8), after Jh 14:23 (/1), 28 (/4), Rm 8:1 (/6) 00093
74/8 chorale setting "Gott Vater, sende deinen Geist" (s. 2) A min. SATB 18: 146 III/2.1: 78
III/2.2: 212
after Z 2496; text by Gerhardt 11245
chorale setting "Kommt her zu mir, spricht Gottes Sohn" after Z 2496; text by Grünwald
75 1. 1723-05-30 Cantata Die Elenden sollen essen (Trinity I) E min. satbSATB Tr 2Ob Oba Bas Str Bc 18: 147 I/15: 85 after Z 5629 (/7=/14: → BWV 100/6); text after Ps 22:27 (/1), by Rodigast (/7, /14) 00094
76 1. 1723-06-06 Cantata Die Himmel erzählen die Ehre Gottes (Trinity II) C maj. satbSATB Tr 2Ob Oba Str Vdg Bc 18: 189 I/16: 1 after Z 7247 (/7=/14); text after Ps 12:2 & 4 (/1), by Luther (/7, /14); /8 ↔ BWV 528/1 00095
77 1. 1723-08-22 Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII) C maj. satbSATB Tdt 2Ob Str Bc 18: 233 I/21: 1 after Z 4431 (/6); text after Knauer, Lk 10:27 (/1), by Denicke? (/6) 00096
77/6 chorale setting "Wenn einer alle Ding verstünd" (s. 8)? G min. SATB 18: 254 III/2.1: 14
III/2.2: 150
after Z 4431; text by Denicke 11176
chorale setting "Ach Gott, vom Himmel sieh darein" after Z 4431; text by Luther
78 1. 1724-09-10 Cantata Jesu, der du meine Seele (Trinity XIV) G min. satbSATB Hn Fl 2Ob Str Vne Bc 18: 255 I/21: 115 after Z 6804; text after Rist 00097
78/7 chorale setting "Jesu, der du meine Seele" (s. 12) SATB 18: 286 III/2.1: 60
III/2.2: 150
after Z 6804; text by Rist 11225
79 1. 1725-10-31 Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730) G maj. sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc 18: 287 I/31: 1 after Z 5142 (/3), 159 (/6); text after Ps 84:12 (/1), by Rinkart (/3), Helmbold (/6); → BWV 236/2, /4, 234/5 00098
80.3 1. c. 1735? Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition) D maj. satbSATB 3Ob 2Oba Odc Str Bc 18: 317 I/31: 71 after BWV 80.2 (same text) 00099
80.1 1. 1715-03-24 Cantata Alles, was von Gott geboren (Oculi; music lost) satb(?)SATB Ob Str Bc I/8.2: V after Z 7377 (/1, /6)?; text by Franck, S, Luther (/6); → BWV 80.2 00100
80.2 1. c. 1729–1731 Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version) D maj. sbSATB Ob Str Bc 18: 351 I/31: 65 after Z 7377, BWV 80.1 (/2–/4, /6–/7); text by Franck, S, Luther (/1, /2, /5, /8); → BWV 80.3 00101
80/8 chorale setting "Ein feste Burg ist unser Gott" (s. 4) SATB 18: 378 III/2.1: 29
III/2.2: 162
after Z 7377; text by Luther 11195
81 1. 1724-01-30 Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV) E min. atbSATB 2Fl 2Oba Str Bc 201: 1 I/6: 111 after Z 8032 (/7); text after Ps 10:1 (/2), Mt 8:26 (/4), by Franck, J. (/7) 00102
81/7 chorale setting "Jesu, meine Freude" (s. 2) SATB 201: 24 III/2.2: 188 after Z 8032; text by Franck, J. 11305
82.1 1. 1727-02-02 Cantata Ich habe genug (Purification; 1st version) C min. b Ob Str Bc 201: 25 I/28.1: 77 text by Birkmann; → BWV 82.2–.4 00103
82.2 1. 1731-02-02 Cantata Ich habe genug (Purification; 2nd version) E min. s Fl Str Bc I/28.1: 155 after BWV 82.1 (same text); → 82.3–.4 00104
82.2/2–/3 1. c.1731 (AMB) Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" E min. s Bc 432: 46 V/4:122 after BWV 82.2; text by Birkmann 00104
82.2/3 1. c.1731 (AMB) Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) E min. s Bc 432: 49 V/4:122 after BWV 82.2; text by Birkmann 00104
82.3 1. c.1735 Cantata Ich habe genug (Purification; 3rd version) C min. b or mezzo Ob Str Bc I/28.1: 109 after BWV 82.1–.2 (same text); → 82.4 00105
82.4 1. 1746–1748 Cantata Ich habe genug (Purification; 4th version) C min. b (or mezzo) Ob Odc Str Bc I/28.1: 109 after BWV 82.1–.3 (same text) 00106
83 1. 1724-02-02 Cantata Erfreute Zeit im neuen Bunde (Purification) F maj. atbSATB 2Hn 2Ob Vl Str Bc 201: 51 I/28.1: 3 after Z 3986 (/5); text after Lk 2:29-31 (/2), Hb 4:16 (/3), by Luther (/5) 00107
83/5 chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4) D min. SATB 201: 76 III/2.2: 188 after Z 3986; text by Luther 11309
84 1. 1727-02-09 Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae) E min. sSATB Ob Str Bc 201: 77 I/7: 21 after Z 2778 (/5); text after Picander, by E. J. of Schwarzburg-Rudolstadt (/5) 00108
84/5 chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12) B min. SATB 201: 98 III/2.1: 27
III/2.2: 63
after Z 2778; text by E. J. of Schwarzburg-Rudolstadt 11192
chorale setting "Wer nur den lieben Gott lässt walten" after Z 2778; text by Neumark
85 1. 1725-04-15 Cantata Ich bin ein guter Hirt (Misericordias Domini) C min. satbSATB 2Ob Str Vc Bc 201: 99 I/11.1: 157 after Z 4457 (/3), 2542 (/6); text after Jh 10:12 (/1), by Becker (/3), Homburg [de] (/6) 00109
85/6 chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4) SATB 201: 118 III/2.1: 74
III/2.2: 69
after Z 2542; text by Homburg [de] 11240
86 1. 1724-05-14 Cantata Wahrlich, wahrlich, ich sage euch (Rogate) E maj. satbSATB 2Oba Str Bc 201: 119 I/12: 45 after Z 2496c (/3), 4430 (/6); text after Jh 16:23 (/1), by Grünwald (/3), Speratus (/6) 00110
86/6 chorale setting "Es ist das Heil uns kommen her" (s. 11) SATB 201: 134 III/2.2: 3 after Z 4430; text by Speratus 11322
87 1. 1725-05-06 Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate) D min. atbSATB 2Ob 2Odc Str Bc 201: 135 I/12: 61 after Z 8032 (/7); text after Ziegler, C. M., Jh 16:24 (/1), by Müller, H. (/7) 00111
87/7 chorale setting "Selig ist die Seele" (s. 9) SATB 201: 152 III/2.1: 73
III/2.2: 54
after Z 8032; text by Müller, H. 11239
chorale setting "Jesu, meine Freude" after Z 8032; text by Franck, J.
88 1. 1726-07-21 Cantata Siehe, ich will viel Fischer aussenden (Trinity V) D maj. satbSATB 2Hn 2Oba Tai Str Bc 201: 153 I/17.2: 33 after Z 2778 (/7); text: Meiningen, after Jer 16:16 (/1), Lk 5:10 (/4), by Neumark (/7) 00112
88/7 chorale setting "Wer nur den lieben Gott lässt walten" (s. 7) B min. SATB 201: 178 III/2.2: 58 after Z 2778; text by Neumark 11312
89 1. 1723-10-24 Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII) C min. sabSATB Hn 2Ob Str Bc 201: 179 I/26: 1 after Z 2164 (/6); text after Hs 11:8 (/1), by Heermann (/6) 00113
89/6 chorale setting "Wo soll ich fliehen hin" (s. 7) G min. SATB 201: 194 III/2.2: 167 after Z 2164; text by Heermann 11292
90 1. 1723-11-14 Cantata Es reißet euch ein schrecklich Ende (Trinity XXV) D min. atbSATB (Tr) Str Bc 201: 195 I/27: 59 after Z 2561 (/5); text by Moller (/5) 00114
90/5 chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) SATB 201: 214 III/2.1: 33
III/2.2: 158
after Z 2561; text by Moller 11199
chorale setting "Vater unser im Himmelreich" after Z 2561; text by Luther
91.2 1. 1746–1747 Cantata Gelobet seist du, Jesu Christ (Christmas; later version) G maj. satbSATB 2Hn Tmp 3Ob Str Bc 22: 1 I/2: 131 after BWV 91.1 (same text) 00115
91.1 1. 1724-12-25 Cantata Gelobet seist du, Jesu Christ (Christmas; early version) G maj. satbSATB 2Hn Tmp 3Ob Str Bc 22: 1,
333
I/2: 164 after Z 1947; text after Luther; → BWV 91.2 00116
91/6 chorale setting "Gelobet seist du, Jesu Christ" (s. 7) SATB III/2.1: 89
III/2.2: 30
after Z 1947; text by Luther 11252
92 1. 1725-01-28 Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae) B min. satbSATB 2Oba Str Bc 22: 33 I/7: 41 after Z 7568; text after Gerhardt 00117
93 1. 1724-07-09 Cantata Wer nur den lieben Gott läßt walten (Trinity V) C min. satbSATB 2Ob Str Bc 22: 69 I/17.2: 3 after Z 2778; text after Neumark; /4 → BWV 647 00118
94 1. 1724-08-06 Cantata Was frag ich nach der Welt (Trinity IX) D maj. satbSATB Fl 2Ob 2Oba Str Bc 22: 95 I/19: 43 after Z 5206b–c; text after Kindermann 00119
94/8 chorale setting "Was frag ich nach der Welt" (s. 8) SATB 22: 127 III/2.1: 53
III/2.2: 173
after Z 5206b–c; text by Kindermann 11215
95 1. 1723-09-12 Cantata Christus, der ist mein Leben (Trinity XVI) G maj. stbSATB Hn or Cnt 2Ob 2Oba Str Bc 22: 129 I/23: 65 after Z 132 & 3986 (/1: → BWV 282), 5404a (/3), 4482 (/7); text by Simon Graf [de] & Luther (/1), Herberger (/3), Herman (/7) 00120
95/7 chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4) SATB 22: 153 III/2.1: 64 after Z 4482; text by Herman 11229
96 1. 1724-10-08 Cantata Herr Christ, der einge Gottessohn (Trinity XVIII) F maj. satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc 22: 155 I/24: 1 after Z 4297a; text after Cruciger 00121
96/6 chorale setting "Herr Christ, der einge Gottessohn" (s. 5) SATB 22: 184 III/2.1: 66
III/2.2: 179
after Z 4297a; text by Cruciger 11231
97 1. 1734-07-25?
after 1735
Cantata In allen meinen Taten (two versions; Trinity V?) B♭ maj. satbSATB 2Ob Str Bc 22: 185, 336 I/34: 197 after Z 2293b; text by Fleming; /9 → BWV 392 00122
97/9 chorale setting "In allen meinen Taten" (s. 9) SATB 22: 230 III/2.1: 49 after Z 2293b; text by Fleming; → BWV 392 11210
chorale setting "Nun ruhen alle Wälder" after Z 2293b; text by Gerhardt; → BWV 392
98 1. 1726-11-10 Cantata Was Gott tut, das ist wohlgetan (Trinity XXI) B♭ maj. satbSATB 2Ob Str Bc 22: 231 I/25: 241 after Z 5629 (/1); text by Birkmann, Rodigast (/1) 00123
99 1. 1724-09-17 Cantata Was Gott tut, das ist wohlgetan (Trinity XV) G maj. satbSATB Hn Fl Oba Str Bc 22: 251 I/22: 41 after Z 5629; text after Rodigast; /1 → BWV 100/1 00124
100 1. 1734–1735 Cantata Was Gott tut, das ist wohlgetan G maj. satbSATB 2Hn Tmp Fl Oba Str Bc 22: 277 I/34: 239 after Z 5629, BWV 99/1 (/1), 75/7 (/6); text by Rodigast 00125
100/6 chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) SATB 22: 323 III/2.1: 72 after 75/7=/14; text by Rodigast 11238
101 1. 1724-08-13 Cantata Nimm von uns, Herr, du treuer Gott (Trinity X) D min. satbSATB 2Hn Tmp Fl Oba Str Bc 23: 1 I/19: 173 after Z 2561; text after Moller 00126
101/7 chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) SATB 23: 32 III/2.1: 54
III/2.2: 174
after Z 2561; text by Moller 11216
102 1. 1726-08-25 Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X) G min. atbSATB Fl Vl 2Ob Str Bc 23: 33 I/19: 229 after Z 2561 (/7); text: Meiningen, after Jer 5:3 (/1: → BWV 235/1), Rm 2:4–5 (/4), by Heermann (/7); /3 & /5 → BWV 233/4 & /5 00127
102/7 chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7) C min. SATB 23: 66 III/2.2: 62 after Z 2561; text by Heermann 11334
chorale setting "Vater unser im Himmelreich" after Z 2561; text by Luther
103 1. 1725-04-22
1731-04-15
Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions) B min. atSATB Tr Fl Fl (or) Vl 2Oba Str Bc 23: 67 I/11.2: 25 after Z 7568 (/6); text by Ziegler, C. M., Gerhardt (/6) 00128
103/6 chorale setting "Barmherzger Vater, höchster Gott" (s. 9) SATB 23: 94 III/2.1: 72
III/2.2: 68
after Z 7568; text by Gerhardt 11237
chorale setting "Ich hab in Gottes Herz und Sinn"
chorale setting "Was mein Gott will, das gscheh allzeit" after Z 7568; text by Albert of Prussia
104 1. 1724-04-23 Cantata Du Hirte Israel, höre (Misericordias) G maj. tbSATB 2Ob 2Oba Tai Str Bc 23: 95 I/11.1: 113 after Z 4457 (/6); text after Ps 80:2 (/1), by Becker (/6) 00129
104/6 chorale setting "Der Herr ist mein getreuer Hirt" (s. 1) A maj. SATB 23: 116 III/2.2: 189 after Z 4457; text by Becker 11283
chorale setting "Allein Gott in der Höh sei Ehr" after Z 4457; text by Decius
G maj. III/2.2: 71 11290
105 1. 1723-07-25 Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX) G min. satbSATB Hn 2Ob Str Bc 23: 117 I/19: 1 after Z 6804 (/6); text after Ps 143:2 (/1), by Rist (/6) 00130
105/6 chorale setting "Jesu, der du meine Seele" (s. 11) SATB 23: 146 III/2.1: 52 after Z 6804; text by Rist 11214
106 1. 1708-09-16? Cantata Gottes Zeit ist die allerbeste Zeit (funeral; aka Actus tragicus) E♭ maj. satbSATB 2Fl 2Vdg Bc 23: 147 I/34: 1 after Z 1680 (/2d), 3986 (/3b), 2461 (/4); text after Olearius, J., Acts 17:28 & Ps 90:12 & Is 38:1 & JS 14:18 & Rv 22:20 (/2), Ps 31:6 & Lk 23:43 & by Luther (/3), Reusner (/4) 00131
107 1. 1724-07-23 Cantata Was willst du dich betrüben (Trinity VII) B min. stbSATB Hn 2Fl 2Oba Str Bc 23: 179 I/18: 55 after Z 5264b; text by Heermann 00132
108 1. 1725-04-29 Cantata Es ist euch gut, daß ich hingehe (Cantate) A maj. atbSATB 2Oba Str Bc 23: 203 I/12: 17 after Z 2496 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jh 16:7 (/1), 13 (/4) 00133
108/6 chorale setting "Gott Vater, sende deinen Geist" (s. 10) B min. SATB 23: 230 III/2.1: 69
III/2.2: 26
after Z 2496; text by Gerhardt 11235
chorale setting "Kommt her zu mir, spricht Gottes Sohn" after Z 2496; text by Grünwald
109 1. 1723-10-17 Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions) D min. atSATB (Hn) 2Ob Str Bc 23: 231 I/25: 157 after Z 7549 (/6); text after Mk 9:24 (/1), by Spengler (/6) 00134
110 1. 1725-12-25 Cantata Unser Mund sei voll Lachens (Christmas) D maj. satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc 23: 263 I/2: 71 after Z 2072 (/7); text by Lehms, Füger (/7), after Ps 126:2–3 (/1), Jer 10:6 (/3), Lk 2:14 (/5) 00135
110/7 chorale setting "Wir Christenleut" (s. 5) B min. SATB 23: 324 III/2.2: 32 after Z 2072; text by Füger 11316
111 1. 1725-01-25 Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III) A min. satbSATB 2Ob Str Bc 24: 1 I/6: 27 after Z 7568; text after Albert of Prussia 00136
112 1. 1731-04-08 Cantata Der Herr ist mein getreuer Hirt (Misericordias) G maj. satbSATB 2Hn 2Oba Str Bc 24: 29 I/11.1: 179 after Z 4457; text by Meuslin after Ps. 23 00137
112/5 chorale setting "Der Herr ist mein getreuer Hirt" (s. 5) SATB 24: 48 III/2.1: 71
III/2.2: 183,
202
11236
chorale setting "Allein Gott in der Höh sei Ehr" after Z 4457; text by Decius
113 1. 1724-08-20 Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI) B min. satbSATB Fl 2Oba Str Bc 24: 49 I/20: 79 after Z 4486; text after Ringwaldt 00138
113/8 chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) SATB 24: 80 III/2.1: 54
III/2.2: 175
after Z 4486; text by Ringwaldt 11217
114 1. 1724-10-01 Cantata Ach, lieben Christen, seid getrost (Trinity XVII) G min. satbSATB Hn Fl 2Ob Str Bc 24: 81 I/23: 287 after Z 4441a; text after Gigas 00139
114/7 chorale setting "Ach, lieben Christen, seid getrost" (s. 6) SATB 24: 108 III/2.1: 65
III/2.2: 179
after Z 4441a; text by Gigas 11230
115 1. 1724-11-05 Cantata Mache dich, mein Geist, bereit (Trinity XXII) G maj. satbSATB Hn Fl Oba Str Vc Bc 24: 109 I/26: 21 after Z 6274a; text after Freystein 00140
115/6 chorale setting "Mache dich, mein Geist, bereit" (s. 10) SATB 24: 132 III/2.1: 25
III/2.2: 23
after Z 6274a; text by Freystein 11190
chorale setting "Straf mich nicht in deinem Zorn" after Z 6274a; text by Albinus
116 1. 1724-11-26 Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV) A maj. satbSATB Hn 2Oba Str Bc 24: 133 I/27: 79 after Z 4373; text after Ebert 00141
117 1. 1728–1731 Cantata Sei Lob und Ehr dem höchsten Gut G maj. atbSATB 2Fl 2Ob 2Oba Str Bc 24: 159 I/34: 151 after Z 4430; text by Schütz, J. J. 00142
117/4
117/9
chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9) SATB 24: 159 III/2.1: 71
III/2.2: 203
11172
chorale setting "Sei Lob und Ehr dem höchsten Gut" III/2.1: 9
III/2.2: 147
11173
119 1. 1723-08-30 Cantata Preise, Jerusalem, den Herrn (council election) C maj. satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc 24: 193 I/32.1: 129 after Z 8652 (/9); text after Ps 147:12–14 (/1), by Luther (/9) 00144
120.1 1. 1729 or earlier Cantata Gott, man lobet dich in der Stille (council election) A maj. satbSATB 3Tr 2Ob 2Oba Vl Str Bc 24: 247 I/32.2: 53 after Z 8652 (/6); text after Ps 65:2 (/1), by Luther (/6); ↔ BWV 120.2/6 (/1 → .3/1), /1 (/2 → .3/2), /3 (/4 ↔ 1019a/3 → .3/4) 00145
120.2 1. 1729? Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete) D maj. satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc 41: 149 I/33: 75 after BWV 1006/1 (/4 → 29/1), 137/5 (/8); text after JS 50:24 (/2), by Luther (/5), Neander (/8); ↔ BWV 120.1/2 (/1 → .3/2), /4 (/3 ↔ 1019a/3 → .3/4), /1 (/6 → .3/1) 00146
120.3 1. 1730-06-26 Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable) saSATB 3Tr Tmp 2Oba Vl Str Bc ? I/34
I/32.2
after BWV 120.1/1 (=.2/6), /2 (=.2/1 → 232II/9), /4 (=.2/3 ↔ 1019a/3); text by Picander 00147
121 1. 1724-12-26 Cantata Christum wir sollen loben schon (Christmas 2) E min. satbSATB Cnt 3Tbn Oba Str Bc 26: 1 I/3.1: 57 after Z 297c, text after Luther 00148
121/6 chorale setting "Christum wir sollen loben schon" (s. 8) SATB 26: 20 III/2.2: 31 after Z 297c, text by Luther 11284
122 1. 1724-12-31 Cantata Das neugeborne Kindelein (Christmas I) G min. satbSATB 3Fl 2Ob Tai Str Bc 26: 21 I/3.2: 53 after Z 491; text after Schneegaß 00149
122/6 chorale setting "Das neugeborne Kindelein" (s. 5) SATB 26: 40 III/2.1: 43
III/2.2: 30,
101
after Z 491; text by Schneegaß 11207
123 1. 1725-01-06 Cantata Liebster Immanuel, Herzog der Frommen (Epiphany) B min. atbSATB 2Fl 2Oba Str Bc 26: 41 I/5: 47 after Z 4932c; text after Fritsch 00150
123/6 chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6) SATB 26: 60 III/2.2: 108 after Z 4932c; text by Fritsch 11340
124 1. 1725-01-07 Cantata Meinen Jesum laß ich nicht (Epiphany I) E maj. satbSATB Hn Oba Str Bc 26: 61 I/5: 115 after Z 3449; text after Keymann 00151
125 1. 1725-02-02 Cantata Mit Fried und Freud ich fahr dahin (Purification) E min. atbSATB Hn Fl Ob Oba Str Bc 26: 83 I/28.1: 31 after Z 3986; text after Luther 00152
126 1. 1725-02-04 Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae) A min. atbSATB Tr 2Ob Str Bc 26: 111 I/7: 155 after Z 350a, 1945b (/6); text after Luther, Jonas, Walter 00153
126/6 chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) SATB 26: 131 III/2.2: 126
(in g)
after Z 1945b; text by Luther, Walter 11335
127 1. 1725-02-11 Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi) F maj. stbSATB Tr 2Fl 2Ob Str Bc 26: 133 I/8: 107 after Z 2570; text after Eber; /1 → BWV 127/1 (variant) 00154
127/5 chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8) SATB 26: 160 III/2.1: 46
III/2.2: 169
after Z 2570; text by Eber 11209
127/1 (var.) 1. c.1750 Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement) E♭ maj. SATB 2Fl 2Ob Str Bc I/41: 95 after BWV 127/1; → BC D 10 00155
128 1. 1725-05-10 Cantata Auf Christi Himmelfahrt allein (Ascension) G maj. atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc 26: 163 I/12: 101 after Z 4457 (/1), 5206b (/5); text by Ziegler, C. M., Sonnemann [de] (/1), Avenarius [scores] (/5) 00156
129 1. 1727-06-08 Cantata Gelobet sei der Herr, mein Gott (Trinity) D maj. sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc 26: 185 I/15: 37 after Z 5206b; text by Olearius, J. 00157
129/5 chorale setting "Gelobet sei der Herr, mein Gott" (s. 5) SATB 26: 224 III/2.1: 80 11246
chorale setting "O Gott, du frommer Gott" after Z 5206b; text by Heermann
130.1 1. 1724-09-29 Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version) C maj. satbSATB 3Tr Tmp Fl 3Ob Str Bc 26: 231 I/30: 1 after Z 368; text after Eber; → BWV 130.2 00158
130/6 chorale setting "Herr Gott, dich loben alle wir" (s. 11) SATB 26: 268 III/2.1: 61
III/2.2: 218
after Z 368; text by Eber 11226
130.2 1. 1732–1735 Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version) C maj. satbSATB 3Tr Tmp Fl 3Ob Str Bc I/30: 48 after BWV 130.1 (same text) 00159
131 1. 1707 Cantata Aus der Tiefen rufe ich, Herr, zu dir G min. satbSATB Ob Bas Str Bc 28: 1 I/34: 67 after Z 4486 (/2, /4); text after Ps. 130, by Ringwaldt (/2, /4); → BWV 131a 00160
132 1. 1715-12-22 Cantata Bereitet die Wege, bereitet die Bahn (Advent IV) A maj. satbSATB Ob Bas Str Vc Bc 28: 33 I/1: 99
rev 2: 97
text by Franck, S., Cruciger (/6) 00162
133 1. 1724-12-27 Cantata Ich freue mich in dir (Christmas 3) A maj. satbSATB Cnt 2Oba Str Bc 28: 51 I/3.1: 135 Z 5187; text after Ziegler, C. 00163
133/6 chorale setting "Ich freue mich in dir" (s. 4) D maj. SATB 28: 80 III/2.1: 44
III/2.2: 34
Z 5187; text by Ziegler, C. 11208
134.3 1. 1731-03-27
1735-04-12
Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version) B♭ maj. atSATB 2Ob Str Bc 28: 81 I/10: 69 after BWV 134.2 00164
134.2 1. 1724-04-11 Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version) B♭ maj. atSATB 2Ob Str Bc 28: 81, 287 I/10: 106 after BWV 134.1; → BWV 134.3 00165
134.1 1. 1719-01-01 Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year) B♭ maj. atSATB 2Ob Str Bc 29: 209 I/35: 49 text by Hunold; → BWV 134.2 00166
135 1. 1724-06-25 Cantata Ach Herr, mich armen Sünder (Trinity III) E min. atbSATB Cnt Tbn 2Ob Str Bc 28: 119 I/16: 197 after Z 5385a; text after Schneegaß 00167
136 1. 1723-07-18 Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII) A min. atbSATB Hn 2Ob 2Oba Str Bc 28: 137 I/18: 129 after Z 2164 (/6); text after Ps 139:23 (/1: → BWV 234/6), by Heermann (/6) 00168
136/6 chorale setting "Wo soll ich fliehen hin" (s. 9) B min. SATB 28: 164 III/2.2: 191 after Z 2164; text by Heermann 11293
137 1. 1725-08-19 Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII) C maj. satbSATB 3Tr Tmp 2Ob Str Bc 28: 165 I/20: 171 after Z 1912a–c; text by Neander; /2 → BWV 650; /5 → 120.2/8 00169
137/5 chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5) SATB 28: 196 III/2.1: 56 after Z 1912a–c; text by Neander; → BWV 120.2/8 11220
chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" after Z 1912a–c; text by Fritsch
138 1. 1723-09-05 Cantata Warum betrübst du dich, mein Herz (Trinity XV) B min. satbSATB 2Oba Str Bc 28: 197 I/22: 19 after Z 1689a; /4 → BWV 236/3 00170
139 1. 1724-11-12 Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII) E maj. satbSATB 2Oba Str Bc 28: 223 I/26: 97 after Z 2383; text after Rube [fr] 00171
140 1. 1731-11-25 Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII) E♭ maj. stbSATB Hn 2Ob Tai Vl Str Bc 28: 249 I/27: 149 after Z 8405a, text after Nicolai; /4 → BWV 645 00172
140/7 chorale setting "Wachet auf, ruft uns die Stimme" (s. 3) SATB 28: 284 III/2.1: 19
III/2.2: 101
after Z 8405a, text by Nicolai 11183
143 1. c. 1709–1711? Cantata Lobe den Herrn, meine Seele (New Year) B♭ maj. stbSATB 3Hn Tmp Bas Str Bc 30: 43 I/4: 165
rev 2: 3
after Z 4373; text after Ps 146, by Ebert (/2, /7) 00175
C maj. stbSATB 3Tr Tmp Bas Str Bc rev 2: 119
144 1. 1724-02-06 Cantata Nimm, was dein ist, und gehe hin (Septuagesima) B min. satSATB 2Ob Oba Str Bc 30: 75 I/7: 1 after Z 5629 (/3), 7568 (/6); text after Mt 20:14 (/1), by Rodigast (/3), Albert of Prussia (/6) 00176
144/3 chorale setting "Was Gott tut, das ist wohlgetan" (s. 1) G maj. SATB 30: 87 III/2.1: 34
III/2.2: 36
after Z 5629; text by Rodigast 11204
144/6 chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1) B min. 30: 92 III/2.1: 35
III/2.2: 157
after Z 7568; text by Albert of Prussia 11205
145/1–5 1. 1729-04-19 Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3) D maj. stbSATB Tr Fl 2Ob Str Bc 30: 104 I/10: 111 by Bach, C. P. E.?; after Z 1743 (/5); text by Picander, Herman (/5) 00177
145/5 chorale setting "Erschienen ist der herrlich Tag" (s. 14) F♯ min. SATB 30: 122 III/2.2: 214 by Bach, C. P. E.?; after Z 1743; text by Herman 11321
chorale setting "Erschienen ist der herrlich Tag" E min. III/2.2: 12
145/a 1. chorale setting "Auf, mein Herz, des Herren Tag" (s. 1) D maj. SATB (or) Org 30: 93 III/2.2: 195 by Bach, C. P. E.; after Z 3432b; text by Neumann 10584
chorale setting "Jesus, meine Zuversicht" by Bach, C. P. E.; after Z 3432b; text by L. H. of Brandenb. 09019
146 1. 1726-05-12 Cantata Wir müssen durch viel Trübsal (Jubilate) D min. satbSATB Fl 2Ob 2Oba Tai Str Org Bc 30: 123 I/11.2: 65 after Z 6551 (/8); text after Acts 14:22 (/2); /1 & /2 ↔ BWV 1052/1 & /2 00179
147.2 1. 1723-07-02 Cantata Herz und Mund und Tat und Leben (Visitation) D maj. satbSATB Tr 2Ob Oba 2Odc Str Bc 30: 191 I/28: 63 after BWV 147.1/1–5 (/1, /3, /7, /5, /9), Z 6551 (/6, /10); text by Franck, S. (/1, /3, /7, /5, /9), Janus (/6, /10) 00180
147.1 1. 1716-12-20 Cantata Herz und Mund und Tat und Leben (Advent IV) D maj. satbSATB Tr Ob Str Bc I/1 text by Franck, S., Kolross (/6); /1–/5 → BWV 147.2/1, /3, /7, /5, /9 00181
148 1. 1723-09-19 Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII) D maj. atSATB Tr 2Oba Odc Str Bc 30: 235 I/23: 253 after Z 2164 (/6); text after Picander 00182
148/6 chorale setting "Wo soll ich fliehen hin" F♯ min.
F min.
SATB 30: 260 III/2.2: 16 after Z 2164; text by Heermann 11291
149 1. 1729-09-29 Cantata Man singet mit Freuden vom Sieg (Michaelmas) D maj. satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc 30: 261 I/30: 97 after BWV 208/15 (/1), Z 8326 (/7); text by Picander, Schalling (/7) 00183
149/1a 1. Fall 1729 Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?) D maj. SATB 3Tr Tmp 2Ob Str Bc I/40
I/30
in SBB P 175; was BWV Anh. 198 01509
150 1. 1707-07-10 Cantata Nach dir, Herr, verlanget mich (Trinity III) B min. satbSATB Bas 2Vl Bc 30: 301 I/41: 3 text after Ps 25 (/2, /4, /6) 00184
151 1. 1725-12-27 Cantata Süßer Trost, mein Jesus kömmt (Christmas 3) G maj. satbSATB Fl Vl Oba Str Bc 32: 1 I/3.1: 169 after Z 198 (/5); text by Lehms, Herman (/5) 00185
151/5 chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8) SATB 32: 16 III/2.2: 30 after Z 198; text by Herman 11307
152 1. 1714-12-30 Cantata Tritt auf die Glaubensbahn (Christmas I) E min. sb Fl Ob Va Vdg Bc 32: 17 I/3.2: 3 text by Franck, S.; /1 ↔ BWV 536/2, → 536a/2 00186
153 1. 1724-01-02 Cantata Schau, lieber Gott, wie meine Feind (Christmas II) A min. atbSATB Str Bc 32: 41 I/4: 199 after Z 4431 (/1), 5385a (/5), 533a (/9); text by Denicke (/1), Gerhardt (/5), Moller (/9), after Is 14:10 (/3) 00187
153/1 chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1) A min. SATB 32: 43 III/2.2: 3 after Z 4431; text by Denicke 11288
chorale setting "Ach Gott, vom Himmel sieh darein" after Z 4431; text by Martin Luther
153/5 chorale setting "Befiehl du deine Wege" (s. 5) A min. SATB 32: 46 III/2.2: 14 after Z 5385a; text by Gerhardt 11326
chorale setting "Herzlich tut mich verlangen" after Z 5385a; text by Knoll
153/9 chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18) C maj. SATB 32: 58 III/2.2: 128 after Z 533a; text by Moller 11282
154 1. 1724-01-09 Cantata Mein liebster Jesus ist verloren (Epiphany I) B min. atbSATB 2Oba Str Hc Bc 32: 59 I/5: 89 after Z 6551 (/3), 3449 (/8); text by Janus (/3), Keymann (/8), after Lk 2:49; /3 → BWV 359 00188
154/3 chorale setting "Jesu, meiner Seelen Wonne" (s. 2) A maj. SATB 32: 65 III/2.1: 87
III/2.2: 137
after Z 6551; text by Janus; → BWV 359 11249
chorale setting "Werde munter, mein Gemüte" after Z 6551; text by Rist
154/8 chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6) D maj. SATB 32: 82 III/2.1: 88
III/2.2: 88
after Z 3449; text by Keymann 11251
155 1. 1716-01-19
1724-01-16
Cantata Mein Gott, wie lang, ach lange? (Epiphany II) D min. satbSATB Bas Str Bc 32: 83 I/5: 173 after Z 4430 (/5); text by Franck, S., Speratus (/5) 00189
155/5 chorale setting "Es ist das Heil uns kommen her" (s. 12) F maj. SATB 32: 96 III/2.2: 194 after Z 4430; text by Speratus 11302
156 1. 1729-01-23 Cantata Ich steh mit einem Fuß im Grabe (Epiphany III) F maj. satbSATB Ob Str Bc 32: 97 I/6: 91 after Z 2383 (/2), 4438 (/6); text by Picander, Schein (/2), Bienemann [de] (/6); /1 ↔ BWV 1056/2 00190
156/6 chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1) C maj. SATB 32: 114 III/2.2: 185 after Z 4438; text by Bienemann [de] 11294
157.2 1. after 1727-02-06 Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification) B min. tbSATB Fl Ob Oba Va 2Vl Bc 32: 115 I/34: 41 after Z 3449 (/5), BWV 157.1 (same text) 00191
157.1 1. 1727-02-06 Cantata Ich lasse dich nicht, du segnest mich denn (funeral) tbSATB Fl Oba Va Bc I/34 text by Picander, Keymann (/5), after Gen 32:27 (/1); → BWV 157.2 11366
158 1. c. 1725–1735 Cantata Der Friede sei mit dir (Purification; later: Easter 3) D maj. sbSATB Ob Vl Bc 32: 141 I/10: 129 after Z 6531 (/2), 7012a (/4); text by Albinus (/2), Luther (/4; ↔ BWV 279) 00192
158/4 chorale setting "Christ lag in Todes Banden" (s. 5) E min. SATB 32: 154 III/2.1: 24
III/2.2: 155
after Z 7012a; text by Luther; ↔ BWV 279 11187
159 1. 1729-02-27 Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi) C min. satbSATB Ob Str Bc 32: 155 I/8: 153 after Z 5385a (/2), 6288a–b (/5); text by Picander, Gerhardt (/2), Stockmann (/5), after Lk 18:31 (/1), Jh 19:30 (/4) 00193
159/5 chorale setting "Jesu Leiden, Pein und Tod" (s. 33) E♭ maj. SATB 32: 168 III/2.1: 41
III/2.2: 33
after 6288a–b; text by Stockmann 11206
161 1. 1716-09-27 Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version) C maj. atSATB 2Fl Str Org Bc 33: 1 I/23: 1, 33 after Z 5385a; text by Franck, S., Knoll; → BWV 161, v2 00195
161/6 chorale setting "Herzlich tut mich verlangen" (s. 4) A min. SATB 33: 27 III/2.1: 29
III/2.2: 160
after Z 5385a; text by Knoll 11194
chorale setting "Befiehl du deine Wege" after Z 5385a; text by Gerhardt
161, v2 1. 1723–1750? Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version) C maj. satSATB 2Fl Str Bc I/23: 33 after BWV 161; text by Franck, S., Knoll 00196
162.1 1. 1716-10-25 Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) A min. satbSATB Str Bc I/25: 1 after Z 6783 (/6); text by Franck, S., Rosenmüller (/6); → BWV 162.2 00197
162.2 1. 1723-10-10 Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) B min. satbSATB Hn Str Bc 33: 29
(in a)
I/25: 23 after BWV 162.1 (same text) 11367
163 1. 1715-11-24 Cantata Nur jedem das Seine (Trinity XXIII) B min. satbSATB Str 2Vc Bc 33: 47 I/26: 77 after Z 3449 (/5), 2177 (/6); text by Franck, S., Heermann (/6) 00198
164 1. 1725-08-26 Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII) G min. satbSATB 2Fl 2Ob Str Bc 33: 65 I/21: 57 after Z 4297a (/6); text by Franck, S., Cruciger (/6) 00199
164/6 chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5) B♭ maj. SATB 33: 88 III/2.1: 59
III/2.2: 57
after Z 4297a; text by Cruciger 11224
165 1. 1715-06-16
1724-06-04
Cantata O heilges Geist- und Wasserbad (Trinity) G maj. satbSATB Fag Str Bc 33: 89 I/15: 1 after Z 159 (/6); text by Franck, S., Helmbold (/6) 00200
166 1. 1724-05-07 Cantata Wo gehest du hin? (Cantate) B♭ maj. satbSATB Ob Str Bc 33: 105 I/12: 1 after Z 4486 (/3), 2778 (/6); text by Franck, S., Ringwaldt (/3), E. J. of Schwarzburg-Rudolstadt (/6), after Jh 16:5 (/1); /2 → BWV 584 00201
166/6 chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1) G min. SATB 33: 122 III/2.2: 116 after 2778; text by E. J. of Schwarzburg-Rudolstadt 11311
167 1. 1723-06-24 Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist) G maj. satbSATB Tr Ob Odc Str Bc 33: 123 I/29: 1 after Z 8244 (/5); text by Gramann (/5) 00202
168 1. 1725-07-29 Cantata Tue Rechnung! Donnerwort (Trinity IX) B min. satbSATB 2Oba Str Bc 33: 147 I/19: 87 after Z 4486 (/6); text by Franck, S., Ringwaldt (/6) 00203
168/6 chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) SATB 33: 166 III/2.2: 52 after Z 4486; text by Ringwaldt 11198
169 1. 1726-10-20 Cantata Gott soll allein mein Herze haben (Trinity XVIII) D maj. aSATB 2Oba Tai Str Org Bc 33: 167 I/24: 59 after Z 2029a (/7); text by Birkmann, Luther (/7); /1 & /5 ↔ BWV 1053/1 & /2 00204
169/7 chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) A maj. SATB 33: 192 III/2.1: 30
III/2.2: 54
after Z 2029a; text by Luther 11196
170 1. 1726-07-28 Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI) D maj. a Oba Fl Str Org Bc 33: 193 I/17.2: 61 text by Lehms 00205
171 1. 1729-01-01 Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year) D maj. satbSATB 3Tr Tmp 2Ob Str Bc 35: 1 I/4: 131 after BWV 205 (/4), 41/6 (/6); text by Picander, Hermann (/6) 00206
171/6 chorale setting "Jesu, nun sei gepreiset" (s. 2) SATB 35: 32 after BWV 41/6; text by Hermann 11253
172.1 1. 1714-05-20 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete) C maj. (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) I/13 after Z 8359 (/6); text by Franck, S.?, Nicolai (/6), after Jh 14:23 (/2); → BWV 172.2 00207
172/6 chorale setting "Wie schön leuchtet der Morgenstern" (s. 4) F maj. SATB 35: 69 III/2.2: 187 after Z 8359; text by Nicolai 11314
172.2 1. 1724-05-28 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version) D maj. satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc I/13: 1 after BWV 172.1 (same text); → BWV 172.3 00208
172.3 1. 1731-05-13 Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version) C maj. satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc 35: 35 I/13: 33 after BWV 172.2 (same text) 00209
173.2 1. 1727-06-02
1731-05-14
Cantata Erhöhtes Fleisch und Blut (Pentecost 2) D maj. satbSATB 2Fl Str Bc 35: 71 I/14: 1 after BWV 173.1 00210
173.1 1. 1722-12-10 Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen) D maj. satbSATB 2Fl Str Bc 34: 1 I/35: 95 BWV 173.2 (/1–/5, /8), 175/4 (/7) 00211
174 1. 1729-06-06 Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2) G maj. atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc 35: 103 I/14: 63 after BWV 1048/1 (/1), Z 8326 (/5); text by Picander, Schalling (/5) 00212
174/5 chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1) D maj. SATB 35: 157 III/2.1: 78
III/2.2: 32
after Z 8326; text by Schalling 11244
175 1. 1725-05-22 Cantata Er rufet seinen Schafen mit Namen (Pentecost 3) G maj. atbSATB 2Tr 3Fl Str Vc Bc 35: 159 I/14: 147 after BWV 173.1/7 (/4), BWV 59/3 (/7); text by Ziegler, C. M., Rist (/7), after Jh 10:3 & 6 (/1 & /5) 00213
175/7 chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9) SATB 35: 177 III/2.1: 76 after Z 7445a; text by Rist 11243
chorale setting "Komm, Heiliger Geist, Herre Gott" after Z 7445a; text by Luther
176 1. 1725-05-27 Cantata Es ist ein trotzig und verzagt Ding (Trinity) C min. sabSATB 2Ob Odc Str Bc 35: 179 I/15: 17 after Z 7246 (/6); text by Ziegler, C. M., Gerhardt (/6), after Jer 17:9 (/1) 00214
176/6 chorale setting "Was alle Weisheit in der Welt" (s. 8) SATB 35: 198 III/2.2: 67 after Z 7246; text by Gerhardt 11296
chorale setting "Christ unser Herr zum Jordan kam" after Z 7246; text by Luther
177 1. 1732-07-06 Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV) G min. satSATB 2Ob Odc Bas Vl Str Bc 35: 199 I/17.1: 77 after Z 7400; text by Agricola, J. 00215
177/5 chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5) G min.
E min
SATB 35: 234 III/2.1: 50
III/2.2: 40
11211
178 1. 1724-07-30 Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII) A min. atbSATB Hn 2Ob 2Oba Str Bc 35: 235 I/18: 159 after Z 4441a; text after Jonas 00216
179 1. 1723-08-08 Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI) G min. stbSATB 2Ob 2Odc Str Bc 35: 273 I/20: 55 after Z 2778 (/6); text after JS 1:34 (/1), by Tietze [wikisource:de] (/6); /1 & /3 → BWV 236/1 & /5; /5 → 234/4 00217
179/6 chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1) A min. SATB 35: 292 III/2.1: 55
III/2.2: 196
after Z 2778; text by Tietze [wikisource:de] 11218
chorale setting "Wer nur den lieben Gott lässt walten after Z 2778; text by Neumark
180 1. 1724-10-22 Cantata Schmücke dich, o liebe Seele (Trinity XX) F maj. satbSATB 2Fl Fl Ob Odc Str Vc Bc 35: 293 I/25: 41 after Z 6923; text after Franck, J. 00218
180/7 chorale setting "Schmücke dich, o liebe Seele" (s. 9) F maj.
E♭ maj.
SATB 35: 322 III/2.1: 24
III/2.2: 15
after Z 6923; text by Franck, J. 11188
181 1. 1724-02-13 Cantata Leichtgesinnte Flattergeister (Sexagesima) E min. satbSATB Tr Fl Ob Str Bc 37: 1 I/7: 133 00219
182 1. 1714-03-25 Cantata Himmelskönig, sei willkommen (Palm Sunday) B♭ maj. atbSATB Fl (Ob 2)Vl 2Va Bc I/8.2: 1 after 6288a–b (/7); text by Franck, S.?, Stockmann (/7), after Ps 40:8-9 (/3) 00220
1724-03-25
1728-03-21
G maj. 37: 21 I/8.2: 43
183 1. 1725-05-13 Cantata Sie werden euch in den Bann tun (Exaudi) A min. satbSATB 2Oba 2Odc Str Vc Bc 37: 59 I/12: 187 after Z 5267 (/5); text by Ziegler, C. M., Gerhardt (/5), after Jh 16:2 (/1) 00221
183/5 chorale setting "Zeuch ein zu deinen Toren" (s. 5) SATB 37: 74 III/2.2: 70 after Z 5267; text by Gerhardt 11325
chorale setting "Helft mir Gotts Güte preisen" after Z 5267; text by Eber
184.2 1. 1724-05-30
1727-06-03
1731-05-15
Cantata Erwünschtes Freudenlicht (Pentecost 3) G maj. satSATB 2Fl Str Bc 37: 75 I/14: 119 after BWV 184.1/1–/4 & /6, Z 5690 (/5); text by Wildenfels (/5) 00222
184.2/5 chorale setting "O Herre Gott, dein göttlich Wort" (s. 8) D maj.
G maj.
SATB 37: 95 III/2.1: 17
III/2.2: 10
after Z 5690; text by Wildenfels 11181
184.1 1. 1721-01-01 Secular cantata (incomplete) G maj. sb 2Fl Vl Str Bc (?) I/35 BWV 184.2/1–/4, /6 00223
185.1 1. 1715-07-14 Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) F♯ min. satbSATB Ob Str Bc 37: 101 I/17.1: 1 after Z 7400 (/6); text by Franck, S., Agricola, J. (/6); → BWV 185.2 00224
185/6 chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1) SATB 37: 118 III/2.1: 50 after Z 7400; text by Agricola, J. 11212
185.2 1. 1723-06-20 Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) G min. satbSATB Tr Ob Str Bc 37: 101 I/17.1: 1 after BWV 185.1 (same text) 11368
186.2 1. 1723-07-11 Cantata Ärgre dich, o Seele, nicht (Trinity VII) G min. satbSATB 2Ob Tai Bas Str Bc 37: 119 I/18: 15 after BWV 186.1/1–/5 (/1, /3, /5, /8, /10), Z 4430 (/6, /11); text by Franck, S. (/1, /3, /5, /8, /10), Speratus (/6, /11) 00225
186.1 1. 1716-12-13 Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete) stbSATB 2Ob Odc Tai Bas Str Bc I/1 text by Franck, S., Helmbold (/6); → BWV 186.2/1, /3, /5, /8, /10 00226
187 1. 1726-08-04 Cantata Es wartet alles auf dich (Trinity VII) G min. sabSATB 2Ob Str Bc 37: 155 I/18: 91 after Z 4816e (/7); text: Meiningen, after Ps 104:27–28 (/1), Mt 6:31–32 (/4), by Vogel [scores] (/7); /1, /3, /4, /5 → BWV 235/6, /4, /3, /5 00227
187/7 chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6) SATB 37: 191 III/2.2: 61 after Z 4816e; text by Vogel [scores] 11344
188 1. 1728-10-17 Cantata Ich habe meine Zuversicht (Trinity XXI) D min. satbSATB 2Ob Tai Str Org Bc 37: 193 I/25: 265 after Z 2164 (/6); text by Picander; /1 ↔ BWV 1052/3 00228
190.1 1. 1724-01-01 Cantata Singet dem Herrn ein neues Lied (New Year; incomplete) D maj. atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc 37: 227 I/4: 1 after Z 8652 (/1–/2), 8477a (/7); text by Luther (/1–/2), Hermann (/7); → BWV 190.2/1, /2, /3, /5 00230
190/7 chorale setting "Jesu, nun sei gepreiset" (s. 2) SATB 37: 257 III/2.2: 189 after 8477a; text by Hermann (/7) 11306
190.2 1. 1730-06-25 Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete) atbSATB 3Tr Tmp 3Ob Str Bc (?) I/34 after BWV 190/1, /2, /3, /5; text by Picander, Luther (/1–/2, /7) 00231
191 1. 1743–1746 Cantata Gloria in excelsis Deo (Christmas) D maj. stSSATB 3Tr Tmp 2Fl 2Ob Str Bc 41: 1 I/2: 171 after BWV 232/4, /5, /8, /12; text: Lk 2:14, doxology 00232
192 1. autumn 1730? Cantata Nun danket alle Gott (incomplete) G maj. sbSATB 2Fl 2Ob Str Bc 41: 65 I/34: 107 after Z 5142; text by Rinkart 00233
193.2 1. 1727-08-25 Cantata Ihr Tore zu Zion (council election; incomplete) D maj. saSA(TB) 2Ob Str (Bc) 41: 91 I/32.1: 201 after BWV 193.1/1, /7, /9 00234
193.1 1. 1727-08-03 Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete) saSA(TB) 2Ob Str (Bc) I/36 text by Picander; → BWV 193.2/1, /3, /5 00235
194.3 1. 1724-06-04
1731-05-20
Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version) B♭ maj. stbSATB 3Ob Bas Str Bc 29: 99 I/31: 145 after BWV 194.2 (same text); → BWV 194.4 00236
194.4 1. 1726-06-16 Cantata Nun lasst uns Gott, dem Herren? (Trinity; 2nd Leipzig version) B♭ maj. stbSATB 3Ob Bas Str Bc 29: 99 I/31: 145, 235 after BWV 194.3/12, /2, /3, /4, /5, /7, /10 00237
194.2 1. 1723-11-02 Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ) B♭ maj. sabSATB 3Ob Bas Str Bc 29: 99 I/31: 123 after BWV 194.1/1, /3, /5, /7, /9, Z 6543 (/6), 159 (/12); text by Heermann (/6), Gerhardt (/12); → BWV 194.3 00238
194.2/6 chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7) B♭ maj.
G maj.
SATB 29: 124 III/2.1: 20
III/2.2: 35, 152
after Z 6543; text by Heermann 11184
chorale setting "Jesu, deine tiefen Wunden" after Z 6543; text by Heermann
chorale setting "Freu dich sehr, o meine Seele" after Z 6543
194.2/12 chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10) B♭ maj. SATB 29: 138 III/2.1: 20
III/2.2: 52, 152
after Z 159; text by Gerhardt 11185
chorale setting "Nun lasst uns Gott dem Herren" after Z 159; text by Helmbold
194.1 1. 1717–1723? Secular cantata model for church cantata versions of BWV 194 (incomplete) B♭ maj. 3Ob Str &? I/35 BWV 194.2/1, /3, /5, /8, /10 00239
195.3 1. c.1748–1749 Cantata Dem Gerechten muß das Licht (wedding; last version) D maj. satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc 131: 1 I/33: 171 after BWV 195.2, Z 198 (/6); text after Ps 97:11–12 (/1), by Gerhardt (/6) 00242
195.1 1. 1727–1731 Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost) SATB 3Tr Tmp 2Fl 2Ob Str Bc I/33 BWV 195.2 00240
195.2 1. c. 1742 Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete) SATB &? I/33 after BWV 195.1, 30.1/5, /1 (/6, /8); text after Ps 97:11–12 (/1); → BWV 195.3 00241
196 1. 1708-06-05? Cantata Der Herr denket an uns (wedding) C maj. stbSATB Str Bc 131: 71 I/33: 1 text after Ps. 115: 12–15 00243
197.2 1. 1736–1737 Cantata Gott ist unsre Zuversicht (wedding) D maj. sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc 131: 95 I/33: 117 after Z 2029a (/5), 2778 (/10), BWV 197.1/4, /6 (/6, /8); text by Luther (/5) 00244
197.2/5 chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) A maj. SATB 131: 128 III/2.2: 46 after Z 2029a; text by Luther 11328
197.2/10 chorale setting "Wer nur den lieben Gott lässt walten" B min. SATB 131: 144 III/2.2: 37 after Z 2778; text by Neumark 11313
197.1 1. 1728-12-25 Cantata Ehre sei Gott in der Höhe (Christmas; incomplete) D maj. abSATB 2Fl Oba Bas Str Vc Bc 41: 109 I/2: 63 after Z 5206b–c (/7); text by Picander, Ziegler, C. (/7; ↔ BWV 398), after Lk 2:14 (/1); /4 & /6 → BWV 197.2/6, /8 00245
197.1/7 chorale setting "Ich freue mich in dir" (s. 4) SATB 41: 114 III/2.2: 182 after Z 5206b–c; text by Ziegler, C.; ↔ BWV 398 11298
chorale setting "O Gott, du frommer Gott" after Z 5206b–c; text by Heermann; ↔ BWV 398
198 1. 1727-10-17 Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine) B min. satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc 133: 1
44: 54
I/38: 179 text by Gottsched, J. C.; ↔ BWV 244a, 247 00246
199.2 1. 1720–1721 Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete) D min. s Ob Str Vdg Bc 41: 202 I/20: 48 after BWV 199.1 (same text); → 199.3 00247
199.3 1. 1723-08-08 Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version) D min. s Ob Str Vc Bc I/20: 23 after BWV 199.2 (same text) 00248
199.1 1. 1714-08-12 Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version) C min. s Ob Str Bc NBG 132 I/20: 1 text by Lehms, Heermann (/6); → BWV 199.2 00249
200 1. 1742–1743 (JSB) Aria Bekennen will ich seinen Namen E maj. a (2Vl) Bc I/28.1: 189 after Stölzel; text after Lk 2:29–32 00250
201 1. autumn 1729 Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica) D maj. sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc 112: 1
44: 85
I/40: 117 text by Picander; /7 → BWV 212/20 00251
202 1. c.1718? Secular cantata Weichet nur, betrübte Schatten (wedding) G maj. s Ob Str Bc 112: 73 I/40: 1 in D-LEb Peters Ms. R 8 00252
203 1. c.1720? Secular cantata Amore traditore A min. b Hc 112: 91 I/41: 31 00253
204 1. 1726–1727 Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit B♭ maj. s Fl 2Ob Str Bc 112: 103 I/40: 79 text after Hunold 00254
205.1 1. 1725-08-03 Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller) D maj. satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc 112: 137
44: 39
I/38: 1 text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, 171/4, 216/7 00255
205.2 1. 1734-02-19 Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III) satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc I/37 after BWV 205.1/1–/7, /9–/11, /13, /15; text by Picander? 00256
206.1 1. 1736-10-07
(1734?)
Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III) D maj. satbSATB 3Tr Tmp 3Fl 2Oba Str Bc 202: 1 I/36: 157 BWV 206.2 00257
206.2 1. 1740-08-03 Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III) D maj. satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc I/36: 157 after BWV 206.1 00258
207.1 1. 1726-12-11 Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte) D maj. satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc 202: 71 I/38: 97 after BWV 1046/3 (/1); → BWV 207.2/1, /3, /5, /7–/9 00259
207.2 1. 1735-08-03 Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III) D maj. satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc 202: 139
34: 345
I/37: 1 after BWV 207.1/1, /3, /5, /7–/9 00260
208.1 1. 1713-02-23 Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) 29: 1 I/35: 1 text by Franck, S.; → BWV 208.2, 1040, 68/4, /2, 149/1 00261
1040 1. 1713-02-23 Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?) F maj. Vl Ob Bc 29: 230 I/35: 1 after BWV 208.1/13; =BWV 208.1/13a 01222
208.2 1. c.1715 Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) 29: 1 I/35: 1 after BWV 208.1 (near-identical text); → BWV 208.3 00262
208.3 1. 1742-08-03 Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III) F maj. sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? I/37 after BWV 208.2; text after Franck, S. 00263
209 1. 1747? Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?) B min. s Fl Str Bc 29: 43 I/41: 43 text after Metastasio 00264
210.2 1. 1741-09-19 Secular cantata O holder Tag, erwünschte Zeit (wedding) A maj. s Fl Oba Str Hc Vne 29: 67 I/40: 35 after BWV 210.1/1–/2, /4, /8, /10 00265
210.1 1. 1729-01-12 Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels) A maj. s (Fl Oba Str Bc)? 29: 245 I/39: 141 BWV 210.2/1–/2, /4, /8, /10 00266
211 1. c.1734 Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata G maj. stb Fl Str Hc Bc 29: 139
44: 86
I/40: 193 text by Picander 00267
212 1. 1742-08-30 Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau) G maj. sb Hn Fl Str Bc 29: 173
44: 132
I/39: 151 after BWV 1157/9 (/14), 201/7 (/20); text by Picander 00268
213 1. 1733-09-05 Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony) F maj. satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc 34: 119 I/36: 1 text by Picander; /1, /3, /5, /7, /9, /11 → BWV 248/36, /19, /39, /41, /4, /29 00269
214 1. 1733-12-08 Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha) D maj. satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc 34: 175 I/36: 89 text by Picander; /1, /5, /7, /9 → BWV 248/1, /15, /8, /24 00270
215 1. 1734-10-05 Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland) D maj. stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc 34: 243 I/37: 85 after BWV 1157/1 (/1)?; text by Clauder [fr]; /7 → BWV 248/47 00271
216.1 1. 1728-02-05 Secular cantata Vergnügte Pleißenstadt (wedding; incomplete) C maj. sa &? I/40: 21 after BWV 204/8 (/3), 205.1/13 (/7); text by Picander; → BWV 216.2/1, /3, /5, /7 00272
216.2 1. 1728–1731 Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete) at &? I/39 after BWV 216.1/1, /3, /5, /7; text by Meißner [scores] after Picander 00273
2. Motets (see also: List of motets by Johann Sebastian Bach) Up ↑
225 2. 1726–1727
New Year?
Motet Singet dem Herrn ein neues Lied B♭ maj. 2SATB (+colla parte instr.?) 39: 3 III/1: 1 after Z 8244 (/2); text after Ps. 149: 1–3 (/1), by Gramann after Ps. 103 (/2), after Ps. 150: 2, 6 (/3)[20] 00282
226 2. 1729-10-20 Motet Der Geist hilft unser Schwachheit auf (funeral of Ernesti, J. H.) B♭ maj. 2SATB Str Vc 2Ob Tai Bas 39: 39, 143 III/1: 37 after Z 7445a (/2); text after Rom. 8: 26–27 (/1), by Luther (/2)[20] 00283
226/2 chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3) B♭ maj.
G maj.
SATB 39: 57 III/2.1: 18
III/2.2: 38
after Z 7445a; text by Luther 11182
227 2. c. 1723–1735 Motet Jesu, meine Freude E min. SSATB (+colla parte instr.?) 39: 59 III/1: 75 after Z 8032 (odd mvts); text by Franck, J. (odd mvts), after Rom. 8: 1–2, 9–11 (even mvts)[20] 00284
227/1
227/11
chorale setting "Jesu, meine Freude" (ss. 1, 6) SATB 39: 61 III/2.1: 27
III/2.2: 156
after Z 8032; text by Franck, J. 11200
227/3 chorale setting "Jesu, meine Freude" (s. 2) SATB 39: 66 III/2.1: 28 after Z 8032; text by Franck, J. 11201
227/7 chorale setting "Jesu, meine Freude" (s. 4) SATB 39: 75 III/2.1: 22
III/2.2: 168
after Z 8032; text by Franck, J. 11202
228 2. c. 1715 Motet Fürchte dich nicht A maj. 2SATB (+colla parte instr.?) 39: 85 III/1: 105 after Z 6461 (/2); text after Is. 41: 10 (/1), 43: 1 (/2), by Gerhardt (/2)[20] 00285
229 2. before 1731–1732 Motet Komm, Jesu, komm G min. 2SATB (+colla parte instr.) 39: 107 III/1: 125 text by Thymich[20] 00286
230 2. 1723–1739? Motet Lobet den Herrn, alle Heiden C maj. SATB Bc (+colla parte instr.?) 39: 127 III/1: 147 text after Ps. 117[20] 00287
231






see BWV 28/2a 00288
118.1 2. 1736–1737 Motet O Jesu Christ, meins Lebens Licht (funeral) B♭ maj. SATB 2Hn Cnt 3Tbn 24: 185 III/1: 163 text by Behm; → BWV 118.2[20] 00143
118.2 2. 1746–1747 Motet O Jesu Christ, meins Lebens Licht (funeral) B♭ maj. SATB 2Ob Tai Bas 2Hn Str Bc NBG 171 III/1: 171 text by Behm; after BWV 118.1[20] 11121
3. Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach) Up ↑
232 3. Aug. 1748 – Oct. 1749 (compilation, completion) Mass a.k.a. Hohe Messe, Mass in B minor B min. ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc 6 II/1
rev 1
after BWV 232I e. v., II e. v., III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3; text after Ordinarium Missae 00289
232I e. v. 3. 1733-07-27 Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version) B min. ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc II/1a after BWV 29/1, 46/1; text from Ordinarium Missae; → BWV 191, 232I 00290
233 3. 1738–1739? Kyrie–Gloria Mass F maj. sabSATB 2Hn 2Ob Bas Str Bc 8: 1 II/2: 197 after BWV 233a, 102/3, /5, 40/1; text from Ordinarium Missae 00291
233a 3. 1708-04-06? Kyrie "Christe, du Lamm Gottes" F maj. SSATB Bc 41: 187 II/2: 285 text after Ordinarium Missae; → BWV 233/1 00292
234 3. c.1738 Kyrie–Gloria Mass A maj. sabSATB 2Fl Str Bc 8: 51 II/2: 1 after BWV 67/6, 138/5, 179/5, 79/2; text from Ordinarium Missae 00293
235 3. 1738–1739? Kyrie–Gloria Mass G min. atbSATB 2Ob Str Bc 8: 99 II/2: 127 after BWV 102/1, 72/1, 187/4, /3, /5, /1; text from Ordinarium Missae 00294
236 3. 1738–1739? Kyrie–Gloria Mass G maj. satbSATB 2Ob Str Bc 8: 155 II/2: 61 after BWV 179/1, /3, 79/1, /5, 138/5, 17/1; text from Ordinarium Missae 00295
1081 3. c.1747 – Aug. 1748 Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama Missale F maj. SATB Bc II/2 BNB I/B/48; text from Credo 01267
237 3. 1723-06-24? Sanctus C maj. SATB 3Tr Tmp 2Ob Str Bc 111: 67 II/2: 311 text from Sanctus 00296
238 3. 1723-12-25
1736–1737
Sanctus D maj. SATB Cnt Str Bc 111: 79 II/2: 325 text from Sanctus 00297
240 3. 1742 (JSB) Sanctus G maj. SATB 2Ob Str Bc 111: 93 II/9: 3 text from Sanctus 00299
241 3. Jul. 1747 – Aug. 1748 (JSB) Sanctus of Missa superba D maj. 2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc 41: 177 II/9: 45 after Kerll; text from Sanctus 00300
242 3. 1727–1732 (JSB) Christe eleison for a Kyrie-Gloria Mass in C minor by F. Durante G min. SA Bc 41: 197 II/2: 295 text from Kyrie; → BWV Anh. 26/2 00301
243.2 3. 1733-07-02?
1732–1735
Magnificat (2nd version: Visitation?) D maj. ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc 111: 1 II/3: 65 after BWV 243.1 (same text) 00302
243.1 3. 1723-07-02
1723-12-25
Magnificat (1st version:Visitation, and with 4 laudes added: Christmas) E♭ maj. ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc 111: 103 II/3: 1 after Magnificat peregrini toni (/10); text: Magnificat; → BWV 243.2 00303
1082 3. 1740–1742 (JSB) Suscepit Israel from a Magnificat by A. Caldara E min. SATB 2Vl Bc II/9: 59 after Caldara (BNB I/C/1); text from Magnificat 01268
1083 3. 1745–1747 (JSB) Cantata Tilge, Höchster, meine Sünden sa 2Vl Str Vne Vc Bc I/41: 169 after Pergolesi (Stabat Mater); text after Ps. 51 01269
4. Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach) Up ↑
244.2 4. 1736-03-30
1742
1743–1746
Passion St Matthew Passion (later versions; Good Friday) E min. 2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc 4
44: 58
II/5 after BWV 244.1, 245.2 (/29); text by Picander, Decius (/1), Heermann (/3, /19, /46), Gerhardt (/10, /15, /17, /37, /44, /54, /62), Albert of Prussia (/25), Heyden (/29), Reusner (/32), Rist (/40), after Mt 2627, Sng 6:1 (/30) 00304
244a






see BWV 1143 00305
244.1 4. 1727-04-11 Passion St Matthew Passion (early version; Good Friday) E min. satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc II/5a
II/5b
after Z 4361a (/1), 983 (/3, /19, /46), 2293b (/10, /37), 5385a (/15, /17, /44, /54, /62), 7568 (/25), 3449 (/29), 2461c (/32), 6551 (/40); text by Picander, Heermann (/3, /19, /46), Gerhardt (/10, /15, /17, /37, /44, /54, /62), Albert of Prussia (/25), Keymann (/29), Reusner (/32), Rist (/40), after Mt 2627, Sng 6:1 (/30); ↔ BWV 198, 1143; → BWV 244.2 00306
244/3 chorale setting "Herzliebster Jesu" (s. 1) B min. SATB 4: 23 III/2.2: 43 after Z 983; text by Heermann 11349
244/10 chorale setting "O Welt, sieh hier dein Leben" (s. 5) A♭ maj. SATB 4: 42 III/2.2: 66 after Z 2293b; text by Gerhardt 11351
chorale setting "Nun ruhen alle Wälder"
244/15 chorale setting "O Haupt voll Blut und Wunden" (s. 5) E maj.
D maj.
SATB 4: 51 III/2.2: 55 after Z 5385a; text by Gerhardt 11358
244/17 chorale setting "O Haupt voll Blut und Wunden" (s. 6; in BWV 244.1: s. 7?) E♭ maj.
D maj.
4: 53
244/25 chorale setting "Was mein Gott will, das gscheh allzeit" (s. 1) B min. SATB 4: 83 III/2.2: 64 after Z 7568; text by Albert of Prussia 11353
244/32 chorale setting "In dich hab ich gehoffet, Herr" (s. 5) B♭ maj. SATB 4: 151 III/2.2: 66 after Z 2461c; text by Reusner 11354
244/37 chorale setting "O Welt, sieh hier dein Leben" (s. 3) F maj. SATB 4: 164 III/2.2: 29 after Z 2293b; text by Gerhardt 11352
chorale setting "In allen meinen Taten" after Z 2293b; text by Fleming
244/40 chorale setting "Werde munter, mein Gemüte" (s. 6) A maj. SATB 4: 173 III/2.1: 95
III/2.2: 68
after Z 6551; text by Rist 11254
chorale setting "Jesu, meiner Seelen Wonne" after Z 6551; text by Janus
244/44 chorale setting "Befiehl du deine Wege" (s. 1) D maj. SATB 4: 186 III/2.2: 49 after Z 5385a; text by Gerhardt 11355
chorale setting "O Haupt voll Blut und Wunden"
244/46 chorale setting "Herzliebster Jesu" (s. 4) B min. SATB 4: 192 III/2.2: 59 after Z 983; text by Heermann 11350
244/54 chorale setting "O Haupt voll Blut und Wunden" (ss. 1–2) F maj. SATB 4: 214 III/2.2: 41 after Z 5385a; text by Gerhardt 11356
244/62 chorale setting "O Haupt voll Blut und Wunden" (s. 9) A min.
B min.
SATB 4: 248 III/2.2: 50 11357
245.1 4. 1724-04-07 Passion St John Passion (1st version; Good Friday) G min. satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc 121
44: 26
II/4: 40 after Z 983 (/3, /17), 2561 (/5), 2293b (/11), 6288a–b (/14, /28, /32), 6283b (/15, /37), 2383 (/22), 5404a (/26), 8326 (/40); text after Jh 1819, Mt 26:75 (/12), Mk 15:38 (/33), by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /20, /24, /32, /34, /35, /39), Gerhardt (/11), Weise (/13), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26), Schalling (/40); → BWV 245.2–v4 00307
245.1/3 chorale setting "Herzliebster Jesu" (s. 7) G min. SATB III/2.1: 93 after Z 983; text by Heermann 11255
245/3 c. 1740 121: 17 III/2.2: 33
245.1/5 1724-04-07 chorale setting "Vater unser im Himmelreich" (s. 4) D min. SATB III/2.1: 94
III/2.2: 27
after Z 2561; text by Luther after Mt 6:9–13; ↔ BWV 416 11256
245/5 c. 1740 121: 18 after Z 2561; text by Luther after Mt 6:9–13
245/11 1724-04-07 chorale setting "O Welt, sieh hier dein Leben" (ss. 3–4) A maj. SATB 121: 31 III/2.1: 94
III/2.2: 35
after Z 2293b; text by Gerhardt; → BWV 395 11257
chorale setting "Nun ruhen alle Wälder"
245/14 chorale setting "Jesu Leiden, Pein und Tod" (s. 10) A maj. SATB 121: 39 III/2.2: 46 after Z 6288a–b; text by Stockmann 11273
245/15 chorale setting "Christus, der uns selig macht" (s. 1) A min. SATB 121: 43 III/2.2: 44 after Z 6283b; text by Weiße after "Patris sapientia" 11274
245/17 chorale setting "Herzliebster Jesu" (ss. 8–9) A min. SATB 121: 52 III/2.1: 95
III/2.2: 62
after Z 983; text by Heermann 11258
245/22 chorale setting "Durch dein Gefängnis Gottes Sohn" E maj. SATB 121: 74 III/2.2: 181 after Z 2383; text by Postel 11275
chorale setting "Machs mit mir, Gott, nach deiner Güt" after Z 2383; text by Schein
245/26 chorale setting "Valet will ich dir geben" (s. 3) E♭ maj. SATB 121: 95 III/2.1: 96
III/2.2: 60
after Z 5404a; text by Herberger 11259
245/28 chorale setting "Jesu Leiden, Pein und Tod" (s. 20) A maj. SATB 121: 103 III/2.2: 59 after Z 6288a–b; text by Stockmann 11276
245/37 chorale setting "Christus, der uns selig macht" (s. 8) B♭ min. SATB 121: 121 III/2.2: 63 after Z 6283b; text by Weiße after "Patris sapientia" 11277
245/40 chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 3) E♭ maj. SATB 121: 131 III/2.2: 60 after Z 8326; text by Schalling 11278
245.2 4. 1725-03-30 Passion St John Passion (2nd version; Good Friday) E♭ maj. satbSATB 2Fl 2Ob 2Odc Str Vdg Bc 121 II/4: 167 after Z 8303 (/1), BWV 245.1, 23/4 (/40); text by Heyden (/1), Heermann (/3, /17), Luther (/5, /40), Brockes (/7, /24, /32, /34, /35, /39), Gerhardt (/11), Birkmann (a, b, c) Stockmann (a, /14, /28, /32), Weiße (/15, /37), Postel (/22, /30), Herberger (/26), after Jh 1819, Mt 26:75 (/12), Mt 27:51 (/33); → BWV 245.3; /1 → BWV 244.2/29, 00308
245.3 4. 1732-04-11 Passion St John Passion (3rd version; Good Friday) satbSATB 2Fl 2Ob Str Vdg Org Bc 121
44: 26
II/4: 206 after BWV 245.1–.2; text after Jh 1819, by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /20, /24, /32, /39), Gerhardt (/11), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26); → BWV 245 inc. rev., v4 00309
245, inc. rev. 4. 1739 Passion St John Passion (incomplete revision) satbSATB Fl 2Ob Str Bc 121
44: 26
II/4 after BWV 245.1–.3; text by Heyden (/1), Heermann (/3), Luther (/5), after Jh 18; → BWV 245 v4 11076
245, v4 4. 1749-04-04 Passion St John Passion (4th version; Good Friday) satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc 121
44: 26
II/4 after BWV 245.1–inc. rev.; text after Jh 1819, Mt 26:75 (/12), Mt 27:51 (/33), by Heermann (/3, /17), Luther (/5), Brockes (/7, /19, /24, /32, /34, /35, /39), Gerhardt (/11), Weise (/13), Stockmann (/14, /28, /32), Weiße (/15, /37), Postel (/19, /22, /30), Herberger (/26), Schalling (/40) 00310
246/40a 4. 1743–1745 (JSB) Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion t Str Bc (?) II/9: 65 after BWV 246/40 00312
247 4. 1731-03-23
1744-04-03
Passion St Mark Passion (Good Friday; music lost but in part reconstructable) satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?) II/5 text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann [de], Schein, Stockmann, Franck, J., Homburg [de], Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2? 00313
1088 4. c.1750? Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday) b 2Bas Bc (?) I/41: 125 01274
248 4. 1734-12-25 – 1735-01-06 Oratorio Christmas Oratorio (Christmastide) D maj. satbSATB 3Tr 2Hn Tmp 2Fl 2Ob 2Oba 2Odc Str Bc 51
44: 125
II/6 after BWV 214 (/1, /8, /15, /24), 213 (/4, /19, /29, /36, /39, /41), 215 (/47), 248VIa (/54, /56–/57, /61–/64), Z 5385a (/5, /64), 1947 (/7, /28), 346 (/9, /17, /23), 5741b (/12), 6462 (/33), 2072 (/35), 2461c (/46), 3614b (/53), 4429a (/59); text by Picander?, Gerhardt (/5, /17, /23, /33, /59), Luther (/7, /9, /28), Rist (/12, /38, /40, /42), Runge [s:de] (/35), Weissel (/46), Franck, J. (/53), Werner (/64), after Lk 2:1–21, Mt 2:1–12 00314
248I 4. 1734-12-25 Cantata Jauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio, Part I; Christmas) D maj. satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc 51: 2
44: 125
II/6: 1 after BWV 214/1 & /7 (/1 & /8), 213/9 (/4), Z 5385a (/5), 1947 (/7), 346 (/9); text by Picander?, Gerhardt (/5), Luther (/7, /9), after Lk 2:1, 3–7 11385
248/5 chorale setting "Wie soll ich dich empfangen" (s. 1) A min. SATB 51: 36 III/2.2: 199 after Z 5385a; text by Gerhardt 11279
chorale setting "O Haupt voll Blut und Wunden"
248/9 chorale setting "Vom Himmel hoch da komm ich her" (s. 13) D maj. SATB 51: 47 III/2.2: 26 after Z 346; text by Luther 11280
248II 4. 1734-12-26 Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2) G maj. satbSATB 2Fl 2Oba 2Odc Str Bc 51: 50
44: 126
II/6: 55 after Z 5741b (/3), 346 (/8, /14), BWV 214/5 (/6), 213/3 (/10); text by Picander?, Rist (/3), Gerhardt (/8, /14), after Lk 2: 8–14 11386
248/12 chorale setting "Ermuntre dich, mein schwacher Geist" (s. 9) G maj. SATB 51: 59 III/2.1: 83, 92
III/2.2: 7, 207
after Z 5741b; text by Rist 11260
chorale setting "Du Lebensfürst, Herr Jesu Christ"
248/17 chorale setting "Schaut, schaut, was ist für Wunder dar" (s. 8) C maj. SATB 51: 66 III/2.1: 84 after Z 346; text by Gerhardt 11261
chorale setting "Vom Himmel hoch da komm ich her" after Z 346; text by Luther
248/23 chorale setting "Wir singen dir, Immanuel" (s. 2) G maj. SATB 51: 90 III/2.2: 198 after Z 346; text by Gerhardt 11281
chorale setting "Vom Himmel hoch da komm ich her" after Z 346; text by Luther
248III 4. 1734-12-27 Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3) D maj. satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc 51: 94 II/6: 107 after BWV 214/9 (/1=/13), 213/11 (/6), Z 1947 (/5), 6462 (/10), 2072 (/12); text by Picander?, Luther (/5), Gerhardt (/10), Runge [s:de] (/12), after Lk 2: 15–20 11387
248/28 chorale setting "Gelobet seist du, Jesu Christ" (s. 7) D maj. SATB 51: 110 III/2.1: 85 after Z 1947; text by Luther 11262
248/33 chorale setting "Fröhlich soll mein Herze springen" (s. 15) G maj. SATB 51: 124 III/2.1: 86
III/2.2: 81
after Z 6462; text by Gerhardt 11264
chorale setting "Warum sollt ich mich denn grämen"
248/35 chorale setting "Laßt Furcht und Pein" (s. 4) F♯ min. SATB 51: 126 III/2.1: 86
III/2.2: 206
after Z 2072; text by Runge [s:de] 11263
chorale setting "Wir Christenleut" after Z 2072; text by Füger
248IV 4. 1735-01-01 Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year) F maj. satbSATB 2Hn 2Ob Str Bc 51: 128 II/6: 143 after BWV 213/1, /5, /7 (/1, /4, /6); text by Picander?, Rist (/3, /5, /7), after Lk 2: 21 11388
248/42 chorale setting "Hilf, Herr Jesu, laß gelingen" (s. 15) SATB 51: 166 III/2.1: 99
III/2.2: 211
text by Rist 11266
chorale setting "Jesu, meiner Seelen Wonne" text by Janus
248V 4. 1735-01-02 Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I) A maj. satbSATB 2Oba Str Bc 51: 172 II/6: 199 after BWV 247/39b (/3), 215/7 (/5), Z 2461c (/4), 3614b (/11); text by Picander?, Weissel (/4), Franck, J. (/11), after Mt 2:1–6 11389
248/46 chorale setting "Nun, liebe Seel, nun ist es Zeit" (s. 5) SATB 51: 190 III/2.1: 87
III/2.2: 43
after Z 2461c; text by Weissel 11265
chorale setting "In dich hab ich gehoffet, Herr" after Z 2461c; text by Reusner
248/53 chorale setting "Ihr Gestirn, ihr hohlen Lüfte" (s. 9) SATB 51: 208 III/2.1: 100
III/2.2: 21
after Z 3614b; text by Franck, J. 11267
chorale setting "Gott des Himmels und der Erden" after Z 3614b; text by Albert
248VI 4. 1735-01-06 Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany) D maj. satbSATB 3Tr Tmp 2Ob 2Oba Str Bc 51: 210 II/6: 243 after BWV 248VIa (/1, /3, /4, /8–/11), Z 4429a (/6), 5385a (/11); text by Picander?, Gerhardt (/6), Werner (/11), after Mt 2:7–12 11390
248/59 chorale setting "Ich steh an deiner Krippen hier" (s. 1) G maj. SATB 51: 245 III/2.1: 84
III/2.2: 208
after 4429a; text by Gerhardt 11268
chorale setting "Es ist gewisslich an der Zeit" after 4429a; text by Ringwaldt
248/64 chorale setting "Ihr Christen auserkoren" (s. 4) D maj. SATB 51: 256 III/2.1: 85 after 5385a; text by Werner 11269
chorale setting "Ach Herr, mich armen Sünder" after 5385a; text by Schneegaß
248VIa 4. 1734 or earlier Cantata model for BWV 248VI D maj. satbSATB 3Tr Tmp 2Ob 2Oba Str Bc II/6 after BWV Anh. 10/1; → 248/54, /56–/57, /61–/64 00315
249.5 4. 1743–1746
1749-04-06
1750-03-26
Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc 213 II/7: 1 after BWV 249.4; text by Picander? 00316
249.4 4. c. 1738 Oratorio Kommt, eilet und laufet (Easter Oratorio, middle version; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc II/7 after BWV 249.3; text by Picander?; → BWV 249.5 11392
249.3 4. 1725-04-01
c.1738
Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter) satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc II/7: 97 after BWV 249.1; text by Picander?; → BWV 249.4 00317
249.1 4. 1725-02-23 Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable) satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc I/35 text by Picander; → BWV 249.3/1–/3, /5, /7, /9, /11; 249.2 00318
249.2 4. 1726-08-25 Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming [de]; music lost but in part reconstructable) I/39 after BWV 249.1/1–/3, /5, /7, /9, /11; text by Picander 00319
11 4. 1735-05-19 Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension) D maj. satbSATB 3Tr Tmp 2Fl 2Ob Str Bc 2: 1 II/8: 1 after Z 5741b (/6), 5264b (/9); text by Picander?, Rist (/6), Sacer (/9), after Lk 24:50ff., Acts 1:9–12, Mk 16:19 00013
11/6 chorale setting "Nun lieget alles unter dir" (= "Du Lebensfürst, Herr Jesu Christ", s. 4) SATB 2: 32 III/2.2: 198 after Z 5741b; text by Rist 11299
5. Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach) Up ↑
250 5. 1734–1738 chorale setting "Was Gott tut, das ist wohlgetan" (Three wedding chorales No. 1) SATB 2Hn Ob Oba Str Bc 131: 147 III/2.1: 3 text by Rodigast 00320
251 5. 1734–1738 chorale setting "Sei Lob und Ehr dem höchsten Gut" (Three wedding chorales No. 2) SATB 2Hn Ob Oba Str Bc 131: 148 III/2.1: 4 text by Schütz, J. J. 00321
252 5. 1734–1738 chorale setting "Nun danket alle Gott" (Three wedding chorales No. 3) SATB 2Hn Ob Oba Str Bc 131: 149 III/2.1: 5 text by Rinkart 00322
253 5. 1750 or earlier chorale setting "Ach bleib bei uns, Herr Jesu Christ" A maj. SATB 39: 177 III/2.2: 101 after Z 439; text by Calvisius; ↔ BWV 414 00323
254 5. 1750 or earlier chorale setting "Ach Gott, erhör mein Seufzen" D Dor. SATB 39: 177 III/2.2: 105 after Z 1831a; text by Schechs [wikisource:de] 00324
255 5. 1750 or earlier chorale setting "Ach Gott und Herr" C maj. SATB 39: 178 III/2.2: 24 after Z 4441a; text by Rutilius [de] 00325
256 5. 1750 or earlier chorale setting "Ach lieben Christen, seid getrost" A min. SATB 39: 178 III/2.2: 19 after Z 4441a; text by Gigas 00326
259 5. 1750 or earlier chorale setting "Ach, was soll ich Sünder machen" E min. SATB 39: 179 III/2.2: 23 after Z 3573b; text by Flittner [de] 00329
260 5. c. 1735 or earlier chorale setting "Allein Gott in der Höh sei Ehr" G maj. SATB 39: 180 III/2.1: 9
III/2.2: 147
after Z 4457; text by Decius after Gloria 00330
261 5. 1750 or earlier chorale setting "Allein zu dir, Herr Jesu Christ" B min. SATB 39: 180 III/2.2: 206 after Z 7292b; text by Hubert 00331
262 5. 1750 or earlier chorale setting "Alle Menschen müssen sterben" D maj. SATB 39: 181 III/2.2: 88 after Pachelbel; text by Albinus, Rosenmüller 00332
263 5. 1750 or earlier chorale setting "Alles ist an Gottes Segen" G maj. SATB 39: 181 III/2.2: 72 after Z 3842f 00333
264 5. 1750 or earlier chorale setting "Als der gütige Gott" G maj. SATB 39: 182 III/2.2: 91 after Z 1646; text by Weiße 00334
265 5. 1750 or earlier chorale setting "Als Jesus Christus in der Nacht" D Dor. SATB 39: 182 III/2.2: 102 after Z 258; text by Heermann 00335
266 5. 1750 or earlier chorale setting "Als vierzig Tag nach Ostern warn" E min. SATB 39: 182 III/2.2: 120 after Z 1743; text by Herman 00336
267 5. c. 1735 or earlier chorale setting "An Wasserflüssen Babylon" G maj. SATB 39: 183 III/2.2: 4 after Z 7663; text by Dachstein 00337
A Maj. III/2.1: 98
chorale setting "Ein Lämmlein geht und trägt G maj. 39: 183 after Z 7663; text by Gerhardt
A Maj. III/2.2: 180
268 5. 1750 or earlier chorale setting "Auf, auf, mein Herz" G maj. SATB 39: 184 III/2.2: 70 after Z 824; text by Birken 00338
269 5. 1750 or earlier chorale setting "Aus meines Herzens Grunde" G maj. SATB 39: 184 III/2.2: 2 after Z 5269; text by Niege [de] 00339
270 5. c. 1735 or earlier chorale setting "Befiehl du deine Wege" B min. SATB 39: 185 III/2.1: 47
III/2.2: 170
after Z 5385a; text by Gerhardt 00340
271 5. c. 1735 or earlier chorale setting "Befiehl du deine Wege" B min. SATB 39: 185 III/2.1: 97
III/2.2: 210
after Z 5385a; text by Gerhardt 00341
272 5. 1730–1761 chorale setting "Befiehl du deine Wege" D min. SATB 39: 186 III/2.2: 196 by Bach, C. P. E.?; after Z 5393; text by Gerhardt 00342
273 5. 1750 or earlier chorale setting "Christ, der du bist der helle Tag" G min. SATB 39: 186 III/2.2: 136 after Z 384; text by Alberus 00343
274 5. 1750 or earlier chorale setting "Christe, der du bist Tag und Licht" G min. SATB 39: 187 III/2.2: 145 after Z 343; text by Musculus after "Christe qui lux es" 00344
275 5. 1750 or earlier chorale setting "Christe, du Beistand" D Dor. SATB 39: 187 III/2.2: 122 after Z 993; text by Löwenstern 00345
276 5. 1750 or earlier chorale setting "Christ ist erstanden" D Dor. SATB 39: 188 III/2.2: 110 after Z 8584; text: "Christ ist erstanden" 00346
277 5. 1750 or earlier chorale setting "Christ lag in Todesbanden" D Dor. SATB 39: 189 III/2.2: 11 after Z 7012a; text by Luther 00347
278 5. c. 1735 or earlier chorale setting "Christ lag in Todesbanden" E min. SATB 39: 190 III/2.1: 92
III/2.2: 212
after Z 7012a; text by Luther 00348
279 5. c. 1725–1735 chorale setting "Christ lag in Todesbanden" E min. SATB 32: 154 III/2.1: 24
III/2.2: 155
after Z 7012a; text by Luther; ↔ BWV 158/4 00349
280 5. 1750 or earlier chorale setting "Christ unser Herr zum Jordan kam" D Dor. SATB 39: 190 III/2.2: 36 after Z 7246; text by Luther 00350
281 5. 1750 or earlier chorale setting "Christus, der ist mein Leben" F maj. SATB 39: 191 III/2.2: 6 after Z 132, Neu Leipziger GB, p 942[21] 00351
282 5. 1750 or earlier chorale setting "Christus, der ist mein Leben" G maj. SATB 39: 191 III/2.2: 184 after BWV 95/1 00352
283 5. 1750 or earlier chorale setting "Christus, der uns selig macht" A min. SATB 39: 192 III/2.2: 112 after Z 6283a; text by Weiße after "Patris sapientia" 00353
284 5. 1750 or earlier chorale setting "Christus ist erstanden, hat überwunden" C maj. SATB 39: 192 III/2.2: 113 after Z 6240b; text by Weiße 00354
285 5. 1750 or earlier chorale setting "Da der Herr Christ zu Tische saß" C min. SATB 39: 193 III/2.2: 110 after Z 2503; text by Herman 00355
286 5. 1750 or earlier chorale setting "Danket dem Herrn, denn er ist" A min. SATB 39: 193 III/2.2: 134 after Z 12; text by Horn [de] 00356
287 5. 1750 or earlier chorale setting "Dank sei Gott in der Höhe" F maj. SATB 39: 194 III/2.2: 182 after Z 5391; text by Mühlmann [de] 00357
288 5. c. 1735 or earlier chorale setting "Das alte Jahr vergangen ist" D Dor. SATB 39: 194 III/2.1: 11
III/2.2: 93
after Z 381; text by Steuerlein [de] 00358
289 5. 1750 or earlier chorale setting "Das alte Jahr vergangen ist" E min. SATB 39: 194 III/2.2: 183 after Z 381; text by Steuerlein [de] 00359
290 5. 1750 or earlier chorale setting "Das walt Gott Vater und Gott Sohn" F maj. SATB 39: 195 III/2.2: 132 after Z 673; text by Behm 00360
291 5. 1750 or earlier chorale setting "Das walt mein Gott" D min. SATB 39: 195 III/2.2: 42 after Z 4217; text by Förtsch [wikisource:de]? 00361
292 5. 1750 or earlier chorale setting "Den Vater dort oben" C maj. SATB 39: 196 III/2.2: 141 after Z 4795; text by Weiße 00362
293 5. 1750 or earlier chorale setting "Der du bist drei in Einigkeit" D Dor. SATB 39: 196 III/2.2: 89 after Z 335e; text by Luther after "O lux beata Trinitas" 00363
294 5. 1750 or earlier chorale setting "Der Tag, der ist so freudenreich" G maj. SATB 39: 197 III/2.2: 90 after Z 7870; text after "Dies est laetitiae" 00364
295 5. 1750 or earlier chorale setting "Des Heilgen Geistes reiche Gnad" D min. SATB 39: 197 III/2.2: 120 after Z 370b; text by Gesius after "Spiritus Sancti gratia" 00365
296 5. 1750 or earlier chorale setting "Die Nacht ist kommen" G Mix. SATB 39: 198 III/2.2: 136 after Z 5001; text by Herbert [de] 00366
297 5. 1750 or earlier chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet" D Dor. SATB 39: 198 III/2.2: 137 after Z 923; text by Stegmann [de]; ↔ BWV 447 00367
298 5. 1750 or earlier chorale setting "Dies sind die heilgen zehn Gebot" C maj. SATB 39: 198 III/2.2: 72 after Z 1951; text by Luther 00368
299 [2] 5. 1725–1735 chorale setting "Dir, dir, Jehova, will ich singen" B maj. SATB 39: 199 III/2.1: 11
III/2.2: 121
Z 3068; text by Crasselius [de]; → BWV 452 00369
299 [1] Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen" S(AT)B (V Bc) 432: 50 V/4: 126 11543
300 5. 1750 or earlier chorale setting "Du großer Schmerzensmann" E min. SATB 39: 199 III/2.2: 94 after Z 5159a; text by Thebesius [de] 00370
301 5. 1750 or earlier chorale setting "Du, o schönes Weltgebäude" D min. SATB 39: 200 III/2.2: 80 after Z 6773; text by Franck, J. 00371
302 5. c. 1735 or earlier chorale setting "Ein feste Burg ist unser Gott" D maj. SATB 39: 200 III/2.1: 48
III/2.2: 14
after Z 7377; text by Luther after Ps. 46 00372
303 5. c. 1735 or earlier chorale setting "Ein feste Burg ist unser Gott" D maj. SATB 39: 201 III/2.1: 10
III/2.2: 148
after Z 7377; text by Luther after Ps. 46 00373
304 5. c. 1735 or earlier chorale setting "Eins ist not, ach Herr, dies Eine" D maj. SATB 39: 201 III/2.1: 36
III/2.2: 166
after Z 7127; text by Schröder 00374
305 5. 1750 or earlier chorale setting "Erbarm dich mein, o Herre Gott" A min. SATB 39: 202 III/2.2: 20 after Z 5851; text by Hegenwald after Ps. 51 00375
306 5. 1750 or earlier chorale setting "Erstanden ist der heilig Christ" F maj. SATB 39: 202 III/2.2: 100 after Z 288; text after "Surrexit Christus hodie" 00376
307 5. c. 1735 or earlier chorale setting "Es ist gewisslich an der Zeit" B maj. SATB 39: 203 III/2.1: 22
III/2.2: 155
after Z 4429a; text by Ringwaldt 00377
308 5. 1750 or earlier chorale setting "Es spricht der Unweisen Mund wohl" B maj. SATB 39: 204 III/2.2: 17 after Z 4436; text by Luther after Ps. 14 00378
309 5. 1750 or earlier chorale setting "Es stehn vor Gottes Throne" G Dor. SATB 39: 204 III/2.2: 95 after Z 4298; text by Helmbold 00379
310 5. 1750 or earlier chorale setting "Es wird schier der letzte Tag herkommen" E min. SATB 39: 205 III/2.2: 140 after Z 1423; text by Weiße 00380
311 5. 1750 or earlier chorale setting "Es woll uns Gott gnädig sein" B min. SATB 39: 205 III/2.2: 12 after Z 7247; text by Luther after Ps. 67 00381
312 5. c. 1735 or earlier chorale setting "Es woll uns Gott gnädig sein" A min. SATB 39: 206 III/2.1: 70
III/2.2: 202
after Z 7247; text by Luther after Ps. 67 00382
327 5. 1750 or earlier chorale setting "Vor deinen Thron tret ich hiermit" D maj. SATB 39: 213 III/2.2: 193 after Z 368; text by Hodenberg [de]? 00397
313 5. 1750 or earlier chorale setting "Für Freuden lasst uns springen" G min. SATB 39: 206 III/2.2: 93 after Z 2339; text by Peltsch [fr] 00383
314 5. c. 1735 or earlier chorale setting "Gelobt seist du, Jesu Christ" D maj. SATB 39: 207 III/2.1: 48
III/2.2: 171
after Z 1947; text by Luther 00384
315 5. c. 1735 or earlier chorale setting "Gib dich zufrieden und sei stille" E min. SATB 39: 207 III/2.1: 38
III/2.2: 161
after BWV 511; text by Gerhardt; ↔ BWV 512, Z 7417a 00385
316 5. 1750 or earlier chorale setting "Gott, der du selber bist das Licht" G min. SATB 39: 208 III/2.2: 133 after Z 5814; text by Rist 00386
317 5. 1750 or earlier chorale setting "Gott der Vater wohn uns bei" D maj. SATB 39: 208 III/2.2: 78 after Z 8507; text by Luther 00387
318 5. 1750 or earlier chorale setting "Gottes Sohn ist kommen" G maj. SATB 39: 209 III/2.2: 13 after Z 3294; text by Horn [de] 00388
F maj. III/2.2: 214
319 5. 1750 or earlier chorale setting "Gott hat das Evangelium" E min. SATB 39: 209 III/2.2: 102 after Z 1788; text by Alberus 00389
320 5. 1750 or earlier chorale setting "Gott lebet noch" F maj. SATB 39: 210 III/2.2: 138 after Z 7951; text by Zihn [de]; ↔ BWV 461 00390
321 5. 1750 or earlier chorale setting "Gottlob, es geht nunmehr zum Ende" B maj. SATB 39: 210 III/2.2: 108 after Z 2853; → Z 2855; text by Luther 00391
322 5. 1750 or earlier chorale setting "Gott sei gelobet und gebenedeiet" C maj. SATB 39: 211 III/2.2: 39 after Z 8078; text by Luther 00392
323 5. 1750 or earlier chorale setting "Gott sei uns gnädig und barmherzig" F♯ min. SATB 39: 212 III/2.2: 186 after German Magnificat; text after Ps. 67 00393
325 5. 1750 or earlier chorale setting "Heilig, heilig, heilig" F maj. SATB 39: 212 III/2.2: 138 after Z 8633a; text after Sanctus; ↔ Z 8634 00395
chorale setting "Sanctus, Sanctus Dominus Deus" after Z 8633a; text: Sanctus; ↔ Z 8634
326 5. 1750 or earlier chorale setting "Herr Gott, dich loben alle wir" B maj. SATB 39: 213 III/2.2: 96 after Z 368; text by Eber 00396
328 5. 1750 or earlier chorale setting "Herr Gott, dich loben wir" A min. SATB 39: 214 III/2.2: 117 after Z 8652; text by Luther after Te Deum 00398
329 5. 1750 or earlier chorale setting "Herr, ich denk an jene Zeit" B maj. SATB 39: 216 III/2.2: 123 after Z 4840; text by Mylius [de] 00399
330 5. 1750 or earlier chorale setting "Herr, ich habe missgehandelt" A min. SATB 39: 216 III/2.2: 21 after Z 3695; text by Franck, J. 00400
331 5. c. 1735 or earlier chorale setting "Herr, ich habe missgehandelt" A min. SATB 39: 217 III/2.1: 47
III/2.2: 171
after Z 3695; text by Franck, J. 00401
332 5. 1750 or earlier chorale setting "Herr Jesu Christ, dich zu uns wend" G maj. SATB 39: 217 III/2.2: 79 after Z 624; text by William of Saxe-Weimar 00402
333 5. 1750 or earlier chorale setting "Herr Jesu Christ, du hast bereit'" G min. SATB 39: 218 III/2.2: 133 after Z 4711; text by Kinner [de] 00403
334 5. c. 1735 or earlier chorale setting "Herr Jesu Christ, ich schrei zu dir" G min. SATB III/2.1: 43 after Z 4486 00404
chorale setting "Herr Jesu Christ, du höchstes Gut" 39: 218 III/2.2: 41 after Z 4486; text by Ringwaldt
335 5. c. 1735 or earlier chorale setting "Herr Jesu Christ, meins Lebens Licht" E min. SATB 39: 218 III/2.1: 60
III/2.2: 175
after Z 423; text by Behm 00405
chorale setting "O Jesu, du mein Bräutigam" III/2.2: 139 after Z 423; text by Hermann
336 5. 1750 or earlier chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" A maj. SATB 39: 219 III/2.2: 106 after Z 423; text by Eber 00406
337 5. 1750 or earlier chorale setting "Herr, nun lass in Friede" A min. SATB 39: 219 III/2.2: 107 after Z 3302; text by Behme [de] 00407
338 5. 1750 or earlier chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt" A min. SATB 39: 220 III/2.2: 131 after Z 4606a; text after Ps. 6[22] 00408
339 5. 1750 or earlier chorale setting "Wer in dem Schutz des Höchsten ist" A maj. SATB 39: 220 III/2.2: 84 after Z 4438; text by Heyden 00409
chorale setting "Herr, wie du willt, so schicks mit mir" after Z 4438; text by Bienemann [de]
340 5. c. 1735 or earlier chorale setting "Herzlich lieb hab ich dich, o Herr" C maj. SATB 39: 221 III/2.1: 42
III/2.2: 164
after Z 8326; text by Schalling 00410
341 5. 1750 or earlier chorale setting "Heut ist, o Mensch, ein großer Trauertag" G Dor. SATB 39: 221 III/2.2: 96 after Z 8569/A; text by Löwenstern 00411
342 5. 1750 or earlier chorale setting "Heut triumphieret Gottes Sohn" A min. SATB 39: 222 III/2.2: 44 after Z 2585; text by Stolzhagen [de] 00412
343 5. 1750 or earlier chorale setting "Hilf, Gott, dass mirs gelinge" G Dor. SATB 39: 222 III/2.2: 112 after Z 4329f; text by Müller, H.[23] 00413
344 5. 1750 or earlier chorale setting "Hilf, Herr Jesu, lass gelingen" G Dor. SATB 39: 223 III/2.2: 89 after Z 3687a; text by Rist 00414
345 5. c. 1735 or earlier chorale setting "Ich bin ja, Herr, in deiner Macht" G min. SATB 39: 223 III/2.1: 13
III/2.2: 148
Z 5878a; text by Dach 00415
346 5. 1750 or earlier chorale setting "Ich dank dir, Gott, für deine Wohltat" C maj. SATB 39: 224 III/2.2: 132 after Z 8090; text by Freder [de] 00416
347 5. 1750 or earlier chorale setting "Ich dank dir, lieber Herre" A maj. SATB 39: 224 III/2.2: 2 after Z 5354a–b; text by Kolross 00417
348 5. c. 1735 or earlier chorale setting "Ich dank dir, lieber Herre" B maj. SATB 39: 225 III/2.1: 39
III/2.2: 162
after Z 5354a–b; text by Kolross 00418
349 5. 1750 or earlier chorale setting "Ich dank dir schon durch deinen Sohn" F maj. SATB 39: 225 III/2.2: 106 after Z 247b; text by Burchart [de] 00419
350 5. 1750 or earlier chorale setting "Ich danke dir, Herr Gott, in deinem Throne" G min. SATB 39: 226 III/2.2: 135 after Z 3199; text by Fabricius [de] 00420
351 5. 1750 or earlier chorale setting "Ich hab mein Sach Gott heimgestellt" G Dor. SATB 39: 226 III/2.2: 13 after Z 1679; text by Leon [de] 00421
366 5. 1750 or earlier chorale setting "Ihr Gestirn, ihr hohlen Lüfte" D min. SATB 39: 236 III/2.2: 92 after Z 3703; text by Franck, J. 00436
367 5. 1750 or earlier chorale setting "In allen meinen Taten" C maj. SATB 39: 236 III/2.2: 81 after Z 2276; text by Fleming[24] 00437
368 5. 1750 or earlier chorale setting "In dulci jubilo" F maj. SATB 39: 236 III/2.2: 83 after Z 4947 00438
352 5. 1750 or earlier chorale setting "Jesu, der du meine Seele" A min. SATB 39: 227 III/2.2: 22 after Z 6804; text by Rist 00422
353 5. c. 1735 or earlier chorale setting "Jesu, der du meine Seele" G min. SATB 39: 228 III/2.1: 26
III/2.2: 160
after Z 6804; text by Rist 00423
354 5. c. 1735 or earlier chorale setting "Jesu, der du meine Seele" B Dor. SATB 39: 228 III/2.1: 99
III/2.2: 211
after Z 6804; text by Rist 00424
355 5. 1750 or earlier chorale setting "Jesu, der du selbsten wohl" A maj. SATB 39: 229 III/2.2: 97 after Z 6335; text by Bapzien [de] 00425
356 5. 1750 or earlier chorale setting "Jesu, du mein liebstes Leben" G min. SATB 39: 230 III/2.2: 144 after Z 7891; text by Rist 00426
357 5. 1750 or earlier chorale setting "Jesu, Jesu, du bist mein" C Dor. SATB 39: 230 III/2.2: 144 BWV 470, Z 6446 00427
358 5. c. 1735 or earlier chorale setting "Jesu, meine Freude" D min. SATB 39: 231 III/2.1: 80
III/2.2: 204
after Z 8032; text by Franck, J. 00428
360 5. c. 1735 or earlier chorale setting "Jesu, meiner Seelen Wonne" B maj. SATB 39: 232 III/2.1: 73
III/2.2: 201
after Z 6551a; text by Janus 00430
359 5. 1750 or earlier chorale setting "Jesu, meiner Seelen Wonne" A maj. SATB 39: 232 III/2.2: 209 after BWV 154/3; text by Janus 00429
361 5. c. 1735 or earlier chorale setting "Jesu, meines Herzens Freud" B maj. SATB 39: 233 III/2.1: 34
III/2.2: 157
after Z 4797–4798; text by Flittner [de] 00431
362 5. c. 1735 or earlier chorale setting "Jesu, nun sei gepreiset" B maj. SATB 39: 234 III/2.1: 12
III/2.2: 149
after Z 8477a; text by Hermann 00432
364 5. 1750 or earlier chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" G Dor. SATB 39: 235 III/2.2: 99 after Z 1978; text by Luther 00434
363 5. 1750 or earlier chorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt" E min. SATB 39: 234 III/2.2: 19 after Z 1576; text by Luther 00433
365 5. 1750 or earlier chorale setting "Jesus, meine Zuversicht" C maj. SATB 39: 235 III/2.2: 100 after Z 3432b; text by Louise Henriette of N 00435
369 5. 1750 or earlier chorale setting "Keinen hat Gott verlassen" E min. SATB 39: 237 III/2.2: 73 after Z 5395 00439
370 5. 1750 or earlier chorale setting "Komm, Gott Schöpfer, Heiliger Geist" C maj. SATB 39: 238 III/2.2: 105 after Z 295; text by Luther 00440
371 5. 1750 or earlier chorale setting "Kyrie, Gott Vater in Ewigkeit" A min. SATB 39: 238 III/2.2: 74 after Z 8600c 00441
372 5. 1750 or earlier chorale setting "Lass, o Herr, dein Ohr sich neigen" G Dor. SATB 39: 240 III/2.2: 128 after Z 6863; text by Opitz 00442
373 5. 1750 or earlier chorale setting "Liebster Jesu, wir sind hier" G maj. SATB 39: 240 III/2.2: 74, 190 after Z 3498b; text by Clausnitzer 00443
374 5. 1750 or earlier chorale setting "Lobet den Herren, denn er ist sehr" G Dor. SATB 39: 241 III/2.2: 134 after Z 975; text after Ps. 147 00444
375 5. c. 1735 or earlier chorale setting "Lobt Gott, ihr Christen, allzugleich" G maj. SATB 39: 241 III/2.1: 45
III/2.2: 164
after Z 198; text by Herman 00445
376 5. 1750 or earlier chorale setting "Lobt Gott, ihr Christen allzugleich" A maj. SATB 39: 242 III/2.2: 197 after Z 198; text by Herman 00446
377 5. 1750 or earlier chorale setting "Machs mit mir, Gott, nach deiner Güt" D maj. SATB 39: 242 III/2.2: 26 after Z 2383; text by Schein 00447
378 5. 1750 or earlier chorale setting "Mein Augen schließ ich jetzt" G maj. SATB 39: 243 III/2.2: 153 after Z 1067; text by Löwenstern 00448
379 5. 1750 or earlier chorale setting "Meinen Jesum lass ich nicht, Jesus" G maj. SATB 39: 243 III/2.2: 87 after Z 3448a 00449
380 5. c. 1735 or earlier chorale setting "Meinen Jesum lass ich nicht, weil" E maj. SATB 39: 244 III/2.1: 62
III/2.2: 178
after Z 3449; text by Keymann 00450
324 5. 1750 or earlier chorale setting "Meine Seele erhebet den Herren" E min. SATB 39: 212 III/2.2: 73 after German Magnificat; text by Luther after Lk. 1:46–55 00394
381 5. 1750 or earlier chorale setting "Meines Lebens letzte Zeit" E min. SATB 39: 244 III/2.2: 199 after Z 6380; ↔ BWV 488 00451
382 5. c. 1735 or earlier chorale setting "Mit Fried und Freud ich fahr dahin" G Dor. SATB 39: 245 III/2.1: 40
III/2.2: 28
after Z 3986; text by Luther 00452
383 5. 1750 or earlier chorale setting "Mitten wir im Leben sind" A min. SATB 39: 246 III/2.2: 124 after Z 8502; text by Luther after Media vita 00453
384 5. 1750 or earlier chorale setting "Nicht so traurig, nicht so sehr" C min. SATB 39: 247 III/2.2: 86 Z 3355; text by Gerhardt 00454
385 5. c. 1735 or earlier chorale setting "Nun bitten wir den Heiligen Geist" A maj. SATB 39: 247 III/2.1: 76
III/2.2: 22
after Z 2029a; text by Luther 00455
386 5. c. 1735 or earlier chorale setting "Nun danket alle Gott" A maj. SATB 39: 248 III/2.1: 101
III/2.2: 20
after Z 5142; text by Rinkart 00456
387 5. 1750 or earlier chorale setting "Nun freut euch, Gottes Kinder all" D Dor. SATB 39: 248 III/2.2: 104 after Z 364; text by Alberus 00457
388 5. 1750 or earlier chorale setting "Nun freut euch, lieben Christen gmein" G maj. SATB 39: 248 III/2.2: 103 after Z 4427; text by Luther 00458
389 5. c. 1735 or earlier chorale setting "Nun lob, mein Seel, den Herren" C maj. SATB 39: 249 III/2.1: 32
III/2.2: 159
after Z 8244; text by Gramann after Ps. 103 00459
390 5. c. 1735 or earlier chorale setting "Nun lob, mein Seel, den Herren" C maj. SATB 39: 250 III/2.1: 58
III/2.2: 176
after Z 8244; text by Gramann after Ps. 103 00460
391 5. 1750 or earlier chorale setting "Nun preiset alle Gottes Barmherzigkeit" G maj. SATB 39: 250 III/2.2: 131 after Z 4089a; text by Löwenstern 00461
392 5. 1734–1750 chorale setting "Nun ruhen alle Wälder" B maj. SATB 39: 251 III/2.2: 172 after BWV 97/9; text by Gerhardt 00462
396 5. 1750 or earlier chorale setting "Nun sich der Tag geendet hat" A min. SATB 39: 252 III/2.2: 142 after Z 212b; text by Krieger 00466
397 5. c. 1735 or earlier chorale setting "O Ewigkeit, du Donnerwort" F maj. SATB 39: 253 III/2.1: 23
III/2.2: 163
after Z 5820; text by Rist; ↔ BWV 513 00467
398 5. c. 1728–1729 chorale setting "O Gott, du frommer Gott" D maj. SATB 39: 254 III/2.2: 182 after Z 5206b; text by Heermann; ↔ BWV 197a/7 00468
399 5. 1750 or earlier chorale setting "O Gott, du frommer Gott" G maj. SATB 39: 254 III/2.2: 184 after Z 5148; text by Heermann 00469
400 5. 1750 or earlier chorale setting "O Herzensangst" E maj. SATB 39: 255 III/2.2: 99 Z 1003; text by Müller von Königsberg 00470
401 5. 1750 or earlier chorale setting "O Lamm Gottes, unschuldig" F maj. SATB 39: 255 III/2.2: 94 after Z 4361a; text by Decius after Agnus Dei 00471
402 5. 1750 or earlier chorale setting "O Mensch, bewein dein Sünde groß" E maj. SATB 39: 256 III/2.2: 114 after Z 8303; text by Heyden 00472
403 5. 1750 or earlier chorale setting "O Mensch, schau Jesum Christum an" G Dor. SATB 39: 257 III/2.2: 116 after Z 3994a–b; text by Specht; ↔ Z 3994c 00473
404 5. 1750 or earlier chorale setting "O Traurigkeit, o Herzeleid" A min. SATB 39: 257 III/2.2: 34 after Z 1915; text by Rist 00474
F min. III/2.2: 215
393 5. c. 1735 or earlier chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 251 III/2.1: 44
III/2.2: 163
after Z 2293b; text by Gerhardt 00463
394 5. c. 1735 or earlier chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 252 III/2.1: 96
III/2.2: 210
after Z 2293b; text by Gerhardt 00464
395 5. 1724–1750 chorale setting "O Welt, sieh hier dein Leben" A maj. SATB 39: 252 III/2.2: 208 after BWV 245/11; text by Gerhardt 00465
405 5. 1750 or earlier chorale setting "O wie selig seid ihr doch, ihr Frommen" D min. SATB 39: 258 III/2.2: 124 after Z 1583; text by Dach; ↔ BWV 495 00475
406 5. 1750 or earlier chorale setting "O wie selig seid ihr doch, ihr Frommen" D min. SATB 39: 258 III/2.2: 129 after Z 1581; text by Dach 00476
407 5. 1750 or earlier chorale setting "O wir armen Sünder" D maj. SATB 39: 258 III/2.2: 114 after Z 8187c; text by Bonnus [de] 00477
408 5. 1750 or earlier chorale setting "Schaut, ihr Sünder" G Dor. SATB 39: 259 III/2.2: 98 after Z 8569/B; text by Löwenstern 00478
409 5. 1750 or earlier chorale setting "Seelenbräutigam" A maj. SATB 39: 260 III/2.2: 82, 216 after Z 3255a–b; text by Drese; ↔ BWV 496 00479
410 5. 1750 or earlier chorale setting "Sei gegrüßet, Jesu gütig" G min. SATB 39: 260 III/2.2: 98 after Z 3889b; text by Keymann; ↔ BWV 499 00480
411 5. 1750 or earlier chorale setting "Singt dem Herrn ein neues Lied" G maj. SATB 39: 260 III/2.2: 146 after Z 6424; text by Löwenstern 00481
412 5. 1750 or earlier chorale setting "So gibst du nun, mein Jesu, gute Nacht" G Dor. SATB 39: 261 III/2.2: 119 after Z 849; text by Pfeiffer [de]; ↔ BWV 501 00482
413 5. 1750 or earlier chorale setting "Sollt ich meinem Gott nicht singen" D min. SATB 39: 262 III/2.2: 130 after Z 7886b; text by Gerhardt; ↔ BWV 481 00483
414 5. 1750 or earlier chorale setting "Uns ist ein Kindlein heut geborn" G maj. SATB 39: 262 III/2.2: 86 after Z 439; ↔ BWV 253 00484
415 5. 1750 or earlier chorale setting "Valet will ich dir geben" D maj. SATB 39: 263 III/2.2: 16 after Z 5404a; text by Herberger 00485
416 5. 1724-04-07 chorale setting "Vater unser im Himmelreich" D min. SATB 39: 263 III/2.1: 94
III/2.2: 27
after Z 2561; text by Luther after Mt 6:9–13; ↔ BWV 245.1/5 00486
417 5. c. 1735 or earlier chorale setting "Von Gott will ich nicht lassen" B min. SATB 39: 264 III/2.1: 92
III/2.2: 209
after Z 5264b; text by Helmbold 00487
418 5. 1750 or earlier chorale setting "Von Gott will ich nicht lassen" A min. SATB 39: 264 III/2.2: 192 after Z 5264b; text by Helmbold 00488
419 5. 1726–1761 (CPE) chorale setting "Helft mir Gotts Güte preisen" A min. SATB 39: 265 III/2.2: 64 by Bach, C. P. E.; after BWV 16/6; text by Eber 00489
chorale setting "Von Gott will ich nicht lassen" by Bach, C. P. E.; after BWV 16/6; text by Helmbold
257 5. c. 1735 or earlier chorale setting "Wär Gott nicht mit uns diese Zeit" A min. SATB 39: 178 III/2.1: 46
III/2.2: 170
after Z 4441a; text by Luther after Ps. 124 00327
420 5. 1750 or earlier chorale setting "Warum betrübst du dich, mein Herz" A min. SATB 39: 265 III/2.2: 84 after Z 1689a 00490
421 5. c. 1735 or earlier chorale setting "Warum betrübst du dich, mein Herz" A min. SATB 39: 266 III/2.1: 65
III/2.2: 178
after Z 1689a; ↔ BWV 1164/2 00491
422 5. c. 1735 or earlier chorale setting "Warum sollt ich mich denn grämen" G Mix. SATB 39: 266 III/2.1: 82
III/2.2: 204
after Z 6461; → Z 6462; text by Gerhardt 00492
423 5. 1750 or earlier chorale setting "Was betrübst du dich, mein Herze" G Dor. SATB 39: 267 III/2.2: 140 Z 6830; text by Herrmann [wikisource:de] 00493
424 5. 1750 or earlier chorale setting "Was bist du doch, o Seele, so betrübet" A min. SATB 39: 267 III/2.2: 108 after Z 1837; text by Schultt, R. F. [scores]; ↔ BWV 506 00494
425 5. 1750 or earlier chorale setting "Was willst du dich, o meine Seele, kränken" A min. SATB 39: 268 III/2.2: 142 after Z 7844; text by Werder [de] 00495
426 5. 1750 or earlier chorale setting "Weltlich Ehr und zeitlich Gut" C maj. SATB 39: 269 III/2.2: 122 after Z 4972; text by Weiße 00496
427 5. 1750 or earlier chorale setting "Wenn ich in Angst und Not" E maj. SATB 39: 269 III/2.2: 85 after Z 4233; text by Löwenstern 00497
428 5. 1750 or earlier chorale setting "Wenn mein Stündlein verhanden ist" G maj. SATB 39: 270 III/2.2: 187 after Z 4482a; text by Herman 00498
429 5. c. 1735 or earlier chorale setting "Wenn mein Stündlein verhanden ist" A maj. SATB 39: 270 III/2.1: 91
III/2.2: 29
after Z 4482a; text by Herman 00499
430 5. c. 1735 or earlier chorale setting "Wenn mein Stündlein verhanden ist" A maj. SATB 39: 271 III/2.1: 68
III/2.2: 201
after Z 4482a; text by Herman 00500
431 5. 1750 or earlier chorale setting "Wenn wir in höchsten Nöten sein" F maj. SATB 39: 272 III/2.2: 38 after Z 394; text by Eber 00501
432 5. 1750 or earlier chorale setting "Wenn wir in höchsten Nöten sein" G maj. SATB 39: 272 III/2.2: 146 after Z 394; text by Eber 00502
433 5. 1750 or earlier chorale setting "Wer Gott vertraut, hat wohl gebaut" G maj. SATB 39: 273 III/2.2: 78 after Z 8207; text by Magdeburg [de][24] 00503
434 5. c. 1735 or earlier chorale setting "Wer weiß, wie nahe mir mein Ende" A min. SATB 39: 273 III/2.1: 38 after Z 2778; text by Emilie Juliane of B-M 00504
chorale setting "Wer nur den lieben Gott lässt walten" III/2.2: 85 after Z 2778; text by Neumark
435 5. 1750 or earlier chorale setting "Wie bist du, Seele, in mir so gar betrübt" E min. SATB 39: 274 III/2.2: 143 after Z 4092; text by Zeutschner [choralwiki] 00505
436 5. c. 1735 or earlier chorale setting "Wie schön leuchtet der Morgenstern" E maj. SATB 39: 274 III/2.1: 45
III/2.2: 165
after Z 8359; text by Nicolai 00506
437 5. 1750 or earlier chorale setting "Wir glauben all an einen Gott" D Dor. SATB 39: 275 III/2.2: 76 after Z 7971; text by Luther after Creed 00507
258 5. 1750 or earlier chorale setting "Wo Gott der Herr nicht bei uns hält" B min. SATB 39: 179 III/2.2: 194 after Z 4441a; text by Jonas 00328
438 5. 1750 or earlier chorale setting "Wo Gott zum Haus nicht gibt sein Gunst" F maj. SATB 39: 276 III/2.2: 90 after Z 305; text by Kolross 00508
500a 5. 1726-04-19 chorale setting "So gehst du nun, mein Jesu, hin" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) SATB Str Bc II/9: 75 text by Nachtenhöfer [de]; ↔ BWV 500 00571
1084 5. 1726-04-19 chorale setting "O hilf Christe, Gottes Sohn" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) SATB Str Bc II/9: 76 text by Weiße; after BC D 5a/14 01270
1089 5. chorale setting "Da Jesus an dem Kreuze stund" SATB III/2.2: 216 text by Lilius [de] 01275
1122 5. c. 1735 or earlier chorale setting "Denket doch, ihr Menschenkinder" F maj. SATB III/2.1: 31
III/2.2: 217
text by Hübner?[25] 01720
1123 5. c. 1735 or earlier chorale setting "Wo Gott zum Haus gibt nicht sein Gunst" G maj. SATB III/2.1: 40 after Z 305; text by Kolross[25] 01721
1124 5. c. 1735 or earlier chorale setting "Ich ruf zu dir, Herr Jesu Christ" E min. SATB III/2.1: 51 after Z 7400; text by Agricola, J.[25] 01722
1125 5. c. 1735 or earlier chorale setting "O Gott, du frommer Gott" D maj. SATB III/2.1: 79 after Z 5206b; text by Heermann[25] 01723
1126 5. chorale setting "Lobet Gott, unsern Herren" SATB III/2.2: 218 01724
6. Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach) Up ↑
439 6. 1735–1736 or earlier song "Ach, dass nicht die letzte Stunde" (Schemelli #831; tune #56) V Bc 39: 279 III/2.1: 210 Z 6721; text by Neumeister 00509
440 6. 1735–1736 or earlier song "Auf, auf! die rechte Zeit ist hier" (Schemelli #171; tune #11) V Bc 39: 279 III/2.1: 123 Z 705; text by Opitz 00510
441 6. c. 1735 or earlier chorale setting "Auf, auf, mein Herz, mit Freuden" F maj. SATB III/2.1: 67 after Z 5243; text by Gerhardt 00511
1735–1736 or earlier song "Auf, auf, mein Herz, mit Freuden" (Schemelli #320; tune #27) V Bc 39: 279 III/2.1: 152
442 6. 1735–1736 or earlier song "Beglückter Stand getreuer Seelen" (Schemelli #570; tune #39) V Bc 39: 280 III/2.1: 176 after Z 5970; text by Bonin [de] 00512
443 6. 1735–1736 or earlier song "Beschränkt, ihr Weisen dieser Welt" (Schemelli #689; tune #47) V Bc 39: 280 III/2.1: 192 Z 7765; text by Wegleiter [wikisource:de] 00513
444 6. 1735–1736 or earlier song "Brich entzwei, mein armes Herze" (Schemelli #303; tune #24) V Bc 39: 280 III/2.1: 146 after Z 7110–7111a; → Z 7111b; text by Trommer [scores] 00514
445 6. 1735–1736 or earlier song "Brunnquell aller Güter" (Schemelli #335; tune #29) V Bc 39: 281 III/2.1: 156 after Z 6252b; text by Franck, J. 00515
446 6. 1735–1736 or earlier song "Der lieben Sonnen Licht und Pracht" (Schemelli #39; tune #2) V Bc 39: 281 III/2.1: 106 after Z 5659; text by Scriver 00516
447 6. 1735–1736 or earlier song "Der Tag ist hin, die Sonne gehet nieder" (Schemelli #40; tune #3) V Bc 39: 281 III/2.1: 108 after Z 923; ↔ BWV 297; text by Rube [fr] 00517
448 6. 1735–1736 or earlier song "Der Tag mit seinem Lichte" (Schemelli #43; tune #4) V Bc 39: 282 III/2.1: 110 after Z 7512b; text by Gerhardt 00518
449 6. 1735–1736 or earlier song "Dich bet ich an, mein höchster Gott" (Schemelli #396; tune #31) V Bc 39: 282 III/2.1: 160 Z 2437; text by Olearius, J. G. [de][26] 00519
450 6. 1735–1736 or earlier song "Die bittre Leidenszeit beginnet abermal" (Schemelli #258; tune #17) V Bc 39: 282 III/2.1: 134 after Z 7429; text by Elmenhorst [de] 00520
451 6. 1735–1736 or earlier song "Die güldne Sonne" (Schemelli #13; tune #1) V Bc 39: 283 III/2.1: 104 after Z 8015; text by Gerhardt 00521
452 6. 1735–1736 or earlier song "Dir, dir, Jehova, will ich singen" (Schemelli #397; tune #32) V Bc 39: 284 III/2.1: 162 after BWV 299; → Z 3068; text by Crasselius [de] 00522
453 6. 1735–1736 or earlier song "Eins ist not! ach Herr, dies Eine" (Schemelli #112; tune #7) V Bc 39: 284 III/2.1: 116 Z 7129; text by Schröder [scores] 00523
454 6. 1735–1736 or earlier song "Ermuntre dich, mein schwacher Geist" (Schemelli #187; tune #12) V Bc 39: 284 III/2.1: 124 after Z 5741; text by Rist 00524
455 6. 1735–1736 or earlier song "Erwürgtes Lamm, das die verwahrten Siegel" (Schemelli #580; tune #43) V Bc 39: 285 III/2.1: 184 after Z 3138; text by Bonin [de] 00525
456 6. 1735–1736 or earlier song "Es glänzet der Christen inwendiges Leben" (Schemelli #572; tune #40) V Bc 39: 285 III/2.1: 178 after Z 6969; text by Richter 00526
457 6. 1735–1736 or earlier song "Es ist nun aus mit meinem Leben" (Schemelli #847; tune #57) V Bc 39: 286 III/2.1: 212 after Z 6969; text by Omeis [de] 00527
458 6. 1735–1736 or earlier song "Es ist vollbracht! Vergiss ja nicht dies Wort" (Schemelli #306; tune #25) V Bc 39: 286 III/2.1: 148 after Z 2692; text by Schmidt [scores] 00528
459 6. 1735–1736 or earlier song "Es kostet viel, ein Christ zu sein" (Schemelli #522; tune #38) V Bc 39: 286 III/2.1: 174 after Z 2727; text by Richter 00529
460 6. 1735–1736 or earlier song "Gib dich zufrieden und sei stille" (Schemelli #647; tune #45) V Bc 39: 288 III/2.1: 188 after Z 7415; text by Gerhardt 00530
461 6. 1735–1736 or earlier song "Gott lebet noch" (Schemelli #488; tune #37) V Bc 39: 288 III/2.1: 172 after Z 7951; ↔ BWV 320; text by Zihn [de] 00531
462 6. 1735–1736 or earlier song "Gott wie groß ist deine Güte" (Schemelli #360; tune #30) V Bc 39: 289 III/2.1: 158 text by Schemelli; → Z 7937 00532
463 6. 1735–1736 or earlier song "Herr, nicht schicke deine Rache" (Schemelli #78; tune #5) V Bc 39: 289 III/2.1: 112 after Z 6863; text by Opitz 00533
464 6. 1735–1736 or earlier song "Ich bin ja, Herr, in deiner Macht" (Schemelli #861; tune #58) V Bc 39: 290 III/2.1: 214 after Z 5869a; text by Dach 00534
465 6. 1735–1736 or earlier song "Ich freue mich in dir" (Schemelli #194; tune #13) V Bc 39: 290 III/2.1: 126 after Z 5138; text by Ziegler, C. 00535
466 6. 1735–1736 or earlier song "Ich halte treulich still" (Schemelli #657; tune #46) V Bc 39: 290 III/2.1: 190 text by Till [scores]; → Z 5082 00536
467 6. 1735–1736 or earlier song "Ich lass dich nicht" (Schemelli #734; tune #51) V Bc 39: 291 III/2.1: 200 after Z 7455; text by Deßler [de] 00537
468 6. 1735–1736 or earlier song "Ich liebe Jesum alle Stund" (Schemelli #737; tune #52) V Bc 39: 291 III/2.1: 202 after Z 4731; → Z 4732 00538
469 6. 1735–1736 or earlier song "Ich steh an deiner Krippen hier" (Schemelli #195; tune #14) V Bc 39: 292 III/2.1: 128 Z 4663; text by Gerhardt 00539
476 6. 1735–1736 or earlier song "Ihr Gestirn, ihr hohlen Lüfte" (Schemelli #197; tune #15) V Bc 39: 294 III/2.1: 130 after Z 3703; text by Franck, J. 00546
471 6. 1735–1736 or earlier song "Jesu, deine Liebeswunden" (Schemelli #139; tune #10) V Bc 39: 292 III/2.1: 122 text by Wegleit. [wikisource:de]?; → Z 1302 00541
470 6. 1735–1736 or earlier song "Jesu, Jesu, du bist mein" (Schemelli #741; tune #53) V Bc 39: 292 III/2.1: 204 BWV 357; → Z 6446 00540
472 6. 1735–1736 or earlier song "Jesu, meines Glaubens Zier" (Schemelli #119; tune #8) V Bc 39: 293 III/2.1: 118 after Z 6453; text by Sacer 00542
473 6. 1735–1736 or earlier song "Jesu, meines Herzens Freud" (Schemelli #696; tune #48) V Bc 39: 293 III/2.1: 194 after Z 4797–4798; text by Flittner [de] 00543
474 6. 1735–1736 or earlier song "Jesus ist das schönste Licht" (Schemelli #463; tune #33) V Bc 39: 293 III/2.1: 164 after Z 6412; text by Richter 00544
475 6. 1735–1736 or earlier song "Jesus, unser Trost und Leben" (Schemelli #333; tune #28) V Bc 39: 294 III/2.1: 154 after Z 4918; text by Homburg [de] 00545
477 6. 1735–1736 or earlier song "Kein Stündlein geht dahin" (Schemelli #869; tune #60) V Bc 39: 294 III/2.1: 218 after 4243b; text by Franck, M.? 00547
478 6. 1735–1736 or earlier song "Komm, süßer Tod" (Schemelli #868; tune #59) V Bc 39: 295 III/2.1: 216 Z 4400 00548
479 6. 1735–1736 or earlier song "Kommt, Seelen, dieser Tag" (Schemelli #936; tune #67) V Bc 39: 295 III/2.1: 232 Z 5185; text by Löscher 00549
480 6. 1735–1736 or earlier song "Kommt wieder aus der finstern Gruft" (Schemelli #938; tune #68) V Bc 39: 296 III/2.1: 234 Z 4709; text by Löscher 00550
481 6. 1735–1736 or earlier song "Lasset uns mit Jesu ziehen" (Schemelli #281; tune #18) V Bc 39: 296 III/2.1: 136 after Z 7886b; ↔ BWV 413; text by Birken 00551
482 6. 1735–1736 or earlier song "Liebes Herz, bedenke doch" (Schemelli #467; tune #34) V Bc 39: 297 III/2.1: 166 after Z 6434; text by Koitsch [de] 00552
483 6. 1735–1736 or earlier song "Liebster Gott, wann werd ich sterben" (Schemelli #873; tune #61) E♭ maj. V Bc 39: 297 III/2.1: 220 after Z 6634; text by Neumann 00553
484 6. 1735–1736 or earlier song "Liebster Herr Jesu, wo bleibst du so lange" (Schemelli #874; tune #62) V Bc 39: 298 III/2.1: 222 Z 3969; text by Weselowius [scores] 00554
485 6. 1735–1736 or earlier song "Liebster Immanuel, Herzog der Frommen" (Schemelli #761; tune #54) V Bc 39: 298 III/2.1: 206 after Z 4932c; text by Fritsch 00555
488 6. 1735–1736 or earlier song "Meines Lebens letzte Zeit" (Schemelli #881; tune #63) V Bc 39: 299 III/2.1: 224 after Z 6380; ↔ BWV 381 00558
486 6. 1735–1736 or earlier song "Mein Jesu, dem die Seraphinen" (Schemelli #121; tune #9) V Bc 39: 298 III/2.1: 120 after Z 5988; text by Deßler [de] 00556
487 6. 1735–1736 or earlier song "Mein Jesu! was vor Seelenweh" (Schemelli #283; tune #19) V Bc 39: 299 III/2.1: 138 text by Schemelli?; → Z 8383 00557
489 6. 1735–1736 or earlier song "Nicht so traurig, nicht so sehr" (Schemelli #574; tune #41) V Bc 39: 300 III/2.1: 180 after Z 3342; text by Gerhardt? 00559
490 6. 1735–1736 or earlier song "Nur mein Jesus ist mein Leben" (Schemelli #700; tune #49) V Bc 39: 300 III/2.1: 196 after Z 8404c 00560
491 6. 1735–1736 or earlier song "O du Liebe meiner Liebe" (Schemelli #284; tune #20) V Bc 39: 300 III/2.1: 140 after Z 6693; text by Senitz [Wikidata][27] 00561
492 6. 1735–1736 or earlier song "O finstre Nacht, wenn wirst du doch vergehen" (Schemelli #891; tune #64) V Bc 39: 301 III/2.1: 226 Z 6171; text by Breithaupt [scores] 00562
493 6. 1735–1736 or earlier song "O Jesulein süß, o Jesulein mild" (Schemelli #203; tune #16) V Bc 39: 302 III/2.1: 132 after Z 2016a; text by Thilo [de] 00563
494 6. 1735–1736 or earlier song "O liebe Seele, zieh die Sinnen" (Schemelli #575; tune #42) V Bc 39: 302 III/2.1: 182 Z 7787 00564
495 6. 1735–1736 or earlier song "O wie selig seid ihr doch, ihr Frommen" (Schemelli #894; tune #65) V Bc 39: 302 III/2.1: 228 after Z 1583; ↔ BWV 405; text by Dach 00565
496 6. 1735–1736 or earlier song "Seelenbräutigam" (Schemelli #472; tune #35) V Bc 39: 303 III/2.1: 168 after Z 3255a–b; ↔ BWV 409; text by Drese 00566
497 6. 1735–1736 or earlier song "Seelenweide" (Schemelli #710; tune #50) V Bc 39: 303 III/2.1: 198 after Z 1286; text by Drese 00567
499 6. 1735–1736 or earlier song "Sei gegrüßet, Jesu gütig" (Schemelli #293; tune #22) V Bc 39: 304 III/2.1: 143 after Z 3889b; ↔ BWV 410; text by Keymann 00569
498 6. 1735–1736 or earlier song "Selig, wer an Jesum denkt" (Schemelli #292; tune #21) V Bc 39: 304 III/2.1: 142 Z 4846 00568
500 6. 1735–1736 or earlier song "So gehst du nun, mein Jesu hin" (Schemelli #296; tune #23) V Bc 39: 304 III/2.1: 144 after Z 7631b; ↔ BWV 500a; text by Nachtenhöfer [de] 00570
501 6. 1735–1736 or earlier song "So gibst du nun, mein Jesu, gute Nacht" (Schemelli #315; tune #26) V Bc 39: 304 III/2.1: 150 after Z 849; ↔ BWV 412; text by Pfeiffer [de] 00572
502 6. 1735–1736 or earlier song "So wünsch ich mir zu guter Letzt" (Schemelli #901; tune #66) V Bc 39: 305 III/2.1: 230 Z 5892; text by Rist 00573
503 6. 1735–1736 or earlier song "Steh ich bei meinem Gott" (Schemelli #945; tune #69) V Bc 39: 305 III/2.1: 236 after Z 5207; text by Herrnschmidt [de] 00574
504 6. 1735–1736 or earlier song "Vergiss mein nicht, dass ich dein nicht vergesse" (Schemelli #475; tune #36) V Bc 39: 306 III/2.1: 170 after Z 4779; text by Arnold 00575
505 6. 1735–1736 or earlier song "Vergiss mein nicht, ..., Mein allerliebster Gott" (Schemelli #627; tune #44) V Bc 39: 306 III/2.1: 186 text by Arnold; → Z 4233 00576
506 6. 1735–1736 or earlier song "Was bist du doch, o Seele, so betrübt" (Schemelli #779; tune #55) A min. V Bc 39: 307 III/2.1: 208 after Z 1837; ↔ BWV 424; text by Schultt, R. F. [scores] 00577
507 6. 1735–1736 or earlier song "Wo ist mein Schäflein, das ich liebe" (Schemelli #108; tune #6) V Bc 39: 308 III/2.1: 114 after Z 5958a; text by Schultt, J. P. [scores] 00578
508 6. 1718-11-16 (GHS)
after 1733–1734 (AMB)
Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir" E♭ maj. V Bc 432: 36
39: 309
V/4: 102 after Stölzel (Diomedes) 00579
509 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" V Bc 432: 52
39: 310
V/4: 128 00580
510 6. 1725–1733 Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille" F maj. V Bc 432: 30
39: 311
V/4: 91 00581
511 6. 1725–1733 Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille" G min. V Bc 432: 31
39: 287
V/4: 91 text by Gerhardt; → BWV 512 00582
512 6. 1725–1733 Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille" E min. V Bc 432: 31
39: 287
V/4: 91 after BWV 511; ↔ BWV 315, Z 7417a; text by Gerhardt 00583
513 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort" V Bc 432: 52
39: 301
V/4: 129 BWV 397; text by Rist 00584
514 6. 1725–1733 (AMB) Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott" V Bc 432: 48
39: 303
V/4: 125 text by Schmolck 00585
515 6. after 1733–1734 Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife" D min. V Bc 432: 34 V/4: 98 by Bach, G. H.?; → BWV 515a 00586
515a 6. after 1733–1734 Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife" G min. V Bc 432: 34
39: 309
V/4: 98 after BWV 515 00587
516 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich" V Bc 432: 46
39: 307
V/4: 121 00588
517 6. after 1733–1734 (AMB) Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" V Bc 432: 51
39: 307
V/4: 128 text by Deßler [de] 00589
518 6. after 1725 Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" V Bc 432: 49
39: 311
V/4: 126 00590
519 6. c.1736? Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden" V Bc by Krebs, J. L.?; in Spitta III, pp. 401–403 00591
520 6. c.1736? Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" V Bc by Krebs, J. L.?; in Spitta III, pp. 401–403 00592
521 6. c.1736? Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet" V III/3 by Krebs, J. L.?; in Spitta III, pp. 401–403 00593
522 6. c.1736? Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" V by Krebs, J. L.?; in Spitta III, pp. 401–403 00594
523 6. c.1736? Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande" V by Krebs, J. L.?; in Spitta III, pp. 401–403 00595
524 6. 1707 – July 1708 Quodlibet (incomplete; wedding?) SATB (SBBB) Bc NBG 322 I/41: 69 00596
7. Works for organ (see also: List of organ compositions by Johann Sebastian Bach) Up ↑
525 7. c. 1730 Trio Sonata No. 1/6 E♭ maj. Organ 15: 3 IV/7: 1 BWV 525a 00597
526 7. c. 1730 Trio Sonata No. 2/6 C min. Organ 15: 13 IV/7: 14 00598
527 7. c. 1730 Trio Sonata No. 3/6 (+e. v. for /1) D min. Organ 15: 26 IV/7: 28 BWV 1044/2 00599
528 7. c. 1730 Trio Sonata No. 4/6 (+e. v. for /2, /3) E min. Organ 15: 40 IV/7: 44 after BWV 76/8 00600
529 7. c. 1730 Trio Sonata No. 5/6 (+e. v. for /2) C maj. Organ 15: 50 IV/7: 56 00601
530 7. c. 1730 Trio Sonata No. 6/6 G maj. Organ 15: 66 IV/7: 76 00602
531 7. c. 1703–1707 Prelude and Fugue C maj. Organ 15: 81 IV/5: 3 in Möllersche Handschrift 00603
532.2 7. c. 1708–1712 Prelude and Fugue D maj. Organ 15: 88 IV/5: 58 after BWV 912/1, 532.1 00604
532.1 7. Fugue (early version) D maj. Organ IV/6: 95 BWV 532.2/2 00605
533 7. c.1704 Prelude and Fugue ("Cathedral") E min. Organ 15: 100 IV/5: 90 BWV 533a 00606
533a 7. Prelude and Fugue E min. Keyboard IV/6: 106 BWV 533 00607
534 7. c.1712–1717 Prelude and Fugue F min. Organ 15: 104 IV/5: 130 00608
535 7. after 1717 Prelude and Fugue G min. Organ 15: 112 IV/5: 157 after BWV 535a 00609
535a 7. c.1702–1704 Prelude and Fugue (incomplete) G min. Organ IV/6: 109 BWV 535; in Möllersche Handschrift 00610
536 7. 1708–1717 Prelude and Fugue A maj. Organ 15: 120 IV/5: 180 BWV 152/1; → 536a 00611
537 7. 1729–1750 Fantasia and Fugue C min. Organ 15: 129 IV/5: 47 00613
538 7. 1712–1717 Toccata and Fugue ("Dorian") D min. Organ 15: 136 IV/5: 76 00614
539 7. 1724–1750? Prelude and Fugue D min. Organ 15: 148 IV/5: 70 after BWV 1001/2, 1000 00615
540 7. c.1712–1717? Toccata and Fugue F maj. Organ 15: 154 IV/5: 112 00616
541
528/3
7. c.1712–1717? Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) G maj. Organ 15: 169 IV/5: 146 BWV 528/3 00617
542 7. c.1714–1720? Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) G min. Organ 15: 177 IV/5: 167 00618
543 7. after c.1730 Prelude and Fugue A min. Organ 15: 189 IV/5: 186 after BWV 543/1a 00619
543/1a 7. bef. c.1725 Prelude A min. Organ IV/6: 121 BWV 543/1 00620
544 7. 1725–1728 Prelude and Fugue B min. Organ 15: 199 IV/5: 198 00621
545
529/2
7. 1708–1717
after 1722
Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) C maj. Organ 15: 212 IV/5: 10 after BWV 545a, b; → 529/2 00622
545a 7. 1708–1717 Prelude and Fugue (early version) C maj. Organ IV/6: 77 BWV 545b, 545 00623
546 7. 1708–1750 Prelude and Fugue C min. Organ 15: 218 IV/5: 35 00625
547 7. 1719–1750 Prelude and Fugue C maj. Organ 15: 228 IV/5: 20 00626
548 7. 1725–1728 Prelude and Fugue ("Wedge") E min. Organ 15: 236 IV/5: 94 00627
549 7. 1705–1750 Prelude and Fugue C min. Organ 38: 3 IV/5: 30 after BWV 549a 00628
549a 7. c.1701 Prelude (or: Fantasia) and Fugue D min. Organ IV/6: 101 BWV 549; in Möllersche Handschrift 00629
550 7. 1706–1708 Prelude and Fugue G maj. Organ 38: 9 IV/5: 138 00630
551 7. c.1699 Prelude and Fugue A min. Organ 38: 17 IV/6: 63 00631
552 7. 1739 Prelude and Fugue ("St Anne") from Clavier-Übung III E♭ maj. Organ 3: 173, 254 IV/4: 2, 105 00632
562 7. 1720–c.1748 Fantasia and Fugue (unfinished fugue added c.1747–1748) C min. Organ 38: 64, 209
44: 4
IV/5: 54 00642
563 7. c.1704 Fantasia and Imitatio C maj. Organ 38: 59 IV/6: 68 in Andreas-Bach-Buch 00643
564 7. bef. c.1712 Toccata, Adagio and Fugue C maj. Organ 15: 253 IV/6: 3 00644
565 7. c.1704? Toccata and Fugue D min. Organ 15: 267 IV/6: 31 00645
566 7. 1700–1750 Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) E maj.
C maj.
Organ 15: 276 IV/6: 40 00646
568 7. c.1700–1705? Prelude G maj. Organ 38: 85 IV/6: 51 00648
569 7. 1703–c.1704 Prelude A min. Organ 38: 89 IV/6: 59 00649
1121 7. 1706–1710 Fantasia C min. Organ IV/11: 54 in Andreas-Bach-Buch; was Anh. 205 01516
570 7. c.1698–1704 Fantasia C maj. Organ 38: 62 IV/6: 16 in Andreas-Bach-Buch 00650
572 7. 1708–c.1712 Fantasia, a.k.a. Pièce d'Orgue (+reworked version) G maj. Organ 38: 75 IV/7: 130, 144 00652
573 7. c.1722–1725 Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) C maj. Keyboard 38: 209
432: 3
V/4: 39
IV/6: 18
00653
574 7. after c.1708? Fugue on a theme by Legrenzi C min. Organ 38: 94 IV/6: 19 after BWV 574b; ↔ 574a 00654
574a 7. after c.1708? Fugue on a theme by Legrenzi (variant) C min. Organ 38: 205 IV/6: 82 after BWV 574b; ↔ 574 00655
574b 7. c.1707–1713 or earlier Fugue on a theme by Legrenzi (early version) C min. Organ IV/6: 88 after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch 00656
575 7. 1708–1717? Fugue C min. Organ 38: 101 IV/6: 26 00657
578 7. c.1713 or earlier Fugue ("Little") G min. Organ 38: 116 IV/6: 55 in Andreas-Bach-Buch 00660
579 7. 1708–1717? Fugue on a theme by Corelli B min. Organ 38: 121 IV/6: 71 after Corelli (theme) 00661
582 7. bef. 1707
1707–1708
Passacaglia (and Fugue) C min. Organ 15: 289 IV/7: 98 in Andreas-Bach-Buch 00664
583 7. c.1730 or earlier? Trio D min. Organ 38: 143 IV/7: 94 00665
585 7. c.1726–1727 (JSB) Trio C min. Organ 38: 219 IV/8: 73 after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach 00667
586 7. bef. c.1740 Trio G maj. Organ IV/8: 78 after Telemann? 00668
587 7. after 1726 Aria F maj. Organ 38: 222 IV/8: 82 after Couperin, Les NationsIII/4 00669
588 7. c.1704–1707 or earlier Canzona D min. Organ 38: 126 IV/7: 118 in Möllersche Handschrift 00670
589 7. 1700–1720? Alla breve D maj. Organ 38: 131 IV/7: 114 00671
590 7. bef. c.1727 Pastorella (/1 incomplete?) F maj. Organ 38: 135 IV/7: 122 00672
592 7. c.1714–1717 Concerto for solo organ G maj. Organ 38: 149 IV/8: 56 after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a 00674
592a 7. c.1714–1717 Concerto for solo harpsichord G maj. Keyboard 42: 282 V/11: 150 after BWV 592 00675
593 7. c.1714–1717 Concerto for solo organ A min. Organ 38: 158 IV/8: 16 after Vivaldi, Op. 3 No. 8 (RV 522) 00676
594 7. c.1714–1717 Concerto for solo organ C maj. Organ 38: 171 IV/8: 30 after Vivaldi, RV 208, Grosso Mogul 00677
595 7. c.1714–1717 Concerto for solo organ C maj. Organ 38: 196 IV/8: 65 after BWV 984/1 00678
596 7. c.1714–1717 Concerto for solo organ (arrangement previously attributed to W. F. Bach) D min. Organ IV/8: 3 after Vivaldi, Op. 3 No. 11 (RV 565) 00679
599 7. 1713–1715 or earlier chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) A min. Organ 252: 3 IV/1: 3 after Z 1174 00682
600 7. 1713–1715 or earlier chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) F maj. Organ 252: 4 IV/1: 4 after Z 3294 00683
chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2)
601 7. 1713–1715 or earlier chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also in Neumeister Collection) A maj. Organ 252: 5 IV/1: 6 after Z 4297a 00684
chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also in Neumeister Collection)
602 7. 1713–1715 or earlier chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) D min. Organ 252: 6 IV/1: 7 after Z 339 00685
603 7. 1713–1715 or earlier chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) G min. Organ 252: 6 IV/1: 8 after Z 192b 00686
604 7. 1713–1715 or earlier chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) G maj. Organ 252: 7 IV/1: 11 after Z 1947 00687
605 7. 1713–1715 or earlier chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) G maj. Organ 252: 8 IV/1: 11 after Z 7870 00688
606 7. 1713–1715 or earlier chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) D maj. Organ 252: 9 IV/1: 13 after Z 346 00689
607 7. 1713–1715 or earlier chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) G min. Organ 252: 10 IV/1: 14 after Z 192a 00690
608 7. 1713–1715 or earlier chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) A maj. Organ 252: 12 IV/1: 16 after Z 4947 00691
609 7. 1713–1715 or earlier chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) G maj. Organ 252: 13 IV/1: 18 after Z 198 00692
610 7. 1713–1715 or earlier chorale setting "Jesu, meine Freude" (Orgelbüchlein" No. 12) C min. Organ 252: 14 IV/1: 19 after Z 8032 00693
611 7. 1713–1715 or earlier chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) E min. Organ 252: 15 IV/1: 2