List of fictional Scots

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

The following notable Scottish characters have appeared in fictional works.

The Scottish people or Scots, are an ethnic group indigenous to Scotland. Historically they emerged from an amalgamation of Celtic peoples — the Picts, the Gaels, and the Brythons. The Latin word Scotti originally applied to a particular, 5th century, Gaelic tribe that inhabited Ireland.[1][2]

Authors of romantic fiction have been influential in creating the popular image of Scots as kilted Highlanders, noted for their military prowess, bagpipes, rustic kailyard and doomed Jacobitism. Sir Walter Scott's Waverley novels were especially influential as they were widely read and highly praised in the 19th century. The author organised the pageantry for the visit of King George IV to Scotland which started the vogue for tartanry and Victorian Balmoralism which did much to create the modern Scottish national identity.[3][4]

Fictional Scottish characters[edit]

Real Scottish people who have been extensively fictionalised or mythologised[edit]

See also[edit]

References[edit]

  1. ^ Bede used a Latin form of the word Scots as the name of the Gaels of Dál Riata.Roger Collins, Judith McClure; Beda el Venerable, Bede ({1999}). The Ecclesiastical History of the English People: The Greater Chronicle ; Bede's Letter to Egbert. Oxford University Press. p. 386. Check date values in: |year= (help)
  2. ^ Anthony Richard (TRN) Birley, Cornelius Tacitus; Cayo Cornelio Tácito. Agricola and Germany. Oxford University Press.
  3. ^ Walter H. Conser, Rodger Milton Payne, Southern crossroads
  4. ^ "Scotland and Sir Walter Scott", The Economist, Jul 29, 2010
  5. ^ Rick Fulton (Mar 22, 2010), "It's great to be a Scots redhead in the Tardis", Daily Record, archived from the original on 2011-06-09
  6. ^ Gerard Carruthers (2009). Scottish literature. Edinburgh University Press. p. 128. ISBN 978-0-7486-3309-8.
  7. ^ Andrew Nash, Kailyard and Scottish literature, p. 225
  8. ^ Shawn Shimpach, Television in Transition: The Life and Afterlife of the Narrative Action Hero
  9. ^ Christopher Harvie (2004). Scotland and nationalism: Scottish society and politics, 1707 to the present. Routledge. p. 99. ISBN 978-0-415-32725-1.
  10. ^ Robert Kiely (1964), Robert Louis Stevenson and the fiction of adventure
  11. ^ Mark Dykeman (2010), Desmond Hume from Lost
  12. ^ Wanda Leibowitz (2007), Ten Facts About Henry Ian Cusick, Aka Desmond Hume on TV's Lost
  13. ^ Robert Crawford, Scotland's books: a history of Scottish literature
  14. ^ Andrew Nash (2007), Kailyard and Scottish literature, p. 234
  15. ^ Neil Blain, David Hutchison (2008), The media in Scotland
  16. ^ G. Gregory Smith, Scottish Literature, Character & Influence
  17. ^ Charles Frederick Partington, The British Cyclopædia of Literature, History, Geography, Law, and Politics
  18. ^ Cort Cass, The Redhead Handbook
  19. ^ "Groundskeeper Willie is the classic Scot for Americans". The Scotsman. 2007-09-19. Retrieved 2010-07-10.
  20. ^ Ronald Carter, John McRae, The Routledge history of literature in English: Britain and Ireland
  21. ^ Fiona MacGregor (12 February 2008), "The greatest work of fiction?", The Scotsman
  22. ^ Vivian Halloran, Ian Fleming & James Bond: the cultural politics of 007
  23. ^ Berthold Schoene-Harwood, The Edinburgh companion to contemporary Scottish literature
  24. ^ "TV Timewarp", The Journal, April 21, 2005
  25. ^ J.K. Rowling, Harry Potter and the Sorcerer's Stone Sparknotes
  26. ^ Frank Northen Magill (1983), Survey of modern fantasy literature
  27. ^ Stacey Endres, Robert Cushman, Hollywood at your feet, p. 330
  28. ^ James Van Hise, The Man Who Created Star Trek, p. 26
  29. ^ Neil Wilson, Alan Murphy, "Essential Scottish Reads", Scotland
  30. ^ Alan Norman Bold, Scotland: a literary guide
  31. ^ Jeffrey Richards, Films and British national identity: from Dickens to Dad's army
  32. ^ Richard Webber, The complete A-Z of Dad's Army, p. 228
  33. ^ John Corbett, Language and Scottish literature
  34. ^ Maureen M. Martin (2009), "Redgauntlet, the Lowlands, and the Historicity of Scottish Nationhood", The mighty Scot
  35. ^ Douglas S. Mack, Scottish fiction and the British Empire
  36. ^ In DuckTales episode 26: "The Curse of Castle McDuck", Scrooge, the nephews, and Webby visit Scrooge's ancestral home in Scotland, only to be embroiled in a mystery surrounding Castle McDuck. Available on volume 1 DVD set.
  37. ^ Glasgow claims McDuck as its own, BBC, 1 October 2007
  38. ^ Lucy Hewitt (24 December 2008). "Best fictional Scots character". The Scotsman.
  39. ^ Adrienne Scullion, "Scottish identity and representation in television drama", Group identities on French and British television
  40. ^ Graham Seal, Encyclopedia of folk heroes
  41. ^ Hugh Walker, Three Centuries of Scottish Literature
  42. ^ Colin McArthur (2003). Brigadoon, Braveheart and the Scots: distortions of Scotland in Hollywood cinema. I.B.Tauris Publishers. p. 107. ISBN 978-1-86064-927-1.
  43. ^ Kirsten Stirling (2008). Bella Caledonia: woman, nation, text. Rodopi. p. 88. ISBN 978-90-420-2510-3.
  44. ^ Mark Royden Winchell (1996). Cleanth Brooks and the rise of modern criticism. University of Virginia Press. p. 11. ISBN 978-0-8139-1647-7.
  45. ^ Francis James Child, English and Scottish ballads, 3
  46. ^ Graham Seal, Encyclopedia of folk heroes