List of hip hop albums considered to be influential

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This list provides a guide to the most important hip hop albums, as determined by their presence on compiled lists of significant albums: see the "Lists consulted" section for full details. Inclusion on a list is indicated by numbering after each release. The brief accompanying notes offer an explanation as to why each album has been considered important. The organization of the list is by date of release, ranging from Run-D.M.C.'s eponymous debut in 1984 to Jay-Z's 2001 album, The Blueprint.

Since for the period of 1979–1983, hip hop was a music for 12" singles rather than albums,[1] the absence of old school hip hop from the list has been compensated for by providing it with its own section of notable releases. Notable compilations of songs which contain important hip hop breaks (short percussive interludes used as the rhythmic basis for a hip hop song) are also included.

Breakbeats[edit]

The break, the instrumental portion of a record (of any genre, though perhaps most often funk or rock) that emphasizes the percussive pattern, has been the fundamental unit of much of hip hop music. The collections below collect the original songs that contain some of the most popular breaks in hip hop.

  • Super Disco Brakes (Winley)[2] Vol. 1 was released in 1979, making it one of the first releases connected to hip hop culture, and almost certainly the first breakbeat record.[3]
  • Ultimate Breaks and Beats Vols. 1–25 (Street Beat, 1985–1990) 5 This comprehensive and influential series began just as the sampler was taking a central role in hip hop music.[4]
  • Kurtis Blow Presents The History of Rap Vol. 1 (Rhino, 1997) 5 One of the few breakbeat collections not of dubious legality.[4]

Lists consulted[edit]

Lists 1–5 are exclusively hip hop publications by writers respected in the field. 6–9 are essentially rock publications, though with some breadth of coverage, obviously; 6–7 are American, 8–9, British. 10 is a British dance music magazine that none-the-less had hip hop accounting for more than a fifth of its list. Albums that appear on any four lists or more have been included.

  1. "Hip Hop's Greatest Albums By Year" in Sacha Jenkins, Elliott Wilson, Chairman Mao, Gabriel Alvarez & Brent Rollins. ego trip's Book of Rap Lists, New York: St. Martin's Press, 1999, pp. 331–337. ISBN 978-0-312-24298-5
  2. "Top 100 Albums of All-Time", The Source, January 1998.
  3. Oliver Wang (ed.) Classic Material, Toronto: ECW, 2003. ISBN 978-1-55022-561-7
  4. Brian Coleman, Check the Technique, New York: Villard, 2007. ISBN 978-0-8129-7775-2
  5. Peter Shapiro, Rough Guide to Hip Hop, 2nd. ed., London: Rough Guides, 2005. ISBN 978-1-84353-263-7
  6. "The 500 Greatest Albums of All Time", Rolling Stone, November 2003.
  7. "100 Greatest Albums, 1985-2005", Spin, July 2005.
  8. "100 Best Albums Of All Time", NME, March 2003.
  9. "Top 100 Favourite Albums of All Time", Melody Maker, January 2000.
  10. "Best Albums of All Time", Mixmag, 1996.

Old school hip hop[edit]

List of important albums[edit]

1984[edit]

1985[edit]

1986[edit]

1987[edit]

1988[edit]

1989[edit]

1990[edit]

1991[edit]

1992[edit]

1993[edit]

1994[edit]

  • Nas: Illmatic (Columbia, 1994) 1 2 3 5 6 7 As writer Peter Shapiro frames it, Illmatic demonstrated a fitting of production to lyrics worthy of It Takes a Nation of Millions to Hold Us Back, an analytical evocation of street life that matched the power of N.W.A., and a command of the microphone not heard since Rakim.[63]
  • Organized Konfusion: Stress: The Extinction Agenda (Hollywood BASIC, 1994) 1 2 3 5 Challenging but occasionally joyful music that demonstrates virtuosity even at its most difficult, this is noted not least for a gruesome narrative told from the perspective of a titular "Stray Bullet".[64]
  • The Notorious B.I.G.: Ready to Die (Bad Boy, 1994) 1 2 3 5 6 This album's platinum sales, rap skills, and bleak vision mitigated by humor and funk, completed the revitalization of New York hip hop begun with the success of the Wu-Tang's debut a year before.[65]
  • Common Sense (now known as Common): Resurrection (Relativity, 1994) 1 2 3 4 5 "I Used To Love H.E.R." is an extended metaphor for hip hop that attracted much attention, while on tracks like "Resurrection" and "Watermelon" Common's style is warm and witty, the tracks full of wordplay and assured jazzy production.[66]

1995[edit]

1996[edit]

1997[edit]

1998[edit]

1999[edit]

2000[edit]

2001[edit]

Notes[edit]

  1. ^ David Toop, Rap Attack, 3rd. ed., London: Serpent's Tail, 2000. (p. 213) ISBN 978-1-85242-627-9
  2. ^ a b Toop, p. 67
  3. ^ Shapiro, p. 384
  4. ^ a b Shapiro, p. 378
  5. ^ Oliver Wang (ed.), p. 163
  6. ^ a b Shapiro, p. 157
  7. ^ Shapiro, p. 124
  8. ^ Shapiro, p. 352
  9. ^ Shapiro, p. 121
  10. ^ Shapiro, p. 64
  11. ^ Toop, David (2000). Rap Attack 3: African Rap to Global Hip Hop. (Expanded Third Edition) London: Serpent's Tail, pp. 150-151 ISBN 1-85242-627-6.
  12. ^ Fitzpatrick, Rob, "The 101 strangest records on Spotify: Warp 9 - It's A Beat Wave," May 14, 2014 [1]
  13. ^ Shapiro, p. 369
  14. ^ Shapiro, p. 345
  15. ^ Shapiro, p. 5
  16. ^ Shapiro, p. 346
  17. ^ Shapiro, p. 344
  18. ^ Shapiro, p. 351
  19. ^ a b Shapiro, p. 327
  20. ^ Shapiro, p. 228
  21. ^ http://www.stopthebreaks.com/gems/ice-t-6-in-the-mornin-inspired-by-schoolly-d-psk/
  22. ^ http://www.vibe.com/2011/05/full-clip-chuck-d-breaks-down-his-entire-catalogue-ft-public-enemy-spike-lee-janet/it-takes-a-nation-ofc9d5da/
  23. ^ http://observer.com/2016/11/the-punk-history-behind-the-beastie-boys-first-album-licensed-to-ill/
  24. ^ a b Shapiro, p. 26
  25. ^ Stephen Holden, "Bon Jovi and Bonbons", Pop Life, New York Times, December 30, 1987.
  26. ^ Shapiro, pp. 41–42
  27. ^ Shapiro, p. 126
  28. ^ http://www.rocklist.net/rstone.html#Recordings%20of%20the%20%E2%80%9890s
  29. ^ http://www.acclaimedmusic.net/061024/A721.htm
  30. ^ http://www.rocklist.net/source.htm
  31. ^ https://www.discogs.com/artist/28209-Public-Enemy
  32. ^ Shapiro, pp. 304–306
  33. ^ Shapiro, pp. 32–33.
  34. ^ Shapiro, p. 337
  35. ^ Shapiro, p. 124, p. 126
  36. ^ Shapiro, p. 30
  37. ^ Shapiro, pp. 282–285
  38. ^ Shapiro, pp. 253–254
  39. ^ Shapiro, pp. 374–376
  40. ^ Shapiro, p. 198
  41. ^ Shapiro, pp. 84–86
  42. ^ Shapiro, pp. 309–310
  43. ^ Shapiro, p. 200
  44. ^ Shapiro, p. 304
  45. ^ Shapiro, p. 363
  46. ^ Shapiro, p. 389
  47. ^ Shapiro, p. 175, p. 177
  48. ^ Shapiro, p. 302–303
  49. ^ Shapiro, p.42
  50. ^ Shapiro, p. 152, p. 154
  51. ^ Shapiro, p. 85
  52. ^ Shapiro, p. 245
  53. ^ Shapiro, p. 73
  54. ^ Shapiro, p. 365
  55. ^ Shapiro, p. 329
  56. ^ Shapiro, p. 320
  57. ^ Shapiro, p. 299
  58. ^ Shapiro, pp. 108–109
  59. ^ Shapiro, p. 170
  60. ^ Shapiro, pp. 387–388
  61. ^ Shapiro, p. 339
  62. ^ Shortlist.com http://www.shortlist.com/entertainment/music/the-30-greatest-hip-hop-albums-ever#gallery-10.  Missing or empty |title= (help)
  63. ^ Shapiro, p. 270
  64. ^ Shapiro, p. 290
  65. ^ Shapiro, pp. 281–282
  66. ^ Shapiro, pp. 64–65
  67. ^ a b Shapiro, p. 259
  68. ^ Shapiro, p. 387
  69. ^ Shapiro, p. 146
  70. ^ Shapiro, p. 187
  71. ^ "The Greatest 50 Albums Since '93". Vibe. 
  72. ^ David Drake (24 October 2012). "Kendrick Lamar's 25 Favorite Albums". Complex. 
  73. ^ "Acclaimed Music - Vibe list". 
  74. ^ Shapiro, p.147
  75. ^ Shapiro, p. 294
  76. ^ Shapiro, p. 122
  77. ^ Ahmed, Insanul (November 12, 2013). "Eminem, The Marshall Mathers LP (2000)". Complex. Retrieved February 14, 2014. 
  78. ^ Shapiro, p. 189