List of large sensor interchangeable-lens video cameras

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List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras[edit]

Brand Camera Sensor size Lens Mount[1] Recording media[2] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s−1)
AJA Video Systems Cion[3]
22.5 x 11.9 mm Arri PL AJA Video Systems Pak Media, HD-SDI recorder, Thunderbolt recorder 12-bit 4:4:4 ProRes (internal recording)
AJA RAW (Thunderbolt recorders)
4096 x 2160 320 - 1000 12 stops (per manufacturer)[4]
8.2 stops (usable)[5]
Global[6] None Optical low pass, IR 23.98 - 120
Arri Alexa[7]
Alexa Plus
23.76 x 13.37 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8)[10] Rolling None by default, 2x and 1.33x desqueeze with license[11] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[12]
Arri Alexa Plus 4:3[13]
Alexa M
23.76 x 17.82 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[11] Optical low pass, IR, UV 0.75 - 120[12]
Arri Alexa Studio 23.76 x 17.82 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[11] Optical low pass, IR, UV, ND 0.6-1.3[14] 0.75 - 120[12]
Arri Alexa HD
Alexa HD Plus[15]
23.76 x 13.37 mm Arri PL SxS card 12-bit 4444 ProRes, 10-bit DNxHD (with license) 1920 x 1080 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling None by default, 2x and 1.33x desqueeze with license[11] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[12]
Arri Alexa Mini[16] 28.17 x 18.13 mm Arri PL, EF, B4 (interchangeable) CFast 2.0 card, SDI-6G recorders 12-bit 4444 ProRes XQ, ARRIRAW 2880 x 2160 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[17]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri Alexa SXT[18]
Alexa SXT Plus
28.17 x 18.13 mm[19] Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[20] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa SXT Studio[22] 28.17 x 18.13 mm[19] Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[23] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa XT[15]
Alexa XT Plus
Alexa XT M
28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade, excluding Alexa XT M)[24] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[25] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa XT Studio[15]
28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade) 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[26] Optical low pass, IR, UV, ND 0.6-1.3[27] 0,75 - 120
Arri Alexa XT B+W Monochrome[28] 28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade) ProRes XQ, DNxHD (XR drive only), ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (2000 native) 15 stops[28] Rolling 2x and 1.33x desqueeze[29] Omits bayer filters, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa 65[30] 54.12 x 25.58 mm Arri XPL XR drive ARRIRAW 6560 x 3102 160 - 3200 (800 native) 14 stops Rolling 0,75 - 27 (60 fps upcoming)
Arri Amira[31]
23.76 x 13.37 mm Arri PL, B4, EF (interchangeable) CFast 2.0 card ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[32] 1920 x 1080 (default)
2048 x 1152 (with 2K license)
3840 x 2160 (in-camera upscaling with license)[33]
160 - 3200 (800 native) 14.5 stops (Log C)[34]
13.1 stops (usable)[5]
Rolling None Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 100 (default), 200 and 4K 60 with license
Arri D-20
D-21
24.9 x 18.15 mm Arri PL HD-SDI recorder, T-link recorder Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders)
50 - 320 (D-20)
100 - 800 (D-21, 200 native)[35]
11 stops (Log C data mode, +6, -5)[36] Mechanical 2x desqueeze Optical low pass, IR 1 - 60
Blackmagic Cinema Camera[37]
15.81 x 8.88 mm CMOS Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW)
200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[38][39] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Micro Cinema Camera 12.48 x 7.02 mm CMOS MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60[40]
Blackmagic Pocket Cinema Camera[37]
12.48 x 7.02 mm CMOS MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[38][41] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Production Camera 4K[37]
21.12 x 11.88 mm CMOS Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 800 (400 native)[42] 12 stops (BMD Film, per manufacturer)[43]
8.2 stops (usable)[5]
Global None None 23.98, 24, 25, 29.97, 30
Blackmagic Ursa 4K[44]
21.12 x 11.88 mm CMOS Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 1600 (400 native)[45] 12 stops (BMD Film)[38] Global[46] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa 4.6K 25.34 x 14.25 mm& CMOS Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 120
Blackmagic Ursa Mini 4K[47] 21.12 x 11.88 mm Canon EF, Arri PL CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 1600 (400 native)[48] 12 stops (BMD Film) Global[49] None None 23.98 - 60
Blackmagic Ursa Mini Pro[50] 25.34 x 14.25 mm Canon EF, Arri PL (interchangeable) CFast 2.0 card, SD card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze IR ND 0.6, 1.2, 1.8 23.98 - 60
Blackmagic Ursa Mini 4.6K 25.34 x 14.25 mm Canon EF, Arri PL CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 60
Canon C100
24.6 x 13.8 mm Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[51] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C100 Mark II
24.6 x 13.8 mm Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 102,400 (850 native) 12 stops (Canon Log, -6.7, +5.3)[51] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-60
Canon C200 24.6 x 13.8 mm Canon EF CF card, SD card 12-bit Cinema RAW Light (29.97P/23.98P/25P/24P), 10-bit Cinema RAW Light (59.94P/50P), 8-bit 4:2:0 MPEG4 4096 x 2160 (Cinema RAW Light)

3840 x 2160 (MPEG4)

160 to 25,600 (100 to 102,400 expanded) 13 stops Optical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded) 59.94 (4K) 120 (HD)
Canon C300[52]
24.6 x 13.8 mm Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[53] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C300 Mark II[52]
24.6 x 13.8 mm Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, HDMI/HD-SDI recorder 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit 4:4:4 signal (HD-SDI recorders) 4096 x 2160 320 to 102,400 (800 native) 15 stops (Canon Log 2, -8.7, +6.3)[54] Rolling None Optical low pass, IR, ND 0.6 - 3 1-30 (4K)
1-120 (2K)
Canon C500[52]
26.2 x 13.8 mm Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders)
320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[55] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C700
C700 GS PL
26.2 x 13.8 mm Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder)
100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[56]
14 stops (GS PL global shutter)
Rolling
Global (GS PL version)
1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Dalsa Origin II[52]
34 x 17.2 mm Arri PL 1920 x 1080 30
Digital Bolex D16 12.85 x 9.64 mm CCD C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) 12-bit 4:4:4 CinemaDNG RAW 2048 x 1152 100 - 800 (200 native)[57] 12 stops[58] Global None Optical low pass 23.98-90
Digital Bolex D16 Monochrome 12.85 x 9.64 mm CCD C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) CinemaDNG RAW 2048 x 1152 13 stops[59] Global None Omits bayer filters 23.98-90
Kinefinity Kinemax 24 x 18 mm EF, PL, B4, F-mount (interchangeable) 2.5" SSD 12-bit Kineraw, Cineform, CinemaDNG RAW 5760 × 3240 (Kineraw)
4096 × 2160 (CinemaDNG RAW)
2880 × 1620 (Cineform)
80 - 20480 (800 native) 14 stops (6K), 16 stops (3K) Rolling 4:3 sensor windowing and 2x desqueeze Optical low pass 23.98 - 30 (6K), 23.98 - 100 (4K), 23.98 - 144 (2K)
Kinefinity Kinemini 24 x 18 mm EF, PL, B4, F-mount (interchangeable) 2.5" SSD 12-bit Kineraw, Cineform, CinemaDNG RAW 4096 × 2160 (Kineraw and CinemaDNG RAW)
2048 × 1080 (Cineform)
80 - 20480 (800 native) 12 stops (4K), 13 stops (2K) Rolling 4:3 sensor windowing and 2x desqueeze Optical low pass 23.98 - 30 (4K), 23.98 - 96 (1080p)
Panasonic AF-100, AF-101[60]
17.8 x 10 mm Micro Four Thirds AVCHD 1920 x 1080 10.2 stops (-5.9, +4.3)[61] ND 0.6, 1.2, 1.8 12-60
Panasonic AJ-HPX3700[62]
2/3" CCD x 3 2/3 inch bayonet mount[63] H.264, AVC-Intra 100 1920 x 1080 24, 1-60
Panasonic AJ-HPX2000[64] 2/3" CCD x 3 2/3 inch bayonet mount DVCPRO HD 137 Mbit/s 1920 x 1080 60 (interlaced)
Panasonic AJ-HPX3100GJ[65] 2/3" CCD x 3 2/3 inch bayonet mount AVC-Intra 100, DVCPRO HD 68 Mbit/s 1920 x 1080 30 (60)
Panasonic VariCam 35[66] 26.688 mm × 14.184 mm 35 mm, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, AVC-Intra4K422, AVC-Intra4K-LT, AVC-Intra2K444, AVC-Intra2K422, AVC-Intra444, AVC-Intra200, AVC-Intra422, AVC-Intra100, ProRes 422 HQ, ProRes 4444, AVC-LongG50, AVC-LongG25 4096 x 2160 800 - 12,800 (800 & 5000 Dual Native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 120p
Panasonic VariCam LT 26.688 mm × 14.184 mm EF, PL expressP2 card, P2 card, microP2 card AVC-Intra4K422, AVC-Intra4K-LT, AVC-Intra2K444, AVC-Intra2K422, AVC-Intra2K-LT, AVC-Intra444,AVC-Intra422, AVC-Intra-LT, AVC-Intra100, ProRes 422 HQ, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 Dual Native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 59.94
Panavision Millennium DXL[67] 40.96 x 21.60mm Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 15 stops 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Genesis[68] 24.89 x 16.86mm Panavision PV mount HD-SDI recorder, SSR-1 recorder, HDCAM recorder 10-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 400 - 1600 (400 native) 8 stops[69] Global None[70] 30 (1-60)
Panavision HD900F[71] 2/3" CCD Panavision PV mount HDCAM 1920 x 1080 30 (24)
P+S Technik PS-CAM x35[72]
21.1 x 11.9 mm PS-IMS CineForm RAW 1920 x 1080 60p, (24-450p)
P+S Technik SI-2K[73]
10.24 x 5.76 mm PS-IMS CineForm RAW 2048 x 1152 24p (1080p12-25), 24p (1080p12-85)
P+S Technik WEISSCAM HS-1[74]
15 x 12 mm Arri PL, Panavision, Nikon, Canon EF, BNC-R CineForm RAW 1280 x 1024 25p (1024p24-650), 25p (576p24-1150)
P+S Technik WEISSCAM HS-2 MKII[75]
22.18 x 22.18 mm PS-IMS CineForm RAW 1980 x 1080 9.5 stops (-6, +3.5)[61] 25p (1080p24-2000)
RED Epic Dragon[52]
30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade)[76] 16-bit .r3d 6144 x 3160 80 – 12800 (250 native)[77] 14.8 stops (RedLogFilm, -8.3, +6.5)[78][79][80] Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] 1.22:1 sensor windowing and 2x/1.3x desqueeze[82] Combination optical low pass/IR (interchangeable with low-light optimized version),[83] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Dragon Monochrome[84] 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 6144 x 3160 Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] 1.22:1 sensor windowing and 2x/1.3x desqueeze[82] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Mysterium-X[52]
27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 80 – 12800 (800 native) 12.5 stops (-7, +5.5)[80] Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] 1.22:1 sensor windowing and 2x/1.3x desqueeze[82] Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic Mysterium-X Monochrome[85] 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 5120 x 2700 80 – 12800 (2000 native) Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] 1.22:1 sensor windowing and 2x/1.3x desqueeze[82] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED One[86]
24.4 x 13.7 mm PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[87] 12-bit .r3d 4096 x 2304 100 - 2000 (320 native) 11.3 stops[88] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED One Mysterium-X[52]
24.2 x 12.5 mm PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[87] 12-bit .r3d 4480 x 2304 100 - 6400 (800 native) 11.9 stops (-7, +5)[61] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED Raven[89] 23.04 x 10.8 mm Canon EF Mini RedMag SSD 16-bit .r3d, 10-bit 422 ProRes 4608 × 2160 (r3d)
2048 × 1080 (ProRes)
250 native 14.8 stops (RedLogFilm, -8.3, +6.5)[78][79][80] Rolling None Combination optical low pass/IR 1-120 (4K)
1-160 (3K)
1-240 (2K)
RED Scarlet Mysterium-X 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 (Maximum 12 fps)
4096 x 2160
80 – 12800 (800 native) 11.9 stops (-7, +5)[61] Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] None Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
RED Scarlet Dragon 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 6144 x 3160 (Maximum 12 fps)
5120 x 2700
80 – 12800 (250 native)[77] 14.8 stops (RedLogFilm, -8.3, +6.5)[78][79][80] Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] 1.22:1 sensor windowing and 2x/1.3x desqueeze[82] Combination optical low pass/IR (interchangeable with low-light optimized version),[90] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
RED Scarlet-Weapon Dragon 25.6 x 13.5 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 4:2:2 ProRes HQ 5120 × 2700 (r3d)
2048 × 1080 (ProRes)
250 native[77] 14.8 stops (RedLogFilm, -8.3, +6.5)[78][79][80] Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] 1.22:1 sensor windowing and 2x/1.3x desqueeze[82] Combination optical low pass/IR (interchangeable with low-light optimized version),[91] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Dragon 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 6144 x 3160 (r3d)
2048 x 1152 (ProRes)
250 native[77] 14.8 stops (RedLogFilm, -8.3, +6.5)[78][79][80] Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] 1.22:1 sensor windowing and 2x/1.3x desqueeze[82] Combination optical low pass/IR (interchangeable with low-light optimized version),[92] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Helium 40.96mm x 21.6mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX 8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)
1280-2500 (Balanced ISO rating with Standard OLPF)[93] 15.2 stops[94] Rolling (optional Motion Mount upgrade adds mechanical shutter)[81] 1.22:1 sensor windowing and 2x/1.3x desqueeze[82] Combination optical low pass/IR (interchangeable with low-light optimized version),[95] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 75 (8K)
Sony F35[96]
21.6 x 13.3 mm Arri PL 1920 x 1080 400 native[97] 11.3 stops (-5, +6.3)[61] Global 1-60
Sony F65[98]
24.7 x 13.1 mm Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7)[98][99] Mechanical 2x and 1.3x desqueeze[100] Optical low pass, ND 0.9, 1.2, 1.5, 1.8 1-60
Sony F55[98]
24 x 12.7 mm Sony FZ, Arri PL SxS card, AXS-R5 Recorder 4096 x 2160 1250 native 14 stops[98] Global 1.3x and 2x desqueeze[101] Optical low pass (interchangeable), ND 0.9, 1.8 1-60
Sony NEX-FS100[102]
21.6 x 13.3 mm E-mount MPEG4 AVCHD 28 Mbit/s 1920 x 1080 800 native 11.5 stops (-6.5, +5)[103] None 1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700[102]
23.6 x 13.3 mm E-mount SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder MPEG4 AVCHD 4096 x 2160 500 native[104] 12 stops (-7, +5)[105] Rolling ND 0.6, 1.2, 1.8 1-240
Sony NEX-VG10[106] 23.4 x 15.6 mm E-mount AVCHD 24 Mbit/s 1920 x 1080 60i, 30
Sony NEX-VG20[107] 23.4 x 15.6 mm E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 60, 30, 24
Sony NEX-VG30 23.4 x 15.6 mm E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 60, 30, 24
Sony NEX-VG900[108] 35.8 x 23.9 mm E-mount AVCHD 2.0 28 Mbit/s 1920 x 1080 60, 24
Sony PMW-F3K, PMW-F3L[109]
21.6 x 13.3 mm E-mount, PL-mount SxS card MPEG2 35 Mbit/s 1440 x 1080 800 native[110] 11.2 stops (-7, +4.3)[61] Rolling ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony PMW-F5 24 x 12.7 mm E-mount, PL-mount MPEG2 35 Mbit/s 1920 x 1080 (default)
4096 x 2160 (with 4K license[111] or altering internal preferences)[112]
2000 native 14 stops[98] Rolling 1.3x and 2x desqueeze[101] Optical low pass (interchangeable), ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS5 24 x 12.7 mm E-mount SD card XAVC Long, AVCHD 3840 x 2160 3200 native 14 stops[98] Rolling ND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS7 24 x 12.7 mm E-mount XQD card, HD-SDI and HDMI 2.0 recorder XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[113]) 4096 x 2160 2000 native 14 stops[98] Rolling ND 0.6, 1.2, 1.8 23.98 - 60 (4K), 23.98 - 180 (1080p)
Vision Research, Inc Phantom 65[114] 52.1 x 30.5 mm Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 2341 Mbit/s 4096 x 2440 141, (1080p320)
Vision Research Phantom Flex[115] 52.1 x 30.5 mm Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 3181 Mbit/s 2560 x 1600 9.9 stops (-5.4, +4.5)[61] 1455 (1080p2570)

Still cameras with video mode[edit]

Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s−1) Codec
Canon 1D Mark IV[116]
27.9 x 18.6 mm Canon EF 1920 x 1080 11.2 stops (-7, +4.3)[61] Rolling 23.976, 25, 29.97 (50, 59.94) H.264
Canon 1D X[116]
36 x 24 mm Canon EF 1920 x 1080 Rolling 24, 25, 30 (50, 60) MPEG4
Canon 1D C
36 x 24 mm Canon EF 4096 x 2160 11.7 stops[117] Rolling 24, 25, 30 (50, 60) MPEG4
Canon 5D Mark II[116]
36 x 24 mm Canon EF CF card 1920 x 1080 160[118] 11.2 stops (-7, +4.2)[61] Rolling 24, 25, 30 H.264
Canon 5D Mark III[119] 36 x 24 mm Canon EF CF card, SD card, HDMI recorder 1920 x 1080 160[120] 11.2 stops
11.6 stops (sensor Raw)[121]
Rolling 24, 25, 30 H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon 6D[122]
35.8 x 23.9mm Canon EF 1920 x 1080 160[123] Rolling 24, 25, 30 (50,60) H.264 90 Mbit/s
Canon 7D[116]
22.3 x 14.9 mm Canon EF/EF-S CF card 1920 x 1080 160[124] 11 stops (-5.5, +5.4)[61] Rolling 24, 25, 30 (50,60) H.264
Canon 7D Mark II[116]
22.3 x 14.9 mm Canon EF/EF-S CF card, SD card 1920 x 1080 160[125] Rolling 24, 25, 30 (50,60) H.264
Canon 60D[116]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 160[126] Rolling 24, 25, 30 H.264
Canon 550D[116]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 600D[116]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 650D[116]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 700D[116]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 750D[116]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Nikon D3100[116][127] 23.1 x 15.4 mm Nikon F 1920 x 1080 Rolling 24 (24, 25, 30) MPEG4
Nikon D3200[116][128] 23.2 x 15.4 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D4[129]
36.0 x 23.9 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Nikon D5100[116]
23.6 x 15.7 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D7000[116]
23.6 x 15.7 mm Nikon F 1920 x 1080 10.2 stops (-6.7, +3.6)[61] Rolling 24 (24, 25, 30) MPEG4
Nikon D750[130]
35.9 x 24 mm Nikon F SD card, 8-bit uncompressed 4:2:2 via HDMI 1920 x 1080 Rolling 24, 25, 30, 50, 60 H.264/MPEG4, ~38 Mbit/s
Nikon D800[131]
35.9 x 24 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Panasonic DMC-G3[116]
17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF2[116]
17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF3[116]
17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GH1[116]
18.89 x 14.48 mm Micro Four Thirds 1920 x 1080 30 AVCHD
Panasonic DMC-GH2[116]
18.89 x 14.48 mm Micro Four Thirds 1920 x 1080 24, 60 (30) AVCHD 22 Mbit/s
Panasonic DMC-GH3[116]
17.3 x 13 mm Micro Four Thirds 1920 x 1080 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic DMC-GH4[116]
17.3 x 13 mm Micro Four Thirds 4096 x 2160 11 stops[132] 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Pentax K-01[133]
23.4 x 15.6 mm Pentax K 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Pentax K-30[134]
23.7 x 15.7 mm Pentax K 1920 x 1080 30p (25p, 24p) H264
Pentax K-5[135]
23.4 x 15.6 mm Pentax K 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Samsung NX20 23.5 x 15.7 mm Samsung NX 1920 x 1080 30 H.264
Sony DSLR-A560[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony DSLR-A580[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony NEX-5[116]
23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) AVCHD
Sony NEX-5N[116]
23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) AVCHD
Sony NEX-7[116]
23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) MPEG4
Sony SLT-A33[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A35[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A37[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30)  ?
Sony SLT-A55[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A57[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)
AVCHD/MPEG4
Sony SLT-A65[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A77[116]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)
AVCHD
Sony SLT-A99[116]
35.8 x 23.8 mm Sony A-mount 1920 x 1080 60, 29.97 (30) AVCHD
Sony a7S 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick, 4K HDMI recorder 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders)
3200[136] 14.1 stops[117] Rolling 60, 29.97 (30) AVCHD
Sony a7S II 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick 3840 x 2160 50-409,600 (3200 native)[137] Rolling 23.98 - 30 (4K), 23.98 - 120 (1080p) XAVC S, AVCHD, MP4

References[edit]

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