List of large sensor interchangeable-lens video cameras

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List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras[edit]

Brand Camera Sensor size Lens Mount[1] Recording media[2] Codec Maximum video resolution ISO range Dynamic range (at native/peak ISO) Shutter type Anamorphic shooting Internal filters Frame rate(s−1)
AJA Video Systems Cion[3]
22.5 x 11.9 mm Arri PL AJA Video Systems Pak Media, HD-SDI recorder, Thunderbolt recorder 12-bit 4:4:4 ProRes (internal recording)
AJA RAW (Thunderbolt recorders)
4096 x 2160 320 - 1000 12 stops (per manufacturer)[4]
8.2 stops (usable)[5]
Global[6] None Optical low pass, IR 23.98 - 120
Arri Alexa[7]
Alexa Plus
23.76 x 13.37 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8)[10] Rolling None by default, 2x and 1.33x desqueeze with license[11] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[12]
Arri Alexa Plus 4:3[13]
Alexa M
23.76 x 17.82 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[11] Optical low pass, IR, UV 0.75 - 120[12]
Arri Alexa Studio 23.76 x 17.82 mm Arri PL SxS card, T-link recorder (optional XR module upgrade)[8] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[9]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[11] Optical low pass, IR, UV, ND 0.6-1.3[14] 0.75 - 120[12]
Arri Alexa HD
Alexa HD Plus[15]
23.76 x 13.37 mm Arri PL SxS card 12-bit 4444 ProRes, 10-bit DNxHD (with license) 1920 x 1080 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling None by default, 2x and 1.33x desqueeze with license[11] Optical low pass, IR, UV 0,75 - 60 (default), 0.75 - 120 (with high speed license)[12]
Arri Alexa Mini[16] 28.17 x 18.13 mm Arri PL, EF, B4 (interchangeable) CFast 2.0 card, SDI-6G recorders 12-bit 4444 ProRes XQ, ARRIRAW 2880 x 2160 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[17]
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
Arri Alexa SXT[18]
Alexa SXT Plus
28.17 x 18.13 mm[19] Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[20] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa SXT Studio[22] 28.17 x 18.13 mm[19] Arri PL SXR drive 12-bit 4444 ProRes XQ, 12-bit ARRIRAW 3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes) 160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[23] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa XT[15]
Alexa XT Plus
Alexa XT M
28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade, excluding Alexa XT M)[24] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Rolling 2x and 1.33x desqueeze[25] Optical low pass, IR, UV, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa XT Studio[15]
28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade) 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (800 native) 14.5 stops (Log C, -6.7, +7.8) Mechanical 2x and 1.33x desqueeze[26] Optical low pass, IR, UV, ND 0.6-1.3[27] 0,75 - 120
Arri Alexa XT B+W Monochrome[28] 28.17 x 18.13 mm[19] Arri PL XR drive (optional SXR module upgrade) ProRes XQ, DNxHD (XR drive only), ARRIRAW 2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)[19]
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (2000 native) 15 stops[28] Rolling 2x and 1.33x desqueeze[29] Omits bayer filters, internal ND filter module with filters sold separately[21] 0,75 - 120
Arri Alexa 65[30] 54.12 x 25.58 mm Arri XPL XR drive ARRIRAW 6560 x 3102 160 - 3200 (800 native) 14 stops Rolling 0,75 - 27 (60 fps upcoming)
Arri Amira[31]
23.76 x 13.37 mm Arri PL, B4, EF (interchangeable) CFast 2.0 card ProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[32] 1920 x 1080 (default)
2048 x 1152 (with 2K license)
3840 x 2160 (in-camera upscaling with license)[33]
160 - 3200 (800 native) 14.5 stops (Log C)[34]
13.1 stops (usable)[5]
Rolling None Optical low pass, IR, UV, ND 0.6, 1.2, 2.1 0,75 - 100 (default), 200 and 4K 60 with license
Arri D-20
D-21
24.9 x 18.15 mm Arri PL HD-SDI recorder, T-link recorder Uncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders) 1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders)
50 - 320 (D-20)
100 - 800 (D-21, 200 native)[35]
11 stops (Log C data mode, +6, -5)[36] Mechanical 2x desqueeze Optical low pass, IR 1 - 60
Blackmagic Cinema Camera[37]
15.81 x 8.88 mm CMOS Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW 1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW)
200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[38][39] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Micro Cinema Camera 12.48 x 7.02 mm CMOS MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops Rolling None None 23.98 - 60[40]
Blackmagic Pocket Cinema Camera[37]
12.48 x 7.02 mm CMOS MFT SD card 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 1920 x 1080 200 - 1600 (800 native) 13 stops (BMD Film, +6, -7)[38][41] Rolling None None 23.98, 24, 25, 29.97, 30
Blackmagic Production Camera 4K[37]
21.12 x 11.88 mm CMOS Canon EF, MFT, Arri PL 2.5" SSD 10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 800 (400 native)[42] 12 stops (BMD Film, per manufacturer)[43]
8.2 stops (usable)[5]
Global None None 23.98, 24, 25, 29.97, 30
Blackmagic Ursa 4K[44]
21.12 x 11.88 mm CMOS Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 1600 (400 native)[45] 12 stops (BMD Film)[38] Global[46] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa 4.6K 25.34 x 14.25 mm& CMOS Canon EF, Arri PL, B4 (interchangeable) CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 120
Blackmagic Ursa Mini 4K[47] 21.12 x 11.88 mm Canon EF, Arri PL CFast 2.0 card 10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW 3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 1600 (400 native)[48] 12 stops (BMD Film) Global[49] None None 23.98, 24, 25, 29.97, 30, 50, 60
Blackmagic Ursa Mini 4.6K 25.34 x 14.25 mm Canon EF, Arri PL CFast 2.0 card 12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW 4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native) 15 stops Rolling 3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueeze None 23.98 - 60
Canon C100
24.6 x 13.8 mm Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[50] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C100 Mark II
24.6 x 13.8 mm Canon EF SD card, HDMI recorder 8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders) 1920 x 1080 320 to 102,400 (850 native) 12 stops (Canon Log, -6.7, +5.3)[50] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-60
Canon C300[51]
24.6 x 13.8 mm Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders) 1920 x 1080 320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[52] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C300 Mark II[51]
24.6 x 13.8 mm Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, HDMI/HD-SDI recorder 10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit 4:4:4 signal (HD-SDI recorders) 4096 x 2160 320 to 102,400 (800 native) 15 stops (Canon Log 2, -8.7, +6.3)[53] Rolling None Optical low pass, IR, ND 0.6 - 3 1-30 (4K)
1-120 (2K)
Canon C500[51]
26.2 x 13.8 mm Canon EF, Arri PL CF card, HDMI/HD-SDI recorder 8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders)
320 to 80,000 (850 native) 12 stops (Canon Log, -6.7, +5.3)[54] Rolling None Optical low pass, IR, ND 0.6, 1.2, 1.8 1-30 (1-60)
Canon C700
C700 GS PL
26.2 x 13.8 mm Canon EF, Arri PL (interchangeable by Canon) CFast 2.0 card, SD card, Codex recorder 12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders) 4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder)
100 to 102,400 (850 native) 15 stops (Canon Log 2, -8.7, +6.3)[55]
14 stops (GS PL global shutter)
Rolling
Global (GS PL version)
1.3x and 2x desqueeze Optical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.6 23.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
Dalsa Origin II[51]
34 x 17.2 mm Arri PL 1920 x 1080 30
Digital Bolex D16 12.85 x 9.64 mm CCD C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) 12-bit 4:4:4 CinemaDNG RAW 2048 x 1152 100 - 800 (200 native)[56] 12 stops[57] Global None Optical low pass 23.98-90
Digital Bolex D16 Monochrome 12.85 x 9.64 mm CCD C-mount, EF, MFT, PL CF card, internal flash storage (non-removable) CinemaDNG RAW 2048 x 1152 13 stops[58] Global None Omits bayer filters 23.98-90
Kinefinity Kinemax 24 x 18 mm EF, PL, B4, F-mount (interchangeable) 2.5" SSD 12-bit Kineraw, Cineform, CinemaDNG RAW 5760 × 3240 (Kineraw)
4096 × 2160 (CinemaDNG RAW)
2880 × 1620 (Cineform)
80 - 20480 (800 native) 14 stops (6K), 16 stops (3K) Rolling 4:3 sensor windowing and 2x desqueeze Optical low pass 23.98 - 30 (6K), 23.98 - 100 (4K), 23.98 - 144 (2K)
Kinefinity Kinemini 24 x 18 mm EF, PL, B4, F-mount (interchangeable) 2.5" SSD 12-bit Kineraw, Cineform, CinemaDNG RAW 4096 × 2160 (Kineraw and CinemaDNG RAW)
2048 × 1080 (Cineform)
80 - 20480 (800 native) 12 stops (4K), 13 stops (2K) Rolling 4:3 sensor windowing and 2x desqueeze Optical low pass 23.98 - 30 (4K), 23.98 - 96 (1080p)
Panasonic AF-100, AF-101[59]
17.8 x 10 mm Micro Four Thirds AVCHD 1920 x 1080 10.2 stops (-5.9, +4.3)[60] ND 0.6, 1.2, 1.8 12-60
Panasonic AJ-HPX3700[61]
2/3" CCD x 3 2/3 inch bayonet mount[62] H.264, AVC-Intra 100 1920 x 1080 24, 1-60
Panasonic AJ-HPX2000[63] 2/3" CCD x 3 2/3 inch bayonet mount DVCPRO HD 137 Mbit/s 1920 x 1080 60 (interlaced)
Panasonic AJ-HPX3100GJ[64] 2/3" CCD x 3 2/3 inch bayonet mount AVC-Intra 100, DVCPRO HD 68 Mbit/s 1920 x 1080 30 (60)
Panasonic VariCam 35[65] 26.688 mm × 14.184 mm 35 mm, PL expressP2 card, P2 card, microP2 card V-RAW 12 bit/10 bit, AVC-Intra4K444, AVC-Intra4K422, AVC-Intra4K-LT, AVC-Intra2K444, AVC-Intra2K422, AVC-Intra444, AVC-Intra200, AVC-Intra422, AVC-Intra100, ProRes 422 HQ, ProRes 4444, AVC-LongG50, AVC-LongG25 4096 x 2160 800 - 12,800 (800 & 5000 Dual Native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 120p
Panasonic VariCam LT 26.688 mm × 14.184 mm EF, PL expressP2 card, P2 card, microP2 card AVC-Intra4K422, AVC-Intra4K-LT, AVC-Intra2K444, AVC-Intra2K422, AVC-Intra2K-LT, AVC-Intra444,AVC-Intra422, AVC-Intra-LT, AVC-Intra100, ProRes 422 HQ, ProRes 4444 4096 x 2160 800 - 12,800 (800 & 5000 Dual Native ISO) 14+ stops Rolling 1.33:1 and 2.0:1 desqueeze UV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR 23.98p - 59.94
Panavision Millennium DXL[66] 40.96 x 21.60mm Panavision PV mount Mini RedMag SSD 16-bit Redcode RAW, ProRes, DNxHD 8192 x 4320 15 stops 2x and 1.33x desqueeze 23.98 - 60 (8K)
Panavision Genesis[67] 24.89 x 16.86mm Panavision PV mount HD-SDI recorder, SSR-1 recorder, HDCAM recorder 10-bit 4:4:4 signal (HD-SDI recorders) 1920 x 1080 400 - 1600 (400 native) 8 stops[68] Global None[69] 30 (1-60)
Panavision HD900F[70] 2/3" CCD Panavision PV mount HDCAM 1920 x 1080 30 (24)
P+S Technik PS-CAM x35[71]
21.1 x 11.9 mm PS-IMS CineForm RAW 1920 x 1080 60p, (24-450p)
P+S Technik SI-2K[72]
10.24 x 5.76 mm PS-IMS CineForm RAW 2048 x 1152 24p (1080p12-25), 24p (1080p12-85)
P+S Technik WEISSCAM HS-1[73]
15 x 12 mm Arri PL, Panavision, Nikon, Canon EF, BNC-R CineForm RAW 1280 x 1024 25p (1024p24-650), 25p (576p24-1150)
P+S Technik WEISSCAM HS-2 MKII[74]
22.18 x 22.18 mm PS-IMS CineForm RAW 1980 x 1080 9.5 stops (-6, +3.5)[60] 25p (1080p24-2000)
RED Epic Dragon[51]
30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade)[75] 16-bit .r3d 6144 x 3160 80 – 12800 (250 native)[76] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][78][79] Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] 1.22:1 sensor windowing and 2x/1.3x desqueeze[81] Combination optical low pass/IR (interchangeable with low-light optimized version),[82] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Dragon Monochrome[83] 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 6144 x 3160 Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] 1.22:1 sensor windowing and 2x/1.3x desqueeze[81] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Epic Mysterium-X[51]
27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 80 – 12800 (800 native) 12.5 stops (-7, +5.5)[79] Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] 1.22:1 sensor windowing and 2x/1.3x desqueeze[81] Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED Epic Mysterium-X Monochrome[84] 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) .r3d 5120 x 2700 80 – 12800 (2000 native) Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] 1.22:1 sensor windowing and 2x/1.3x desqueeze[81] Omits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-120 (5K)
1-180 (3K)
1-225 (2K)
RED One[85]
24.4 x 13.7 mm PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[86] 12-bit .r3d 4096 x 2304 100 - 2000 (320 native) 11.3 stops[87] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED One Mysterium-X[51]
24.2 x 12.5 mm PL, EF, F-mount (interchangeable) CF card, Red Hard Drive (optional RedMag SSD module upgrade)[86] 12-bit .r3d 4480 x 2304 100 - 6400 (800 native) 11.9 stops (-7, +5)[60] Rolling 1.22:1 sensor windowing and 2x desqueeze 1-30 (120)
RED Raven[88] 23.04 x 10.8 mm Canon EF Mini RedMag SSD 16-bit .r3d, 10-bit 422 ProRes 4608 × 2160 (r3d)
2048 × 1080 (ProRes)
250 native 14.8 stops (RedLogFilm, -8.3, +6.5)[77][78][79] Rolling None Combination optical low pass/IR 1-120 (4K)
1-160 (3K)
1-240 (2K)
RED Scarlet Mysterium-X 27.7 x 14.6 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 5120 x 2700 (Maximum 12 fps)
4096 x 2160
80 – 12800 (800 native) 11.9 stops (-7, +5)[60] Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] None Optical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
RED Scarlet Dragon 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) RedMag SSD (optional Mini RedMag SSD module upgrade) 16-bit .r3d 6144 x 3160 (Maximum 12 fps)
5120 x 2700
80 – 12800 (250 native)[76] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][78][79] Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] 1.22:1 sensor windowing and 2x/1.3x desqueeze[81] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
RED Scarlet-Weapon Dragon 25.6 x 13.5 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 10-bit 4:2:2 ProRes HQ 5120 × 2700 (r3d)
2048 × 1080 (ProRes)
250 native[76] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][78][79] Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] 1.22:1 sensor windowing and 2x/1.3x desqueeze[81] Combination optical low pass/IR (interchangeable with low-light optimized version),[90] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Dragon 30.7 x 15.8 mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 6144 x 3160 (r3d)
2048 x 1152 (ProRes)
250 native[76] 14.8 stops (RedLogFilm, -8.3, +6.5)[77][78][79] Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] 1.22:1 sensor windowing and 2x/1.3x desqueeze[81] Combination optical low pass/IR (interchangeable with low-light optimized version),[91] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RED Weapon Helium 40.96mm x 21.6mm PL, EF, F-mount (interchangeable) Mini RedMag SSD 16-bit .r3d, 12-bit 4444 ProRes XQ 8192 x 4320 (r3d)
2048 x 1152 (ProRes)
250 native[76] 15.2 stops[92] Rolling (optional Motion Mount upgrade adds mechanical shutter)[80] 1.22:1 sensor windowing and 2x/1.3x desqueeze[81] Combination optical low pass/IR (interchangeable with low-light optimized version),[93] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter) 1 - 75 (8K)
Sony F35[94]
21.6 x 13.3 mm Arri PL 1920 x 1080 400 native[95] 11.3 stops (-5, +6.3)[60] Global 1-60
Sony F65[96]
24.7 x 13.1 mm Arri PL SR Memory Recorder 8182 x 2160 800 native 14 stops (-7, +7)[96][97] Mechanical 2x and 1.3x desqueeze[98] Optical low pass, ND 0.9, 1.2, 1.5, 1.8 1-60
Sony F55[96]
24 x 12.7 mm Sony FZ, Arri PL SxS card, AXS-R5 Recorder 4096 x 2160 1250 native 14 stops[96] Global 1.3x and 2x desqueeze[99] Optical low pass (interchangeable), ND 0.9, 1.8 1-60
Sony NEX-FS100[100]
21.6 x 13.3 mm E-mount MPEG4 AVCHD 28 Mbit/s 1920 x 1080 800 native 11.5 stops (-6.5, +5)[101] None 1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700[100]
23.6 x 13.3 mm E-mount SD card, Memory Stick, HD-SDI recorder, AXS-R5 recorder MPEG4 AVCHD 4096 x 2160 500 native[102] 12 stops (-7, +5)[103] Rolling ND 0.6, 1.2, 1.8 1-240
Sony NEX-VG10[104] 23.4 x 15.6 mm E-mount AVCHD 24 Mbit/s 1920 x 1080 60i, 30
Sony NEX-VG20[105] 23.4 x 15.6 mm E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 60, 30, 24
Sony NEX-VG30 23.4 x 15.6 mm E-mount AVCHD 2.0 24 Mbit/s 1920 x 1080 60, 30, 24
Sony NEX-VG900[106] 35.8 x 23.9 mm E-mount AVCHD 2.0 28 Mbit/s 1920 x 1080 60, 24
Sony PMW-F3K, PMW-F3L[107]
21.6 x 13.3 mm E-mount, PL-mount MPEG2 35 Mbit/s 2448 x 1377 11.2 stops (-7, +4.3)[60] Rolling ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony PMW-F5 24 x 12.7 mm E-mount, PL-mount MPEG2 35 Mbit/s 1920 x 1080 (default)
4096 x 2160 (with 4K license[108] or altering internal preferences)[109]
2000 native 14 stops[96] Rolling 1.3x and 2x desqueeze[99] Optical low pass (interchangeable), ND 0.9, 1.8 1, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS5 24 x 12.7 mm E-mount SD card XAVC Long, AVCHD 3840 x 2160 3200 native 14 stops[96] Rolling ND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS7 24 x 12.7 mm E-mount XQD card, HD-SDI and HDMI 2.0 recorder XAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[110]) 4096 x 2160 2000 native 14 stops[96] Rolling ND 0.6, 1.2, 1.8 23.98 - 60 (4K), 23.98 - 180 (1080p)
Vision Research, Inc Phantom 65[111] 52.1 x 30.5 mm Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 2341 Mbit/s 4096 x 2440 141, (1080p320)
Vision Research Phantom Flex[112] 52.1 x 30.5 mm Arri PL (standard), Nikon F / Mamiya 645 (optional) Cine RAW 3181 Mbit/s 2560 x 1600 9.9 stops (-5.4, +4.5)[60] 1455 (1080p2570)

Still cameras with video mode[edit]

Brand Camera Sensor size Lens Mount Recording media Maximum video resolution Native ISO Dynamic range (native/peak ISO) Shutter type Frame rate(s−1) Codec
Canon 1D Mark IV[113]
27.9 x 18.6 mm Canon EF 1920 x 1080 11.2 stops (-7, +4.3)[60] Rolling 23.976, 25, 29.97 (50, 59.94) H.264
Canon 1D X[113]
36 x 24 mm Canon EF 1920 x 1080 Rolling 24, 25, 30 (50, 60) MPEG4
Canon 1D C
36 x 24 mm Canon EF 4096 x 2160 11.7 stops[114] Rolling 24, 25, 30 (50, 60) MPEG4
Canon 5D Mark II[113]
36 x 24 mm Canon EF CF card 1920 x 1080 160[115] 11.2 stops (-7, +4.2)[60] Rolling 24, 25, 30 H.264
Canon 5D Mark III[116] 36 x 24 mm Canon EF CF card, SD card, HDMI recorder 1920 x 1080 160[117] 11.2 stops
11.6 stops (sensor Raw)[118]
Rolling 24, 25, 30 H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon 6D[119]
35.8 x 23.9mm Canon EF 1920 x 1080 160[120] Rolling 24, 25, 30 (50,60) H.264 90 Mbit/s
Canon 7D[113]
22.3 x 14.9 mm Canon EF/EF-S CF card 1920 x 1080 160[121] 11 stops (-5.5, +5.4)[60] Rolling 24, 25, 30 (50,60) H.264
Canon 7D Mark II[113]
22.3 x 14.9 mm Canon EF/EF-S CF card, SD card 1920 x 1080 160[122] Rolling 24, 25, 30 (50,60) H.264
Canon 60D[113]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 160[123] Rolling 24, 25, 30 H.264
Canon 550D[113]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 600D[113]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 650D[113]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 700D[113]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Canon 750D[113]
22.3 x 14.9 mm Canon EF/EF-S 1920 x 1080 Rolling 24, 25, 30 H.264
Nikon D3100[113][124] 23.1 x 15.4 mm Nikon F 1920 x 1080 Rolling 24 (24, 25, 30) MPEG4
Nikon D3200[113][125] 23.2 x 15.4 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D4[126]
36.0 x 23.9 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Nikon D5100[113]
23.6 x 15.7 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 MPEG4
Nikon D7000[113]
23.6 x 15.7 mm Nikon F 1920 x 1080 10.2 stops (-6.7, +3.6)[60] Rolling 24 (24, 25, 30) MPEG4
Nikon D750[127]
35.9 x 24 mm Nikon F SD card, 8-bit uncompressed 4:2:2 via HDMI 1920 x 1080 Rolling 24, 25, 30, 50, 60 H.264/MPEG4, ~38 Mbit/s
Nikon D800[128]
35.9 x 24 mm Nikon F 1920 x 1080 Rolling 24, 25, 30 (50, 60) H.264/MPEG4 24 Mbit/s
Panasonic DMC-G3[113]
17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF2[113]
17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GF3[113]
17.3 x 13 mm Micro Four Thirds 1920 x 1080 60 (60, 30) AVCHD
Panasonic DMC-GH1[113]
18.89 x 14.48 mm Micro Four Thirds 1920 x 1080 30 AVCHD
Panasonic DMC-GH2[113]
18.89 x 14.48 mm Micro Four Thirds 1920 x 1080 24, 60 (30) AVCHD 22 Mbit/s
Panasonic DMC-GH3[113]
17.3 x 13 mm Micro Four Thirds 1920 x 1080 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
Panasonic DMC-GH4[113]
17.3 x 13 mm Micro Four Thirds 4096 x 2160 11 stops[129] 24, 60 (30) H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
Pentax K-01[130]
23.4 x 15.6 mm Pentax K 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Pentax K-30[131]
23.7 x 15.7 mm Pentax K 1920 x 1080 30p (25p, 24p) H264
Pentax K-5[132]
23.4 x 15.6 mm Pentax K 1920 x 1080 30p, 25p M-JPEG 95 Mbit/s
Samsung NX20 23.5 x 15.7 mm Samsung NX 1920 x 1080 30 H.264
Sony DSLR-A560[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony DSLR-A580[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony NEX-5[113]
23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) AVCHD
Sony NEX-5N[113]
23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) AVCHD
Sony NEX-7[113]
23.4 x 15.6 mm E-mount 1920 x 1080 60 (30) MPEG4
Sony SLT-A33[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A35[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A37[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30)  ?
Sony SLT-A55[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A57[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)
AVCHD/MPEG4
Sony SLT-A65[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) MPEG4
Sony SLT-A77[113]
23.5 x 15.6 mm Sony A-mount 1920 x 1080 60, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)
AVCHD
Sony SLT-A99[113]
35.8 x 23.8 mm Sony A-mount 1920 x 1080 60, 29.97 (30) AVCHD
Sony a7S 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick, 4K HDMI recorder 1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders)
3200[133] 14.1 stops[114] Rolling 60, 29.97 (30) AVCHD
Sony a7S II 35.8 x 23.9 mm Sony E-mount SD card, Sony Memory Stick 3840 x 2160 50-409,600 (3200 native)[134] Rolling 23.98 - 30 (4K), 23.98 - 120 (1080p) XAVC S, AVCHD, MP4

References[edit]

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