List of paintings by Rembrandt

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The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below.

Image Title Year Technique Dimensions (cm) Gallery Number Commentary
Rembrandt van Rijn, The spectacle-pedlar, circa 1624–1625, Museum De Lakenhal, Leiden.jpg The Spectacles-pedlar (Sight) c. 1624 Oil on panel 21 x 17.8 Stedelijk Museum De Lakenhal, Leiden 1 Hypothetical; one of the series The Senses
Rembrandt The Three Singers (Hearing).jpg The Three Singers (Hearing) c. 1624 Oil on panel 21.6 x 17.8 Leiden Collection 2 Hypothetical; one of the series The Senses
Rembrandt van Rijn, De operatie (Gevoel), 1624–1625.jpg The Operation (Touch) c. 1624 Oil on panel 21.5 x 17.7 Leiden Collection 3 Hypothetical; one of the series The Senses
Rembrandt-SMELL.jpg The Unconscious Patient (Smell) c. 1624 Oil on panel 21.5 x 17.7 Leiden Collection 3A Hypothetical; one of the series The Senses
Rembrandt Christ Driving the Money Changers from the Temple.jpg Christ Driving the Money-changers from the Temple 1626 Oil on panel 43.1 x 32 Pushkin Museum, Moscow 4
Rembrandt Harmensz. van Rijn 150.jpg The Stoning of St. Stephen 1625 Oil on panel 89.5 x 123.6 Musée des beaux-arts de Lyon 5
Rembrandt van Rijn, A man in a gorget and cap, 1626–1627.jpg Bust of a Man Wearing a Gorget and Plumed Beret 1626 Oil on panel 40 x 29.4 Private collection 6
Rembrandt Historical Painting 1626.jpg History Painting 1626 Oil on panel 90 x 122 Stedelijk Museum De Lakenhal, Leiden 7 Subject still under discussion
Rembrandt Harmensz. van Rijn 029.jpg David with the Head of Goliath before Saul 1626/1627 Oil on panel 27.2 x 39.6 Kunstmuseum Basel 8
Rembrandt, The Baptism of the Eunuch, 1626, Museum Catharijneconvent, Utrecht.jpg The Baptism of the Eunuch 1626 Oil on panel 63.5 x 48 Museum Catharijneconvent, Utrecht 9 The abraded face of Philip has been unsatisfactorily retouched
P1150002 Cognacq-Jay Rembrandt anesse de Balaam rwk.jpg Balaam and the Ass 1626 Oil on panel 63.2 x 46.5 Musée Cognacq-Jay, Paris 10
Rembrandt concert.jpg Musical Allegory 1626 Oil on panel 63.4 x 47.6 Rijksmuseum Amsterdam 11
Rembrandt Harmensz. van Rijn 154.jpg Tobit Accusing Anna of Stealing the Kid 1626 Oil on panel 40.1 x 29.9 Rijksmuseum Amsterdam 12
Rembrandt Harmensz. van Rijn 052.jpg The Flight into Egypt 1627 Oil on panel 27.5 x 24.7 Musée des Beaux-Arts de Tours 13
Rembrandt - The Parable of the Rich Fool.jpg The Rich Man from the Parable 1627 Oil on panel 31.7 x 42.5 Gemäldegalerie, Berlin 14
1627 Rembrandt Paulus im Gefängnis Staatsgalerie Stuttgart anagoria.JPG The apostle Paul in Prison 1627 Oil on panel 72.8 x 60.2 Staatsgalerie Stuttgart 15 There are darkened overpaintings on both sides of the seams of the panel
Rembrandt Harmensz. van Rijn 056.jpg Simeon in the Temple c. 1628 Oil on panel 55.4 x 43.7 Kunsthalle Hamburg 16 Mary’s cloak has been overpainted by another hand later; it was probably a lighter blue-grey in the original
Rembrandt The Foot Operation.jpg The Foot Operation 1628 Oil on panel 31.8 x 24.4 Private collection 17
Rembrandt laughing.jpg Rembrandt Laughing c. 1628 Oil on copper 22.2 x 17.1 J. Paul Getty Museum, Los Angeles 18
Rembrandt - Clowes self-portrait, 1639.png Self-Portrait Study in the Mirror (the Human Skin) c. 1627/1628 Oil on panel 42.8 x 33 Indianapolis Museum of Art 19
Rembrandt Harmensz. van Rijn - Zelfportret op jeugdige leeftijd - Google Art Project.jpg Lighting Study in the Mirror c. 1628 Oil on panel 22.6 x 18.7 Rijksmuseum Amsterdam 20
Rembrandt Bust of a Man Wearing a Turban.jpg Bust of a Man Wearing a Turban c. 1628 Oil on panel 26.7 x 20.3 The Kremer collection 21
Rembrandt La main chaude.jpg Interior with figures, called ‘La main chaude’ c. 1628 Oil on panel 21 x 27 National Gallery of Ireland, Dublin 22
Judas Returning the Thirty Silver Pieces - Rembrandt.jpg Judas Repentant, Returning the Pieces of Silver 1629 Oil on panel 79 x 102.3 Private collection 23
Rembrandt The Artist in his studio.jpg The Painter in his Studio (‘Idea’) c. 1628 Oil on panel 24.8 x 31.7 Museum of Fine Arts, Boston 24
Rembrandt Harmensz. van Rijn 022.jpg The Supper at Emmaus 1629 Oil on panel 37.4 x 42.3 Musée Jacquemart-André, Paris 25
Rembrandt van Rijn, Een oude man slapend bij het vuur, mogelijk 'De Luiheid', 1629, Galleria Sabauda, Torino.jpg An Old Man Asleep by the Fire (perhaps typifying ‘Sloth’) 1629 Oil on panel 51.9 x 40.8 Sabauda Gallery, Turin 26
Rembrandt Two old men disputing 1628.jpg Two Old Men Disputing (St. Peter and St. Paul) 1628 Oil on panel 72.3 x 59.5 National Gallery of Victoria, Melbourne 27
Saint Paul at his Writing-Desk, by Rembrandt.jpg The apostle Paul at his Writing Desk c. 1629/1630 Oil on panel 47.2 x 38 Germanisches Nationalmuseum, Nuremberg 28 The painting is covered with a thick layer of yellowed varnish
Rembrandt van Rijn 198.jpg Self-portrait with Plumed Beret 1629 Oil on panel 89.7 x 73.5 Isabella Stewart Gardner Museum, Boston 29
Rembrandt van Rijn 184.jpg Self-portrait with a Gorget c. 1629 Oil on panel 38.2 x 31 Germanisches Nationalmuseum, Nuremberg 30 The painting is covered by a layer of yellowed varnish and shows darkened retouches
Rembrandt - Self-Portrait - WGA19208.jpg Self-portrait Lit from the Left 1629 Oil on panel 15.5 x 12.7 Alte Pinakothek, Munich 31
Rembrandt Harmensz. van Rijn - Selfportrait - Google Art Project.jpg Self-portrait with Beret and Gathered Shirt (‘stilus mediocris’) 1630 Oil on copper 15 x 12.2 Nationalmuseum, Stockholm 33
Rembrandt Harmensz. van Rijn 165.jpg Bust of an Old Woman at Prayer (‘stilus gravis’) c. 1630 Oil on copper 15.5 x 12.2 Residenzgalerie, Salzburg 34
Rembrandt Harmensz. van Rijn 020.jpg Laughing Soldier (‘stilus humilis’) c. 1630 Oil on copper 15.3 x 12.2 Mauritshuis, The Hague 35
An old man with beard by Rembrandt van Rijn.jpg Bust of an Old Man 1630 Oil on panel 18.2 x 17.4 Private collection 36 Reduced to an oval form, subsequently made into a rectangle by additions
Rembrandt Harmensz. van Rijn 126.jpg Samson Betrayed by Delilah c. 1628–1630 Oil on panel 61.3 x 50.1 Gemäldegalerie, Berlin 37
Saul and David rembrandt.jpg David Playing the Harp for King Saul c. 1630 Oil on panel 62 x 50 Städel, Frankfurt am Main 38 The painting is poorly preserved in the thinner areas
Rembrandt Harmensz. van Rijn - Jeremia treurend over de verwoesting van Jeruzalem - Google Art Project.jpg Jeremiah Lamenting the Destruction of Jerusalem 1630 Oil on panel 58.3 x 46.6 Rijksmuseum Amsterdam 39
Rembrandt van Rijn "Petrus in de gevangenis" (St. Peter in prison).jpg St. Peter in Prison 1631 Oil on panel 59.1 x 47.8 Israel Museum, Jerusalem 40
Rembrandt Harmensz. van Rijn 011.jpg Andromeda c. 1630 Oil on panel 34.5 x 25 Mauritshuis, The Hague 41 The painting has been cropped on all sides
Rembrandt Harmensz. van Rijn 033.jpg The Good Samaritan 1630 Oil on panel 24.2 x 19.8 Wallace Collection, London 42
Rembrandt Harmenszoon van Rijn - Bust of an Old Man in a Fur Cap.JPG Bust of an Old Man Wearing a Fur Cap 1629 Oil on panel 22.2 x 17.7 Tyrolean State Museum, Innsbruck 43
Head of an Old Man in a Cap, by Rembrandt.jpg Oil Study of an Old Man 1630 Oil on panel 24.3 x 20.3 Agnes Etherington Art Centre, Kingston 44
Rembrandt van Rijn - Study of an Old Man in Profile - Google Art Project.jpg Oil Study of an Old Man c. 1630 Oil on panel 19.5 x 16 Statens Museum for Kunst, Copenhagen 45
Rembrandt Harmensz. van Rijn 019.jpg Bust of an Old Man c. 1630 Oil on panel 46.9 x 38.8 Mauritshuis, The Hague 46
Rembrandt Harmensz. van Rijn 145.jpg Simeon in the Temple 1631 Oil on panel 60.9 x 47.9 Mauritshuis, The Hague 47
Rembrandt Harmensz. van Rijn - The Raising of Lazarus - Google Art Project.jpg The Raising of Lazarus c. 1630–1632 Oil on panel 96.2 x 81.5 Los Angeles County Museum of Art 48 The panel was originally taller
Rembrandt - The Rape of Proserpine - Google Art Project.jpg The Abduction of Proserpina c. 1631 Oil on panel 84.8 x 79.7 Gemäldegalerie, Berlin 49 The panel, which was originally taller, must have been cropped at top and bottom. An ultramarine blue sky was discovered under a greyish overpainting and taken to be the original sky
Rembrandt Harmensz. van Rijn - The Abduction of Europa - Google Art Project.jpg The Rape of Europa 1632 Oil on panel 62.2 x 77 J. Paul Getty Museum, Los Angeles 50
Rembrandt prophet hannah.jpg An Old Woman Reading, probably the Prophetess Anna 1631 Oil on panel 59.8 x 47.7 Rijksmuseum Amsterdam 51
Crucifixion by Rembrandt (1631, S.Vincent du Mas-d'Agenais).jpg Christ on the Cross 1631 Oil, transferred from panel to canvas and then stuck on to panel 99.9 x 72.6 Parish Church, Le Mas d'Agenais 52
Self-portrait in oriental attire with poodle, by Rembrandt van Rijn.jpg The Artist in an Oriental Costume, with a Poodle at his Feet 1631 Oil on panel 66.5 x 52 Petit Palais, Paris 53 The dog added in late 1632 or early 1633
Rembrandt - Minerva - Google Art Project.jpg Minerva in her Study c. 1631 Oil on panel 60.5 x 49 Gemäldegalerie, Berlin 54
Bust of an old man (1631), by Rembrandt van Rijn.jpg Bust of an Old Man with a Cap and Gold Chain c. 1631 Oil on panel 59.9 x 51.1 Private collection 55
Rembrandt Harmensz. van Rijn (Dutch - An Old Man in Military Costume - Google Art Project.jpg A Man Wearing a Gorget and Plumed Cap c. 1631 Oil on panel 66 x 50.8 J. Paul Getty Museum, Los Angeles 56
Rembrandt - Portrait of a Man with a Plumed Hat.jpg Bust of a Young Man Wearing a Plumed Cap 1631 – c. 1635 Oil on canvas 80.3 x 64.8 Toledo Museum of Art 57
Rembrandt Harmensz. van Rijn - Old Man with a Gold Chain - Google Art Project.jpg Half-figure of a Man Wearing a Gorget and Plumed Hat 1631 Oil on panel 83.5 x 75.6 Art Institute of Chicago 58 The painting was originally 7 cm taller
Rembrandt van Rijn, Nicolaes Ruts, 1631.jpg Portrait of Nicolaes Ruts 1631 Oil on panel 116 x 87 Frick Collection, New York 59
Scholar at his desk (1631), by Rembrandt van Rijn.jpg Portrait of a Man at a Writing Desk, possibly Jacob Bruyningh 1631 Oil on canvas 104.4 x 91.8 Hermitage Museum, Saint Petersburg 60 The painting originally seems to have been 9 cm taller
A lady and gentleman in black, by Rembrandt.jpg A Lady and Gentleman in Black 1632 Oil on canvas 131.5 x 109 Stolen from the Isabella Stewart Gardner Museum, Boston 61 The painting must have been substantially reduced on the left, now showing only part of the original composition; the chair on the left is probably a later addition, apparently intended to balance the composition on this side when the canvas was reduced
Rembrandt Harmensz. van Rijn 161.jpg Portrait of a Man 1632 Oil on panel 90.8 x 68.57 Kunsthistorisches Museum, Vienna 62a Companion piece to 62b
Rembrandt Harmensz. van Rijn 162.jpg Portrait of a Woman 1632 Oil on panel 90 x 68 Kunsthistorisches Museum, Vienna 62b Rembrandt and (mainly) workshop. Companion piece to 62a
Rembrandt - Portrait of a Man, probably a Member of the Van Beresteyn Family.jpg Portrait of a Man, probably a Member of the Van Beresteyn Family 1632 Oil on canvas 112 x 89 Metropolitan Museum of Art, New York 63a Companion piece to 63b
Rembrandt - Portrait of a woman, possibly a member of the Beresteyn family - MET DP145399.jpg Portrait of a Woman, probably a Member of the Van Beresteyn Family 1632 Oil on canvas 112.5 x 88.8 Metropolitan Museum of Art, New York 63b Rembrandt and (mainly) workshop. Companion piece to 63a. The woman’s left hand, which originally hung in a lower position, and the table on which it now rests, are probably executed by Rembrandt himself
Portrait of a Man Trimming his Quill by Rembrandt.jpg Portrait of a Man Trimming his Quill 1632 Oil on canvas 101.5 x 81.5 Schloss Wilhelmshöhe, Kassel 64a Companion piece to 64b
Rembrandt Portrait of a Woman Seated Vienna.jpg Portrait of a Woman Seated 1632 Oil on canvas 92 x 71 Academy of Fine Arts Vienna 64b Rembrandt (and workshop?) Companion piece to 64a. The painting was cropped on all sides
Amalia van Solms.jpg Portrait of Princess Amalia van Solms 1632 Oil on canvas 69.5 x 54.4 Musée Jacquemart-André, Paris 65b Companion piece to 65a: G. van Honthorst, Portrait of Prince Frederik Hendrik of Orange, 1631. The Hague, Huis ten Bosch (Dutch Royal Collection). The two paintings must originally have had identical surrounds. At a later stage 65b was cropped on all sides. The face has suffered from surface wear
Rembrandt Harmensz. van Rijn 144.jpg Self-portrait as a Burger 1632 Oil on panel 64.4 x 47.6 Burrell Collection, Glasgow 66
Portrait of Maurits Huygens.jpg Portrait of Maurits Huygens 1632 Oil on panel 31.1 x 24.5 Hamburger Kunsthalle 67
Rembrandt Harmensz van Rijn - Jacob III de Gheyn - Google Art Project.jpg Portrait of Jacques de Gheyn III 1632 Oil on panel 29.9 x 24.9 Dulwich Picture Gallery, London 68
Rembrandt Self-portrait 1632.jpg Self-portrait 1632 Oil on panel 21.8 x 16.3 Private collection 69
Rembrandt van Rijn 197.jpg Portrait of Joris de Caullery 1632 Oil, canvas on panel 102.5 x 83.8 Fine Arts Museums of San Francisco 70
Rembrandt Portrait of a Young Man.jpg Portrait of a Young Man 1632 Oil on panel 63 x 46 Suermondt-Ludwig-Museum, Aachen 71
Portrait of Marten Looten LACMA 53.50.3.jpg Portrait of Marten Looten 1632 Oil on panel 92.8 x 74.9 Los Angeles County Museum of Art 72
Rembrandt - Portrait of a Man DP145938.jpg Portrait of a 40-year-old Man 1632 Oil on panel 75.6 x 52.1 Metropolitan Museum of Art, New York 73
Rembrandt Portrait of a 39-year-old Woman.jpg Portrait of a 39-year-old Woman 1632 Oil on panel 74.5 x 55 Nivaagaards Malerisamling 74 The hand and the booklet were added by another painter
Rembrandt Portrait of a 62-year-old Woman.jpg Portrait of a 62-year-old Woman, possibly Aeltje Pietersdr Uylenburgh 1632 Oil on panel 73.5 x 55 Museum of Fine Arts, Boston 75
Rembrandt - The Anatomy Lesson of Dr Nicolaes Tulp.jpg The Anatomy Lesson of Dr. Tulp 1632 Oil on canvas 169.5 x 216.5 Mauritshuis, The Hague 76
Rembrandt Harmensz. van Rijn 096.jpg Portraits of Jean Pellicorne and his Son Casper 1632 Oil on canvas 155 x 123 Wallace Collection, London 77a Rembrandt and (almost entirely) workshop. Companion piece to 77b
Rembrandt Harmensz. van Rijn 091.jpg Portraits of Susanna van Collen and her Daughter Anna 1632 Oil on canvas 153 x 121 Wallace Collection, London 77b Rembrandt and (in the main parts) workshop. Companion piece to 77a
Bust of a young woman, by Rembrandt van Rijn.jpg Bust of a Young Woman 1632 Oil on panel 60.6 x 45 Leiden Collection 78
Retrato de uma senhorita com capa negra.jpg Bust of a Young Woman in a Cap 1632 Oil on canvas mounted on panel 60.6 x 45 Private collection 79 Originally rectangular and larger on all sides
Rembrandt van Rijn 196.jpg Half-figure of a Young Woman in Profile with a Fan 1632 Oil on canvas 72.5 x 54.8 Nationalmuseum, Stockholm 80 Reduced on all sides
Rembrandt Bearded old man.jpg Bearded Old Man 1632 Oil on panel 66.5 x 51 Fogg Museum, Cambridge 81
Rembrandt Study of an Old Man with a Gold Chain - GK 233.jpg Study of an Old Man with a Gold Chain 1632 Oil on panel 59 x 46.5 Schloss Wilhelmshöhe, Kassel 82
Rembrandt The Apostle Peter.jpg The Apostle Peter 1632 Oil on canvas 81.3 x 66.2 Nationalmuseum, Stockholm 83
Man in Oriental Costume, by Rembrandt van Rijn.jpg Knee-length Figure of a Man in an Oriental Dress (‘The Noble Slav’) 1632 Oil on panel 152.7 x 111.1 Metropolitan Museum of Art, New York 84
Rembrandt A Scholar Near a Window.jpg A Scholar Near a Window (a study in ‘kamerlicht’) 1631 Oil on panel 60.8 x 47.3 Nationalmuseum, Stockholm 85
Rembrandt - The Philosopher in Meditation.jpg Interior with a Window and a Winding Staircase (a study in ‘kamerlicht’) 1632 Oil on panel 28.2 x 34.4 Musée du Louvre, Paris 86 The figure of a woman on the stairs is scarcely visible; possibly a pentimento
Rembrandt Harmensz. van Rijn 119.jpg Portrait of a Man 1638 Oil on panel 63.5 x 47.3 Herzog Anton Ulrich Museum, Braunschweig 87a Companion piece to 87b
Rembrandt 228.jpg Portrait of a Woman 1638 Oil on panel 63 x 48 Herzog Anton Ulrich Museum, Braunschweig 87b Companion piece to 87a
Rembrandt - Portrait of a Man Rising from his Chair - 1633.jpg Portrait of a Man Rising from his Chair 1633 Oil on canvas 124 x 98.5 Taft Museum of Art, Cincinnati 88a Rembrandt and (perhaps) workshop. Companion piece to 88b
Rembrandt - Portrait of a Young Woman with a Fan.JPG Portrait of a Young Woman with a Fan 1633 Oil on canvas 126.2 x 100.5 Metropolitan Museum of Art, New York 88b Companion piece to 88a
2-1637) and his Wife, Griet Jans - Google Art Project.jpg Portrait of Jan Rijcksen and his Wife Griet Jans 1633 Oil on canvas 111 x 166 Royal Collection 89
Rembrandt Harmensz. van Rijn - Portret van Johannes Wtenbogaert (1557-1644), Remonstrants predikant - Google Art Project.jpg Portrait of Johannes Wtenbogaert 1633 Oil on canvas 123 x 105 Rijksmuseum Amsterdam 90 Rembrandt and workshop. The hands seem to be painted by a member of the workshop
Rembrandt Harmensz. van Rijn 093.jpg Portrait of Man 1633 Oil on canvas 128.5 x 100.5 Schloss Wilhelmshöhe, Kassel 91 Rembrandt and/or workshop? Originally this portrait was probably full size
Rembrandt Portrait of a Man Wearing a Red Doublet.jpg Portrait of a Man Wearing a Red Doublet 1633 Oil on panel 63.5 x 50.5 Leiden Collection 92
Rembrandt van Rijn - Portrait of a Young Woman - Google Art Project.jpg Portrait of a Young Woman 1633 Oil on panel 63.5 x 47.5 Museum of Fine Arts, Houston 93
Rembrandt Bust of Saskia Smiling.jpg Bust of Saskia Smiling 1633 Oil on panel 52.5 x 44 Staatliche Kunstsammlungen Dresden 94
Saskia von Uylenburgh im Profil (Rembrandt) 3.JPG Half-length Portrait of Saskia van Uylenburgh c. 1633–1642 Oil on panel 99.5 x 78.8 Schloss Wilhelmshöhe, Kassel 95 An 18th-century document provides evidence that the painting originally measured c. 128 x 104.5 cm and was rounded above
Rembrandt selfportrait Louvre 1744.jpg Self-portrait with Gold Chain 1633 Oil on panel 61 x 48.1 Musée du Louvre, Paris 96
Rembrandt - Self-Portrait Wearing a Toque and a Gold Chain - WGA19210.jpg Self-portrait with Beret and Gold Chain 1633 Oil on panel 70.4 x 54 Musée du Louvre, Paris 97
Jonge vrouw in gefantaseerde kleding Rijksmuseum SK-A-4057.jpeg Bust of Young Woman 1633 Oil on panel 65 x 48 Rijksmuseum Amsterdam 98
Rembrandt Man in Oriental Costume.jpg Man in Oriental Costume c. 1633–1634 Oil on canvas 98 x 74 National Gallery of Art, Washington 99 Rembrandt and pupil(?). This work was probably larger on all sides
Rembrandt - A young woman at her toilet - National Gallery of Canada 21015.jpg A Young Woman (Esther? Judith?) at her Toilet 1633 Oil on canvas 110.5 x 94.3 National Gallery of Canada, Ottawa 100
Bellona, by Rembrandt van Rijn.jpg Bellona 1633 Oil on canvas 127 x 97.5 Metropolitan Museum of Art, New York 101
Rembrandt Harmensz. van Rijn (Dutch - Daniel and Cyrus before the Idol Bel - Google Art Project.jpg Daniel Refuses to Worship the Idol Baal 1633 Oil on panel 23.4 x 30.1 J. Paul Getty Museum, Los Angeles 102
Rembrandt, A Bust of an Old Man, 1633.jpg A Bust of an Old Man 1633 Grisaille, paper on panel 10.6 x 7.2 Private collection 103
Man in Oriental Garment, by Rembrandt van Rijn.jpg Bust of a Man in Oriental Dress 1633 Oil on panel 85.8 x 63.8 Alte Pinakothek, Munich 104
Rembrandt Christ in the Storm on the Lake of Galilee.jpg Christ in the Storm on the Sea of Galilee 1633 Oil on canvas 160 x 128 Stolen from the Isabella Stewart Gardner Museum, Boston 105
Raising of the Cross, by Rembrandt van Rijn.jpg The Raising of the Cross 1633 Oil on canvas 95.7 x 72.2 Alte Pinakothek, Munich 106 Part of the Passion series for Frederik Hendrik
Rembrandt Harmensz. van Rijn 071.jpg The Descent from the Cross 1632/1633 Oil on panel 89.6 x 65 Alte Pinakothek, Munich 107 Part of the Passion series for Frederik Hendrik
Rembrandt 200.jpg Joseph Telling his Dreams 1634 Grisaille, paper stuck on card 55.8 x 39.7 Rijksmuseum Amsterdam 108 Made in preparation for an unfinished printed Passion series
Rembrandt The Adoration of the Magi.jpg The Adoration of the Magi 1633 Grisaille, paper stuck on card(?) 44.8 x 39.1 Hermitage Museum, Saint Petersburg 109 Made in preparation for an unfinished printed Passion series
Rembrandt Harmensz. van Rijn - Preaching of Saint John the Baptist - Gemäldegalerie Berlin.jpg John the Baptist Preaching c. 1633/1634 Grisaille, canvas (enlarged) stuck on panel 62.7 x 81.1 Gemäldegalerie, Berlin 110
Rembrandt Jesus and his Disciples.jpg Christ and his Disciples in Gethsemane 1634 Drawing on paper. Pen and brown ink with brown and other washes and red and black chalk 35.7 x 48.8 Teylers Museum, Haarlem 111 Although executed with drawing materials on paper, in view of its presumed function this work is counted here among Rembrandt’s grisailles in preparation for an unfinished printed Passion series
Rembrandt, Christ before Pilate (Ecce Homo), 1634, National Gallery, London.jpg Ecce Homo 1634 Grisaille, paper on canvas 54.5 x 44.5 National Gallery, London 112 Grisaille in preparation for an unfinished printed Passion series
Rembrandt Harmensz. van Rijn 072.jpg The Lamentation c. 1633/1634 Grisaille, paper on canvas; enlarged by another hand on a panel measuring 31.9 x 26.7 cm 31.9 x 26.7 National Gallery, London 113 Grisaille may be fragment of the planned Passion series
Rembrandt Harmensz. van Rijn 054.jpg The Entombment 1633/1634 Grisaille, panel 32.1 x 40.3 Hunterian Museum and Art Gallery, Glasgow 114 Grisaille may be fragment of the planned Passion series
Rembrandt Portrait of a Young Bachelor.jpg Portrait of a Young Bachelor 1634 Oil on panel 70 x 52 Hermitage Museum, Saint Petersburg 115 The painting is covered by a layer of yellowed varnish
Rembrandt Harmensz. van Rijn 108.jpg Portrait of an 83-year Old Woman (possibly Aechje Claesdr, mother of Dirck Jansz Pesser) 1634 Oil on panel 68.7 x 53.8 National Gallery, London 116
Dirckpesser.jpg Portrait of Dirck Jansz Pesser 1634 Oil on panel 71 x 53 Los Angeles County Museum of Art 117a Companion piece to 117b
Rembrandt, Portret van Haesje v.Cleyburg 1634.jpg Portret of van Haesje Jacobsdr van Cleyburgh 1634 Oil on panel 71 x 53 Rijksmuseum Amsterdam 117b Companion piece to 117a
Rembrandt Portrait of a Man in a Broad-brimmed Hat.jpg Portrait of a Man in a Broad-brimmed Hat 1634 Oil on panel 70 x 53 Museum of Fine Arts, Boston 118a Rembrandt and mainly workshop. Companion piece to 118b
Rembrandt Portrait of a Woman.jpg Portrait of a Woman 1634 Oil on panel 69.5 x 53 Museum of Fine Arts, Boston 118b Companion piece to 118a
Rembrandt, Portrait of a Bearded Man in a Wide-Brimmed Hat (probably Pieter Seijen), 1633, Norton Simon Museum, Pasadena.jpg Portrait of a 41-year-old Man, possibly Pieter Sijen 1633 Oil on panel 69.3 x 54.8 Norton Simon Museum, Pasadena 119a Companion piece to 119b
Rembrandt van Rijn Portrait of a Forty-Year-Old Woman, possibly Marretje Cornelisdr. van Grotewal, 1634.jpg Portrait of a 40-year-old Woman, possibly Marretje Cornelisdr van Grotewal 1634 Oil on panel 69 x 55 Speed Art Museum, Louisville 119b Companion piece to 119a
Rembrandt Portrait of Marten Soolmans.jpg Portrait of Maerten Soolmans 1634 Oil on canvas 207 x 132.5 Joint ownership by Rijksmuseum and The Louvre 120a Companion piece to 120b
Rembrandt Portrait of Oopjen Coppit.jpg Portrait of Oopjen Coppit 1634 Oil on canvas 207 x 132 Joint ownership between The Louvre and Rijksmuseum 120b Companion piece to 120a
Rembrandt 21044.jpg Portrait of Reverend Johannes Elison 1634 Oil on canvas 173 x 123 Museum of Fine Arts, Boston 121a Companion piece to 121b
Rembrandt, Portrait of Maria Bockenolle, 1634, Museum of Fine Arts, Boston.jpg Portrait of Maria Bockenolle 1634 Oil on canvas 174.5 x 123 Museum of Fine Arts, Boston 121b Companion piece to 121a
Rembrandt, Self-portrait with Shaded Eyes, 1634.jpg Oval Self-portrait with Shaded Eyes 1634 Oil on panel 70.8 x 55.2 Leiden Collection, New York 122
Rembrandt - Self-Portrait with Velvet Beret - Google Art Project.jpg Self-portrait in a Cap and Fur-trimmed Cloak 1634 Oil on panel 58.3 x 47.5 Gemäldegalerie, Berlin 123 The painting is covered by a layer of yellowed varnish
Rembrandt Cupid Blowing a Soap Bubble.jpg Cupid Blowing a Soap Bubble 1634 Oil on canvas 75 x 92.62 Liechtenstein Museum, Vienna 124
Harmensz van Rijn Rembrandt - Флора - Google Art Project.jpg Flora 1634 Oil on canvas 125 x 101 Hermitage Museum, Saint Petersburg 125
Descent from the Cross by Rembrandt's workshop (1634, Hermitage).jpg The Descent from the Cross 1634 Oil on canvas 159.3 x 116.4 Hermitage Museum, Saint Petersburg 126
Rembrandt Harmensz. van Rijn 040.jpg The Incredulity of Thomas 1634 Oil on panel 53 x 50 Pushkin Museum, Moscow 127
Artemisia, by Rembrandt, from Prado in Google Earth.jpg Sophonisba Receiving the Poisoned Cup 1634 Oil on canvas 142 x 153 Museo del Prado, Madrid 128
Rembrandt Harmensz van Rijn - Scholar at his Study - Google Art Project.jpg A Scholar, Seated at a Table with Books 1634 Oil on canvas 145 x 134 National Gallery in Prague 129
Rembrandt, Harmenszoon van Rijn - Diana mit Aktäon und Kallisto - c.1634-1635.jpg Diana Bathing with her Nymphs, with the Stories of Actaeon and Callisto 1634 Oil on panel 73.5 x 93.5 Museum Wasserburg, Anholt 130
Rembrandt The Flight into Egypt.jpg The Flight into Egypt 1634 Oil on panel 52 x 40.1 Private collection 130A
The Holy Family by Rembrandt (1633) - Alte Pinakothek - Munich - Germany 2017.jpg The Holy Family 1634 Oil on canvas 195 x 132 Alte Pinakothek, Munich 131 The painting was originally probably wider than it is today
Rembrandt Harmensz. van Rijn 101.jpg Portrait of Philips Lucasz 1635 Oil on panel 79.5 x 58.9 National Gallery, London 132a Rembrandt and workshop. Companion piece to 132b
Petronella Buys, by Rembrandt.jpg Portrait of Petronella Buys 1635 Oil on panel 78.8 x 65.3 private collection 132b Rembrandt and workshop. Companion piece to 132a
Rembrandt van Rijn - Portrait of a Man in a Broad-Brimmed Hat - Google Art Project.jpg Portrait of a Man in a Slouched Hat and Bandoleer 1635 Oil on canvas 78.5 x 65.7 Kawamura Memorial DIC Museum of Art, Sakura 133a Rembrandt and/or workshop. Companion piece to 133b. The painting suffered severely when it was transferred from panel to canvas in 1929 and also from overcleaning. Originally rectangular and possibly also larger below
Rembrandt Portrait of a Young Woman (Cleveland).jpg Portrait of a Young Woman 1635 Oil on panel 78 x 65 Cleveland Museum of Art 133b Rembrandt and mainly workshop. Companion piece to 133a. The painting has suffered severely from overcleaning. Originally rectangular and possibly also larger below
Rembrandt self-portrait 1635.jpeg Self-portrait wearing a white feathered bonnet 1635 Oil on canvas 90.5 x 71.8 Buckland Abbey 134 Rembrandt (and workshop?)
Rembrandt - Rembrandt and Saskia in the Scene of the Prodigal Son - Google Art Project.jpg Self-portrait as the Prodigal Son in the Tavern 1635 Oil on canvas 161 x 131 Staatliche Kunstsammlungen Dresden 135 The reconstruction of the stretcher on the basis of the X-ray shows just how much the painting was reduced in size. The paint surface of the lower part of the remaining fragment suffered badly, such that it had to be repainted
Rembrandt Harmensz. van Rijn 035.jpg Abraham's Sacrifice 1635 Oil on canvas 193.5 x 132.8 Hermitage Museum, Saint Petersburg 136 The painting is covered by a layer of yellowed varnish
Rembrandt - The Abduction of Ganymede - Google Art Project - cropped.jpg The Rape of Ganymede 1635 Oil on canvas 177 x 130 Staatliche Kunstsammlungen Dresden 137
Rembrandt Harmensz. van Rijn 086.jpg Flora 1635 Oil on canvas 123.5 x 97.5 National Gallery, London 138
Minerva, by Rembrandt (1635).jpg Minerva 1635 Oil on canvas 137 x 116 Leiden Collection, New York 139
Rembrandt - Samson threatened his father-in-law - Google Art Project.jpg Samson Threatening his Father-in-law c. 1635 Oil on canvas 159 x 131 Gemäldegalerie, Berlin 140
Rembrandt 259.jpg Bust of a Man in Oriental Dress 1635 Oil on panel 72 x 54.5 Rijksmuseum Amsterdam 141
Rembrandt - Portrait of a Rabbi - Royal Collection UK.jpg Bust of a Bearded Old man in Fanciful Costume 1635 Oil on panel 72.5 x 62.1 Royal Collection 142
Rembrandt-Belsazar.jpg Belshazzar’s Feast 1635 Oil on canvas 167.6 x 209.2 National Gallery, London 143 On the basis of the pattern of cusping, it may be concluded that the painting was tilted to the left by later hands and cut to shape accordingly. This is also apparent from the edge of the table and the stream of wine poured from the jug by the woman on the right
Rembrandt Harmensz. van Rijn 151.jpg Susanna Bathing 1636 Oil on panel 47.2 x 38.6 Mauritshuis, The Hague 144
Rembrandt van Rijn 192.jpg The Ascension 1636 Oil on canvas 93 x 68.7 Alte Pinakothek, Munich 145 Part of the Passion series for Frederik Hendrik
Possibly Rembrandt or workshop - Self-portrait - WGA07937.jpg Self-portrait Transformed into a ‘tronie’ c. 1633–1636 Oil on panel 56 x 47 Gemäldegalerie, Berlin 146
Rembrandt, The Standard-Bearer, 1636.jpg The Standard-Bearer 1636 Oil on canvas 118.8 x 96.8 Collection of Elie de Rothschild, Paris 147
Rembrandt - The Blinding of Samson - WGA19097.jpg The Blinding of Samson 1636 Oil on canvas 205 x 272 Städel, Frankfurt am Main 148
Rembrandt Harmensz. van Rijn 026.jpg Danaë c. 1636 – c. 1643 Oil on canvas 185 x 203 Hermitage Museum, Saint Petersburg 149 The painting was very badly damaged in 1985
Rembrandt De aartsengel verlaat Tobias en zijn gezin. 1637.jpg The Angel Raphael Leaving Tobit and his Family 1637 Oil on panel 66 x 52 Musée du Louvre, Paris 150
Rembrandt - Parable of the Laborers in the Vineyard.jpg The Parable of the Labourers in the Vineyard 1637 Oil on panel 31 x 42 Hermitage Museum, Saint Petersburg 151 The paint of the figures to the right have suffered from blanching
River Landscape with a Windmill.jpg River Landscape with Ruins c. 1637 – c. 1645 Oil on panel 67 x 87.5 Schloss Wilhelmshöhe, Kassel 152 The mill together with its immediate surroundings was originally placed in a flat Dutch landscape. Rembrandt transformed it into classical mountainous landscape around 1645
Rembrandt van Rijn - The Concord of the State - Google Art Project.jpg The Concord of the State 1637 Oil on panel 74.6 x 101 Museum Boijmans Van Beuningen, Rotterdam 153 Grisaille serving as a design for a political print which was never realized
Rembrandt Self-portrait (Wallace).jpg Self-portrait 1637 Oil on panel 64 x 49 Wallace Collection, London 154 The painting originally was larger (c. 75 x 55 cm) and rectangular. The upper corners of the background are digitally reconstructed
Rembrandt van Rijn - A Polish nobleman.jpg A Polish Nobleman 1637 Oil on panel 96.7 x 66.1 National Gallery of Art, Washington 155
Rembrandt - Portret van predikant Eleazar Swalmius.JPG Portrait of the Preacher Eleazar Swalmius 1637 Oil on canvas 132 x 109 Royal Museum of Fine Arts Antwerp 156
Rembrandt 167.jpg Bust of a Man with Plumed Cap 1637 Oil on panel 62.5 x 47 Mauritshuis, The Hague 157
Rembrandt van Rijn - Christ and St Mary Magdalen at the Tomb - Google Art Project.jpg The Risen Christ Appearing to Mary Magdalene 1638 Oil on panel 61 x 49.5 Royal Collection 158
Rembrandt Krajobraz z miłosiernym Samarytaninem.jpg Landscape with the Good Samaritan 1638 Oil on panel 46.5 x 66 Czartoryski Museum, Kraków 159
Rembrandt Harmensz. van Rijn 146.jpg The Wedding of Samson 1638 Oil on canvas 126 x 175 Staatliche Kunstsammlungen Dresden 160
Young-Woman-with-Earrings.jpg Woman with a Mirror 1638 Oil on panel 23.9 x 32.5 Hermitage Museum, Saint Petersburg 161
Rembrandt van Rijn 191.jpg The Entombment 1635–1639 Oil on canvas 92.6 x 68.9 Alte Pinakothek, Munich 162 Part of the Passion series for Frederik Hendrik
Rembrandt van Rijn 178.jpg The Resurrection 1639 Oil on canvas 92.9 x 67 Alte Pinakothek, Munich 163 Part of the Passion series for Frederik Hendrik
Rembrandt Harmensz. van Rijn 032.jpg King Uzziah Stricken with Leprosy c. 1639/1640 Oil on panel 102.8 x 78.8 Chatsworth House 164 Covered with a disturbing layer of yellowed varnish. The dark patches in Uzziah’s face are probably painted indications of his leprosy
Rembrandt - Tote Pfauen.jpg Two Dead Peacocks and a Girl 1639 Oil on canvas 145 x 135.5 Rijksmuseum Amsterdam 165
Rembrandt, De roerdompjager, 1639, Gemäldegalerie Alte Meister, Dresden.jpg A Dead Bittern 1639 Oil on panel 120.7 x 88.3 Staatliche Kunstsammlungen Dresden 166 The painting is covered by a layer of yellowed varnish
Rembrandt Portrait of a Man Holding a Hat.jpg Portrait of a Man Holding a Hat c. 1640 Oil on panel 81.4 x 71.4 Hammer Museum, Los Angeles 167 The panel has been trimmed on all sides. It belonged to a batch of equally large poplar panels, which makes it possible to speculate about the original size of the painting
Portrait of Andries de Graeff – Rembrandt.jpg Portrait of a Man Standing, possibly Andries de Graeff 1639 Oil on canvas 200 x 124.2 Schloss Wilhelmshöhe, Kassel 168
Rembrandt van Rijn 202.jpg Portrait of Aletta Adriaensdr 1639 Oil on panel 64.7 x 55.3 Museum Boijmans Van Beuningen, Rotterdam 169 The heavily damaged fingers were reconstructed during a restoration in the 1960s
Rembrandt, autoritratto col tocco su sfondo architettonico, 1639 02.jpg Self-portrait 1640 Oil on panel 80.5 x 62.8 Musée du Louvre, Paris 170 Rembrandt and workshop? Adaption of an earlier self-portrait
Rembrandt van Rijn - Saskia van Uylenburgh, the Wife of the Artist - Google Art Project.jpg Bust of Young Woman c. 1640 Oil on panel 60.5 x 49 National Gallery of Art, Washington 171
Rembrandt self portrait 1636-38.jpg Self-portrait c. 1639 Oil on panel 63 x 50.1 Norton Simon Museum, Pasadena 172
Rembrandt - Holy Family - WGA19116.jpg The Holy Family with St Anne 1640 Oil on panel 40.6 x 34 Musée du Louvre, Paris 173 The painting is covered by a layer of yellowed varnish
Rembrandt van Rijn 190.jpg The Visitation 1640 Oil on panel 56.5 x 47.8 Detroit Institute of Arts 174
Rembrandt Harmensz. van Rijn - De stenen brug - Google Art Project.jpg Landscape with a Stone Bridge c. 1638/1640 Oil on canvas 29.5 x 42.5 Rijksmuseum Amsterdam 175
Rembrandt Harmensz. van Rijn 149.jpg Mountain Landscape with Approaching Storm 1640 Oil on panel 52 x 72 Herzog Anton Ulrich Museum, Braunschweig 176
Rembrandt van Rijn Harmen Doomer circa 1640.jpg Portrait of Herman Doomer 1640 Oil on panel 75.2 x 55.3 Metropolitan Museum of Art, New York 177a Companion piece to 177b
Rembrandt van Rijn Baertje Martens circa 1640.jpg Portrait of Baertje Martens 1640 Oil on panel 75.1 x 55.9 Hermitage Museum, Saint Petersburg 177b Companion piece to 177a
Rembrandt Harmensz. van Rijn - Self-portrait wearing a Hat and two Chains - Google Art Project.jpg Self-portrait c. 1640 Oil on panel 72.2 x 58.3 Thyssen-Bornemisza Museum, Madrid 178 The panel was slightly cropped later; the roughly blocked out hand was revealed during a restoration. Originally it must have been painted out by Rembrandt himself
Rembrandt, Self Portrait at the Age of 34.jpg Self-Portrait at the Age of 34 1640 Oil on canvas 93 x 80 National Gallery, London 179
Rembrandt Portrait of a woman, possibly Anna Wijmer.jpg Portrait of a Woman, possibly Anna Wijmer 1641 Oil on panel 99.5 x 81.5 Six Foundation, Amsterdam 180
Rembrandt Harmensz. van Rijn 087.jpg Saskia as a Flora 1641 Oil on panel 98.5 x 82.5 Staatliche Kunstsammlungen Dresden 181 The paint is covered by a disturbing yellowed layer of varnish
Rembrandt van Rijn - Studie van een oude vrouw in een witte dop.jpg Oil Study of a Woman Lit Obliquely from Behind 1640 Oil on panel 46.5 x 37.5 Leiden Collection, New York 182
Rembrandt - The Mennonite Preacher Anslo and his Wife - Google Art Project.jpg Portrait of the Mennonite Preacher Cornelius Claesz Anslo and his Wife Aaltje Gerritsdr Shouten 1641 Oil on canvas 176 x 210 Gemäldegalerie, Berlin 183
Rembrandt van Rijn 172.jpg Portrait of Maria Trip 1641(?) Oil on canvas 107 x 82 Rijksmuseum Amsterdam 184b Rembrandt and the painter of 184a. Companion piece to 184a: Rembrandt workshop, Portrait of a man (Balthasar Coymans?). 1641 (?). Private collection
Rembrandt Harmensz. van Rijn 158.jpg A Scholar at a Writing Desk 1641 Oil on panel 104 x 76 Royal Castle, Warsaw 185
Rembrandt Girl in a Picture Frame.jpg Girl in Fanciful Costume in a Picture Frame 1641 Oil on panel 104 x 76 Royal Castle, Warsaw 186
Rembrandt, Portrait of Nicolaas van Bambeeck, 1641, Koninklijke Musea voor Schone Kunsten van België.jpg Portrait of Nicolas van Bambeeck in a Picture Frame 1641 Oil on canvas 108.8 x 83.3 Royal Museums of Fine Arts of Belgium, Brussels 187a Companion piece to 187b
Rembrandt Harmensz. van Rijn 080.jpg Portrait of Agatha Bas in a Picture Frame 1641 Oil on canvas 104 x 82 Royal Collection 187b Companion piece to 187a
Harmensz van Rijn Rembrandt - Давид и Ионафан - Google Art Project.jpg David’s Parting from Jonathan 1642 Oil on panel 73 x 61 Hermitage Museum, Saint Petersburg 188
Rembrandt Self-Portrait (Royal Collection).jpg Self-Portrait 1642 Oil on panel 69.9 x 58.4 Royal Collection 189 The costume and the hand are largely overpainted by a much later hand
The Nightwatch by Rembrandt - Rijksmuseum.jpg The Company of Captain Frans Banning Cocq and Lieutenant Willem van Ruytenburch (Night Watch) 1642 Oil on canvas 363 x 438 Rijksmuseum Amsterdam 190 Actually: ‘The painting in the great hall of the Kloveniers Doelen in which the young Lord of Purmerland [Frans Banninck Cocq] as Captain, gives the order to his Lieutenant, the Lord of Vlaerdingen [Willem van Ruytenburgh] to march off his Company of Citizens’, as the painting is called in the family album of Frans Banninck Cocq. The painting has been cropped on all four sides
Rembrandt Portrait of a Man with a Hawk.jpg Portrait of a Man with a Hawk 1643 Oil on canvas 114 x 97.3 Private collection 191a Rembrandt and workshop. Companion piece to 191b
Rembrandt Portrait of a Woman with a Fan.jpg Portrait of a Woman with a Fan 1643 Oil on canvas 114.5 x 98 Private collection 191b Rembrandt and (mainly) workshop. Companion piece to 191a
Boaz by Rembrandt.jpg An Old Man in Rich Costume (Boaz?) 1643 Oil on panel 72.5 x 58.5 Woburn Abbey 192 Possibly companion piece to 193. The series of curved cracks in the panel and paintlayer are typical for paintings on mahogany panels
Rembrandt, Harmenszoon van Rijn - Saskia van Uylenburgh - 1643.jpg Bust of a Woman (Ruth?) 1643 Oil on panel 72 x 59 Gemäldegalerie, Berlin 193 Possibly companion piece to 192. The darker parts of the costume were originally lighter and more colourful
Rembrandt (Rembrandt van Rijn) - A Woman in Bed - Google Art Project.jpg Sarah Waiting for Tobias 1643 Oil on canvas 81.2 x 67.9 National Gallery of Scotland, Edinburgh 194
Rembrandt Portrait of a man with a steel gorget.jpg Portrait of a Man with a Steel Gorget 1644 Oil on canvas 94.3 x 77.8 Metropolitan Museum of Art, New York 195 Cropped along the bottom edge
Rembrandt Harmensz. van Rijn 025.jpg Christ and the Woman Taken in Adultery 1644 Oil on panel 83.8 x 65.4 National Gallery, London 196
Rembrandt A Weeping Woman.jpg A Weeping Woman c. 1644 Oil on panel 21.3 x 16.8 Detroit Institute of Arts 197 Oil sketch in preparation for 196
Harmensz van Rijn Rembrandt - Святое семейство - Google Art Project.jpg The Holy Family with Angels 1645 Oil on canvas 117 x 91 Hermitage Museum, Saint Petersburg 198 Strips of canvas of considerable width are missing on the side and top edges
Rembrandt - Self-portrait with Beret and Red Cloak - Karlsruhe.jpg Self-portrait with Beret and Red Cloak c. 1645/1648 Oil on panel 73.5 x 59.6 Staatliche Kunsthalle Karlsruhe 199 The size of this painting has been altered several times, as has its format (from rectangular to oval to rectangular to oval again)
Rembrandt Harmensz van Rijn - Girl at a Window - Google Art Project - edited.jpg Girl Leaning on a Stone Window Sill 1645 Oil on canvas 81.6 x 66 Dulwich Picture Gallery, London 200
Rembrandt (en atelier) - Tobias en Anna met het bokje (1645).jpg Tobit and Anna 1645 Oil on panel 20 x 27 Gemäldegalerie, Berlin 201
Rembrandt van Rijn 195.jpg Joseph's Dream in the Stable at Bethlehem 1645 Oil on panel 20.7 x 27.8 Gemäldegalerie, Berlin 202
Rembrandt Portrait of an Old Man.jpg Old Man with Fur Coat 1645 Oil on panel 110 x 82 Gemäldegalerie, Berlin 203 The painting was probably cropped on all sides. It may well have had the same size as 204
Gulbenkian rembrandt.jpg Old Man with a Stick 1645 Oil on canvas 128 x 112 Museu Calouste Gulbenkian, Lisbon 204
Rembrandt - Landschaft mit Gebäuden.jpg Landscape with a Castle 1645 Oil on panel 44.5 x 70 Musée du Louvre, Paris 205 Unfinished
Rembrandt van Rijn - The Mill - Google Art Project.jpg The Mill c. 1645 Oil on canvas 87.6 x 105.6 National Gallery of Art, Washington 206 In the painting in its present state the mill is tilted forward
Rembrandt Winterlandschap 1646.jpg Winter Landscape 1646 Oil on panel 17 x 23 Schloss Wilhelmshöhe, Kassel 207
Abraham and three angels by Rembrandt (1646, Aurora trust, NY).jpg Abraham Serving the Three Angels 1646 Oil on panel 16 x 21 Private Collection 208
Rembrandt, The Holy Family with a Curtain, 1646, Museum Schloss Wilhelmshöhe, Kassel.jpg The Holy Family with Painted Frame and Curtain 1646 Oil on panel 46.8 x 68.4 Schloss Wilhelmshöhe, Kassel 209 Rembrandt or pupil. The painting is covered by a layer of yellowed varnish
Rembrandt The Prophetess Anna in the Temple.jpg The Prophetess Anna in the Temple 1650 or c. 1646 Oil on panel 40.5 x 31.5 National Gallery of Scotland, Edinburgh 210 The painting is covered by a layer of yellowed varnish
Rembrandt van Rijn 009 full image 01.jpg The Nativity 1646 Oil on canvas 92 x 71 Alte Pinakothek, Munich 211a Part of the Passion series for Frederik Hendrik. 211b. Studio copy after a lost Circumcision (which was part of the Passion series for Frederik Hendrik), in or after 1646. Braunschweig, Herzog Anton Ulrich Museum
Saul and David by Rembrandt Mauritshuis 621.jpg Saul and David c. 1645 and c. 1652 Oil on canvas 130 x 164.5 Mauritshuis, The Hague 212 The painting originally was considerable larger. A vertical strip, wide c. 20 cm is missing to the left of David’s harp. Along the bottom the painting was c. 18 cm larger. The top right square piece of canvas above David was replaced by a fragment of a seventeenth-century painting and overpainted
Rembrandt Harmensz. van Rijn 152.jpg Susanna and the Elders c. 1638–1647 Oil on panel 76.6 x 92.8 Gemäldegalerie, Berlin 213 The painting is covered by a layer of yellowed varnish
Rembrandt van Rijn, Landscape with the Rest on the Flight into Egypt.jpg Nocturnal Landscape with the Holy Family 1647 Oil on panel 33.8 x 47.8 National Gallery of Ireland, Dublin 214
Portret van een man, vermoedelijk Dr. Ephraïm Bueno Rijksmuseum SK-A-3982.jpeg Preparatory Oil Sketch for the Etched Portrait of Dr Ephraim Bueno c. 1647 Oil on panel 19 x 15 Rijksmuseum Amsterdam 215
Rembrandt ManReading.jpg Portrait of a Man Reading by Candlelight 1648 Oil on canvas 66.5 x 58 Clark Art Institute, Williamstown 216
Rembrandt Harmensz. van Rijn 048.jpg Oil Study of Christ c. 1648 Oil on panel 25 x 20 Gemäldegalerie, Berlin 217a Rembrandt or pupil. Companion piece to 217b
Rembrandt Oil Study of Christ.jpg Oil Study of Christ 1648 Oil on panel 25.5 x 20.1 Private collection 217b Rembrandt or pupil. Companion piece to 217a
Pelerins Rembrandt 2-16263.jpg The Supper at Emmaus 1648 Oil on panel 68 x 65 Musée du Louvre, Paris 218 The panel, whose grain runs horizontally, may have extended further on the left where there could have been a window
Rembrandt Christ Appearing to Mary Magdalene, ‘Noli me tangere’.jpg Christ Appearing to Mary Magdalene, ‘Noli me tangere’ 1650 or slightly later Oil on canvas 65 x 79 Herzog Anton Ulrich Museum, Braunschweig 219 The painting is in an extremely bad condition and shows disturbing blanching in places
Rembrandt Harmensz. van Rijn - "The Kitchen Maid" - Google Art Project.jpg Girl at a Window 1651 Oil on canvas 78 x 63 Nationalmuseum, Stockholm 220
Rembrandt An Old Man in an Armchair.jpg An Old Man in an Armchair 1652 Oil on canvas 111 x 88 National Gallery, London 221
Rembrandt An Old Man in Fanciful Costume.jpg An Old Man in Fanciful Costume 1651 Oil on canvas 78.5 x 67.5 Chatsworth House 222 The painting was originally taller. It is covered by a disturbing layer of yellowed varnish
Rembrandt, Portrait of Hendrickje Stoffels.jpg Hendrickje with Fur Wrap c. 1652 Oil on canvas 103.3 x 86.5 National Gallery, London 223
Rembrandt Harmenszoon van Rijn - Large Self-Portrait - Google Art Project.jpg The So-called Large Vienna Self-portrait with Beret 1652 Oil on canvas 112.1 x 81 Kunsthistorisches Museum, Vienna 224 The painting has been cropped both at top left and bottom. It is covered by a disturbing layer of yellowed varnish
Rembrand Portrait of a Man 1652.jpg Portrait of a Man c. 1651 Oil on canvas 92.5 x 73.5 Faringdon Collection, Oxfordshire 225
Rembrandt Harmensz. van Rijn 100.jpg Portrait of Nicolaes Bruyningh 1652 Oil on canvas 106.8 x 91.5 Schloss Wilhelmshöhe, Kassel 226 The painting is covered by a layer of yellowed varnish
Rembrandt Half-figure of a Bearded Man with Beret.jpg Half-figure of a Bearded Man with Beret c. 1653 Oil on canvas 78 x 66.5 National Gallery, London 227
Rembrandt Harmensz. van Rijn 013.jpg Aristotle with a Bust of Homer 1653 Oil on canvas 141.8 x 134.4 Metropolitan Museum of Art, New York 228 The painting was larger at both top and bottom. The original proportions of the canvas were 4:3
Rembrandt Harmensz. van Rijn 060.jpg A Woman Wading in a Pool (Callisto in the Wilderness) 1654 Oil on panel 61.8 x 47 National Gallery, London 229
Rembrandt Oil study of an old man with a red hat.jpg Oil Study of an Old Man with a Red Hat c. 1654 Oil on canvas 52.4 x 37 Gemäldegalerie, Berlin 230 The painting is covered by a disturbing layer of darkened varnish
Rembrandt Harmensz. van Rijn 016.jpg Bathsheba at her Toilet 1654 Oil on canvas 142 x 142 Musée du Louvre, Paris 231 The canvas was originally considerably higher and wider at the left. Strips are missing from the bottom and right. In the process of changing the format of the painting the remaining part with the figures was slightly tilted to the left
Rembrandt - Portrait of Hendrickje Stoffels - Google Art Project.jpg Woman at an Open Half-door c. 1654 Oil on canvas 88.5 x 67 Gemäldegalerie, Berlin 232 The painting is covered by a disturbing layer of yellowed varnish
Rembrandt Harmensz. van Rijn 097.jpg Portrait of Jan Six 1654 Oil on canvas 112 x 102 Six Foundation, Amsterdam 233
The Standard Bearer (Floris Soop, 1604–1657), by Rembrandt van Rijn.jpg The Standard-Bearer (Floris Soop) 1654 Oil on canvas 138 x 113 Metropolitan Museum of Art, New York 234
Rembrandt Self-portrait (Kassel).jpg Self-portrait 1654 Oil on canvas 72 x 58.5 Schloss Wilhelmshöhe, Kassel 235a Companion piece to 235b
Rembrandt Harmensz. van Rijn 081.jpg Portrait of Hendrickje Stoffels c. 1654 Oil on canvas 72 x 60 Musée du Louvre, Paris 235b Companion piece to 235a
Rembrandt - De Poolse ruiter, c.1655 (Frick Collection).jpg The Polish Rider c. 1655 Oil on canvas 116.8 x 134.9 Frick Collection, New York 236 Partly unfinished, locally completed by later hand. At least 8–10 cm of the canvas are missing at the right. Along the bottom a strip of c. 10 cm was lost at some stage and subsequently replaced by a reconstruction painted by the restorer William Suhr
Rembrandt Harmensz. van Rijn 065.jpg Joseph Accused by Potiphar’s Wife 1655 Oil on canvas 110 x 87 Gemäldegalerie, Berlin 237 With possible additions by another hand. The figure of Joseph and the left part of the pillow seem to have been added by a later hand on the basis of a rough underpainting by Rembrandt
Rembrandt Oil Sketch of an Old Man.jpg Oil Sketch of an Old Man c. 1655 Oil on panel 23 x 18 Private collection 238
Rembrandt Man in Armour.jpg Man in Armour c. 1655 Oil on canvas 137.5 x 104.5 Kelvingrove Art Gallery and Museum, Glasgow 239 The canvas has been enlarged on all four sides
Rembrandt Harmensz. van Rijn 053.jpg Slaughtered Ox 1655 Oil on panel 95.5 x 69 Musée du Louvre, Paris 240
Rembrandt Harmensz. van Rijn 002.jpg Old Woman Reading (Study in Lighting Effects) 1655 Oil on canvas 79 x 65 Drumlanrig Castle, Thornhill 241
Rembrandt van Rijn - Titus at his Desk - Google Art Project.jpg Titus at a Desk 1655(?) Oil on canvas 77 x 63 Museum Boijmans Van Beuningen, Rotterdam 242
Rembrandt van Rijn - Portret van een jongen.jpg Unfinished Portrait of a Boy c. 1656 Oil on canvas 65 x 56 Norton Simon Museum, Pasadena 243
Rembrandt Harmensz. van Rijn - Man in a Fur-lined Coat - Google Art Project.jpg Man with Beret and Tabard (a Falconer?) 1656 Oil on canvas 115 x 88.3 Toledo Museum of Art 244 The painting must originally have extended considerably further to the right
Rembrandt - Jacob Blessing the Children of Joseph - WGA19117.jpg Jacob Blessing the Sons of Joseph 1656 Oil on canvas 175 x 210.5 Schloss Wilhelmshöhe, Kassel 245
Dr Deijman’s Anatomy Lesson (fragment), by Rembrandt.jpg The Anatomy Lesson of Dr. Jan Deyman 1656 Oil on canvas 100 x 134 Amsterdam Museum 246 Fragment that survived a fire. Blisters and traces of other fire-damage are still visible along the upper edge and in the hands of the dissector, Dr Deyman
Rembrandt 61005.jpg Young Man Seated at a Table c. 1656 Oil on canvas 109.9 x 89.5 National Gallery of Art, Washington 247
Rembrandt 229.jpg Portrait of a Gentleman with a Pair of Gloves c. 1656 Oil on canvas 99.5 x 82.5 National Gallery of Art, Washington 248a Companion piece to 248b. The painting (and its companion piece) seems to be a fragment of a full-size portrait
Rembrandt Harmensz. van Rijn 107.jpg Portrait of a Lady with an Ostrich Feather Fan c. 1656 Oil on canvas 99.5 x 83 National Gallery of Art, Washington 248b Companion piece to 248a
Rembrandt, Portrait of Arnout Tholincx, 1656.jpg Portrait of a Man, possibly Arnout Tholincx 1656 Oil on canvas 76 x 63 Musée Jacquemart-André, Paris 249
Rembrandt - Portrait of Jeremias de Decker - WGA19156.jpg Portrait of poet Jeremias de Decker 1656 Oil on panel 71 x 56 Hermitage Museum, Saint Petersburg 250
Rembrandt Harmensz. van Rijn 155.jpg Venus and Cupid c. 1657 Oil on canvas 110 x 88 Musée du Louvre, Paris 251 Possibly part of a tripartite series with 252 and 253. The canvas has been cropped on all sides
Rembrandt 61035.jpg Juno c. 1657–1665 Oil on canvas 127 x 106 Hammer Museum, Los Angeles 252 Possibly part of a tripartite series with 251 and 253
Pallas Athena by Rembrandt Museu Calouste Gulbenkian 1488.jpg Pallas Athene c. 1657 Oil on canvas 118 x 91 Museu Calouste Gulbenkian, Lisbon 253 Rembrandt and pupil. Possibly part of a tripartite series with 251 and 252. The canvas has been reduced at the left and bottom
Saint Paul, Rembrandt van Rijn (and Workshop?), c. 1657.jpg The Apostle Paul at his Writing Desk 1657 Oil on canvas 129 x 102 National Gallery of Art, Washington 254 Rembrandt and workshop
Rembrandt 51030.jpg The Apostle Bartholomew 1657 Oil on canvas 122.7 x 99.5 Timken Museum of Art, San Diego 255
Rembrandt Harmensz. van Rijn 132.jpg The So-called Small Vienna Self-portrait c. 1657 Oil on panel 48.9 x 40.2 Kunsthistorisches Museum, Vienna 256 Serious overcleaning and related overpaintings are evident in the shaded part of the face and in the costume. The painting appears to be a fragment of a considerably larger self-portrait
Rembrandt Harmensz. van Rijn 102.jpg Portrait of Titus van Rijn 1657 Oil on canvas 67.3 x 55.2 Wallace Collection, London 257 The figure may have been placed before a larger, rather lively background
Rembrandt, Portrait of Catrina Hooghsaet.jpg Portrait of Catharina Hooghsaet 1657 Oil on canvas 123.5 x 95 Penrhyn Castle, Gwynedd 258
Rembrandt The Auctioneer.jpg Portrait of an Unknown Scholar (also known as ‘The Auctioneer’) 1658 Oil on canvas 108 x 85 Metropolitan Museum of Art, New York 259
Rembrandt Preparatory Oil Sketch for the Etched Portrait of Lieven Willemsz van Coppenol.jpg Preparatory Oil Sketch for the Etched Portrait of Lieven Willemsz van Coppenol In or before 1658 Oil on panel 35.6 x 28 Metropolitan Museum of Art, New York 260 See etching B283 B283 Rembrandt.jpg
Rembrandt Harmensz van Rijn - Portret van een man met de handen in de zij 1658.jpg Portrait of a Man with Arms Akimbo 1658 Oil on canvas 107.4 x 87 Agnes Etherington Art Centre, Kingston 261
Rembrandt The Risen Christ.jpg The Risen Christ c. 1658 Oil on canvas 81 x 64 Alte Pinakothek, Munich 262 The painting was not originally oval
Rembrandt Portrait of the Dyke Reeve Dirck van Os.jpg Portrait of Dirck van Os c. 1658 Oil on canvas 113.5 x 88.7 Joslyn Art Museum, Omaha 263
Rembrandt - Zelfportret - Google Art Project.jpg Self-portrait 1658 Oil on canvas 131 x 102 Frick Collection, New York 264
Rembrandt van Rijn - Philemon and Baucis (National Gallery of Art).jpg Philemon and Baucis 1658 Oil, transferred from panel to gauze and then stuck on a new panel 54.5 x 68.5 National Gallery of Art, Washington 265
Rembrandt van Rijn - Tobit en zijn vrouw (1659).jpg Tobit and Anna 1659 Oil on canvas 41.8 x 54.6 Museum Boijmans Van Beuningen, Rotterdam 266
Rembrandt - Moses with the Ten Commandments - Google Art Project.jpg Moses Smashes the Stone Tablets with the Covenant 1659 Oil on canvas 168.5 x 136.5 Gemäldegalerie, Berlin 267 Unfinished
Rembrandt - Jacob Wrestling with the Angel - Google Art Project.jpg Jacob Wrestling with the Angel c. 1659 Oil on canvas 137 x 116 Gemäldegalerie, Berlin 268 The painting must have been cropped on all sides. A piece of the same canvas bearing Rembrandt’s signature is stuck on the lower right corner. Many of the contours have been strengthened by a later hand
Rembrandt Harmensz. van Rijn 059.jpg Posthumous Portrait of Saskia van Uylenburgh as Flora c. 1660 Oil on canvas 100 x 91.8 Metropolitan Museum of Art, New York 269 Rembrandt (and workshop?)
Rembrandt, The Apostle Paul, 1659, The National Gallery, London.jpg Portrait of a Man as the Apostle Paul 1659 Oil on canvas 102 x 85.5 National Gallery, London 270
Skitse til Ridderen med falken, kendt som "Korsridderen".jpg Oil Sketch for 272 c. 1659 Oil on canvas 68.5 x 55.5 Statens Museum for Kunst, Copenhagen 271
Rembrandt Man with a Falcon on his Wrist.jpg ‘Portrait Historié’ of an Unknown Gentleman as St Bavo c. 1659 Oil on canvas 98.5 x 79 Gothenburg Museum of Art 272
Rembrandt aged51.jpg Self-portrait 1657/1659 Oil on canvas 50 x 42.5 National Gallery of Scotland, Edinburgh 273
Rembrandt van Rijn - Self-Portrait - Google Art Project.jpg Self Portrait with Beret and Turned-Up Collar 1659 Oil on canvas 84.4 x 66 National Gallery of Art, Washington 274
Rembrandt-Autoportrait-Aix.jpg Self-portrait c. 1659 Oil on canvas 30.7 x 24.3 Musée Granet, Aix-en-Provence 275 Unfinished
Rembrandt Lighting Study with an Old Man as a Model.jpg Lighting Study with an Old Man as a Model 1659 Oil on panel 38.1 x 26.8 Daniel and Linda Bader Collection, Milwaukee 276
Rembrandt - Portrait of Hendrickje Stoffels - Hendrickje Stoffels - 1659.jpg Lighting Study with Hendrickje Stoffels in a Silk Gown as a Model c. 1659 Oil on panel 72.5 x 51.5 Städel, Frankfurt am Main 277 A narrow strip is missing along the left side, a consequence of woodworm attack. The painting is covered with a yellowed varnish
Rembrandt van Rijn, Portrait of Hendrickje Stoffels (1650s).jpg Hendrickje Stoffels c. 1660 Oil on canvas 78.4 x 68.9 Metropolitan Museum of Art, New York 278 The painting is in a badly overcleaned and abraded condition
Rembrandt van Rijn - Rembrandts zoon Titus in monniksdracht (Rijksmuseum Amsterdam).jpg Titus van Rijn as St Francis c. 1660 Oil on canvas 79.5 x 67.5 Rijksmuseum Amsterdam 279
Rembrandt - Titus, the Artist's Son, 1660 (Baltimore Museum of Art).jpg A Smiling Young Man (Titus) 1660 Oil on canvas 81.5 x 78.5 Baltimore Museum of Art 280
Rembrandt, Auto-portrait, 1660.jpg Self-portrait at an Easel 1660 Oil on canvas 110.9 x 90.6 Musée du Louvre, Paris 281
Rembrant Self-Portrait, 1660.jpg Rembrandt: Self Portrait 1660 Oil on canvas 81 x 67.6 Metropolitan Museum of Art, New York 282
Rembrandt Harmensz van Rijn - Ahasuerus, Haman and Esther - Google Art Project.jpg Assuerus, Haman, and Esther Between c. 1655 and 1665 Oil on canvas 71.5 x 93 Pushkin Museum, Moscow 283
De verloochening van Petrus Rijksmuseum SK-A-3137.jpeg The Denial of Peter 1660 Oil on canvas 154 x 169 Rijksmuseum Amsterdam 284 The canvas was reduced on the right. 286 was painted on part of the trimmed piece
Rembrandt Lighting Study of an Old Man in Profile.jpg Lighting Study of an Old Man in Profile c. 1661 Oil on panel 24.8 x 19.1 Agnes Etherington Art Centre, Kingston 285 Probably painted in preparation for 286
Rembrandt The Circumcision in the Stable.jpg The Circumcision in the Stable 1661 Oil on canvas 56.5 x 75 National Gallery of Art, Washington 286
Rembrandt-Mater-Dolorosa-Epinal.jpg The Virgin of Sorrow 1661 Oil on canvas 107 x 81 Musée départemental d'Art ancien et contemporain, Epinal 287
Rembrandt Titus Posing for a Study of an Angel.jpg Titus Posing for a Study of an Angel c. 1661 Oil on panel 40.6 x 34.9 Detroit Institute of Arts 288 Possibly painted in preparation for 289
Rembrandt Harmensz. van Rijn 049.jpg St. Matthew and the Angel 1661 Oil on canvas 96 x 81 Musée du Louvre, Paris 289 Part of a series with 290–294
Rembrandt Harmensz. van Rijn (Dutch - St. Bartholomew) - Google Art Project.jpg The Apostle Bartholomew 1661 Oil on canvas 87.5 x 75 J. Paul Getty Museum, Los Angeles 290 Part of a series with 289, 291–294
61025The Apostle Simon.jpg The Apostle Simon 1661 Oil on canvas 98.5 x 79 Kunsthaus Zürich 291 Part of a series with 289, 290 and 292–294
Rembrandt - Sankt Jakobus der Ältere.jpg The Apostle James the Greater 1661 Oil on canvas 92.1 x 74.9 Whereabouts unknown 292 Part of a series with 289–291 and 293, 294
Rembrandt The Apostle James the Less.jpg The Apostle James the Less, or Christ with a Staff 1661 Oil on canvas 94.5 x 81.5 Metropolitan Museum of Art, New York 293 Part of a series with 289–292 and 294
Rembrandt Harmensz. van Rijn - Zelfportret als de apostel Paulus - Google Art Project.jpg Self-portrait as the Apostle Paul 1661 Oil on canvas 93.2 x 79.1 Rijksmuseum Amsterdam 294 Part of a series with 289–293
Rembrandt Harmensz. van Rijn 157.jpg Two Moors 1661 Oil on canvas 77.8 x 64.5 Mauritshuis, The Hague 295 The paint surface is severely worn. The painting has been cropped to the right and bottom
Rembrandt - Margaretha de Geer, wife of Jacob Trip - National Gallery.jpg The Small Margaretha de Geer 1661 Oil on canvas 73.5 x 60.7 National Gallery, London 296 Sketch for 297b
61016Portrait of Jacob Trip.jpg Portrait of Jacob Trip c. 1661 Oil on canvas 130.5 x 97 National Gallery, London 297a Companion piece to 297b
61017Portrait of Margaretha de Geer.jpg Portrait of Margaretha de Geer c. 1661 Oil on canvas 130.5 x 97 National Gallery, London 297b Companion piece to 297a
Rembrandt Harmensz. van Rijn - The Conspiracy of the Batavians under Claudius Civilis - Google Art Project.jpg The Conspiracy of the Batavians under Claudius Civilis c. 1661–1662 Oil on canvas 196 x 309 Nationalmuseum, Stockholm 298 Fragment
Rembrandt - De Staalmeesters- het college van staalmeesters (waardijns) van het Amsterdamse lakenbereidersgilde - Google Art Project.jpg Portrait of the Syndics of the Amsterdam Clothmakers’ Guild, known as the ‘Staalmeesters’ 1662 Oil on canvas 191.5 x 279 Rijksmuseum Amsterdam 299
Rembrandt Harmensz. van Rijn - Young Man in a Black Beret - Google Art Project.jpg Portrait of a Young Man c. 1662 Oil on canvas 80 x 64.7 Nelson-Atkins Museum of Art, Kansas City 300
Rembrandt Harmensz. van Rijn 061.jpg Homer Dictating his Verses 1663 Oil on canvas 108 x 82.4 Mauritshuis, The Hague 301 Made as part of a tripartite series with 228 and a lost Alexander the Great. In the right lower corner part of the manuscript, fingertips with pen and rim of the inkwell of a scribe
Rembrandt Harmensz. van Rijn 142.jpg Self-portrait as the Laughing Zeuxis while Painting an Old Woman 1663 Oil on canvas 82.5 x 65 Wallraf-Richartz Museum, Cologne 302 Cropped on all four sides; the upper left and right corners are later additions
Rembrandt - Frederick Rihel on Horseback - WGA19157.jpg Equestrian Portrait of Frederick Rihel 1663 Oil on canvas 294.5 x 241 National Gallery, London 303 Rembrandt and workshop. The horse is painted by a different painter, possibly Titus van Rijn
'Bust of a Young Jew', oil on canvas painting by Rembrandt Harmensz. van Rijn.jpg Bust of a Bearded Young Man with a Skullcap 1663 Oil on canvas 65.8 x 57.5 Kimbell Art Museum, Fort Worth 304
Rembrandt Harmensz van Rijn - Portrait of a Lady with a Lap Dog - Google Art Project.jpg Portrait of a Woman with a Lapdog c. 1665 Oil on canvas 81 x 64 Art Gallery of Ontario, Toronto 305 The originally more differentiated background is overpainted with black
Rembrandt Old Man in an Armchair, possibly a portrait of Jan Amos Comenius.jpg Old Man in an Armchair, possibly a portrait of Jan Amos Comenius c. 1665 Oil on canvas 104 x 86 Uffizi, Florence 306 Covered with remnants of darkened varnish
Rembrandt Harmenszoon van Rijn - Titus van Rijn, the Artist’s Son, Reading - Google Art Project.jpg Titus Reading (study in direct and reflected light) c. 1660/1665 Oil on canvas 70.5 x 64 Kunsthistorisches Museum, Vienna 307
Rembrandt Harmensz. van Rijn 095.jpg Portrait of Gerard de Lairesse 1665 Oil on canvas 112 x 87 Metropolitan Museum of Art, New York 308
Rembrandt Portrait of Jan Boursse, Sitting by a Stove.jpg Portrait of Jan Boursse, Sitting by a Stove c. 1666 Oil on panel 47 x 40.5 Museum Oskar Reinhart ‘Am Römerholz’, Winterthur 309 Probably painted in preparation of an unrealized etched portrait. The painting has suffered heavily from overcleaning and wear and is covered with a thick layer of yellowed varnish
Rembrandt A Presumed Sketch for the Male Sitter in the ‘Jewish Bride’.jpg A Presumed Sketch for the Male Sitter in the ‘Jewish Bride’ mid-1660s Oil on panel 38.4 x 31.1 Metropolitan Museum of Art, New York 310
61027 Portrait of a Man with a Magnifying Glass.jpg Portrait of a Man with a Magnifying Glass, possibly Pieter Haaringh 1665 Oil on canvas 91.4 x 74.3 Metropolitan Museum of Art, New York 311a Companion piece to 311b
Portrait of a Woman with a Pink Carnation.jpg Portrait of a Woman with a Carnation, possibly Lysbet Jansdr Delft 1665 Oil on canvas 92.1 x 74.6 Metropolitan Museum of Art, New York 311b Companion piece to 311a
Rembrandt Harmensz. van Rijn - Het Joodse bruidje.jpg ‘Portrait Historié’ of a Couple as Isaac and Rebecca (known as ‘The Jewish Bride’) c. 1665 Oil on canvas 121.5 x 166.5 Rijksmuseum Amsterdam 312 Originally the painting was larger
Rembrandt Harmensz. van Rijn 050.jpg Family Portrait c. 1665 Oil on canvas 126 x 167 Herzog Anton Ulrich Museum, Braunschweig 313
Rembrandt lucretia.jpg Lucretia 1666 Oil on canvas 111 x 95 Minneapolis Institute of Arts 314 Both hands have been (clumsily) overpainted by a later painter
Rembrandt Harmensz. van Rijn - Portrait of a white-haired man - Google Art Project.jpg Portrait of a White-haired Man 1667 Oil on canvas 108.9 x 92.7 National Gallery of Victoria, Melbourne 315
61044 Portrait of an Eldery Man.jpg Portrait of an Elderly Man Seated, possibly Pieter de la Tombe 1667 Oil on canvas 81.9 x 67.7 Mauritshuis, The Hague 316
Rembrandt Portrait of Titus van Rijn.jpg Portrait of Titus van Rijn 1668 Oil on canvas 72 x 56 Musée du Louvre, Paris 317 Companion piece to 318?
Portrait d'une jeune femme par Rembrandt vers 1665.jpg Portrait of a Young Woman, possibly Magdalena van Loo 1668 Oil on canvas 56 x 47 Montreal Museum of Fine Arts 318 Companion piece to 317? Cropped on all four sides
Rembrandt Self-portrait (Kenwood).jpg Self Portrait with Two Circles c. 1665/1669 Oil on canvas 114.3 x 94 Kenwood House, London 319 Unfinished
Rembrandt Harmensz van Rijn - Return of the Prodigal Son - Google Art Project.jpg The Return of the Prodigal Son c. 1660/1665 Oil on canvas 262 x 206 Hermitage Museum, Saint Petersburg 320 Rembrandt and other hand(s). A 10 cm wide strip has been added or replaced along the right edge
Rembrandt Harmensz. van Rijn 135.jpg Self-Portrait at the Age of 63 1669 Oil on canvas 86 x 70.5 National Gallery, London 321
Rembrandt, Self-portrait, 1668–1669, Galleria degli Uffizi, Florence.jpg Self-portrait with Beret 1669 Oil on canvas 71 x 54 Uffizi, Florence 322 Strips of c. 15 cm may have been removed on all four sides as early as the seventeenth century to accommodate the painting in an assemblage of self-portraits owned by the Medici family. The painting is now almost hidden behind a strongly discoloured or tinted layer of varnish under which there also seem to be extensive overpaintings
Rembrandt Harmensz. van Rijn 134.jpg Self-portrait 1669 Oil on canvas 63.5 x 57.8 Mauritshuis, The Hague 323 A strip of c. 10 cm is missing from the bottom
Rembrandt - Circumcision - WGA19111.jpg Simeon’s Song of Praise 1669 Oil on canvas 98.5 x 79.5 Nationalmuseum, Stockholm 324 This painting remained unfinished in his studio after Rembrandt’s death. The woman (Mary?) was probably added later by another hand. Still later, the painting was so crudely treated that it is now a ruin

See also[edit]

Sources[edit]

  • A Corpus of Rembrandt Paintings I (1625–1631). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J. 1982. ISBN 978-90-247-2614-1.
  • A Corpus of Rembrandt Paintings II (1631–1634). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J. 1986. ISBN 978-90-247-3339-2.
  • A Corpus of Rembrandt Paintings III (1635–1642). Bruyn, J., Haak, B., Levie, S.H., van Thiel, P.J.J., van de Wetering, E. (Ed.). 1990. ISBN 978-90-247-3781-9.
  • A Corpus of Rembrandt Paintings IV (Self-Portraits). van de Wetering, Ernst (Ed.). Springer. 2005. ISBN 978-1-4020-3280-6.
  • A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0.
  • A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.