List of string quartets by Béla Bartók

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Béla Bartók in 1927

The Hungarian composer Béla Bartók wrote six string quartets, for two violins, viola and cello:

List[edit]

Posterity[edit]

Notable composers who have been influenced by them include:

Recordings[edit]

Key recordings of the complete cycle include:

See also[edit]

References[edit]

Sources

  • Anon. 1988. Bartók, Lindsay String Quartet – The 6 String Quartets at Discogs (Listing of the 1988 reissue)
  • Babbitt, Milton. n.d.. untitled essay. In "Recollections of Stefan Wolpe by Former Students and Friends", edited by Austin Clarkson. Ada Evergreen website (Accessed 18 April 2014).
  • Čigareva, Evgeniâ Ivanovna. 2007. "Zur Bartók-Rezeption in Russland". Studia Musicologica 48, nos. 1–2 (March): 225–236.
  • Donahue, Robert L. 1964. "A Comparative Analysis of Phrase Structure in Selected Movements of the String Quartest of Béla Bartók and Walter Piston". DMA thesis. Cornell University.
  • Iddon, Martin. 2014. "Bartók's Relics: Nostalgia in György Ligeti's Second String Quartet". In The String Quartets of Bela Bartok: Tradition and Legacy in Analytical Perspective, edited by Daniel Péter Biró and Harald Krebs, 243–260. Oxford and New York: Oxford University Press. ISBN 978-0-19-993619-9.
  • Lansky, Paul. 2001. "Perle, George". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
  • Manheim, James. n.d. "Harlem Quartet: Walter Piston: String Quartets Nos. 1, 3, and 5". AllMusic (accessed 18 April 2014).
  • Němcová, Alena. 2001. "Ištvan, Miloslav". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
  • Osmond-Smith, David. 2001. "Donatoni, Franco". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Palazzetti, Nicolò. 2015. "Italian Harmony during the Second World War: Analysis of Bruno Maderna's First String Quartet". Rivista di Analisi e Teoria Musicale 21, no. 1: 63–91.
  • Rupprecht, Philip. 1999. "The Chamber Music". In The Cambridge Companion to Benjamin Britten, edited by Mervyn Cooke, 245–259. Cambridge and New York: Cambridge University Press.
  • Sallis, Friedemann. 2014. "Recycled Flowers: Quotation, Paraphrase, and Allusion in György Kurtág's Officium breve in memoriam Andreæ Szervánsky, Op. 28, for String Quartet". In The String Quartets of Bela Bartok: Tradition and Legacy in Analytical Perspective, edited by Daniel Péter Biró and Harald Krebs, 285–305. Oxford and New York: Oxford University Press. ISBN 978-0-19-993619-9.
  • Sanderson, Blair. [2013]. "Armida Quartett: Bartók, Kurtág, Ligeti: String Quartets". AllMusic (Accessed 18 April 2014).
  • Schmidt, Dörte. 2012. " 'I Try to Write Music That Will Appeal to an Intelligent Listener's Ear': On Elliott Carter's String Quartets", translated by Maria Schoenhammer and John McCaughey. In Elliott Carter Studies, edited by Marguerite Boland and John Link, 168–189. Cambridge and New York: Cambridge University Press.
  • Satory, Stephen. 1990. "Colloquy: An Interview with György Ligeti in Hamburg". Canadian University Music Review/Revue de musique des universités canadiennes 10:101–117.
  • Shcherbakova, Taisiya (2001). "Tsesakow, Kim Dzmitrïyevich". Grove Music Online. doi:10.1093/gmo/9781561592630.article.44810.
  • Tamm, Eric. n.d. "Fripp the Listener", chapter 3 of Robert Fripp – From Crimson King to Crafty Master. Progressive Ears website (Accessed 18 April 2014). [self-published source?]
  • Volborth-Danys, Diana von. 2001. "Westerlinck, Wilfried". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
  • Whittall, Arnold. 2013. "Britten's Rhetoric of Resistance: The Works for Rostropovich". In Rethinking Britten, edited by Philip Ernst Rupprecht, 181–205. Oxford and New York: Oxford University Press. ISBN 978-0-19-979481-2.
  • Wong, Hoi-Yan. 2007. "Bartók's Influence on Chinese New Music in the Post–Cultural Revolution Era". Studia Musicologica: An International Journal of Musicology of the Hungarian Academy of Sciences 48, nos. 1–2 (March): 237–243.

External links[edit]