While literary fiction is sometimes regarded as superior to genre fiction, the two are not mutually exclusive, and major literary figures have employed the genres of science fiction, crime fiction, romance, etc, to create works of literature. Furthermore, the study of genre fiction has developed within academia in recent decades.
The poet and critic Matthew Arnold defined "culture", in Culture and Anarchy (1869), as "the disinterested endeavour after man’s perfection" pursued, obtained, and achieved by effort to "know the best that has been said and thought in the world". Such a literary definition of high culture also includes philosophy. Moreover, the philosophy of aesthetics proposed high culture as a force for moral and political good. Critically, the term "high culture" is contrasted with the terms "popular culture" and "mass culture".
In sociology, taste is about an individual's cultural and aesthetic patterns of preference. Taste is a way of drawing distinctions between things such as styles, manners, consumer goods, and works of art. Questions about good or bad taste concern human ability to judge what is beautiful, good, and acceptable.
The term literary fiction implies that "the work in question has superior qualities ... well above the ordinary run of written works". Thus "George Eliot's novels are literature" and Ian Fleming's are not. Literary fiction often involves a concern with social commentary, political criticism, or reflection on the human condition,. This contrasts with genre fiction where plot is the central concern. It often has a slower pace than popular fiction. As Terrence Rafferty notes, "literary fiction, by its nature, allows itself to dawdle, to linger on stray beauties even at the risk of losing its way." There may also be a greater concern with style and complexity of the writing: Saricks describes literary fiction as "elegantly written, lyrical, and ... layered".. The "superior qualities" also include "the excellence of their writing, ... originality .. aesthetic and artistic merit".
The term classic book covers works in any discipline that have been accepted as being exemplary or noteworthy. This includes being listed in a list of great books. The terms "classic book" and "Western canon" are closely related concepts, but they are not necessarily synonymous. A "canon" refers to a list of books considered to be "essential" and is presented in a variety of ways. It can be published as a collection, such as Great Books of the Western World, Modern Library, or Penguin Classics, or presented as a list by an academic such as Harold Bloom' or be the official reading list of an institution of higher learning.
Robert M. Hutchins' in his 1952 preface to the Great Books of the Western World declared:
- Until lately the West has regarded it as self-evident that the road to education lay through great books. No man was educated unless he was acquainted with the masterpieces of his tradition. There never was very much doubt in anybody's mind about which the masterpieces were. They were the books that had endured and that the common voice of mankind called the finest creations, in writing, of the Western mind.
A further related term is masterpiece: a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or to a work of outstanding creativity, skill, profundity, or workmanship. Historically, a "masterpiece" was a work of a very high standard produced to obtain membership of a guild or academy in various areas of the visual arts and crafts.
Since 1901 the Nobel Prize in Literature has frequently been awarded to the authors of literary fiction masterpieces. This annual award is presented to a writer from any country who has, in the field of literature, produced the most outstanding work in an idealistic direction". Though individual works are sometimes cited as being particularly noteworthy, the award is based on an author's body of work as a whole.
The International Booker Prize is a similar British award given for outstanding literary fiction translated into English. This complements the earlier Booker Prize, which is awarded to fiction in the English language. For both judges are selected from amongst leading literary critics, writers, academics and public figures. The Booker judging process and the very concept of a "best book" being chosen by a small number of literary insiders is controversial for many. Author Amit Chaudhuri wrote: "The idea that a 'book of the year' can be assessed annually by a bunch of people – judges who have to read almost a book a day – is absurd, as is the idea that this is any way of honouring a writer."
The distinction between literary fiction and genre fiction is doubtful, because some works of genre fiction are considered works of literature. Major writers of literary fiction, like Nobel laureate Doris Lessing, as well as Margaret Atwood, also publish science fiction. Doris Lessing described science fiction as "some of the best social fiction of our time," and called Greg Bear, author of Blood Music, "a great writer." Other major literary figures have also written either genre fiction or books that contain certain elements of genre fiction. For instance, the novel Crime and Punishment by Fyodor Dostoevsky contains elements of the crime fiction genre. Gabriel García Márquez's book Love in the Time of Cholera is a romance novel. Frankenstein and Dracula are examples of gothic horror novels. Graham Greene at the time of his death in 1991 had a reputation as a writer of both deeply serious novels on the theme of Catholicism and of "suspense-filled stories of detection." Acclaimed during his lifetime, he was shortlisted in 1966 for the Nobel Prize for Literature. John Banville publishes crime novels as Benjamin Black, and both Doris Lessing and Margaret Atwood have written science fiction. Furthermore, Nobel laureate André Gide stated that Georges Simenon, best known as the creator of the fictional detective Jules Maigret, was "the most novelistic of novelists in French literature."
In an interview, John Updike lamented that "the category of 'literary fiction' has sprung up recently to torment people like me who just set out to write books, and if anybody wanted to read them, terrific, the more the merrier ... I'm a genre writer of a sort. I write literary fiction, which is like spy fiction or chick lit." Likewise, on The Charlie Rose Show, Updike argued that this term, when applied to his work, greatly limited him and his expectations of what might come of his writing, so he does not really like it. He suggested that all his works are literary, simply because "they are written in words."
- Aesthetic judgment
- Literary criticism
- Literary genre
- Literary theory
- Postmodern literature#Pastiche & Postmodern literature#Intertextuality
- A Reader's Manifesto
- Matthew Schneider-Mayerson, "Popular Fiction Studies: The Advantages of a New Field". Studies in Popular Culture, Vol. 33, No. 1 (Fall 2010), pp. 21-3
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- Rafferty 2011.
- Saricks 2009, p. 179.
- J. A Cuddon (revised C. E. Preston) The Penguin Dictionary of Literary Terms and Literary Theory, p. 472.
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- Chaudhuri, Amit (15 August 2017). "My fellow authors are too busy chasing prizes to write about what matters". The Guardian.
- Doris Lessing: Hot Dawns, interview by Harvey Blume in Boston Book Review
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- Charles E. Claffey, The Boston Globe September, 10, 1989 Contributing to this report was Boston Globe book editor Mark Feeney.
- Grossman 2006. sfn error: no target: CITEREFGrossman2006 (help)
- The Charlie Rose Show from June 14, 2006 with John Updike Archived February 3, 2009, at the Wayback Machine
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- Rafferty, Terrence (February 4, 2011). "Reluctant Seer". New York Times Sunday Book Review. Retrieved April 23, 2012.
- Saricks, Joyce (2009). The Readers' Advisory Guide to Genre Fiction (2nd ed.). ALA Editions. p. 402.
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