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|Live album by The Velvet Underground|
|Released||October 26, 1993|
|Recorded||June 15–17, 1993, Paris, France|
|The Velvet Underground chronology|
The sleeve for the single CD edition is tinted purple instead of blue
|Allmusic (double CD)|||
|Allmusic (single CD)|
Live MCMXCIII ("1993" in Roman numerals) is a live album by the Velvet Underground. It was released simultaneously in single and double CD/cassette formats on October 26, 1993 by Sire Records, then DVD format on January 24, 2006. The single CD is an abridged version of the double CD edition, featuring tracks 2, 13-16, 5, 6, 9, 18, and 20-23 in that order. There are no different takes of songs across the multiple editions although the actual track times differ by a few seconds between releases.
In late 1992, the Velvet Underground 1965–1968 core line-up of Lou Reed, John Cale, Sterling Morrison and Maureen Tucker suddenly decided to reform. The decision was entirely unexpected because the relationship between Reed and Cale had been sour ever since the late 60s, and though it had ameliorated after back catalogue royalty renegotiations in the mid-80s, it had hit another low after their 1990 collaboration Songs for Drella.
Nevertheless, an impromptu one-song reunion in Jouy-en-Josas, France, later that year for an Andy Warhol exhibition set the scene and by 1993, the band had started to rehearse for European and American tours. Lou Reed's then-current record company, Sire Records, agreed to release a live album from the European tour, and ambitious plans were made for both an MTV Unplugged appearance with accompanying album and a subsequent studio album.
Two key people did not participate in the reunion: sometime singer Nico, who had died in 1988; and latter-day vocalist/bassist/keyboard player Doug Yule, who Sterling Morrison would have liked to participate but who was vetoed out by Reed and Cale. Yule later stated that, although he would have liked being considered at least, he would have declined anyway because of family priorities.
The album was recorded during a three-night residence in the Paris venue L'Olympia. John Cale later said, "During the second night we hit the home run", and it is of this night that most of the Live MCMXCIII tracks were taken. The rest were taken from the third night.
Live MCMXCIII captures the band playing most of the Velvet classics from the back catalogue, with emphasis on the more structured songs. While they mainly stuck with their classics, there were two major improvisations on the European tour. "Some Kinda Love" was extended considerably to 9:06, with Cale improvising on piano, and Reed playing lengthy guitar solos throughout. The other improvisation on the tour was on "Hey Mr. Rain", where Cale and Reed solo "against" each other on viola and guitar, respectively, for 15:42. The band also performed two new songs: "Velvet Nursery Rhyme", a short tongue-in-cheek reunion theme song where Reed introduces the members of the band, and "Coyote", a Reed/Cale collaboration. Emphasis is on the band's first and third records and the "lost fourth album" (see VU and Another View), with only two songs from Loaded. During the six-week European tour, relationships quickly soured again and by the end of the tour all other plans were off, never to rematerialise. The band's latest breakup proved final when Sterling Morrison died in the summer of 1995.
The Velvets' reunion itself met with critical praise from the mainstream rock press, and generated heavy publicity for the band (resulting in the six-week European tour having many sold out venues or near capacity), but the album received mixed reviews. The public and the critics were split into two camps: those that did not want to spoil their vision of the band from the 60s and those that wanted to see the legendary four back together on stage and see whether they could still be relevant. Reviews reflected the views of the two camps.
After its release, Cale expressed disappointment in the album's mix: "The trouble is is that we had an opportunity here with the live album to really show what the band sounded like and it really doesn't give it to you. Some of the bootlegs that came out of the tour are almost a truer vision of what the band sounded like than the well recorded one, because the well recorded one really didn't take advantage of the ambiance of the room in the mix of the music. And that's what we were always pushing at. We wanted to fill the room up with this noise. Unfortunately it wasn't quite as present in the mix as I would have liked it to be or others would have liked it to be either."
All tracks written by Lou Reed except as noted.
|1.||"We're Gonna Have a Real Good Time Together"||3:14|
|2.||"Venus in Furs"||5:19|
|3.||"Guess I'm Falling in Love"||Reed, John Cale, Sterling Morrison, Maureen Tucker||3:08|
|5.||"All Tomorrow's Parties"||6:36|
|6.||"Some Kinda Love" (ends side one of cassette one)||9:06|
|7.||"I'll Be Your Mirror"||3:06|
|8.||"Beginning to See the Light"||4:59|
|9.||"The Gift"||Reed, Cale, Morrison, Tucker||10:33|
|10.||"I Heard Her Call My Name"||4:37|
|1.||"Hey Mr. Rain"||Reed, Cale, Morrison, Tucker||15:42|
|3.||"Velvet Nursery Rhyme"||Reed, Cale, Morrison, Tucker||1:31|
|4.||"White Light/White Heat"||4:21|
|5.||"I'm Sticking with You"||3:23|
|6.||"The Black Angel's Death Song"||Reed, Cale||4:12|
|7.||"Rock & Roll" (ends side one of cassette two)||6:13|
|8.||"I Can't Stand It"||4:21|
|9.||"I'm Waiting for the Man"||5:15|
|11.||"Pale Blue Eyes"||6:14|
- The Velvet Underground
- John Cale – viola, keyboards, bass guitar, backing vocals, lead vocal on "All Tomorrow's Parties", "The Gift", "Femme Fatale" and "I'm Waiting for the Man"
- Sterling Morrison – guitar, bass guitar, backing vocals
- Lou Reed – vocals, guitar
- Maureen Tucker – percussion, lead vocal on "After Hours" and "I'm Sticking with You"
- Technical staff