Live and Dangerous
|Live and Dangerous|
|Live album by Thin Lizzy|
|Released||2 June 1978|
|Genre||Hard rock, blues rock|
Warner Bros. (US)
|Producer||Thin Lizzy and Tony Visconti|
|Thin Lizzy chronology|
Live and Dangerous is a live double album by Irish band Thin Lizzy, released in June 1978. It was recorded in London in 1976, and Philadelphia and Toronto in 1977, with further production in Paris. It was also the last album to feature guitarist Brian Robertson,[a] who left the band shortly after its release.
The band decided to release a live album after their producer Tony Visconti did not have enough time to work on a full studio session. The group listened through various archive recordings from earlier tours and compiled the best versions into the album. Various studio overdubs were made to the live recordings during early 1978 in Paris; exactly how much of the album is overdubbed has been a contentious topic since its release. The album reached No. 2 in the UK charts, ultimately selling over half a million copies. It has continued to attract critical acclaim and it has appeared in several lists of the greatest live albums of all time.
By the mid-1970s, Thin Lizzy had stabilised around founding members, lead singer and bassist Phil Lynott and drummer Brian Downey, alongside guitarists Scott Gorham and Brian Robertson. The band had found commercial success with several hit singles and developed a strong live following by headlining the Reading Festival. Robertson had briefly left the band but subsequently returned. The group had planned to make a new studio album at the start of the year. Working with producer Tony Visconti, Thin Lizzy maintained huge success with their previous album Bad Reputation, and the group wanted to work with him again. However, Visconti had a very tight schedule and had committed to producing several albums for other artists, so Lynott suggested they spend two weeks together compiling a live album instead from earlier recordings.
The band and Visconti listened to over 30 hours of archive recordings, looking for the best performances to release. The album sleeve notes credit two concerts as the source of the album – Hammersmith Odeon, London, England on 14 November 1976 (as part of the tour for Johnny the Fox), and Seneca College Fieldhouse, Don Mills, Toronto, Canada on 28 October 1977 (as part of the tour for Bad Reputation). Visconti later revealed that shows at the Tower Theater, Philadelphia on 20 and 21 October 1977, a week earlier than the Toronto gig, had also been used. The band had listened back to the Hammersmith tapes shortly after recording and agreed that the performances sounded better than the studio versions. Thin Lizzy biographer Mark Putterford believes the majority of recordings on the finished album are from the Hammersmith show. Visconti later said the performance of "Southbound" came from a soundcheck before one of the Philadelphia gigs, with the audience reaction dubbed in from another song.
On this album, the band segues immediately from "Cowboy Song" into "The Boys Are Back in Town", on the line "a cowboy's life is the life for me" – the last chord of the former was the first of the latter, although their studio versions were recorded as separate songs. This segue between the two tracks remained a staple of the band's setlist for the rest of their career, and examples can be found on other live releases. The band had rearranged "Still in Love with You" to be slower and more emotional than the original studio version, and the version recorded on Live and Dangerous was considered by Putterford to be the highlight of Lynott's musical career.
To promote the album, the group filmed a gig at the Rainbow Theatre, London on 29 March 1978 for a television broadcast. The footage went unaired at the time but was later released on video and DVD.
The album was mixed and overdubbed at Studio Des Dames, Paris in January 1978. All sources agree that overdubbing took place on Live and Dangerous, although there is considerable disagreement about the extent of them. According to Visconti, the album was "75% recorded in the studio" with only the drums and audience noise remaining from the original live recordings. Visconti later said the overdubs and production were essential in order that the listener could hear a professional sounding band. He claims to have created some audience sounds from a keyboard-triggered tape loop in a similar manner to a Mellotron or sampling keyboard. Nevertheless, Visconti was happy with the production and believes the end result sounds authentic.
However, manager Chris O'Donnell said the album was 75% live, with overdubs restricted to backing vocals and a few guitar solos to "clean the sound up". Lynott said that there were a few necessary overdubs, but "anything else would have ruined the atmosphere on those recordings and made a mockery of putting out a live album". Robertson has been particularly critical over Visconti's view. He has said the album is almost all live, and the sound levels on stage would make overdubbing impossible due to the lack of acoustic separation between instruments. He claims a recording of "Still In Love With You", featuring a guitar solo he felt was better than the one at the gig that was eventually released, could not be used due to phaser noise on the bass. From this, he concluded that if the bass could not be overdubbed, nothing else could either.
O'Donnell hired Chalkie Davies, a photographer for New Musical Express for two weeks to photograph the band on a US tour in early 1978 in order to capture enough pictures suitable for the album artwork. The front cover, featuring Lynott in the foreground, was originally supposed to be the back cover as the group wanted equal coverage of all members. O'Donnell disagreed and reversed the front and back photographs at the last minute. The album had a working title of Thin Lizzy Live but Lynott decided that Live and Dangerous was better.
Live and Dangerous was released on 2 June 1978. It reached No. 2 in the UK, held from the top spot by the Grease soundtrack album. It remained in the charts for 62 weeks and eventually sold 600,000 copies. It was also the first album to be released by Warner Bros. Records in America (after previously being with Mercury Records in that region). A single from the album, "Rosalie / Cowgirl's Song" was released in April and reached No. 20 in the UK charts.
The band started touring to promote the album, but after a one-off gig in Ibiza, Lynott and Robertson had an acrimonious argument. Robertson, who had already briefly left the band the previous year, departed permanently to form Wild Horses with Jimmy Bain. He was replaced by Gary Moore, who had already played with the band on a number of short occasions.
The album was reissued on CD in 1989. The March 1978 footage from the Rainbow was released as a 60-minute edit on video, while complete footage was released on DVD in 2007, with other group performances including a show from their farewell tour on 26 January 1983, and four Top of the Pops clips from the 1970s.
In 2009, the live album Still Dangerous was released, which features material from the 20 October 1977 gig at Philadelphia that was used for some of Live and Dangerous. There is some overlap of tracks between the two albums, though Still Dangerous is completely live with no overdubs.
Stephen Thomas Erlewine of Allmusic described the album as "one of the best double live LPs of the 70s", and "a true live classic", containing more energy and power than the original albums. He also praised the "expert song selection". Stuart Bailie in his review for Classic Rock magazine writes that the album "still holds his own as a perfect tour document" and "has been studied by U2 and countless others as a masterclass in gig dynamics", staving off the rumors of tape doctoring.
Kerrang! magazine listed the album at No. 50 among the "100 Greatest Heavy Metal Albums of All Time". Reviewer Tim Chester declared the album one of the best despite if there were any overdubs, which he dismissed as irrelevant.
The album continues to attract critical praise. In 2010 Live and Dangerous was ranked number one in PlanetRock.com's The Greatest Live Album Top 40. The following year, the British music magazine NME ranked Live and Dangerous at No. 1 in its 50 Greatest Live Albums of All Time. In 2015, Rolling Stone put the album at No. 46 in its list of the greatest live albums. The album is included in the book 1001 Albums You Must Hear Before You Die.
- Side 1
- "Jailbreak" (Phil Lynott) – 4:31
- "Emerald" (Brian Downey, Scott Gorham, Lynott, Brian Robertson) – 4:18
- "Southbound" (Lynott) – 4:44
- "Rosalie/Cowgirl's Song" (Bob Seger/Downey, Lynott) – 4:00
- Side 2
- "Dancing in the Moonlight (It's Caught Me in Its Spotlight)" (Lynott) – 3:50
- "Massacre" (Downey, Gorham, Lynott) – 2:46
- "Still in Love with You" (Lynott) – 7:40
- "Johnny the Fox Meets Jimmy the Weed" (Downey, Gorham, Lynott) – 3:32
- Side 3
- "Cowboy Song" (Downey, Lynott) – 4:40
- "The Boys Are Back in Town" (Lynott) – 4:30
- "Don't Believe a Word" (Lynott) – 2:05
- "Warriors" (Gorham, Lynott) – 3:52
- "Are You Ready" (Downey, Gorham, Lynott, Robertson) – 2:40
- Side 4
- "Suicide" (Lynott) – 5:00
- "Sha La La" (Downey, Lynott) – 4:18
- "Baby Drives Me Crazy" (Downey, Gorham, Lynott, Robertson) – 6:36
- "The Rocker" (Eric Bell, Downey, Lynott) – 3:58
- "Rosalie/Cowgirl's Song"/"Me and the Boys" – 28 April 1978
A new remastered and expanded version of Live And Dangerous was released in 2011, featuring the full album as well as the Rainbow Theatre footage.
CD extra tracks
- Opium Trail (Downey, Gorham, Lynott)
- Bad Reputation (Downey, Gorham, Lynott)
- "The Boys Are Back in Town"
- "Dancing in the Moonlight (It's Caught Me in Its Spotlight)"
- "Still in Love with You"
- "Don't Believe a Word"
- "Are You Ready"
- "Sha La La"
- "Baby Drives Me Crazy"
- "Finale"/"Me and the Boys"
- Phil Lynott – lead vocals, bass guitar
- Scott Gorham – lead guitar, backing vocals
- Brian Robertson – lead guitar, backing vocals
- Brian Downey – drums, percussion
- John Earle – saxophone on "Dancing in the Moonlight"
- Huey Lewis (as "Bluesey Huey Lewis") – harmonica on "Baby Drives Me Crazy"[b]
- Live And Dangerous (Media notes). Thin Lizzy. Phonogram. 1978. 6641 807.
- Wright, Chris. The Rough Guide to Rock. Rough Guides. p. 1073. ISBN 978-1-85828-457-6.
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- Byrne 2006, p. 120.
- Putterford 1994, p. 150.
- Putterford 1994, p. 151.
- Byrne 2006, p. 121.
- Putterford 1994, pp. 151–152.
- "50 Greatest Live Albums of All Time : 46 Thin Lizzy, 'Live and Dangerous'". Rolling Stone. 29 April 2015. Retrieved 17 August 2016.
- Putterford 1994, p. 148.
- "Mixing A Live Recording". Sound on Sound. July 2013. Retrieved 17 August 2016.
- "Thin Lizzy : Live and Dangerous". Metal Archives. Retrieved 18 August 2016.
- Blackett, Matt (7 February 2012). "Brian Robertson Puts the Live Back in Live and Dangerous". Guitar Player. Retrieved 26 June 2015.
- Putterford 1994, p. 152.
- Byrne 2006, pp. 122.
- Dimery 2011, p. 1142.
- Byrne 2006, pp. 122–3.
- Byrne 2006, pp. 123.
- "Live and Dangerous : Releases". AllMusic. Retrieved 17 August 2016.
- Byrne 2006, pp. 121–2.
- "Live and Dangerous (DVD)". AllMusic. Retrieved 17 August 2016.
- Thompson, Dave. "Thin Lizzy : Still Dangerous: Live at Tower Theatre Philadelphia 1977". AllMusic. Retrieved 17 August 2016.
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- Bailie, Stuart (February 2011). "Thin Lizzy – Reissues". Classic Rock. 154. London, UK: Future plc. p. 88.
- g, manos (23 July 2014). "Review: CD Thin Lizzy – Live and Dangerous Album". Sputnikmusic. Retrieved 2015-01-01.
- Wall, Mick (21 January 1989). "Thin Lizzy 'Live and Dangerous'". Kerrang!. 222. London, UK: Spotlight Publications Ltd.
- "The Greatest Live Album of All Time | Polls | Music". Planet Rock. Retrieved 28 February 2012.
- "The 50 Greatest Live Albums of All Time". NME. Retrieved 27 June 2015.
- Dimery 2011, p. 1141.
- "Thin Lizzy Live & Dangerous [Bonus DVD] [Bonus Tracks]". AllMusic. Retrieved 17 August 2016.
- Live And Dangerous – Thin Lizzy Guide